you? i didn't really think about what kind of— you? i didn't really think about what kind of genre _ you? i didn't really think about what kind of genre it _ you? i didn't really think about what kind of genre it would - you? i didn't really think about | what kind of genre it would be. you? i didn't really think about i what kind of genre it would be. i was focusing on the character will stop developed for me to play, for this challenge, so i was basically working with what was going on all the time, i didn't think what it would look like in the end. many --eole would look like in the end. many peeple have _ would look like in the end. many people have asked _ would look like in the end. many people have asked you - would look like in the end. many people have asked you whether you think your character is guilty or not. is the ambiguity something you liked about it?— liked about it? yes, i think because life is bi. liked about it? yes, i think because life is big- we _ liked about it? yes, i think because life is big. we tend _ liked about it? yes, i think because life is big. we tend to _ liked about it? yes, i think because life is big. we tend to simplify - life is big. we tend to simplify things most of the time. that is sometimes even dangerous, because when we want to make things and we do make things simpler, we always cut out certain people or certain narratives. but life is really complex and it stays complex, no matter how hard we try to simplify it. itjust doesn't work. find matter how hard we try to simplify it. itjust doesn't work.— it. it 'ust doesn't work. and zone of it. itjust doesn't work. and zone of interest. _ it. itjust doesn't work. and zone of interest. a _

it. itjust doesn't work. and zone of interest, a very _ it. itjust doesn't work. and zone of interest, a very harrowing - it. itjust doesn't work. and zone | of interest, a very harrowing look at the family life. what attracted you into this very different look at a piece of history? i you into this very different look at a piece of history?— a piece of history? i think it is the masterful _ a piece of history? i think it is the masterful work _ a piece of history? i think it is the masterful work of - a piece of history? i think it is| the masterful work of jonathan the masterful work of jonathan glazer that the masterful work ofjonathan glazer that drew me in. i didn't want to play this character in the first place because i did not want to be involved in the sort of mindset, i did not want to play her, there is simple. but the things that he chose to do, to shoot on location, to rebuild the house, to grow actual vegetables that we could eat, to shoot it in german, to use a ten camera system, these were all choices that were really important to me. choices that were really important tome. ., a, a, choices that were really important to me. a, a, a, a, choices that were really important tome. ., a, a, a, to me. congratulations on your double acting _ to me. congratulations on your double acting nomination - to me. congratulations on your double acting nomination of. to me. congratulations on your double acting nomination of a i double acting nomination of a fantastic baftas. nominated for best actress for anatomy of a fall and a zone of interest, supporting actress for a zone of interest. my colleague

is hopefully going to be talking to andrew scott, for all of us are strangers, and earlier we were looking at some of those films up there for best film, starting off with anatomy of a fall, the holt overs, oppenheimer. killers of the flower moon is being talked about a lot but it is not really the film thatis lot but it is not really the film that is going to break through and do well here at the baftas. anything can happen, it has a stellar cast in it. lily gladstone, robert de niro, who was nominated but isn't actually able to be here today. then of course we have got so many other firms in there as well. poorer things, we have got time, colin is with andrew scott. this things, we have got time, colin is with andrew scott.— things, we have got time, colin is with andrew scott. this is like wwe wrestlin. i with andrew scott. this is like wwe wrestling- i am _ with andrew scott. this is like wwe wrestling. i am bringing _ with andrew scott. this is like wwe wrestling. i am bringing in - with andrew scott. this is like wwe wrestling. i am bringing in andrew. wrestling. iam bringing in andrew scott who is nominated six times for all of us strangers, paul mescal, so

many people were really angry were you were not nominated. haifa many people were really angry were you were not nominated.— many people were really angry were you were not nominated. how are you? i'm fine. i you were not nominated. how are you? i'm fine- i was — you were not nominated. how are you? i'm fine. i was thrilled _ you were not nominated. how are you? i'm fine. i was thrilled for _ you were not nominated. how are you? i'm fine. i was thrilled for the _ i'm fine. i was thrilled for the film — i'm fine. i was thrilled for the film it— i'm fine. i was thrilled for the film it is_ i'm fine. i was thrilled for the film. it is a film i am enormously proud _ film. it is a film i am enormously proud of. — film. it is a film i am enormously proud of, nominated for best british film. proud of, nominated for best british film best _ proud of, nominated for best british film. best director. director, screenplay, for our brilliant cast. i am _ screenplay, for our brilliant cast. i am delighted. these things are really— i am delighted. these things are really important. we have made a film _ really important. we have made a film, andrew has a made a film that is a modern — film, andrew has a made a film that is a modern classic, sol film, andrew has a made a film that is a modern classic, so i am so proud — is a modern classic, so i am so proud of— is a modern classic, so i am so proud of it _ is a modern classic, so i am so proud of it— is a modern classic, so i am so roud of it. , ,., , proud of it. banshees of inisherin last ear. proud of it. banshees of inisherin last year- paul— proud of it. banshees of inisherin last year. paul mescal _ proud of it. banshees of inisherin last year. paul mescal becoming | last year. paul mescal becoming bigger and bigger. what is going on with the irish?— with the irish? there is a strong tradition of— with the irish? there is a strong tradition of storytelling - with the irish? there is a strong tradition of storytelling in - with the irish? there is a strong l tradition of storytelling in ireland and maybe that is it. we tell stories. _ and maybe that is it. we tell stories, we are not embarrassed to tell stories. — stories, we are not embarrassed to tell stories, but it is really cool to have — tell stories, but it is really cool to have all _ tell stories, but it is really cool to have all of the irish people, barry— to have all of the irish people, barry and _

to have all of the irish people, barry and paul and cillian murphy, all of— barry and paul and cillian murphy, all of the — barry and paul and cillian murphy, all of the people. do barry and paul and cillian murphy, all of the people.— barry and paul and cillian murphy, all of the people. do you know barry well? your — all of the people. do you know barry well? your reaction _ all of the people. do you know barry well? your reaction when _ all of the people. do you know barry well? your reaction when you - all of the people. do you know barry well? your reaction when you first . well? your reaction when you first saw the naked _ well? your reaction when you first saw the naked dance _ well? your reaction when you first saw the naked dance scene - well? your reaction when you first saw the naked dance scene at - well? your reaction when you first saw the naked dance scene at the | well? your reaction when you first - saw the naked dance scene at the end of saltburn? _ saw the naked dance scene at the end of saltburn? | saw the naked dance scene at the end of saltburn? ., �* saw the naked dance scene at the end of saltburn?— of saltburn? i won't spoil it for an one. of saltburn? i won't spoil it for anyone- you — of saltburn? i won't spoil it for anyone. you can _ of saltburn? i won't spoil it for anyone. you can spoil- of saltburn? i won't spoil it for anyone. you can spoil away. . of saltburn? i won't spoil it for anyone. you can spoil away. i | of saltburn? i won't spoil it for i anyone. you can spoil away. i will not soil anyone. you can spoil away. i will rrot spoil it _ anyone. you can spoil away. i will not spoil it for _ anyone. you can spoil away. i will not spoil it for everybody. - anyone. you can spoil away. i will not spoil it for everybody. there l anyone. you can spoil away. i will| not spoil it for everybody. there is a lot of talk about prosthetics. how well do you know him? too much? andrew haigh filmed some of those crucial scenes in his childhood home. didn't have an impact on helping you to play some of those incredibly moving moments in that movie? , ., , , , movie? yes, really helped. it 'ust made it incredibly i movie? yes, really helped. it 'ust made it incredibly personalh movie? yes, really helped. itjust made it incredibly personal and i movie? yes, really helped. itjust| made it incredibly personal and we wanted _ made it incredibly personal and we wanted to— made it incredibly personal and we wanted to bring their own personalities, our own experiences to it _ personalities, our own experiences to it it— personalities, our own experiences to it it is_ personalities, our own experiences to it. it is beautiful. he is a very brave _ to it. it is beautiful. he is a very brave and — to it. it is beautiful. he is a very brave and brilliant man, and it added — brave and brilliant man, and it added enormously to the atmosphere.

thank— added enormously to the atmosphere. thank you _ added enormously to the atmosphere. thank you very much. that added enormously to the atmosphere. thank you very much.— added enormously to the atmosphere. thank you very much. that was andrew scott. i thank you very much. that was andrew scott- i think — thank you very much. that was andrew scott- i think i — thank you very much. that was andrew scott. i thinki pushed _ thank you very much. that was andrew scott. i think i pushed a _ thank you very much. that was andrew scott. i thinki pushed a bit _ thank you very much. that was andrew scott. i think i pushed a bit too - scott. i think i pushed a bit too far there. ~ ., ., scott. i think i pushed a bit too far there-— far there. worth a go. all of us strangers. _ far there. worth a go. all of us strangers, which _ far there. worth a go. all of us strangers, which is _ far there. worth a go. all of us strangers, which is up - far there. worth a go. all of us strangers, which is up for- far there. worth a go. all of us - strangers, which is up for extending british film, among other nominations, including paul mescal, for best supporting actor. all of us strangers is a film that you look online and are so many people talk about how much they wept at the end of it. a really moving piece of work. , , ., ., of it. a really moving piece of work. , ., ., ., ,, ., work. just one of those awkward moments when _ work. just one of those awkward moments when the _ work. just one of those awkward moments when the pr - work. just one of those awkward moments when the pr came - work. just one of those awkward l moments when the pr came over work. just one of those awkward - moments when the pr came over and offered us andrew haigh, the director. maybe we should have. i could try and flog them back. i am feeling quite bad could try and flog them back. i am feeling quite had now but there is going to be quite a bit of this going to be quite a bit of this going on today. sorry if i went too far with andrew scott, but i thought people might be interested to know. i can try to flag him down if that is going to work? you have got the people coming that way. apparently cillian murphy has walked by.

keeping the irish team going as well. that could have been useful. andrew haigh, we will maybe get to talk to him again, the writer, director of all of us strangers. how would you describe it, colin? i would you describe it, colin? i would say it is a beautiful film about love, about loss, with a supernatural edge to it that is really moved so many people that it has seen. , ., , has seen. time bending as well, it is very dark. _ has seen. time bending as well, it is very dark. very _ has seen. time bending as well, it is very dark, very beautiful, - has seen. time bending as well, it is very dark, very beautiful, and i has seen. time bending as well, it| is very dark, very beautiful, and as andrew was saying, it speaks to people, it is a lot of people's favourite film of the year. people have strong feelings about it. you want to be a film that people really like. it is a strong contender for best british film tonight. andrew scott, of course, _ best british film tonight. andrew scott, of course, didn't - best british film tonight. andrew scott, of course, didn't get - best british film tonight. andrew scott, of course, didn't get a - scott, of course, didn't get a nomination for best actor, but other performers did. paul maskell is there, the best supporting actor. claire foy is there, best supporting

actress. i claire foy is there, best supporting actress. , ., , actress. i did put it to him, but he very sportingly _ actress. i did put it to him, but he very sportingly said _ actress. i did put it to him, but he very sportingly said it _ actress. i did put it to him, but he very sportingly said it did - actress. i did put it to him, but he very sportingly said it did not - very sportingly said it did not bother him at all. if you ever get the chance, you have to see andrew scott on the stage, and absolutely electrifying stage actor as well stop i think we might be able to bring in david johnson. i5 stop i think we might be able to bring in david johnson.- stop i think we might be able to bring in david johnson. is there a david johnson — bring in david johnson. is there a david johnson in _ bring in david johnson. is there a david johnson in the _ bring in david johnson. is there a david johnson in the house? - bring in david johnson. is there a| david johnson in the house? how bring in david johnson. is there a - david johnson in the house? how are you, sir? first of all, congratulations. up for outstanding british movie. a film that so many people have loved. it is british movie. a film that so many people have loved.— people have loved. it is my first film, for people have loved. it is my first film. for a _ people have loved. it is my first film, for a lot _ people have loved. it is my first film, for a lot of— people have loved. it is my first film, for a lot of us _ people have loved. it is my first film, for a lot of us it _ people have loved. it is my first film, for a lot of us it is - people have loved. it is my first film, for a lot of us it is our - film, for a lot of us it is our first. , a film that encapsulated our london, it is more than a blessing. was it one of those that leapt off the page?

it was odd. it felt kindred. and our it was odd. it felt kindred. and your co-star — it was odd. it felt kindred. and your co-star is _ it was odd. it felt kindred. and your co-star is up _ it was odd. it felt kindred. and your co-star is up for - it was odd. it felt kindred. and your co—star is up for best actress, did you to immediately hit it off? did you know each other before it started? ,, , ., , ., ., ., started? she is a phenomenaltalent, and for this film _ started? she is a phenomenaltalent, and for this film that _ started? she is a phenomenaltalent, and for this film that we _ started? she is a phenomenaltalent, and for this film that we did, - started? she is a phenomenaltalent, and for this film that we did, i - started? she is a phenomenaltalent, and for this film that we did, i am - and for this film that we did, i am standing next to andrew scott, it is amazing. she deserves every bit of praise that is coming to her. i5 amazing. she deserves every bit of praise that is coming to her. is it ttoin too praise that is coming to her. is it going too far _ praise that is coming to her. is it going too far to _ praise that is coming to her. is it going too far to call— praise that is coming to her. is it going too far to call it a musical? there is a sign my name, is that a argument to make?— there is a sign my name, is that a argument to make? whatever floats our boat. argument to make? whatever floats your boat- if— argument to make? whatever floats your boat- if you _ argument to make? whatever floats your boat. if you think— argument to make? whatever floats your boat. if you think it _ argument to make? whatever floats your boat. if you think it is - argument to make? whatever floats your boat. if you think it is a - your boat. if you think it is a musical, i am your boat. if you think it is a musical, iam not your boat. if you think it is a musical, i am not going to stop you. i think it is wonderfully breaking boundaries in terms of what it is.

fingers crossed for rye lane later. i should say, one of your co—star is, singing your praises earlier, saying how talented you were. she is here somewhere. _ saying how talented you were. she is here somewhere. i— saying how talented you were. she is here somewhere. i am _ saying how talented you were. she is here somewhere. i am going - saying how talented you were. she is here somewhere. i am going to - saying how talented you were. she is here somewhere. i am going to say l here somewhere. i am going to say hello. thank you.— hello. thank you. david johnson there, hello. thank you. david johnson there. the _ hello. thank you. david johnson there, the lead _ hello. thank you. david johnson there, the lead actor _ hello. thank you. david johnson there, the lead actor of - hello. thank you. david johnson there, the lead actor of rye - hello. thank you. david johnson l there, the lead actor of rye lane, one of ten movies in that particular category. we have had quite a few more people coming through. let's head back to sara to take a look at some of the things she has been plgglng some of the things she has been pigging out, some of the looks on the red carpet. anything else caught your eye in particular?— your eye in particular? there is so much fabulous _ your eye in particular? there is so much fabulous fashion _ your eye in particular? there is so much fabulous fashion coming - much fabulous fashion coming through. i think one of the big players this time, this season will be the asymmetric shoulder. we have seen some people rocking that look.

there is loads of black, there is tonnes of black. i don't know if thatis tonnes of black. i don't know if that is still a nod to the need to, time's up movement, when many were making that political stand by wearing black to me a lot of awards ceremonies. that does still seem to be very much the trend. but there is definitely this 1990s in nod to glam grunge coming through, remember that lovely kate moss golden share dress coming through, these sheer fabrics coming through, these sheer fabrics coming through, these sheer fabrics coming through, but one in quite a 90s way with a low—slung belt. i didn't know who it was earlier on, i couldn't quite make it out, but there was a wonderful corset. it looked very vivian westwood and she was wearing it with these beautiful trousers, but again, very low—slung, a super nod to stella mccartney, 2024. we a super nod to stella mccartney, 202a. we saw daisy edgar—jones just

before lily collins just then. she is styled by the wonderful stylist nicky gates, she was wearing this very low neck, very low cut, almost down to the navel, this sheer burgundy dress, it was wonderful. it had these textured, shiny detail underneath that i cannot wait to get a better look at that. and then of course we had the wonderful lily collins. she loves a gown, this girl. she was in black and white, quite chinelle colours, but with these wonderful power puff sleeve details just at the shoulders. her go to label is valentino and she is styled, but some really wonderful coming through.— styled, but some really wonderful coming through. well, in that case, is this an opportunity _ coming through. well, in that case, is this an opportunity for _ coming through. well, in that case, is this an opportunity for younger, i is this an opportunity for younger, lesser known designers to really

have their work shining through? actually, i am going to interrupt you right now because we have the man himself, richard e grant, here on the red carpet. one of the stars of saltburn, other outstanding british film, last year's presenter. is it less nerve—racking? ida is it less nerve-racking? no nervous. — is it less nerve—racking? no nervous, becausejust is it less nerve—racking? no nervous, because just here to celebrate _ nervous, because just here to celebrate it. and that david tennant will be _ celebrate it. and that david tennant will be absolutely brilliant doing it. �* , , will be absolutely brilliant doing it. and saltburn, you must be absolutely — it. and saltburn, you must be absolutely thrilled _ it. and saltburn, you must be absolutely thrilled at - it. and saltburn, you must be absolutely thrilled at the - it. and saltburn, you must be i absolutely thrilled at the impact that movie has had, the film that has launched a million memes. lotuie that movie has had, the film that has launched a million memes. we are all ttoin has launched a million memes. we are all totin to has launched a million memes. we are all going to be — has launched a million memes. we are all going to be dancing _ has launched a million memes. we are all going to be dancing a _ has launched a million memes. we are all going to be dancing a new - has launched a million memes. we are all going to be dancing a new sophie i all going to be dancing a new sophie ellis bextor performance tonight, you are _ ellis bextor performance tonight, you are going to see 866—year—old man exposing his vegetables. we heard man exposing his vegetables. heard that man exposing his vegetables. 7 heard that her son sat in barry's seat, and that there are going to be a lot of cutaways. what other films have you really enjoyed this year?

saltburn, five nominations. barbie, five nominations. _ saltburn, five nominations. barbie, five nominations. oppenheimer, i five nominations. oppenheimer, barbie, zone of interest, absolutely extraordinary as well. major talent here. and sandra houllier has been so recognised. are you very relieved that you don't have to be up there, cracking the jokes tonight? it have to be up there, cracking the jokes tonight?— have to be up there, cracking the 'okes tonitht? ., ., ., jokes tonight? it was a huge honour and a privilege _ jokes tonight? it was a huge honour and a privilege to _ jokes tonight? it was a huge honour and a privilege to do _ jokes tonight? it was a huge honour and a privilege to do it. _ jokes tonight? it was a huge honour and a privilege to do it. but - jokes tonight? it was a huge honour and a privilege to do it. but you - and a privilege to do it. but you didn't throw _ and a privilege to do it. but you didn't throw your _ and a privilege to do it. but you didn't throw your hat _ and a privilege to do it. but you didn't throw your hat into - and a privilege to do it. but you didn't throw your hat into the i and a privilege to do it. but you - didn't throw your hat into the ring? no, they have to have a different one every year. fibre no, they have to have a different one every year-— no, they have to have a different one every year. are we are going to see ou one every year. are we are going to see you behind — one every year. are we are going to see you behind a _ one every year. are we are going to see you behind a camera _ one every year. are we are going to see you behind a camera again? - one every year. are we are going to i see you behind a camera again? such an astonishingly, beautiful... thank ou. i an astonishingly, beautiful... thank you- i have — an astonishingly, beautiful... thank you- i have a _ an astonishingly, beautiful... thank you. i have a film _ an astonishingly, beautiful... thank you. i have a film that _ an astonishingly, beautiful... thank you. i have a film that is _ an astonishingly, beautiful... thank you. i have a film that is supposed l you. i have a film that is supposed to be shooting next year with me as a director, but how long is a piece of string?

a director, but how long is a piece of strint ? ., ., ., a director, but how long is a piece of strint? ., ., ., ., of string? you wrote a book about the making _ of string? you wrote a book about the making of— of string? you wrote a book about the making of it, _ of string? you wrote a book about the making of it, where _ of string? you wrote a book about the making of it, where you - of string? you wrote a book about the making of it, where you were | the making of it, where you were painfully honest about the people you are working with. that didn't put you off the full making experience? it seemed quite intense at times. i experience? it seemed quite intense at times. ., ., . at times. i am teflon-coated, wantint at times. i am teflon-coated, wanting to — at times. i am teflon-coated, wanting to stay _ at times. i am teflon-coated, wanting to stay in _ at times. i am teflon-coated, wanting to stay in this - at times. i am teflon-coated, i wanting to stay in this business. can we get a shot of richard's shoes? you have by far the shiniest use of any guest. very stylish. thea;t use of any guest. very stylish. they were made — use of any guest. very stylish. they were made by _ use of any guest. very stylish. they were made by giorgio _ use of any guest. very stylish. he were made by giorgio armani especially for me, pixies and goblins. i especially for me, pixies and toblins. .. especially for me, pixies and toblins. ~' ., , , especially for me, pixies and toblins. .. ., , , , especially for me, pixies and toblins. ~ .,, , , goblins. i think he has put my socks to shame. mine _ goblins. i think he has put my socks to shame. mine are _ goblins. i think he has put my socks to shame. mine are black— goblins. i think he has put my socks to shame. mine are black and - goblins. i think he has put my socks to shame. mine are black and not i goblins. i think he has put my socks| to shame. mine are black and not by giorgio armani. before we were doing that, i cut sa off when she was talking about whether this is a good platform for

younger designers, lesser—known designers to be able to show what they can do alongside some better—known names. sorry to have interrupted you, do you want to pick that up again for us? absolutely. but i love about any ceremonies like this is the actresses that go off piste and do their own thing. she is obviously nominated _ piste and do their own thing. she is obviously nominated for _ piste and do their own thing. she is obviously nominated for rye - piste and do their own thing. she is obviously nominated for rye lane, | obviously nominated for rye lane, and she _ obviously nominated for rye lane, and she is— obviously nominated for rye lane, and she is quite unpredictable. she is street— and she is quite unpredictable. she is street style, influenced by hip-hap. _ is street style, influenced by hip—hop, and i'm very interested in seelng— hip—hop, and i'm very interested in seeing what — hip—hop, and i'm very interested in seeing what she is doing. samantha morton _ seeing what she is doing. samantha morton as— seeing what she is doing. samantha morton as well. another actress that 'ust morton as well. another actress that just doesn't — morton as well. another actress that just doesn't get followed, doesn't follow— just doesn't get followed, doesn't follow what is going on. she has her own style. _ follow what is going on. she has her own style, she knows what she wants to wear— own style, she knows what she wants to wear and _ own style, she knows what she wants to wear and she is not dictated by trends, _ to wear and she is not dictated by trends, and — to wear and she is not dictated by trends, and i think that actually is more _ trends, and i think that actually is more interesting. and also, like i

'ust more interesting. and also, like i just said. — more interesting. and also, like i just said, looking back at previous archives— just said, looking back at previous archives of— just said, looking back at previous archives of different designers in different— archives of different designers in different collections and building your looks like that, rather than 'ust your looks like that, rather than just going — your looks like that, rather than just going to one designer and saying. — just going to one designer and saying, "right, i just going to one designer and saying, "right, lam going just going to one designer and saying, "right, i am going to be wearing — saying, "right, i am going to be wearing john paul gaultier head to toei" _ wearing john paul gaultier head to too," i_ wearing john paul gaultier head to toe," i think it is more interesting when _ toe," i think it is more interesting when you're — toe," i think it is more interesting when you're putting lots of different designers together to wear something unique. for different designers together to wear something unique.— something unique. for lots of the stars, are something unique. for lots of the stars. are they — something unique. for lots of the stars, are they tied _ something unique. for lots of the stars, are they tied into - something unique. for lots of thej stars, are they tied into particular deals if they are brand ambassadors for somebody, deals if they are brand ambassadors forsomebody, nor do deals if they are brand ambassadors for somebody, nor do they have to stick with a particular designer throughout awards season? for instance, throughout awards season? for instance. you — throughout awards season? for instance, you have emma stone, she is a louts— instance, you have emma stone, she is a louis vuitton ambassador, and you get— is a louis vuitton ambassador, and you get certain collaborations, actresses— you get certain collaborations, actresses like to go to, carey mulligan. _ actresses like to go to, carey mulligan, she is very much like an shipper— mulligan, she is very much like an shipper rally at the moment. but when _ shipper rally at the moment. but when you — shipper rally at the moment. but when you have this relationship with a brand _ when you have this relationship with a brand and — when you have this relationship with a brand and you are there ambassador, you are used for

advertising campaigns, you are having — advertising campaigns, you are having to — advertising campaigns, you are having to ultimately. but emma stonei — having to ultimately. but emma stone, she works very closely to make _ stone, she works very closely to make sure — stone, she works very closely to make sure that whenever she is wearing — make sure that whenever she is wearing is— make sure that whenever she is wearing is very much tailored to who she is, _ wearing is very much tailored to who she is, who — wearing is very much tailored to who she is, who she has played in the rolei _ she is, who she has played in the role, so — she is, who she has played in the role, so that _ she is, who she has played in the role, so that it really works to heri _ role, so that it really works to her. it — role, so that it really works to her. it is — role, so that it really works to her, it is notjust about the brand coming _ her, it is notjust about the brand coming through, it is about that really— coming through, it is about that really great collaboration. thank ou for really great collaboration. thank you for that- _ really great collaboration. thank you for that. i _ really great collaboration. thank you for that. i am _ really great collaboration. thank you for that. i am going - really great collaboration. thank you for that. i am going to - really great collaboration. thank you for that. i am going to bring| really great collaboration. thank i you for that. i am going to bring in joe barry and a second again because we have been talking throughout this afternoon about the films that have made it to the shortlist for best film here at the baftas. most people are expecting oppenheimer to be almost unstoppable in that, but some of the others, killers of the flower moon, a film we haven't really talked about. martin scorsese, leonardo dicaprio, lily gladstone,

it is certainly a film that people have been talking about a lot. as it got what it takes to topple oppenheimer? i got what it takes to topple oppenheimer?— got what it takes to topple oppenheimer? got what it takes to topple 0- tenheimer? ,, ~' ., got what it takes to topple 0- tenheimer? ~' ~ ., .,, oppenheimer? i think it kind of lost momentum- — oppenheimer? i think it kind of lost momentum- lt _ oppenheimer? i think it kind of lost momentum. it was _ oppenheimer? i think it kind of lost momentum. it was in _ oppenheimer? i think it kind of lost momentum. it was in the _ oppenheimer? i think it kind of lost i momentum. it was in the conversation with oppenheimer and poor things, martin— with oppenheimer and poor things, martin scorsese it is not nominated for best— martin scorsese it is not nominated for best director, lily gladstone is not nominated for her fantastic role in the _ not nominated for her fantastic role in the lead — not nominated for her fantastic role in the lead as molly. so it feels like people have forgotten, which is interesting when you think oppenheimer came out last summer when _ oppenheimer came out last summer when killers of the flower moon was months _ when killers of the flower moon was months later. i mean, we could have a surprise, _ months later. i mean, we could have a surprise, but i think it is more likely— a surprise, but i think it is more likely it — a surprise, but i think it is more likely it might win a technical award — likely it might win a technical award here and there, maybe. i think if anything was going to topple — i think if anything was going to topple oppenheimer, i would like to be poor— topple oppenheimer, i would like to be poor things, topple oppenheimer, i would like to be poorthings, if ask topple oppenheimer, i would like to be poor things, if ask me. and topple oppenheimer, i would like to be poor things, if ask me.— be poor things, if ask me. and the other ones — be poor things, if ask me. and the other ones on _ be poor things, if ask me. and the other ones on the _ be poor things, if ask me. and the other ones on the shortlist, - be poor things, if ask me. and the other ones on the shortlist, does i other ones on the shortlist, does the holdovers, one of my favourite

films of the year, stand a chance? everybody seems to have come out just beaming from ear to ear, especially a film that can be quite bittersweet in places. i especially a film that can be quite bittersweet in places.— bittersweet in places. i think the thint with bittersweet in places. i think the thing with the _ bittersweet in places. i think the thing with the holdovers, - bittersweet in places. i think the thing with the holdovers, it - bittersweet in places. i think the thing with the holdovers, it is i bittersweet in places. i think the thing with the holdovers, it is a | thing with the holdovers, it is a little _ thing with the holdovers, it is a little film — thing with the holdovers, it is a little film that could. you know, we are used _ little film that could. you know, we are used to — little film that could. you know, we are used to surprises. the thing with— are used to surprises. the thing with oppenheimer is, it is big, barbenheimer, everyone has heard of it, barbenheimer, everyone has heard of it. whereas _ barbenheimer, everyone has heard of it, whereas the holdovers has only 'ust it, whereas the holdovers has only just come — it, whereas the holdovers has only just come out, so people don't know so much _ just come out, so people don't know so much about it. but it is a lovely movie. _ so much about it. but it is a lovely movie, alexander payne is a great director— movie, alexander payne is a great director they did the movie sideways, and paul giamatti has been winning _ sideways, and paul giamatti has been winning awards for it in the us, he won the _ winning awards for it in the us, he won the golden globe. and i think he is a good _ won the golden globe. and i think he is a good contender for best actor 0scar— is a good contender for best actor oscar as— is a good contender for best actor oscar as well. i think cillian murphy— oscar as well. i think cillian murphy and paul giamatti are ones to watchi _ murphy and paul giamatti are ones to watch so _ murphy and paul giamatti are ones to watch, so who knows? we could have a surprise _ watch, so who knows? we could have a surprise tonight. an watch, so who knows? we could have a surprise tonight-— surprise tonight. an anatomy of a fall, of course, _ surprise tonight. an anatomy of a fall, of course, bafta _ surprise tonight. an anatomy of a fall, of course, bafta have - fall, of course, bafta have deviously gone for films like all

quiet on the western front, sol guess we cannot rule anything out? exactly, and i think that is what is great _ exactly, and i think that is what is great about bafta, it is i think it little _ great about bafta, it is i think it little bit — great about bafta, it is i think it little bit less predictable, and anatomy of a full, it is a brilliant movie _ anatomy of a full, it is a brilliant movie. sandra huller is brilliant. i would _ movie. sandra huller is brilliant. i would love — movie. sandra huller is brilliant. i would love to win something tonight, whether— would love to win something tonight, whether it _ would love to win something tonight, whether it is best actress for that are best — whether it is best actress for that are best supporting actress for a zone _ are best supporting actress for a zone of— are best supporting actress for a zone of interest, because she is absolutely fantastic. and what is so great _ absolutely fantastic. and what is so great about anatomy of a fopr people who don't— great about anatomy of a fopr people who don't know, she is a woman, a german— who don't know, she is a woman, a german woman living in france and her husband — german woman living in france and her husband falls out of their attic window— her husband falls out of their attic window and dies. did he jump, her husband falls out of their attic window and dies. did hejump, did she push— window and dies. did hejump, did she push him? and all the way through— she push him? and all the way through the film, you are not sure, and what _ through the film, you are not sure, and what was so brilliant is that the director said to sandra huller, i am _ the director said to sandra huller, i am not _ the director said to sandra huller, i am not going to tell you whether she is— i am not going to tell you whether she is guilty or not. play the role as if— she is guilty or not. play the role as if she — she is guilty or not. play the role as if she is — she is guilty or not. play the role as if she is innocent but i am not going _ as if she is innocent but i am not going to — as if she is innocent but i am not going to tell you. and it is absolutely gripping all the way through, so it would be great for it to get— through, so it would be great for it to get some love, because if

something wins a bafta people will see it _ something wins a bafta people will see it in _ something wins a bafta people will see it in the newspapers and think, "0h. _ see it in the newspapers and think, "oh. i_ see it in the newspapers and think, "0h. iwill— see it in the newspapers and think, "0h, iwill go see it in the newspapers and think, "oh, i will go and see it." and i would _ "oh, i will go and see it." and i would recommend going to see anatomy of a full, _ would recommend going to see anatomy of a full, it— would recommend going to see anatomy of a full, it is— would recommend going to see anatomy of a full, it is great. i would recommend going to see anatomy of a full, it is great.— of a full, it is great. i think that is a very opportune _ of a full, it is great. i think that is a very opportune moment. of a full, it is great. i think that is a very opportune moment to | of a full, it is great. i think that - is a very opportune moment to come back to us on the red carpet. we are just waiting to get them into position. just waiting to get them into tosition. , ., ., position. husband and wife in real life. partners. _ position. husband and wife in real life. partners. partners. _ position. husband and wife in real life. partners. partners. not- life. partners. partners. not married- _ life. partners. partners. not married. maybe _ life. partners. partners. not married. maybe this - life. partners. partners. not married. maybe this is - life. partners. partners. not married. maybe this is the l life. partners. partners. not- married. maybe this is the night. why make it complicated? lotuie married. maybe this is the night. why make it complicated? we have been talking _ why make it complicated? we have been talking a _ why make it complicated? we have been talking a lot _ why make it complicated? we have been talking a lot about _ why make it complicated? we have been talking a lot about your - why make it complicated? we have been talking a lot about your film, | been talking a lot about your film, anatomy of a fall. a french court room drama doing so well in awards season. lotuie room drama doing so well in awards season. ~ ., room drama doing so well in awards season. . ., ,., room drama doing so well in awards season. . ., ., , _ .,, ., season. we are so happy to share this with all _ season. we are so happy to share this with all of _ season. we are so happy to share this with all of the _ season. we are so happy to share this with all of the team. - season. we are so happy to share this with all of the team. i - season. we are so happy to share this with all of the team. i think. this with all of the team. i think it means —

this with all of the team. i think it means something _ this with all of the team. i think it means something between. this with all of the team. i think. it means something between men this with all of the team. i think- it means something between men and womefli~ _ it means something between men and womeni~ we _ it means something between men and womeni~ we are — it means something between men and womeni~ we are so— it means something between men and women,. we are so happy. _ it means something between men and women,. we are so happy.— women,. we are so happy. seven nominations — women,. we are so happy. seven nominations tonight. _ women,. we are so happy. seven nominations tonight. how - women,. we are so happy. seven nominations tonight. how does i women,. we are so happy. seven nominations tonight. how does it| nominations tonight. how does it work, the two of you with your kids, writing screenplays together? it works like cooking a big meal for one year~ — works like cooking a big meal for one year~ in— works like cooking a big meal for one year. in the kitchen, in the bathroom, _ one year. in the kitchen, in the bathroom, there is no boundaries, no rulesi _ bathroom, there is no boundaries, no rulesi no— bathroom, there is no boundaries, no rules, no actual process of writing. it was _ rules, no actual process of writing. it wasiust— rules, no actual process of writing. it wasjust pretty rules, no actual process of writing. it was just pretty messy and alive. it was just pretty messy and alive. ithink— it was just pretty messy and alive. i think the — it was just pretty messy and alive. i think the only rule wasjust it was just pretty messy and alive. i think the only rule was just to not go — i think the only rule was just to not go to— i think the only rule was just to not go to bed _ i think the only rule was just to not go to bed before _ i think the only rule was just to not go to bed before having - i think the only rule was just to not go to bed before having a i i think the only rule was just to - not go to bed before having a good scene _ not go to bed before having a good scene so — not go to bed before having a good scene, so sometimes _ not go to bed before having a good scene, so sometimes it— not go to bed before having a good scene, so sometimes it was... - not go to bed before having a goodj scene, so sometimes it was... late nights _ scene, so sometimes it was... late nithts. . ., scene, so sometimes it was... late nithts. ~ ., scene, so sometimes it was... late nithts. . ., ,

nights. who came up with the title? we had another _ nights. who came up with the title? we had another first _ nights. who came up with the title? we had another first title _ nights. who came up with the title? we had another first title with - we had another first title with anatomy— we had another first title with anatomy of something, and then one of us said _ anatomy of something, and then one of us said the fall will stop i think— of us said the fall will stop i think it _ of us said the fall will stop i think it was me.— of us said the fall will stop i think it was me. ., ., ., think it was me. final one from me. you took the _ think it was me. final one from me. you took the dog _ think it was me. final one from me. you took the dog over _ think it was me. final one from me. you took the dog over the _ think it was me. final one from me. you took the dog over the atlantic. you took the dog over the atlantic to the oscars nominee luncheon on monday. tell us some of the people that have now stroked her? which stars have now touched her? the most im-ressive stars have now touched her? the most impressive for — stars have now touched her? the most impressive for me _ stars have now touched her? the most impressive for me was _ stars have now touched her? the most impressive for me was billy _ stars have now touched her? the most impressive for me was billy eilish, - impressive for me was billy eilish, she spent— impressive for me was billy eilish, she spent ten minutes caressing him in the _ she spent ten minutes caressing him in the room. — she spent ten minutes caressing him in the room, she was a big fan. and r an in the room, she was a big fan. and ryan gosling- _ in the room, she was a big fan. and ryan gosling- he — in the room, she was a big fan. and ryan gosling. he stole everything. he was— ryan gosling. he stole everything. he was the — ryan gosling. he stole everything. he was the star. _ ryan gosling. he stole everything. he was the star.— he was the star. after, he was exhausted- — he was the star. after, he was exhausted. i— he was the star. after, he was exhausted. i saw— he was the star. after, he was exhausted. i saw him - he was the star. after, he was exhausted. i saw him after. i he was the star. after, he was - exhausted. i saw him after. tired? i ho te exhausted. i saw him after. tired? i ho-e ou exhausted. i saw him after. tired? i hope you have _ exhausted. i saw him after. tired? i hope you have got _ exhausted. i saw him after. tired? i hope you have got billy _ exhausted. i saw him after. tired? i hope you have got billy eilish - exhausted. i saw him after. tired? i hope you have got billy eilish to - hope you have got billy eilish to agree to write a song for your next film? ~._ , agree to write a song for your next film? a, , , agree to write a song for your next film? , , .,

agree to write a song for your next film? , film? maybe she could make a song about messi- _ film? maybe she could make a song about messi. as _ film? maybe she could make a song about messi. as he _ film? maybe she could make a song about messi. as he named - film? maybe she could make a song about messi. as he named after - film? maybe she could make a song about messi. as he named after the football? the _ about messi. as he named after the football? the owner _ about messi. as he named after the football? the owner of _ about messi. as he named after the football? the owner of messy, - about messi. as he named after the football? the owner of messy, they| football? the owner of messy, they were very football _ football? the owner of messy, they were very football fans. _ football? the owner of messy, they were very football fans. one - football? the owner of messy, they were very football fans. one of- football? the owner of messy, they were very football fans. one of the | were very football fans. one of the thints i were very football fans. one of the things i loved _ were very football fans. one of the things i loved about _ were very football fans. one of the things i loved about this _ were very football fans. one of the things i loved about this film, - were very football fans. one of the things i loved about this film, it. things i loved about this film, it felt like it was two different approaches, genres, rolled into one, approaches, genres, rolled into one, a courtroom drama and a domestic study of a relationship in trouble. was that deliberate, how you were over those two so deliberately together? d0 over those two so deliberately totether? ,, over those two so deliberately totether? i. ., ., over those two so deliberately totether? ., ., , ., m together? do you want to start? it was the story — together? do you want to start? it was the story of— together? do you want to start? it was the story of this _ together? do you want to start? it was the story of this couple - together? do you want to start? it was the story of this couple and i was the story of this couple and this family, but the courtroom drama allows— this family, but the courtroom drama allows us— this family, but the courtroom drama allows us to — this family, but the courtroom drama allows us to dive very deeply into the reality— allows us to dive very deeply into the reality and the complexity of this couple. for us, it is not one genre _ this couple. for us, it is not one genre or— this couple. for us, it is not one genre or the _ this couple. for us, it is not one genre or the other, it is the mixing

of both— genre or the other, it is the mixing of both that — genre or the other, it is the mixing of both that was exciting. i genre or the other, it is the mixing of both that was exciting.— of both that was exciting. i think we took the _ of both that was exciting. i think we took the courtroom - of both that was exciting. i think we took the courtroom drama i of both that was exciting. i thinkj we took the courtroom drama as of both that was exciting. i think. we took the courtroom drama as an excuse _ we took the courtroom drama as an excuse to— we took the courtroom drama as an excuse to dive _ we took the courtroom drama as an excuse to dive in _ we took the courtroom drama as an excuse to dive in a _ we took the courtroom drama as an excuse to dive in a very _ we took the courtroom drama as an excuse to dive in a very simple - excuse to dive in a very simple portrait— excuse to dive in a very simple portrait of— excuse to dive in a very simple portrait of a _ excuse to dive in a very simple portrait of a woman, _ excuse to dive in a very simple portrait of a woman, but - excuse to dive in a very simple portrait of a woman, but we i excuse to dive in a very simple i portrait of a woman, but we took this as _ portrait of a woman, but we took this as an— portrait of a woman, but we took this as an excuse. _ portrait of a woman, but we took this as an excuse. everybody i portrait of a woman, but we took this as an excuse. everybody is i this as an excuse. everybody is talking — this as an excuse. everybody is talking instead _ this as an excuse. everybody is talking instead of— this as an excuse. everybody is talking instead of her- this as an excuse. everybody is talking instead of her and i this as an excuse. everybody is talking instead of her and she i this as an excuse. everybody is i talking instead of her and she has toiustify— talking instead of her and she has tojustify herself— talking instead of her and she has tojustify herself all— talking instead of her and she has to justify herself all of _ talking instead of her and she has to justify herself all of the - talking instead of her and she has to justify herself all of the time. i to justify herself all of the time. all the _ to justify herself all of the time. all the time _ to justify herself all of the time. all the time, she _ to justify herself all of the time. all the time, she struggles i to justify herself all of the time. all the time, she struggles with| all the time, she struggles with this nightmare _ all the time, she struggles with this nightmare come _ all the time, she struggles with this nightmare come in - all the time, she struggles with this nightmare come in a - all the time, she struggles with this nightmare come in a way. i all the time, she struggles with. this nightmare come in a way. so all the time, she struggles with i this nightmare come in a way. so it was very— this nightmare come in a way. so it was very funny, _ this nightmare come in a way. so it was very funny. in— this nightmare come in a way. so it was very funny, in a _ this nightmare come in a way. so it was very funny, in a way, _ this nightmare come in a way. so it was very funny, in a way, to - this nightmare come in a way. so it was very funny, in a way, to speakl was very funny, in a way, to speak about— was very funny, in a way, to speak about easy— was very funny, in a way, to speak about easy and _ was very funny, in a way, to speak about easy and universal - was very funny, in a way, to speak about easy and universal things, i was very funny, in a way, to speak i about easy and universal things, and to take _ about easy and universal things, and to take the _ about easy and universal things, and to take the genre _ about easy and universal things, and to take the genre to _ about easy and universal things, and to take the genre to help _ about easy and universal things, and to take the genre to help us - about easy and universal things, and to take the genre to help us to i about easy and universal things, and to take the genre to help us to do. to take the genre to help us to do it. �* ., , ., ., it. and there was a lot if the mixint it. and there was a lot if the mixing of — it. and there was a lot if the mixing of the _ it. and there was a lot if the mixing of the stereotypical. it. and there was a lot if the i mixing of the stereotypical gender roles with the characters. that felt so refreshing. roles with the characters. that felt so refreshing-— so refreshing. yes, we flipped the tame. so refreshing. yes, we flipped the game- like _ so refreshing. yes, we flipped the game- like a _ so refreshing. yes, we flipped the game. like a man _ so refreshing. yes, we flipped the game. like a man in _ so refreshing. yes, we flipped the game. like a man in a _ so refreshing. yes, we flipped the game. like a man in a way, i so refreshing. yes, we flipped the game. like a man in a way, she i so refreshing. yes, we flipped the game. like a man in a way, she is taking— game. like a man in a way, she is taking all— game. like a man in a way, she is taking all of— game. like a man in a way, she is taking all of the— game. like a man in a way, she is taking all of the space _ game. like a man in a way, she is taking all of the space and - game. like a man in a way, she is taking all of the space and she i game. like a man in a way, she is taking all of the space and she is.

taking all of the space and she is not asking — taking all of the space and she is not asking for _ taking all of the space and she is not asking for anything. - taking all of the space and she is not asking for anything. she i taking all of the space and she is not asking for anything. she is i not asking for anything. she is really— not asking for anything. she is really not _ not asking for anything. she is really not self—sacrificing i not asking for anything. she is really not self—sacrificing in i not asking for anything. she isl really not self—sacrificing in any way _ really not self—sacrificing in any way so — really not self—sacrificing in any way so i— really not self—sacrificing in any way. so i think. _ really not self—sacrificing in any way. so i think, yes, _ really not self—sacrificing in any way. so i think, yes, we - really not self—sacrificing in any. way. so i think, yes, we laughed a lot about _ way. so i think, yes, we laughed a lot about this, _ way. so i think, yes, we laughed a lot about this, because _ way. so i think, yes, we laughed a lot about this, because of - way. so i think, yes, we laughed a lot about this, because of course i way. so i think, yes, we laughed aj lot about this, because of course a lot about this, because of course a lot of— lot about this, because of course a lot of sentences _ lot about this, because of course a lot of sentences that _ lot about this, because of course a lot of sentences that sandra - lot about this, because of course a lot of sentences that sandra says i lot about this, because of course a i lot of sentences that sandra says in the movie. — lot of sentences that sandra says in the movie. if— lot of sentences that sandra says in the movie. if i _ lot of sentences that sandra says in the movie, if ijust_ lot of sentences that sandra says in the movie, if ijust gave _ lot of sentences that sandra says in the movie, if ijust gave it- lot of sentences that sandra says in the movie, if ijust gave it to - lot of sentences that sandra says in the movie, if ijust gave it to a i the movie, if ijust gave it to a man— the movie, if ijust gave it to a man it — the movie, if ijust gave it to a man it could _ the movie, if ijust gave it to a man it could be _ the movie, if ijust gave it to a man it could be very _ the movie, if ijust gave it to a i man it could be very misogynistic, in a way — man it could be very misogynistic, in a way so. _ man it could be very misogynistic, in a way. so. yes _ man it could be very misogynistic, in a way. so, yes, we _ man it could be very misogynistic, in a way. so, yes, we played i man it could be very misogynistic, in a way. so, yes, we played a i man it could be very misogynistic, in a way. so, yes, we played a lot| in a way. so, yes, we played a lot with— in a way. so, yes, we played a lot with this, — in a way. so, yes, we played a lot with this, of— in a way. so, yes, we played a lot with this, of course. _ in a way. so, yes, we played a lot with this, of course.— with this, of course. thank you, both of you- _ with this, of course. thank you, both of you. congratulations i with this, of course. thank you, both of you. congratulations on| with this, of course. thank you, i both of you. congratulations on the nominations. it has been a long campaign for nominations. it has been a long campaignforyou, nominations. it has been a long campaign for you, since the cannes film festival, i'm sure. but the end is in sight. film festival, i'm sure. but the end is in sitht. ., .. film festival, i'm sure. but the end is in sitht. . ~ i. , film festival, i'm sure. but the end isinsitht. ., , . is in sight. thank you very much. that was the _ is in sight. thank you very much. that was the team _ is in sight. thank you very much. that was the team behind i is in sight. thank you very much. i that was the team behind anatomy of a fall, one of five of the best films. it is an incredible courtroom drama, full of ambiguity about a woman on trial. did her husband fall to his death accidentally? did he jump? was she involved? all of those

things in the mix as the audience try to think about what they think. so if we can go back tojoe, we have now talked about anatomy of a fall, holdovers, poorthings now talked about anatomy of a fall, holdovers, poor things is the one you think would be your preference if anything could topple oppenheimer? what does a poor things have? because it is a movie, it is quite explicit in places. would you call it a story about second chances? there are so many things around in there. i chances? there are so many things around in there.— around in there. i think it looks fabulous- _ around in there. i think it looks fabulous. the _ around in there. i think it looks fabulous. the thing _ around in there. i think it looks fabulous. the thing about i around in there. i think it looks fabulous. the thing about poorj fabulous. the thing about poor things— fabulous. the thing about poor things is— fabulous. the thing about poor things is you literally will not see anything — things is you literally will not see anything like that movie this year. it looks— anything like that movie this year. it looks amazing. i am so disappointed that he has not been nominated for best director. it is achievement, it is set in places like lisbon _ achievement, it is set in places like lisbon and london but it was all done — like lisbon and london but it was all done with sets and paintings.

you have — all done with sets and paintings. you have got this stunning performance from emma stone, he was effectively _ performance from emma stone, he was effectively playing a female frankenstein in a way. and mark ruffalo— frankenstein in a way. and mark ruffalo is— frankenstein in a way. and mark ruffalo is so funny as her beau who aets ruffalo is so funny as her beau who gets in— ruffalo is so funny as her beau who gets in over— ruffalo is so funny as her beau who gets in over his head with her, and willem _ gets in over his head with her, and willem defoe, who she calls god, who has created _ willem defoe, who she calls god, who has created her. it is a really tiuirky— has created her. it is a really quirky film... has created her. it is a really quirky film---_ has created her. it is a really quirky film... sorry, we have got claire foy _ quirky film... sorry, we have got claire foy with _ quirky film... sorry, we have got claire foy with us. _ quirky film... sorry, we have got claire foy with us. how- quirky film... sorry, we have got claire foy with us. how are i quirky film... sorry, we have got claire foy with us. how are you? congratulations on your nomination for best supporting actress for all of us are strangers. a touching movie. but was a like for you to play this part, because you are in some of the most beautiful, touching scenes? , �* .. scenes? yes, it didn't feel like work, scenes? yes, it didn't feel like work. really- _ scenes? yes, it didn't feel like work, really. i— scenes? yes, it didn't feel like work, really. ifelt_ scenes? yes, it didn't feel like work, really. i felt so - scenes? yes, it didn't feel like work, really. i felt so lucky i scenes? yes, it didn't feel like work, really. i felt so lucky to | scenes? yes, it didn't feel like i work, really. i felt so lucky to be in it _ work, really. i felt so lucky to be in it i_ work, really. i felt so lucky to be in it i knew _ work, really. i felt so lucky to be in it. i knew when i read the script it was— in it. i knew when i read the script it was a _ in it. i knew when i read the script

it was a special, it has been a really— it was a special, it has been a really amazing process to see people respond _ really amazing process to see people respond to _ really amazing process to see people respond to the film in the way they have _ respond to the film in the way they have it _ respond to the film in the way they have it has — respond to the film in the way they have. it has been really great to have _ have. it has been really great to have it — have. it has been really great to have it recognised in this way. some of those scenes _ have it recognised in this way. some of those scenes filmed _ have it recognised in this way. some of those scenes filmed in _ have it recognised in this way. fine of those scenes filmed in andrew haigh's childhood home. didn't make impact for you? i haigh's childhood home. didn't make impact for you?— impact for you? i thought he was mad, impact for you? i thought he was mad. was — impact for you? i thought he was mad. was the — impact for you? i thought he was mad, was the main _ impact for you? i thought he was mad, was the main thing. i impact for you? i thought he was mad, was the main thing. this i impact for you? i thought he was i mad, was the main thing. this must be quite _ mad, was the main thing. this must be quite an— mad, was the main thing. this must be quite an experience. he was ever done _ be quite an experience. he was ever done this— be quite an experience. he was ever done this before? so it was definitely unique. but he just where is it very— definitely unique. but he just where is it very lightly, andrew hay, and ithink— is it very lightly, andrew hay, and i think that — is it very lightly, andrew hay, and i think that shows, the film is so delicately— i think that shows, the film is so delicately done and everything is handled — delicately done and everything is handled so thoughtfully. it never felt like — handled so thoughtfully. it never felt like you were in his past. it felt like you were in his past. it felt like — felt like you were in his past. it felt like our film that we were making — felt like our film that we were making together. i know you are a professional on set all the time. did you — professional on set all the time.

did you manage to keep your emotions in check in some of the scenes? ida. in check in some of the scenes? no, ou in check in some of the scenes? no, you know. — in check in some of the scenes? no, you know. it — in check in some of the scenes? no, you know. it was _ in check in some of the scenes? no, you know, it was a _ in check in some of the scenes? no, you know, it was a very emotional film to— you know, it was a very emotional film to make. andrew scott is an incredible — film to make. andrew scott is an incredible actor, and i also know him very— incredible actor, and i also know him very well, so watching him step into how— him very well, so watching him step into how amazing he is and seeing him quite — into how amazing he is and seeing him quite emotional was quite hard as his _ him quite emotional was quite hard as his friend. but the final scene, i lost _ as his friend. but the final scene, i lost it— as his friend. but the final scene, i lost it completely. i apologised at the _ i lost it completely. i apologised at the time and said sorry i am being— at the time and said sorry i am being so— at the time and said sorry i am being so unprofessional. congratulations on your nomination. i know you will be rooting for paul mescal as well. thank you very much. what does it mean to you to get bafta nominated? i what does it mean to you to get bafta nominated?— bafta nominated? i 'ust keep titnchin