it is favourite for a rising star. it is one awarded for by the public. he has got a huge fan base out there, hasn't he? i has got a huge fan base out there, hasn't he? . ._ , has got a huge fan base out there, hasn't he?— hasn't he? i always think it is sliuhtl hasn't he? i always think it is slightly harsh. _ hasn't he? i always think it is slightly harsh. after - hasn't he? i always think it is slightly harsh. after is - hasn't he? i always think it is slightly harsh. after is not i hasn't he? i always think it is| slightly harsh. after is not the same colour as everybody�*s else's, because it is voted for by the public. because it is voted for by the ublic. �* , . because it is voted for by the ublic. , , , ., , because it is voted for by the ublic. , , , ., public. but, yes, maestro is a film we haven't — public. but, yes, maestro is a film we haven't talked _ public. but, yes, maestro is a film we haven't talked about _ public. but, yes, maestro is a film we haven't talked about very - public. but, yes, maestro is a film l we haven't talked about very much. we have some of the stars coming towards us, bradley cooper, carey mulligan, about burns down. it is a netflix film, it hasn't really set the world alight. is it a serious contender?— the world alight. is it a serious contender? �* ., , , , , , contender? bradley cooper spent six ears contender? bradley cooper spent six years learning _ contender? bradley cooper spent six years learning to _ contender? bradley cooper spent six years learning to conduct _ contender? bradley cooper spent six years learning to conduct 416 - contender? bradley cooper spent six years learning to conduct 416 minute years learning to conduct a16 minute conducting scene, and often when it comes to awards season, that unquestionably is the one in that film. standout scene. neverwon

unquestionably is the one in that film. standout scene. never won an oscar but he has won the bafta, the score for the star is born. he took home a bafta there. so bradley cooper is a bafta winner. and his co—star, carey mulligan, who i can see is also nominated, for best actress. , ., ., , , see is also nominated, for best actress. ., , ., actress. divine 'oy randolph is now that wa . actress. divine 'oy randolph is now that way. rm — actress. divine joy randolph is now that way. i'm slightly _ actress. divine joy randolph is now that way. i'm slightly worried - actress. divine joy randolph is now that way. i'm slightly worried we i that way. i'm slightly worried we might not get her. carey mulligan, not nominated for saltburn, one of those people he was in a few scenes and so much attention on her. iquite and so much attention on her. quite and so much attention on her. quite a lot of peeple _ and so much attention on her. quite a lot of people nominated _ and so much attention on her. quite a lot of people nominated in - and so much attention on her. qt te: a lot of people nominated in two films this year. carey mulligan in saltburn and in maestro. what

films this year. carey mulligan in saltburn and in maestro.- saltburn and in maestro. what i loved about _ saltburn and in maestro. what i loved about it, _ saltburn and in maestro. what i loved about it, carey _ saltburn and in maestro. what i loved about it, carey mulligan l saltburn and in maestro. what i i loved about it, carey mulligan was the star of promising young woman and she came along, "i have got this new film, it is probably 12 days' work a maximum, new film, it is probably 12 days' worka maximum, and new film, it is probably 12 days' work a maximum, and you will have a laugh." she a brilliant turn that really got people laughing and gasping as they watched what she has got to say. and there is loyalty. her first two films have been quite dark. it will be interesting to see what kind of choices she goes for next. she is one of these people the takes on so much. she directs. probably not quite as much as bradley cooper does with his movies, but it will be interesting to see what direction she goes in next, because she is

clearly one of the great british talent out there. at some point, she will be a bafta winner.— will be a bafta winner. bradley coo er, will be a bafta winner. bradley conner. carey _ will be a bafta winner. bradley cooper, carey mulligan. - will be a bafta winner. bradley cooper, carey mulligan. he . will be a bafta winner. bradley| cooper, carey mulligan. he has will be a bafta winner. bradley - cooper, carey mulligan. he has got a heck of an outfit on as well. i don't know if we can show this. this is bradley cooper. if you look at him, top half, sergeant pepper, bottom half saturday night fever. that is quite an outfit. i don't know much about men's fashion but i have noticed there is a lot of players here tonight. given the musical theme, players here tonight. given the musicaltheme, certainly. show his trousers. it is pointing down the way. here we go. top of sergeant pepper, bottom half saturday night fever. , ., ., ., ,, fever. maestro, one of those because it hasn't quite — fever. maestro, one of those because it hasn't quite broken _ fever. maestro, one of those because it hasn't quite broken through - fever. maestro, one of those because it hasn't quite broken through in - it hasn't quite broken through in the way that it possibly had the potential to. the way that it possibly had the potentialto. it the way that it possibly had the potential to. it is not up there for

best film. but there are acting nominations, bradley cooper is in there. best actor. and carey mulligan for best actress, of course playing felicia, the partner. this is something we will touch on if we do get to talk to them, it was done with the cooperation of the brownstein family. more of an emphasis on the relationship between them. that scene you were talking about, that is him conducting his second symphony. has anyone will tell you, in the world of classical music that is an immense mountain to climb, and he seems to have acquitted himself. i climb, and he seems to have acquitted himself.— climb, and he seems to have acquitted himself. climb, and he seems to have acuuitted himself. ., ., ., , acquitted himself. i am going to see if we are going _ acquitted himself. i am going to see if we are going to — acquitted himself. i am going to see if we are going to get _ acquitted himself. i am going to see if we are going to get him. -

acquitted himself. i am going to see if we are going to get him. we - acquitted himself. i am going to see if we are going to get him. we are i if we are going to get him. we are 'ust if we are going to get him. we are just waiting _ if we are going to get him. we are just waiting to _ if we are going to get him. we are just waiting to see. _ if we are going to get him. we are just waiting to see. we _ if we are going to get him. we are just waiting to see. we are - if we are going to get him. we are just waiting to see. we are going. if we are going to get him. we are. just waiting to see. we are going to net them. just waiting to see. we are going to get them- we _ just waiting to see. we are going to get them. we are _ just waiting to see. we are going to get them. we are going _ just waiting to see. we are going to get them. we are going to - just waiting to see. we are going to get them. we are going to get - just waiting to see. we are going to | get them. we are going to get them. a star is born with lady gaga a few years ago had a good showing in the bafta nominations, and he is one of those people again he was gone from being a camera performer to being one of hollywood's biggest and most talented performers behind the camera as well. steven spielberg who was once involved with maestro gave him his blessing. i’m was once involved with maestro gave him his blessing.— him his blessing. i'm good. how are ou. and him his blessing. i'm good. how are you- and hello. _ him his blessing. i'm good. how are you. and hello, bradley _ him his blessing. i'm good. how are you. and hello, bradley cooper. - you. and hello, bradley cooper. alwa s a you. and hello, bradley cooper. always a pleasure. _ you. and hello, bradley cooper. always a pleasure. always - you. and hello, bradley cooper. always a pleasure. always good i you. and hello, bradley cooper. i always a pleasure. always good to see you. maestro, what a wonderful, wonderfulfilm. it doesn't concentrate so much on his music but more about the relationship between the two of you. how much of a joy was that to bring out to audiences?

how much of a joy? hopefully the music_ how much of a joy? hopefully the music is_ how much of a joy? hopefully the music is the actual guiding light of the whole — music is the actual guiding light of the whole film, because it is core to his _ the whole film, because it is core to his music. and then you see that at the _ to his music. and then you see that at the end — to his music. and then you see that at the end of— to his music. and then you see that at the end of the movie. andy mellor was like _ at the end of the movie. andy mellor was like playing music, and then you have artists — was like playing music, and then you have artists like kerry. it was joyful— have artists like kerry. it was joyful every time i got excited to do a scene — joyful every time i got excited to do a scene with her. it wasjust effortless _ do a scene with her. it was 'ust effortless.�* do a scene with her. it was 'ust effortlesafi do a scene with her. it was 'ust effortless. . ~' . ., ., effortless. we knew a huge amount about leonard _ effortless. we knew a huge amount about leonard bernstein, _ effortless. we knew a huge amount about leonard bernstein, but - effortless. we knew a huge amount about leonard bernstein, but knew| about leonard bernstein, but knew less about felicia. talking to the family, was there any particular nuggets that gave you an access point to really bring that character to life? we point to really bring that character to life? ~ . point to really bring that character to life? . ., . ., , to life? we had so much. the family could not have _ to life? we had so much. the family could not have been... _ to life? we had so much. the family could not have been... they - to life? we had so much. the family could not have been... they were i to life? we had so much. the familyi could not have been... they were so instrumental, — could not have been... they were so instrumental, it would not have been possible _ instrumental, it would not have been possible without them. they were 'ust possible without them. they were just so _ possible without them. they were just so generous with their life. we had access— just so generous with their life. we had access to the home videos and photos. _ had access to the home videos and photos. we — had access to the home videos and photos, we shot in their house. sol

feel like _ photos, we shot in their house. sol feel like we — photos, we shot in their house. sol feel like we had a lot for someone that there — feel like we had a lot for someone that there wasn't that much documented online about. i felt like they couldn't have been more generous. they couldn't have been more generous— they couldn't have been more uenerous. ., , . generous. how is the conducting? have ou generous. how is the conducting? have you managed _ generous. how is the conducting? have you managed to _ generous. how is the conducting? have you managed to keep - generous. how is the conducting? have you managed to keep it - generous. how is the conducting? i have you managed to keep it going? could you conduct murder on a dance floor? it could you conduct murder on a dance floor? . . . . could you conduct murder on a dance floor? . , . , ., 4' could you conduct murder on a dance floor? . , . , ., ~ ., floor? it was incredible working on the london — floor? it was incredible working on the london symphony _ floor? it was incredible working on the london symphony orchestra, l floor? it was incredible working on - the london symphony orchestra, when we did _ the london symphony orchestra, when we did the _ the london symphony orchestra, when we did the fly cathedral, we recorded _ we did the fly cathedral, we recorded the soundtrack with them as well. ~ . . . recorded the soundtrack with them as well. . , ,~~ recorded the soundtrack with them as well. . , ,~ ,, well. was it six years you spent learnin: well. was it six years you spent learning to _ well. was it six years you spent learning to conduct? _ well. was it six years you spent learning to conduct? it - well. was it six years you spent learning to conduct? it was - well. was it six years you spent learning to conduct? it was six | learning to conduct? it was six ears learning to conduct? it was six years working _ learning to conduct? it was six years working on _ learning to conduct? it was six years working on the - learning to conduct? it was six | years working on the character, learning to conduct? it was six - years working on the character, and the key— years working on the character, and the key was — years working on the character, and the key was trying to get the joy that lenny brought to every hole that lenny brought to every hole that he _ that lenny brought to every hole that he conducted. the point of the scene, _ that he conducted. the point of the scene, when felicia goes back and we understand _ scene, when felicia goes back and we understand why she misses him. and finall , i understand why she misses him. and finally. i was — understand why she misses him. situc finally, i was saying, what an outfit. carey mulligan, back me up here. top half sergeant pepper, bottom half saturday night fever.

"ready to sit down, sir, we are taking — "ready to sit down, sir, we are taking off" _ "ready to sit down, sir, we are taking off-'— "ready to sit down, sir, we are taking off." taking off. " how does it feel that both of you _ taking off. " how does it feel that both of you are _ taking off. " how does it feel that both of you are nominated - taking off. " how does it feel that both of you are nominated here | both of you are nominated here tonight? it’s both of you are nominated here toniaht? v . . both of you are nominated here toniaht? �*, ., ., ~ both of you are nominated here toniuht? �*, . . �* . , tonight? it's amazing. and so many of our crew- — tonight? it's amazing. and so many of our crew. and _ tonight? it's amazing. and so many of our crew. and the _ tonight? it's amazing. and so many of our crew. and the best _ tonight? it's amazing. and so many of our crew. and the best part - tonight? it's amazing. and so many of our crew. and the best part of i of our crew. and the best part of this stuff is _ of our crew. and the best part of this stuff is you _ of our crew. and the best part of this stuff is you get _ of our crew. and the best part of this stuff is you get to _ of our crew. and the best part of this stuff is you get to see - of our crew. and the best part of i this stuff is you get to see people. and actually— this stuff is you get to see people. and actually meet _ this stuff is you get to see people. and actually meet people - this stuff is you get to see people. and actually meet people that - this stuff is you get to see people. and actually meet people that i. and actually meet people that i didn't— and actually meet people that i didn't know _ and actually meet people that i didn't know. so— and actually meet people that i didn't know. so that _ and actually meet people that i didn't know. so that is - and actually meet people that i didn't know. so that is one - and actually meet people that i didn't know. so that is one of. and actually meet people that i. didn't know. so that is one of the treats _ didn't know. so that is one of the treats. ., ., , didn't know. so that is one of the treats. ., . , , ., , treats. you are up with three shots at this today. _ treats. you are up with three shots at this today, aren't _ treats. you are up with three shots at this today, aren't you? - treats. you are up with three shots at this today, aren't you? yes, - treats. you are up with three shots at this today, aren't you? yes, it's| at this today, aren't you? yes, it's amazinu. at this today, aren't you? yes, it's amazing. thank _ at this today, aren't you? yes, it's amazing. thank you _ at this today, aren't you? yes, it's amazing. thank you both - at this today, aren't you? yes, it's amazing. thank you both very - at this today, aren't you? yes, it's i amazing. thank you both very much. sneakin: amazing. thank you both very much. sneaking in — amazing. thank you both very much. sneaking in on _ amazing. thank you both very much. sneaking in on our _ amazing. thank you both very much. sneaking in on our interview- amazing. thank you both very much. sneaking in on our interview there. l sneaking in on our interview there. she didn't realise that is what i was talking about, this being the endgame of the red carpet. i think thatis endgame of the red carpet. i think that is the last interview they are doing. they are heading on into the baftas now. it is getting to the point where people put their mics into other people's interviews. than into other people's interviews. an interesting, wonderful film to talk about, and something that the story

of leonard bernstein's life, his relationship with his wife, the story of his failings, is something that we don't know a huge amount about compared to the macro we have an extra guest. taste about compared to the macro we have an extra guest-— an extra guest. we have naomi cambell an extra guest. we have naomi campbell live — an extra guest. we have naomi campbell live on _ an extra guest. we have naomi campbell live on the _ an extra guest. we have naomi campbell live on the bbc. - an extra guest. we have naomi campbell live on the bbc. nice| an extra guest. we have naomi l campbell live on the bbc. nice to see ou campbell live on the bbc. nice to see you again- — campbell live on the bbc. nice to see you again. where _ campbell live on the bbc. nice to see you again. where have - campbell live on the bbc. nice to see you again. where have i - campbell live on the bbc. nice to see you again. where have i seen ou? see you again. where have i seen you? africa? _ see you again. where have i seen you? africa? i— see you again. where have i seen you? africa? i have _ see you again. where have i seen you? africa? i have done - see you again. where have i seen you? africa? i have done a - see you again. where have i seen you? africa? i have done a lot i see you again. where have i seen you? africa? i have done a lot of| you? africa? i have done a lot of red carpets. what films have you seen this year that have impressed you? i seen this year that have impressed ou? . . ~ seen this year that have impressed ou? . , ~' ., you? i have seen killer of the flower moon, _ you? i have seen killer of the flower moon, oppenheimer, | you? i have seen killer of the - flower moon, oppenheimer, bradley's movie _ flower moon, oppenheimer, bradley's movie it— flower moon, oppenheimer, bradley's movie it is— flower moon, oppenheimer, bradley's movie. it is incredible the array of talent _ movie. it is incredible the array of talent and — movie. it is incredible the array of talent and the creative and the storylines. i love to find out things— storylines. i love to find out things i_ storylines. i love to find out things i didn't know about people's journeys— things i didn't know about people's journeys and what they went through. what did _ journeys and what they went through. what did you like about oppenheimer? because we have talked about it a lot tonight. because we have talked about it a lot toni . ht. , because we have talked about it a lot tonight-— because we have talked about it a lot toniaht. , ., ., ,, , lot tonight. oh, my goodness. it is 'ust an lot tonight. oh, my goodness. it is just an epic— lot tonight. oh, my goodness. it is just an epic film. _ lot tonight. oh, my goodness. it is just an epic film. what _ lot tonight. oh, my goodness. it is just an epic film. what can - lot tonight. oh, my goodness. it is just an epic film. what can you - lot tonight. oh, my goodness. it is just an epic film. what can you noti just an epic film. what can you not like about— just an epic film. what can you not like about it? a

just an epic film. what can you not like about it?— like about it? a lot of models do tuite a like about it? a lot of models do quite a lot _ like about it? a lot of models do quite a lot of— like about it? a lot of models do quite a lot of acting. _ like about it? a lot of models do quite a lot of acting. how- like about it? a lot of models do quite a lot of acting. how much l like about it? a lot of models do | quite a lot of acting. how much of ou quite a lot of acting. how much of you consider— quite a lot of acting. how much of you consider that? _ quite a lot of acting. how much of you consider that? i _ quite a lot of acting. how much of you consider that? i do _ quite a lot of acting. how much of you consider that? i do bits - quite a lot of acting. how much of you consider that? i do bits and l you consider that? i do bits and bobs _ you consider that? i do bits and bobs for— you consider that? i do bits and bobs for friends of mine when they ask. bobs for friends of mine when they ask but _ bobs for friends of mine when they ask but in — bobs for friends of mine when they ask. but in a way, our industry, modelling, _ ask. but in a way, our industry, modelling, is a silent acting because _ modelling, is a silent acting because we have to have the emotion and the _ because we have to have the emotion and the movement but not the word. how accurate is izzy lander? oh, and the movement but not the word. how accurate is izzy lander?- how accurate is izzy lander? oh, my toodness, how accurate is izzy lander? oh, my goodness. you _ how accurate is izzy lander? oh, my goodness. you are — how accurate is izzy lander? oh, my goodness, you are taking _ how accurate is izzy lander? oh, my goodness, you are taking me - how accurate is izzy lander? oh, my goodness, you are taking me back. | — — zoolander. —— zoolander. do you know what is one of— —— zoolander. do you know what is one of my — —— zoolander. do you know what is one of my favourite ones. the last emperor, — one of my favourite ones. the last emperor, valentino. have you seen that one? _ emperor, valentino. have you seen that one? it — emperor, valentino. have you seen that one? it is a really great one. it has _ that one? it is a really great one. it has got — that one? it is a really great one. it has got a — that one? it is a really great one. it has got a great sense of humour, emotion _ it has got a great sense of humour, emotion. ., ., ., , , �*, .,,

emotion. naomi campbell's top ten. what is going _ emotion. naomi campbell's top ten. what is going on _ emotion. naomi campbell's top ten. what is going on with _ emotion. naomi campbell's top ten. what is going on with you _ emotion. naomi campbell's top ten. what is going on with you and - emotion. naomi campbell's top ten. what is going on with you and the i what is going on with you and the v&a? i what is going on with you and the v&a? , ., ., , ., v&a? i will be doing an exhibition onjune v&a? i will be doing an exhibition on june 19. _ v&a? i will be doing an exhibition on june 19. my — v&a? i will be doing an exhibition on june 19, my clothes, _ v&a? i will be doing an exhibition on june 19, my clothes, things i i onjune19, my clothes, things i have _ onjune19, my clothes, things i have never— onjune19, my clothes, things i have never shown, never said. all of the great _ have never shown, never said. all of the great creatives that have worked with me _ the great creatives that have worked with me. ~ ., the great creatives that have worked with me. ~' . ., , the great creatives that have worked with me-_ kind i with me. like a greatest hits? kind of. it is with me. like a greatest hits? kind of- it is very _ with me. like a greatest hits? kind of. it is very personal. _ with me. like a greatest hits? kind of. it is very personal. bafta - of. it is very personal. bafta starts with _ of. it is very personal. bafta starts with murder - of. it is very personal. bafta starts with murder on - of. it is very personal. bafta starts with murder on the i of. it is very personal. bafta. starts with murder on the dancefloor tonight. will you be dancing? absolutely. yeah, saltburn. yes. love it. thank _ absolutely. yeah, saltburn. yes. love it. thank you. _ absolutely. yeah, saltburn. yes. love it. thank you. there - absolutely. yeah, saltburn. yes. love it. thank you. there we - absolutely. yeah, saltburn. is; love it. thank you. there we have naomi campbell. i have never met her in africa. it naomi campbell. i have never met her in africa. . . naomi campbell. i have never met her in africa. , , ., ., in africa. it seems a good point to to over in africa. it seems a good point to go over to — in africa. it seems a good point to go over to sara — in africa. it seems a good point to go over to sara to _ in africa. it seems a good point to go over to sara to talk _ in africa. it seems a good point to go over to sara to talk about - in africa. it seems a good point to| go over to sara to talk about some of the fashion we have seen from the last half hour or so. thea;r of the fashion we have seen from the last half hour or so.— last half hour or so. they are all streaming _ last half hour or so. they are all streaming through _ last half hour or so. they are all streaming through now, - last half hour or so. they are all streaming through now, aren't i last half hour or so. they are all - streaming through now, aren't they, it is always _ streaming through now, aren't they, it is always kind of the best until last _ it is always kind of the best until last i_ it is always kind of the best until last ljust— it is always kind of the best until last. ijust want to talk it is always kind of the best until last. i just want to talk about it is always kind of the best until last. ijust want to talk about cate blanchett — last. ijust want to talk about cate blanchett. for me, and i think for a lot of—

blanchett. for me, and i think for a lot of people, she really is the queen— lot of people, she really is the queen of— lot of people, she really is the queen of the red carpet. i know she has not _ queen of the red carpet. i know she has not been nominated, but i cannot complete _ has not been nominated, but i cannot complete this interview without talking — complete this interview without talking about her. but her burgundy black backless dress, the focus is on her— black backless dress, the focus is on her body and especially the back. and, on her body and especially the back. and. you _ on her body and especially the back. and, you know, ithink with on her body and especially the back. and, you know, i think with cate blanchett. — and, you know, i think with cate blanchett, what is flagged up at this particular point is it is not 'ust this particular point is it is not just about _ this particular point is it is not just about the gown, it is about how it is worn _ just about the gown, it is about how it is worn it— just about the gown, it is about how it is worn. it is about all of that prep, _ it is worn. it is about all of that prep. not— it is worn. it is about all of that prep, notjust about it is worn. it is about all of that prep, not just about training, it is worn. it is about all of that prep, notjust about training, about doing _ prep, notjust about training, about doing all— prep, notjust about training, about doing all of— prep, notjust about training, about doing all of your yoga and pilates, but your— doing all of your yoga and pilates, but your nutrition. all of that comes— but your nutrition. all of that comes as _ but your nutrition. all of that comes as a package with the fashion and how— comes as a package with the fashion and how you are going to wear it and how your— and how you are going to wear it and how your body is going to respond to being _ how your body is going to respond to being in— how your body is going to respond to being in these gowns, how you are going _ being in these gowns, how you are going to _ being in these gowns, how you are going to feel. are you going to feel confident? — going to feel. are you going to feel confident? i think that very much comes— confident? i think that very much comes through with cate blanchett. you can _ comes through with cate blanchett. you can tell she works hard to achieve — you can tell she works hard to achieve that. but also, once she is

on the _ achieve that. but also, once she is on the red — achieve that. but also, once she is on the red carpet, she wears it so effortlessly. she is so graceful. she is — effortlessly. she is so graceful. she is so — effortlessly. she is so graceful. she is so swanlike. the focal point of that— she is so swanlike. the focal point of that dress was the back. we have seen quite _ of that dress was the back. we have seen quite a — of that dress was the back. we have seen quite a few backs this off this afternoon — seen quite a few backs this off this afternoon. it was that incredible structure — afternoon. it was that incredible structure of the front and the shoulder— structure of the front and the shoulder line with this beautiful kind of— shoulder line with this beautiful kind of tooling, this silver tooling around _ kind of tooling, this silver tooling around the — kind of tooling, this silver tooling around the neck line, but then the back was— around the neck line, but then the back was fully exposed. just absolutely beautiful. and i think what _ absolutely beautiful. and i think what is — absolutely beautiful. and i think what is really lovely about cate blanchett is that she has this mantra. _ blanchett is that she has this mantra, it is chic to repeat. it is a little — mantra, it is chic to repeat. it is a little bit — mantra, it is chic to repeat. it is a little bit like katherine, princess of wales. they like to repeat — princess of wales. they like to repeat outfits, but they change them, — repeat outfits, but they change them, they adapt them. i think that is so very— them, they adapt them. i think that is so very now. them, they adapt them. i think that is so very now-— is so very now. ok, i'm going to interru -t is so very now. ok, i'm going to interrupt you — is so very now. ok, i'm going to interrupt you now _ is so very now. ok, i'm going to interrupt you now because - is so very now. ok, i'm going to interrupt you now because i - is so very now. ok, i'm going to| interrupt you now because i think is so very now. ok, i'm going to - interrupt you now because i think we finally do have in one or two

moments divinejoy finally do have in one or two moments divine joy randolph, finally do have in one or two moments divinejoy randolph, one finally do have in one or two moments divine joy randolph, one of the stars of the films the holdovers. how are you? congratulations on the holdovers. what did you relate to most? identified with it as though it was identified with it as though it was i know— identified with it as though it was i know these women, you know these women _ i know these women, you know these women but _ i know these women, you know these women, but also, it is universal. it is not _ women, but also, it is universal. it is notjust— women, but also, it is universal. it is notjust black women. it is women _ is notjust black women. it is women it— is notjust black women. it is women, it is men, a lot of women in this world _ women, it is men, a lot of women in this world who are hurting, suffering, going through things, and we don't _ suffering, going through things, and we don't take enough time to check in on _ we don't take enough time to check in on people and see how they are doing _ in on people and see how they are doing. some ijust felt very real. she is— doing. some ijust felt very real. she is a — doing. some ijust felt very real. she is a woman who has lost her son in vietnam — she is a woman who has lost her son in vietnam. and i love the way you played _ in vietnam. and i love the way you played the — in vietnam. and i love the way you played the different stages of grief

developing throughout the movie. this is really special. it is a really— this is really special. it is a really special project. we this is really special. it is a really special project. really special pro'ect. we are independent. _ really special project. we are independent. and _ really special project. we are independent. and it - really special project. we are independent. and it must - really special project. we are independent. and it must be| really special project. we are - independent. and it must be very gratifying to seeing it up for best picture and also seeing them co—stars, paul giamatti and dominic sessa. co-stars, paul giamatti and dominic sessa. ., . , ., sessa. for an independent film? that doesnt sessa. for an independent film? that doesn't happen _ sessa. for an independent film? that doesn't happen often. _ sessa. for an independent film? that doesn't happen often. i _ sessa. for an independent film? that doesn't happen often. i feel- sessa. for an independent film? that doesn't happen often. i feel very - doesn't happen often. i feel very grateful— doesn't happen often. i feel very grateful to be in this situation. and what— grateful to be in this situation. and what is next for you? because we have seen you doing comedy in the past but this is a big serious role. i have action movies coming up, and a romcom~ _ i have action movies coming up, and a romcom~ so— i have action movies coming up, and a romcom. so i'm excited.— a romcom. so i'm excited. da'vine joy randolph. _ a romcom. so i'm excited. da'vine joy randolph, thank _ a romcom. so i'm excited. da'vine joy randolph, thank you _ a romcom. so i'm excited. da'vine joy randolph, thank you so - a romcom. so i'm excited. da'vine joy randolph, thank you so much i a romcom. so i'm excited. da'vine l joy randolph, thank you so much for joy randolph, thank you so much for your time. joy randolph, thank you so much for yourtime. have joy randolph, thank you so much for your time. have a wonderful baftas. thank you so much. i your time. have a wonderful baftas. thank you so much.— thank you so much. i am going to swivel around. _ thank you so much. i am going to swivel around. we _ thank you so much. i am going to swivel around. we are _ thank you so much. i am going to swivel around. we are just - thank you so much. i am going to swivel around. we are just going l thank you so much. i am going to l swivel around. we are just going to let these to say hello to each other, before we hopefully say hello to rosamund pike. of course up for

best supporting actress for saltburn. da'vinejoy randolph, two of the rivals there. i am going to stand right here. you tell me exactly what to do. i stand right here. you tell me exactly what to do.— stand right here. you tell me exactly what to do. i think you are needed back. _ exactly what to do. i think you are needed back. but _ exactly what to do. i think you are needed back. but thank _ exactly what to do. i think you are needed back. but thank you - exactly what to do. i think you are needed back. but thank you very l needed back. but thank you very much. they are up against each other. ., . . much. they are up against each other. ., ., . ., , other. how are you? we have been talkint a other. how are you? we have been talking a lot _ other. how are you? we have been talking a lot about _ other. how are you? we have been talking a lot about saltburn. - other. how are you? we have been talking a lot about saltburn. you i talking a lot about saltburn. you are for best supporting actress. and what a dream of a row. you must have just opened that script and seen some of the lines and thought, oh, yes, i can do it. some of the lines and thought, oh, yes. i can do it— yes, i can do it. you don't open a scri -t yes, i can do it. you don't open a script actually — yes, i can do it. you don't open a script actually and _ yes, i can do it. you don't open a script actually and do _ yes, i can do it. you don't open a script actually and do that. - yes, i can do it. you don't open a script actually and do that. you i script actually and do that. you don't _ script actually and do that. you don't look— script actually and do that. you don't look and think," oh, i can do that" _ don't look and think," oh, i can do that" the — don't look and think," oh, i can do that." the character emerges and plays— that." the character emerges and plays on— that." the character emerges and plays on your consequences or not. and she _ plays on your consequences or not. and she did — plays on your consequences or not. and she did come out with a voice, she had _ and she did come out with a voice, she had a _ and she did come out with a voice, she had a voice in my head which i enjoyed _ she had a voice in my head which i enjoyed. but i don't ever think that _ enjoyed. but i don't ever think that "oh. _ enjoyed. but i don't ever think that. "oh, yes, i could really do something —

that. "oh, yes, i could really do something with us." and i think i couldn't— something with us." and i think i couldn't have done anything with it if it hadn't— couldn't have done anything with it if it hadn't been for the ensemble that is— if it hadn't been for the ensemble that is around you. my elspeth only exists _ that is around you. my elspeth only exists because of this group of people — exists because of this group of people that emerald assembled, and the way— people that emerald assembled, and the way we made it. they enjoyed her elspeth— the way we made it. they enjoyed her elspeth could be what she is. if you had a _ elspeth could be what she is. if you had a more — elspeth could be what she is. if you had a more selfish bunch of actors who didn't — had a more selfish bunch of actors who didn't want to let elspeth be elspeth. — who didn't want to let elspeth be elspeth, which could have been the casei _ elspeth, which could have been the case, she _ elspeth, which could have been the case, she wouldn't be who she is that i_ case, she wouldn't be who she is that i couldn't have done it. do you see what _ that i couldn't have done it. do you see what i— that i couldn't have done it. do you see what i mean? titre that i couldn't have done it. do you see what i mean?— that i couldn't have done it. do you see what i mean? are you allowed to ad lib. see what i mean? are you allowed to ad lib- much? — see what i mean? are you allowed to ad lib. much? that _ see what i mean? are you allowed to ad lib. much? that you _ see what i mean? are you allowed to ad lib. much? that you came - see what i mean? are you allowed to ad lib. much? that you came up - see what i mean? are you allowed to ad lib. much? that you came up with| ad lib. much? that you came up with the idea that pops and people had been written about her? that the idea that pop's and people had been written about her?— the idea that pop's and people had been written about her? that was an idea that i had, _ been written about her? that was an idea that i had, but _ been written about her? that was an idea that i had, but of _ been written about her? that was an idea that i had, but of course - idea that i had, but of course finessed _ idea that i had, but of course finessed through the brilliance of emerald's word play. there are some ideas _ emerald's word play. there are some ideas of— emerald's word play. there are some ideas of ours — emerald's word play. there are some ideas of ours in there. we emerald's word play. there are some ideas of ours in there.— ideas of ours in there. we spoke to her a while — ideas of ours in there. we spoke to her a while ago. — ideas of ours in there. we spoke to her a while ago, how— ideas of ours in there. we spoke to her a while ago, how different - ideas of ours in there. we spoke to her a while ago, how different it i ideas of ours in there. we spoke to her a while ago, how different it is| her a while ago, how different it is to shock people nowadays. which pitch up to you the most? actually,

i think how — pitch up to you the most? actually, i think how erotic _ pitch up to you the most? actually, i think how erotic it _ pitch up to you the most? actually, i think how erotic it is _ pitch up to you the most? actually, i think how erotic it is without i i think how erotic it is without showing — i think how erotic it is without showing very much at all. and i thought _ showing very much at all. and i thought... because i thought that was so _ thought... because i thought that was so clever. edit kind of made a whole _ was so clever. edit kind of made a whole audience feel. it is very sexual, — whole audience feel. it is very sexual, and yet you really see below the shoulders. of course, the dance aside, _ the shoulders. of course, the dance aside, but _ the shoulders. of course, the dance aside, but that is not about six, is it? that _ aside, but that is not about six, is it? that is — aside, but that is not about six, is it? that is about winning. it is a feeling — it? that is about winning. it is a feeling of— it? that is about winning. it is a feeling of ownership and winning. but the _ feeling of ownership and winning. but the actual kind of sexual moments in it are there, are erotic because _ moments in it are there, are erotic because of— moments in it are there, are erotic because of a — moments in it are there, are erotic because of a feeling, not because of what you _ because of a feeling, not because of what you see. and i think that is shocking — what you see. and i think that is shocking these days because everybody thinks you have to expose yourself _ everybody thinks you have to expose yourself to _ everybody thinks you have to expose yourself to be shocking, but you don't _ yourself to be shocking, but you don't. ~ ., . , don't. murder on the dancefloor is ttoin to don't. murder on the dancefloor is going to start _ don't. murder on the dancefloor is going to start the _ don't. murder on the dancefloor is going to start the baftas _ don't. murder on the dancefloor is going to start the baftas tonight. l going to start the baftas tonight. that is a sign of how much of a touchstone this song is. she got to dojimmy fallon this week because of it. she said in rehearsals she can

see where the saltburn cast are and there are going to be close—ups. she there are going to be close-ups. she is there are going to be close—ups. she is expecting us to dance, is she? it had an— is expecting us to dance, is she? it had an infectious soundtrack. one of the things— had an infectious soundtrack. one of the things that drove the film was music _ the things that drove the film was music to— the things that drove the film was music. to give us our playlists before — music. to give us our playlists before we _ music. to give us our playlists before we started filming, there was music— before we started filming, there was music on— before we started filming, there was music on the set all of the time. what _ music on the set all of the time. what was — music on the set all of the time. what was on there? it music on the set all of the time. what was on there?— what was on there? it was a fantastic _ what was on there? it was a fantastic playlist _ what was on there? it was a fantastic playlist from i what was on there? it was a i fantastic playlist from 2007. flo rida were on there, yeah. it was great _ rida were on there, yeah. it was treat. �* , ., , rida were on there, yeah. it was treat. �* i. , ., , great. and you must have been leased great. and you must have been pleased to _ great. and you must have been pleased to see _ great. and you must have been pleased to see two _ great. and you must have been pleased to see two of— great. and you must have been pleased to see two of your i great. and you must have been i pleased to see two of your co-stars pleased to see two of your co—stars nominated as well stopjacob elordi, the arry d barry keoghan. it nominated as well stop jacob elordi, the any d barry keoghan.— the any d barry keoghan. it shows emerald has _ the any d barry keoghan. it shows emerald has some _ the any d barry keoghan. it shows emerald has some pulling - the any d barry keoghan. it shows emerald has some pulling power, l the any d barry keoghan. it shows| emerald has some pulling power, a great _ emerald has some pulling power, a great cast~ — emerald has some pulling power, a treat cast. ., ., .~ . .,, ., emerald has some pulling power, a treatcast. ., ., ., , great cast. you and jacob and barry, what was it — great cast. you and jacob and barry, what was it like _ great cast. you and jacob and barry, what was it like when _ great cast. you and jacob and barry, what was it like when you _ great cast. you and jacob and barry, what was it like when you were i great cast. you and jacob and barry, what was it like when you were not l what was it like when you were not filming? readjust what was it like when you were not filming? read just having the time of your lives? filming? read 'ust having the time of your lives?—

of your lives? one of the ways emerald works _ of your lives? one of the ways emerald works is _ of your lives? one of the ways emerald works is she - of your lives? one of the ways emerald works is she parks i of your lives? one of the ways | emerald works is she parks the trailers— emerald works is she parks the trailers where we all get dressed very far— trailers where we all get dressed very far away so is no chance of going _ very far away so is no chance of going back— very far away so is no chance of going back between set ups, which is a ploy— going back between set ups, which is a ploy to _ going back between set ups, which is a ploy to make it as inconvenient as possible _ a ploy to make it as inconvenient as possible so— a ploy to make it as inconvenient as possible so you all stay together all of _ possible so you all stay together all of the — possible so you all stay together all of the time, which makes you get very close _ all of the time, which makes you get very close and you play silly games and people have things in their personal— and people have things in their personal lives that happen and everybody discusses it, or somebody is having _ everybody discusses it, or somebody is having a _ everybody discusses it, or somebody is having a problem with the taxman, whatever— is having a problem with the taxman, whatever it _ is having a problem with the taxman, whatever it is, whether it is serious _ whatever it is, whether it is serious or— whatever it is, whether it is serious or silly. if whatever it is, whether it is serious or silly.— whatever it is, whether it is serious or silly. if only you were sta int serious or silly. if only you were staying and _ serious or silly. if only you were staying and filming _ serious or silly. if only you were staying and filming in _ serious or silly. if only you were staying and filming in a - serious or silly. if only you were | staying and filming in a mansion that had dozens and dozens of rooms in it? ii that had dozens and dozens of rooms in it? ., , ., , , that had dozens and dozens of rooms in it? ., , .,, , ., in it? if only i was. yes, i do confess— in it? if only i was. yes, i do confess there _ in it? if only i was. yes, i do confess there were - in it? if only i was. yes, i do confess there were times i in it? if only i was. yes, i do i confess there were times when i popped — confess there were times when i popped upstairs to make a cup of tea. popped upstairs to make a cup of tea you — popped upstairs to make a cup of tea. you caught me. i was that person — tea. you caught me. i was that rerson. ., . tea. you caught me. i was that rerson. , ., , ., ., person. one last serious one. you have spoken _ person. one last serious one. you have spoken a _ person. one last serious one. you have spoken a lot _ person. one last serious one. you have spoken a lot over _ person. one last serious one. you have spoken a lot over the i person. one last serious one. you have spoken a lot over the years i have spoken a lot over the years about bafta. how important it is. and you have been frustrated in the past for nominating too many people who are not british. this is the

first year that no british male actor has been nominated since 1976. oh, my gosh, bafta. i know, buti have— oh, my gosh, bafta. i know, buti have to— oh, my gosh, bafta. i know, buti have to say— oh, my gosh, bafta. i know, buti have to say on the morning the nominations came out, i had very little _ nominations came out, i had very little expectation that i would be nominated. because i sort of feel i don't _ nominated. because i sort of feel i don't have — nominated. because i sort of feel i don't have much faith in british people — don't have much faith in british people always rallying around their own _ people always rallying around their own that — people always rallying around their own. that is not a criticism, it is just— own. that is not a criticism, it is just a _ own. that is not a criticism, it is just a realisation and an acceptance that that _ just a realisation and an acceptance that that is — just a realisation and an acceptance that that is howl just a realisation and an acceptance that that is how i feel. sol just a realisation and an acceptance that that is how i feel. so i was really_ that that is how i feel. so i was really delighted because it means so much _ really delighted because it means so much more — really delighted because it means so much more when you are british and you get— much more when you are british and you get dominated by british people, for me _ you get dominated by british people, for me that is a harder when and a dearer— for me that is a harder when and a dearer one — for me that is a harder when and a dearer one. so, for me that is a harder when and a dearerone. so, yeah, for me that is a harder when and a dearer one. so, yeah, i don't know what _ dearer one. so, yeah, i don't know what it— dearer one. so, yeah, i don't know what it is — dearer one. so, yeah, i don't know what it is i— dearer one. so, yeah, i don't know what it is. i think maybe it is we are so— what it is. i think maybe it is we are so excited to see the films that are so excited to see the films that are not— are so excited to see the films that are not british when they come out. you are _ are not british when they come out. you are representing britain tonight. ifeel sorry you are representing britain tonight. i feel sorry for depriving you from speaking to da'vinejoy randolph. i ifi

you from speaking to da'vinejoy randolph. i if i lived my life over again, i would randolph. i if i lived my life over again, iwould have randolph. i if i lived my life over again, i would have encouraged you. da'vinejoy randolph did a very, da'vine joy randolph did a very, very classy— da'vine joy randolph did a very, very classy thing, when we were all nominated — very classy thing, when we were all nominated for the golden globes, she sent us— nominated for the golden globes, she sent us all— nominated for the golden globes, she sent us all flowers. a nominated for the golden globes, she sent us all flowers.— sent us all flowers. a very classy thint to sent us all flowers. a very classy thing to do- _ sent us all flowers. a very classy thing to do. did _ sent us all flowers. a very classy thing to do. did you _ sent us all flowers. a very classy thing to do. did you feel- sent us all flowers. a very classy thing to do. did you feel obliged| sent us all flowers. a very classy i thing to do. did you feel obliged to send flowers back? ila. thing to do. did you feel obliged to send flowers back?— thing to do. did you feel obliged to send flowers back? no, i don't think ou should send flowers back? no, i don't think you should give _ send flowers back? no, i don't think you should give gifts _ send flowers back? no, i don't think you should give gifts prompted i send flowers back? no, i don't think you should give gifts prompted by i you should give gifts prompted by someone — you should give gifts prompted by someone else, for me that is the right— someone else, for me that is the right thing — someone else, for me that is the right thing to do. if there is a member— right thing to do. if there is a member in the future when i can return _ member in the future when i can return i— member in the future when i can return, i would member in the future when i can return, iwould rather member in the future when i can return, i would rather it be a surprise _ return, i would rather it be a surprise-— return, i would rather it be a sur-rise. ., _, ., ., surprise. you could have done it when you _ surprise. you could have done it when you were _ surprise. you could have done it when you were nominated i surprise. you could have done it when you were nominated for i surprise. you could have done it. when you were nominated for the baftas. i could have sent some songs shortbread around. ii it baftas. i could have sent some songs shortbread around.— shortbread around. if it hadn't been such a surprise. _ shortbread around. if it hadn't been such a surprise. see, _ shortbread around. if it hadn't been such a surprise. see, this _ shortbread around. if it hadn't been such a surprise. see, this is i shortbread around. if it hadn't been such a surprise. see, this is it. i such a surprise. see, this is it. next time- _ such a surprise. see, this is it. next time. next _ such a surprise. see, this is it. next time. next time, - such a surprise. see, this is it. next time. next time, bafta. ii such a surprise. see, this is it. i next time. next time, bafta. iwill next time. next time, bafta. i will send _ next time. next time, bafta. i will send sconce, shortbread. next time. next time, bafta. iwill send sconce, shortbread.— next time. next time, bafta. iwill send sconce, shortbread. thank you ve much send sconce, shortbread. thank you very much for— send sconce, shortbread. thank you very much for speaking _ send sconce, shortbread. thank you very much for speaking to _ send sconce, shortbread. thank you very much for speaking to us. i send sconce, shortbread. thank you very much for speaking to us. get i very much for speaking to us. get your dancing ready because you are

going to feature. that your dancing ready because you are going to feature.— your dancing ready because you are going to feature. that was rosamund pike, not for — going to feature. that was rosamund pike, not for saltburn, _ going to feature. that was rosamund pike, not for saltburn, best - pike, not for saltburn, best supporting actress alongsidejacob elordi and barry keoghan. perhaps this is a good time to bring joe back into talk more about saltburn and the appeal that that particular film has had. at a cinema release, a streaming release, and impact on social media, probably bigger than any other apart from barbie, maybe oppenheimer edged it in that field. oppenheimer edged it in that field. oppenheimer didn't get a song back in the charts. oppenheimer didn't get a song back in the charts-— in the charts. saltburn, why has that movie _ in the charts. saltburn, why has that movie connected _ in the charts. saltburn, why has that movie connected so i in the charts. saltburn, why has that movie connected so much i that movie connected so much particularly with younger people? i think it is a bit of everything. i think— think it is a bit of everything. i think the — think it is a bit of everything. i think the music is a big part to it, notjust_ think the music is a big part to it, notjust murder on the think the music is a big part to it, not just murder on the dancefloor about— not just murder on the dancefloor about the — not just murder on the dancefloor about the whole soundtrack. it is slightly— about the whole soundtrack. it is slightly nostalgic for us older ones and then— slightly nostalgic for us older ones and then people are discovering the music— and then people are discovering the music that — and then people are discovering the music that are much younger. it is a great _ music that are much younger. it is a great cast— music that are much younger. it is a great cast and it is a very quirky film _ great cast and it is a very quirky film it— great cast and it is a very quirky film it has— great cast and it is a very quirky film. it has some sort of like nods

to the _ film. it has some sort of like nods to the talented mr ripley, and it has that— to the talented mr ripley, and it has that sort of not quite sure what is going _ has that sort of not quite sure what is going on— has that sort of not quite sure what is going on and it is revealed slowly— is going on and it is revealed slowly and obviously there is the controversial six scenes in it as well— controversial six scenes in it as well that— controversial six scenes in it as well that everyone has been talking about _ well that everyone has been talking about it _ well that everyone has been talking about it is — well that everyone has been talking about. it isjust got so many talking — about. it isjust got so many talking points, ithink. and it is a great _ talking points, ithink. and it is a great film — talking points, ithink. and it is a great film. it is funny, it is really. _ great film. it is funny, it is really, really interesting, it is british, — really, really interesting, it is british, so— really, really interesting, it is british, so it is got so much going for it. _ british, so it is got so much going for it. plus — british, so it is got so much going for it, plus obviously it was very accessible — for it, plus obviously it was very accessible early on and you could stream _ accessible early on and you could stream it — accessible early on and you could stream it i— accessible early on and you could stream it. ithink accessible early on and you could stream it. i think so many people talked _ stream it. i think so many people talked about it and then people could _ talked about it and then people could go— talked about it and then people could go home and watch it themselves.— could go home and watch it themselves. . , ., ., themselves. with barry keoghan, he was ur themselves. with barry keoghan, he was u- for themselves. with barry keoghan, he was up for lztest _ themselves. with barry keoghan, he was up for best actor _ themselves. with barry keoghan, he was up for best actor in _ themselves. with barry keoghan, he was up for best actor in a _ themselves. with barry keoghan, he was up for best actor in a lead i was up for best actor in a lead role, you always expect a bit of darkness is coming with a character like his, you don't expect it to be a straightforward, easy going film about young students in oxford. well, we don't want to spoil it for people. _ well, we don't want to spoil it for people. do— well, we don't want to spoil it for people, do we? well, we don't want to spoil it for people. do we?— people, do we? you've made the comparison _ people, do we? you've made the comparison to — people, do we? you've made the comparison to talented _ people, do we? you've made the comparison to talented mr i people, do we? you've made the | comparison to talented mr ripley, you let me down that line. iotfufe

comparison to talented mr ripley, you let me down that line. we know it is not going _ you let me down that line. we know it is not going to _ you let me down that line. we know it is not going to be _ it is not going to be straightforward to that there is something going on, and i think that is the _ something going on, and i think that is the fun— something going on, and i think that is the fun of— something going on, and i think that is the fun of a film like that. you uet is the fun of a film like that. you get something like oppenheimer, it is a biopic, — get something like oppenheimer, it is a biopic, maestro, it is a biopic, _ is a biopic, maestro, it is a biopic, we _ is a biopic, maestro, it is a biopic, we know there is the beginning, middle and an end. something like saltburn, you don't know— something like saltburn, you don't know where it is going to go. anything _ know where it is going to go. anything the same can be said for a film like _ anything the same can be said for a film like poor things as well. that is the _ film like poor things as well. that is the joy— film like poor things as well. that is the joy of— film like poor things as well. that is the joy of cinema. and barry are such— is the joy of cinema. and barry are such a _ is the joy of cinema. and barry are such a great— is the joy of cinema. and barry are such a great actor that he does not -ive such a great actor that he does not give anything away either, which makes _ give anything away either, which makes it— give anything away either, which makes it even more fun to watch. 30 makes it even more fun to watch. sc what makes it even more fun to watch. what do you makes it even more fun to watch. ’ir what do you think in makes it even more fun to watch. sry what do you think in that makes it even more fun to watch. sfy what do you think in that category of outstanding british film is likely to win? let me try to see if i can go through them. all of us strangers, how do you have six, napoleon, poorthings, saltburn, the zone of interest, one car. i think if i got everything there? can zone of interest, one car. i think if i got everything there?- if i got everything there? can we tive it to

if i got everything there? can we give it to all _ if i got everything there? can we give it to all of _ if i got everything there? can we give it to all of them? _ if i got everything there? can we give it to all of them? that i if i got everything there? can we give it to all of them? that is i if i got everything there? can we i give it to all of them? that is my question — give it to all of them? that is my tuestion. . ., give it to all of them? that is my question-_ i _ give it to all of them? that is my question._ i think- give it to all of them? that is my question._ i think all i give it to all of them? that is my | question._ i think all of question. -- wonka. i think all of us strangers- _ question. -- wonka. i think all of us strangers- l — question. -- wonka. i think all of us strangers. i had _ question. -- wonka. i think all of us strangers. i had to _ question. -- wonka. i think all of us strangers. i had to walk- question. -- wonka. i think all of us strangers. i had to walk along | us strangers. i had to walk along the south — us strangers. i had to walk along the south bank of sobbing, and i wasn't _ the south bank of sobbing, and i wasn't the — the south bank of sobbing, and i wasn't the only one either. i think that is— wasn't the only one either. i think that is absolutely beautiful. i think— that is absolutely beautiful. i think that stands a good chance. but equally. _ think that stands a good chance. but equally, saltburn would be fantastic. poorthings, it is probably— fantastic. poorthings, it is probably not going to win best film, might— probably not going to win best film, might it _ probably not going to win best film, might it win best british film? and r e lane, might it win best british film? and rye lane. a _ might it win best british film? jifyc rye lane, a beautiful film. might it win best british film? and rye lane, a beautifulfilm. this i might it win best british film? and rye lane, a beautifulfilm. this is| rye lane, a beautifulfilm. this is the thint. rye lane, a beautifulfilm. this is the thing- it— rye lane, a beautifulfilm. this is the thing. it has _ rye lane, a beautifulfilm. this is the thing. it has been _ rye lane, a beautifulfilm. this is the thing. it has been a _ rye lane, a beautifulfilm. this is the thing. it has been a fantasticl the thing. it has been a fantastic year— the thing. it has been a fantastic year for— the thing. it has been a fantastic year for british cinema. i think personally— year for british cinema. i think personally i would like all of us strangers, just because it would make _ strangers, just because it would make me — strangers, just because it would make me feel better about sobbing all along _ make me feel better about sobbing all along the south bank. and make me feel better about sobbing all along the south bank.— all along the south bank. and of course, all along the south bank. and of course. your— all along the south bank. and of course, your wish _ all along the south bank. and of course, your wish might - all along the south bank. and of course, your wish might come i all along the south bank. and of. course, your wish might come true. we haven't had it. theoretically, if there is a draw, they can both get

there is a draw, they can both get the actual bafta mask? it has happened at the oscars i think back in 2012 or 2013, the bond movie skyfall actually won a sound award alongside another particular film, zero dark 30. anyhow, colin, have we seen everyone we think so far? iotfufe seen everyone we think so far? we have a seen everyone we think so far? - have a shot of the royals arriving at the moment. prince william. we don't actually have a monitor but i am being told there is a shot of prince william arriving at the baftas. he has been the president of the baftas for over a decade, he took over from lord attenborough, and often does come to the event. he has been represented in film. someone played him in spencer with christian stewart playing her mum. didn't get nominated at the baftas. prince william arriving at the baftas for his job as the president of bafta.

baftas for his 'ob as the president of bafta. . . baftas for his 'ob as the president of bafta. , , ., ., of bafta. yes, he is a regular attendee _ of bafta. yes, he is a regular attendee at _ of bafta. yes, he is a regular attendee at these _ of bafta. yes, he is a regular attendee at these events. i of bafta. yes, he is a regular| attendee at these events. he of bafta. yes, he is a regular i attendee at these events. he hasn't come to all of them since its presidency started but he does tend to come to most of them and is of course one of the few public occasions that he is taking part in, it is part of his royal duties, since his wife's illness. but this is one of the ones he has decided he really does want to do and one of the ones i'm sure he particularly enjoys. i the ones i'm sure he particularly en'o s. . the ones i'm sure he particularly en'o s. , ., enjoys. i remember martin freeman once saying — enjoys. i remember martin freeman once saying that _ enjoys. i remember martin freeman once saying that he _ enjoys. i remember martin freeman once saying that he told _ enjoys. i remember martin freeman once saying that he told him, i enjoys. i remember martin freeman once saying that he told him, he i once saying that he told him, he reveals that prince william had told them he was a huge fan of the lord of the rings trilogy. pretty sure prince william's favourite films are the lord of the rings trilogy. find the lord of the rings trilogy. and he will be meeting i am sure the higher—ups from bafta before he goes on and has a seat of honour. it is interesting to know what kind of films he will be rooting for there. sometimes they do like to cut away at particular moments to see if he is enjoying...

at particular moments to see if he is enjoying- - -_ at particular moments to see if he is enjoying... merger on the dance floor? i is enjoying. .. merger on the dance floor? i don't— is enjoying... merger on the dance floor? i don't know _ is enjoying... merger on the dance floor? i don't know if _ is enjoying... merger on the dance floor? i don't know if we _ is enjoying... merger on the dance floor? i don't know if we were i is enjoying... merger on the dance floor? i don't know if we were cutl floor? i don't know if we were cut to him during that. i do remember kitschy stryder. .. _ to him during that. i do remember kitschy stryder. .. tiny _ to him during that. i do remember kitschy stryder. .. tiny temper i to him during that. i do remember| kitschy stryder. .. tiny temper gave him a high five during a performance at the baftas 67 years ago. he likes to take part in that. and then on the serious serious side of things, talking about issues like diversity, he has also spoken very strongly about what he thinks the important issues are. he about what he thinks the important issues are. ., . about what he thinks the important issues are. ., , , about what he thinks the important issues are. . , , . .., about what he thinks the important issues are. . , , . .. ., issues are. he was very critical of bafta. i issues are. he was very critical of lztafta- i think _ issues are. he was very critical of bafta. | think it— issues are. he was very critical of bafta. i think it was _ issues are. he was very critical of bafta. i think it was the _ issues are. he was very critical of bafta. i think it was the second i bafta. i think it was the second yearin bafta. i think it was the second year in the road there were no people of colour nominated in the acting categories. prince william actually spoke out and said it had to change and it was the following year they redid the voting which brought about a change in voting. so prince william did have a role in bringing about that change. his role, one of them is to be a public facing individual who can call for change where he thinks it is needed

or highlight particular issues. and like you say, he has a very strong fan of film. many years ago, i did a royal visit with him when he was on the set of star wars alongside his brother at pinewood studios, and again, they seem to be really enjoying that particular thing. huge star wars fans, "do you want to go to the set of star wars?" waving like they were and having the time of their lives. iotfufe like they were and having the time of their lives.— of their lives. we saw cillian murphy. _ of their lives. we saw cillian murphy. he _ of their lives. we saw cillian murphy. he did _ of their lives. we saw cillian murphy, he did work i of their lives. we saw cillian murphy, he did work by i of their lives. we saw cillian murphy, he did work by us. | of their lives. we saw cillian i murphy, he did work by us. back of their lives. we saw cillian - murphy, he did work by us. back in the day, the tv and film baftas used to be one event. i got thinking earlier today, to be one event. i got thinking earliertoday, because to be one event. i got thinking earlier today, because robert downey jr could well win best supporting actor today for oppenheimer. the last time robert downey actor today for oppenheimer. the last time robert downeer won a bafta, it was for chaplin and it was 1993. �* . ., ., ' ' ' bafta, it was for chaplin and it was 1993. �* u, ., " ' it 1993. but it came out in 1992. it was combined _ 1993. but it came out in 1992. it was combined with _ 1993. but it came out in 1992. it was combined with the - 1993. but it came out in 1992. it was combined with the tv - 1993. but it came out in 1992. it i was combined with the tv baftas. there are photos of robert downey was combined with the tv baftas. there are photos of robert downeer at