in conclusion, tupolev created the tu-2 aircraft, known as the nt-58 aircraft 103, a twin-engine, high-speed, day, front-line bomber, legendary machines. many experts call it the best bomber in the war region. according to his data, it certainly surpassed all soviet aircraft of this kind that participated in the war. it took bombs of a larger caliber. was more reliable and easier to control, the aircraft was controlled by four people, two pilots, a flight engineer, a flight engineer, sometimes another was added the person who was responsible for bombing, the speed was quite usual 520 km/h, and it flew at a distance of 2,000 versts, this is a very large distance at that time, two normally could carry 1 ton of bombs, but it was possible to take 3

tons by reducing the range. flight. nevertheless, initially the plane turned out to be crude, but it is known, it had problems with low reliability, especially the engine. therefore, despite the high assessment of the pilots, after military tests in the forty-second year it was a failure of almost 2 years, the plane was massively began to enter the army only in 1944, after modifications. the aircraft was especially effective in supporting ground forces. on the very first day of the battle for berlin. 54 tu-2s dropped 97 tons of bombs on the enemy, that's a lot. the aircraft bombed berlin until it fell. tupolev was released early in july 1941, and after the war many more outstanding aircraft were created. it should be said that along with tuplev, it is also known that another outstanding designer, vladimir petlyakov, worked in sharaga. in the twenties and thirties, he answered. the closure of all tb and ant aircraft, and

during his imprisonment, vladimir mikhailovich was tasked with creating a new aircraft based on the twin-engine high-altitude fighter 100, it was called the ve 100, the high-altitude fighter 100, but it is difficult to even imagine in today's times, 52 days were allotted for the completion of the task, how petlyakov managed to complete it within this time frame is already impossible to imagine, but nevertheless in december with ...

among the pilots, according to the memoirs, he was certainly the best among machines of this type, i am familiar, thank you, lord, with an outstanding woman brok beltsova, who, in my opinion, thank you, is still alive, she flew as a navigator on the tpe-2 , he spoke about this plane in such admiring tones, it simply captured my heart, all the participants in the creation of the pe-2 were released in 1940. and petlyakov received the stalin prize of the first degree, such were the times. the design of the pe-2, nicknamed peshechka, turned out to be very successful, which allowed 22 modifications of the bomber to be created during the war. the plane was used for reconnaissance purposes, and there was a special modification of the pe-2. it did not have bombing equipment, but it did have the first. soviet

aviation radar on board, it was called gneiss-2. the pe-2 was the first in the ussr to use an electric control scheme for many mechanisms. for example, the aircraft design used about 50 electric motors for five different types. during the war, the p-2 was not only the most popular dive bomber, but also the most numerous. bombers in the soviet armed forces. in just 5 years 11,200 47, i think, pawns of all modifications were assembled. in addition to the main bomber version, there was also a version in the guise of a heavy fighter, a night fighter, an interceptor fighter, a reconnaissance aircraft , a heavy attack aircraft, a training aircraft and even an airplane. with a jet engine, on the production

model the pilot's cabin was shifted slightly forward, behind the pilot's seat slightly to the right was the navigator's seat. the navigator could also fire from ... a rear-firing shkaz machine gun, which was mounted on the pivot installation, behind the trailing edge of the aircraft wing was the gunner's place radioman, who controlled the under-fuselage dagger installation shas, here is the integrity of the dive bombers pe2 was their speed, maneuverability, and also incredible survivability, while the pawns, especially freed from the bomb load. could accept the battle or avoid interception, they acted especially effectively after the thirteenth series, which received large-caliber machine guns of 12.7 mm caliber. we are going through the podcast, everyone wants to fly on the first channel, i am it

host leonid yakubovich. today is a story about great aircraft designers, those who created amazing, outstanding, the best in the world. airplanes. tupalev's student was the outstanding aircraft designer pavel osipovich sukhoi. tupolev supervised sukhoi's diploma work entitled single-seat fighter with a 300 horsepower engine. by that time, it should be said that the aspiring designer was already 30 years old, but he graduated from technical school so late not because he was lazy, but because he was forced to interrupt for as long as... 6 years classes because of the civil war and the need to feed his family, as, by the way, many others, extraordinary talent, amazing efficiency and completely extraordinary thinking, everyone says this, very quickly he became tupolev's right hand in this

capacity he was involved in the creation of the i4 and i14 fighter and, naturally, the an-25, the turning point in sukhoi's life was the thirty-sixth year, when a competition was announced among the leading design bureaus of the country to create a short-range bomber under the conditional name ivanov. according to the competition assignment, the teams it was ordered to design an aircraft with an m-25 engine and to bring the whole thing to state testing no later than the thirty-seventh year. the deadline was met by the stock dry, which represented tsagi. his machine first took to the air in august of the thirty -seventh year. at the controls of the aircraft, which by that time was called the index sz-1, that is, stalin's task number one.

the chief pilot of tsagi, pilot mikhail gromov, who had worked for tsagi for a very long time, many years, was sitting. judging by what he wrote, he later assessed the plane is very. high. thanks to winning the competition, sukhov immediately had his own design bureau and the first plane. this very modified ivanov received the name su-2 for the first time 16 serial bombers bb, one were transferred to the close-range bomber regiment, if i'm not mistaken, number 135. and all this was in may 1940. development. above to say, went quite quickly, but thanks to the close attention of the government, among other things, the machine was easy to operate, very stable, the pilots noted a very good forward visibility from the cockpit convenient control stick location, they said that the plane was easy

to operate, it was very convenient for technicians to service it, since they had similar access to all units, and therefore repairing the plane... this includes replacing engines, even in difficult conditions did not present any particular difficulty. at the beginning of the war , soviet pilots had slightly more than 400 su-2 aircraft in service, an excellent machine in peacetime, in war conditions it, unfortunately, began to yield to technically more prepared machines of the opponent, the enemy, that is, the fascist aircraft were superior to the sukhoi in speed and maneuverability. the aircraft could no longer perform the tasks that were originally set for it, it gave way to other bombers, but by this time the sukhoi design bureau had developed a new aircraft, it was called

the su-6 fortified attack aircraft. the design drawings for this machine appeared, it must be said, back in 1939, and the first two aircraft were built in 1941, and already at the beginning of 1942. they were sent for testing, both prototypes were single-seater armored low-wing aircraft, of mixed construction, center-wing section. the tail and the frame of the rudders of the ailerons were metal, the rear part of the physique was wooden with plywood sheathing, the pilot's cabin and fuel tanks were armored, the gun armament of the su6 attack aircraft consisted of two shkaz machine guns of caliber 762 and two cannons of caliber 23 mm, vya cannons, all this was placed. in the wing consoles, outside the plane of the propeller, the bombs had a total weight of up to 400 kg, and they were carried

in the internal compartments, but already during the tests the su-6 showed an amazing speed of more than 490 km/h, almost 500, it was higher than the best attack aircraft of the war il-2, we will talk about it a little later, such speed was achieved in... mainly due to the use of a new powerful engine m-71. it was lighter in flight weight and even smaller in size. the dry armor was also significantly more improved than that of the il-2. among other things, due to a more rational distribution of sheet thicknesses, the total weight of the armor was only about 690 kg. this is approximately. having excellent

maneuverability and speed indicators, could be successfully used to combat enemy bombers and transport aircraft, this is known, a lot has been written about this, for the creation of the su-6 attack aircraft, sukhoi was awarded the first degree state prize in 1943, the aircraft was recommended for... that is, it went into production, however, unfortunately, for various reasons, it was not possible to establish mass production of the m72 engine, at the beginning of 1944, one of the experimental attack aircraft was re-equipped with a water-cooled engine cooling am-42 approximately 2.0 horsepower, with the air-cooled engine m-82 with a capacity of 1700 horsepower, sukhoi showed. during tests higher characteristics than il-2, but not as significant as with

this engine m-71f, the installation of the engine m42, sukhoi himself considered, of course, a step backwards, which he repeatedly stated, which he repeatedly wrote about. nevertheless, such an aircraft was built, due to the unreliable operation of the engine installation, the tests were delayed, by the time they were completed in serial production was released... this aircraft, and the il-10 attack aircraft with a similar engine, and the relevance of the dryer was lost. in the forty -fourth year, the aircraft was taken out of production, this was of course a heavy blow for the aircraft designer, however, the dryer continued to work, and what he did next, of course, is simply an outstanding result. now a few words about the aircraft, which i want to talk about separately. this is an attack aircraft, if a fighter is a means of destroying enemy air targets, then

an attack aircraft is needed to provide support ground troops and, perhaps, the main attack aircraft of the great patriotic war was the il-2, it was, i repeat, the most mass-produced aircraft in the history of aviation, 3600 of them were produced, they called him a flying tank, the creator of the aircraft, his mistake, he called ilyushin to him and asked to start producing

machines with a gunner with a rod as soon as possible. this was produced quite quickly, and of course, it had a huge impact on the combat capability of the machine. here it must be said that the dynamics of the production of machines was such that there was no time for the gunner's cabin was armored, the gunner's glazing was gone, and... the lock flew in general practically defenseless except for the machine gun itself, it had nothing, but nevertheless the il-2 became a real front-line soldier. especially scary, in experienced hands. as of june 22, 1941, 249 machines were produced. 50 were in active units, another 50 were only supposed to arrive in their regiments, but despite the small number, the first il-2 flights were made on june 25, when our pilots had already completely mastered the tactics of conducting

combat, and this was a tactic called all with reason, all with reason. the germans suffered huge losses, the machine was very much feared, well , imagine 12 machines, even a little more, simultaneously dropping all the ammunition, shooting at the enemy position, there was practically no chance for anyone to survive on the ground. pilots, attack aircraft were especially successful in fighting large concentrations of equipment, tanks, armored vehicles and so on, artillery, warehouses, railway junctions, during the war years formed. there were 365 attack aviation regiments of all stages of readiness, out of more than 35,000 built attack aircraft, this is now a world record. of course, during our broadcast we did not tell about all the planes of the great patriotic war, the first channel plans to tell about all

the great aircraft designers of our country. it should be said that. not only aircraft manufacturing, but a lot of things and science, and technology, of course, jumped forward sharply during the great patriotic war, this is natural, because everything was focused on the result, and the planes that were produced at that time, of course, surpassed everything that was done before the war, i repeat, science, technology made it possible to make airplanes simply great. this is noted by everyone, and the further development of aircraft construction, the entire aviation industry from this push went sharply forward, we will talk about what is produced today, i believe, we will conduct this conversation together with oak, the aircraft manufacturing corporation, this will be right. i want to tell you that all the models of airplanes

that we talked about today are presented by the central museum of the air force. i bow to these people. who recreated all the machines of the great patriotic war modern models too, here i should mention another wonderful event: the central museum of the air force of the country as part of the contest dad, mom, me, abe family, organized a children's drawing contest, and we all, together with the central museum, call on you to take part in this contest all. dad, mom all children. the contest is wonderful, we are waiting for your drawings. there was a podcast on the air of the first channel, everyone wants to fly, and i, its host, leonid yakubovich.

hello, dear viewers, on the air. channel podcast melodies of my life, i am its host, valery syutkin, and today a theater and film actor, who owns his velvety voice, dmitry dyuzhev, came to visit me , hello, dmitry, hello, valerochka, dear, thank you for the invitation, good night, dear tv viewers, that today with us sergey osokin on the accordion, together with seryozha we play in the project light jazz, this podcast. melodies of my life, it allows you to learn more about our guest through music, because music is the best keeper of memory, we will remember the melodies, that accompanied you in your life, they will give you the opportunity, relying on them, to remember some small details that do not come to us without music, and of course, we always start with the melody of childhood, here

dmitry dyuzhev was born, by the way, where did this happen, it happened in the city. strahani, mom is nine months pregnant, they also lived in almaty, dad worked at the lermontov russian drama theater, and on july 9 in the morning mom cried, i want to go to mom, i want to go to mom, dad somehow buys two plane ticket almaty astrakhon, they arrive, mom starts having contractions, they arrived, an ambulance, mom... pregnant with me, they take her to the maternity hospital, the maternity hospital in astrakhan is located on the seventeenth pier, where the second sunday in july, it's 1978, fisherman's day, uh, comes. fireworks, so they bring mom to the maternity hospital at 9:15 in the evening, they lift her up to the operating room, as soon as it all

begins, as the fireworks start to roar, bang, people shout, hurray, mom remembers, you say, you were born, the obstetricians, they say, are running, my god, who was born, a fisherman, there will be a fisherman, there will be a fisherman, friends, just now right before your eyes, and i, i have such an impression, i have never heard a more artistic story about the birth of a child, that's what it means, a dramatic actor has come, i just saw this movie, you know, all the astrakhan barge with watermelons, dmitry dyuzhem is visiting us, dim, after all, this is astrakhan, you inherited from your dad not a dozen acting.

i want to tell you, after all, music is the password of a generation, you are not the first person who comes to visit me, in childhood, and for me too the bremen town musicians, this is some kind of straight to happiness. astrakhan guy, he grows up in his youth, well, it is clear that with the profession of the father you were already, so to speak, to some extent directed, but

here is youth, the melodies of youth, what you listened to in adolescence and what so to speak played, the melody of youth it is associated with such a melody of torverdiev from 17 moments of spring,

but at some point my father, when we watched a theatrical skit with him, he saw that i began to laugh, began to ask who it was, why they are doing this, this is not kvn, it seems and no other programs, these are just students of the theater institute, and then he said: "dimochka, you dream of becoming a sailor, but..." "if you enter the theater institute, you can be a sailor, a rescuer and uh a hero, and anyone, you

can try yourself in one life, be in different professions, in different characters of people, convinced you, dad, convinced you so much that i went to the theater institute entered mark anatolyevich zakhar." to mark anatolyevich right from the first time yes you entered everything successfully yes then there was such a popular melody everyone sang it i had my first love there such in the shade of lilac such melon goodby a second second second it's the same carmen group really i don't remember the word but it's not important we'll just remind you the self-sounding there seryozha there do you remember there o. london introduction, then something brutal male refrain of some kind, after that, i don't remember the words either, i remember.

scenes, i lived in a hostel on trifonovskaya, at night after 12:00 a friend from another year knocked on my door and said: listen, he says, there bob zemek is making a movie, castaway, it's the outcast with tom hanks, they need extras, is there anything like you, yeah, okay, right away such a level, i just ran at night, we arrived at mosfilm to the pavilion, and i really saw it there live to this day... you can even see me at the beginning of the movie and even hear me, they saved the sound where i am there something like that, to someone, that is, the debut of the actor dmitry dyuzhev took place in the film, where tom hanks plays the main role of the outcast, the zemek, then i had a second extra, it's the movie k-19, ford played, that's where i played some kind of submariner, but also as an actor of crowd scenes, and the first episode in the movie

is kind.

when i met, got acquainted with my future wife, tanechka, i also asked, what are your favorite songs, and what would you like me to perform for you, something like that, she said: sirova, i love you to tears, dear tanya, first of all for you, for you tv viewers, dmitry dyuzhev, velvet baritone, since we have absolute improvisation in choosing songs, song, i love

you. accordion from the air, raise your eyes to the christmas sky, make a wish everything you dream about, in life before you, i'm so happy, i wasn't for you alone, here in this place we... i love you to tears, every breath like the first time, instead of lies, beautiful

phrases, this cloud has grown. petals of white ross, i found lodges i'll populate, i love you to tears, i love you madly, thank you, dim, by the way, you know, i just remembered, you have. a brilliant vocal career, like an actor, not every film actor can boast of a grand prix with tamara gvertsiyeli, you remember these took, but valery, i apologize a lot, i don't drink much, of course, we will

demand this from the variety shop, and a singing actor is always brilliant, you have a very juicy memorable timbre, this is not only my opinion, i love you to tears, i think, well where am i, how will i even find alexander, how will i be able to talk to him, when we got to him, he says, to whom to you, yes for free, well done, thank you, i just yes, i was just in incredible happiness, and that happened, well and my wife, of course, said, how - did you do it, i can't, i can't help but ask, because that tv viewers are always interested in this, and as a tactful person, you can tell exactly as much as you think is necessary, but since the melody of love in your life with your

wife tatyana brought wonderful children, tell us a little about the family, what is their life today, how old are they, guys, the eldest son ivan is 14, will be 15 in august, a straight-a student, abilities, when my son ivan was about 6 years old, tanya was a child psychologist by her first education, she studied at the lenin pedagogical institute in moscow, she looked at our

then the only son, vanya, and he is so diligent, neat, intelligent, excuse me, please, can i ask and so on, she looked and said, ah, after all , why don't children have... they will still look like their parents, well and so we look, as if at our reflection, suddenly dmitry is born, this is the youngest, well and also i didn't name it, it was me at some point pregnancy, well that is, when we were choosing the name ivan, then i say, well the name carries a symbol, a code, that is, this is from your ancestors, an outstanding ancestor, a name, whom you want to continue, to glorify, to remember, it is not for nothing that they ask us: in honor of whom were you named, and we dug into mine, that is, my family tree, at tanechka's, we learned about the priest father john, when the fascists came, this is the penza region, then the parishioners

hid their beloved priest in the basement, and the germans, that is, were, then passed, then our troops came, then the fascists, that is, something like that. several times they somehow all this is something yes, and that means our ancestor took such, well, like a hermit monastic path. he decided never never leave this room again, he lived for quite a few years, the war was already over, people were just going there with requests, prayers and so on, and the prayers were miraculous, so they loved him, hid him and hid him and so on, and even after the war and so on, he did not come out into the light, and so the lord took him with his life, well , i say, of course, we really need to continue such an ancestor, and we named our eldest son ivan. and the youngest is born, that is, we choose, yes,

we choose a name for the second child, that's it, we try, so, we look for names and so on, at some point tanya says, i've come up with an idea, please don't talk me out of it, if you love me, you'll agree, i say, well wait, well i have to know , well please, well, come on, well, this will be mine, please leave this for me , so i say, yes i have to know, it's just that when you leave, i'm so lonely. "i want at least little dimochka to be with me. i say, no, no, no, please, no, i want mine, dima dyuzhev, and so 3d was born, dmitry dmitrievich dyuzhev, the opposite, absolutely, to the eldest son, who, activity, artistic decision, scream, whiskey, dance, pretend, dress up, dress up, suddenly perform something, it's..." completely different, i say, tanichka, you said that i don't behave like that at home,

who does he look like, then tanichka said, yes, the science of psychology is powerless in this sense, but i want to tell you, with your energy, do you think, tanya, is it easy with you at all or i think, with me it's generally unbearable, unbearable, unbearable for anyone, well, you know, i've also been living in a happy marriage for 30 years, nothing has disappeared, that's why i think we're all very lucky, and i 'm happy to write in the marital status column, hopeless, so we'll be patient, dima, tanechka, we'll be patient, we'll be patient, as we do what, what we can, what we should, dear friends, this is the melody of my life podcast, today we'll learn about the main melodies of our guest, dmitry zyuzhev, dim, i don't... i have the feeling that i'm, you invited

me to shoot the film of my life, such a presentation, just absolutely such, you know, well, we worked together on the set, you remember, i was filming with you, i have the only role in a big movie, this is the movie champions, and the movie consists of short stories, and one of the short stories was filmed as director dmitry, this is your director's. yes, this is the second higher education, i graduated and i played myself, a fragment of the olympics, figure skating, this segment was dedicated where i performed the song 700 above the ground one invited, great, we enjoyed today we continue to enjoy life with our hero, enjoy life with you, amazing energy of goodwill from dmitry dyuzhev after all brought me to this so...

everything is on buses, somehow everything is on buses, i don't know, even at some point you could already

afford a plane ticket financially, but still there was a bus, you know, maybe, in the first class dad said, so i found a job escorting cargo on a huge liquor, a kamaz loaded with watermelons or tomatoes from astrakhan, he accompanied the cargo together with the driver and... the arzhe accompanied cargo, also tomatoes, watermelons, somehow in all these trips itself like this with sadness, and sadness is because you are far away from home, you're somewhere on a journey, but you 'll still come back someday, that was something for which you won't guess what he

'll choose now, i because of the association, well , we'll bargain with nikolai, yes, these are his songs, you know the road. so many, when there was some sadness, it was just pressing on me there behind the fogs, so a second, this is igor matvienko on the poems of alexander shaganov, absolutely right, because this is the main author of lyube, well, come on seryozha, what's in e minor, come on, blue sea, only... the sea astern, blue sea and distant the way home, there behind the fogs, eternally drunk,

there behind the fogs the shore, my dear, there behind the fogs... everywhere some kind of threat, danger awaited you, everywhere someone had to answer, everywhere you had to hold the core. now it's clear to me that you just had to see at least 30 seconds of dmitry dyuzhev to understand that you don't need to look for another person to play the role of space in the brigade, and then how it happened, it's his majesty chance his majesty chance, well, really then in

the youth theatre i worked in the theater of young spectators, by the way, excuse me for not asking, but your first theater, how is it called tyus, well when... i was a student in my third or fourth year, we got practical training on the lenkom stage and they predicted to us that, in general, after graduating from the institute, we could remain in the same capacity , the same involvement, well, but it was clear that in the next 10 years, perhaps , you won’t be given lines and phrases, but i really wanted to start trying to act, to start trying out the character, i don’t know, a psychological portrait - a medical record of your character, this is necessary, and if you not in the pantomime genre, then you have to, so to speak, learn to play monologues and you are not just and i, yes, i went to the youth theatre, i showed up in different theaters, but then genrieta naumovna yanovskaya, a very talented director, her

half is kama ginkos, this is a director from the edge of the theater laboratory in general, i am a fan of this kind of directing, so i was happy that they took me then, but the first thing i encountered was, of course, uh, animals, i remind you that we are talking about how you got into the brigade, like in what, in the image of what animal did i see you, here we have there was some kind of gathering until the morning, something like that, i came home in the morning, and i was renting a room in a three-room apartment and then my mother came to visit me, there was no mobile phone yet, it was somewhere around 2000, yes, here is the home phone, and my mother meets me at 6 in the morning, says, dimochka, they called you in the evening from a mass film, inviting you to a casting for some series of bandits, something like that, i said, you will come at 10.