[000:00:00;00] you can, oh my soul, with my similar, and cranky tarata, i love this life like the free wind i fly, and that means i kiss the sky, on earth my love, in my soul love sings and cries, kiss i am strong in heaven, your love is on earth. in my soul, love sings, cries, at the upa, play the guitar, i love

this life with you, like a cold wind i fly, and that means, i kiss the sky dearly, on earth, my love, my love in my soul, sings, cries, kiss the sky tightly i, on earth, my love, my soul love, sings and cries, and grenitary cries my, i love this life like the full wind i fly, and that means, i forge my strong love, on earth, my love, in my soul, love sings, cries, makey’s love sings , cries, i play the guitar, why, i love this life like this

, like a sick wind, i’m flying, and that means i kiss the sky tightly, for my love in my soul love sings, cries, kisses the sky, on earth my love, in my soul love sings , cries, we love you, life, live go no more, this wisdom, often repeated,

we strive to gain a lot, but much more we lose, and if there is a day for love, and the soul shrinks in pain, the choice is faith in a bright day, the choice is a sacrifice of good will, we choose life, life chooses, we choose those who believe with us, we choose the light, the sun is in your fire, we choose the light, this is a challenge, the light, we are empty of priceless minutes , our nerves are torn like strings, wherever

we fly then, we fly, we are not always... young july, but if there is a day for love, and the soul shrinks from poly, choice is faith in a brighter day, choice is a sacrifice of good will and we we choose life, life chooses, we choose those who believe in the shining voice with us, we choose light... the sun is in your window, we choose light, this is a challenge light, choose, choose, choose life, choose, choose, choose light , choose, choose, choose the meaning,

choose, choose, golden hit for mogilev! we choose life, and life chooses whom? we choose those who believe with us, everything is silent, we choose light, the sun is in your window , friends, we choose light, this is a challenge, light, we choose life, life chooses us, we choose those who believe in shining with us, we we choose the light, your sun is smarter, we choose the light, this is the challenge of sme

, we choose the light, this is the challenge of the light, we choose that life, happy holiday to you, dear friends, with the opening of the international music festival golden shlyager 2023, peace yes... and a lot of good music, see you again, dear friends, golden hit, we talk about the most fascinating things from the world

of science. thanks to the internet, a person can communicate with other people without leaving home, regardless of distance, and even earn millions. and just in fact one of the few, what man has not yet been able to subjugate is... the climate, we are simply forced to adapt to it. let's share interesting facts. a sensational statement by belarusian scientists, whether by the end of the century our climate will really become the same as in turkey and why researchers are interested in the climate at the ends of the earth, risk groups who should definitely increase sun protection, failure to use the ultraviolet spectrum of protection in the proper amount will injure the skin. we ask the most exciting questions, look for answers to them, someone didn’t have it, wasn’t there until a certain time the age of age spots, and then you come back from vacation and realize that what you have on your face is not at all what you wanted. based on the results of the analysis, we can find out whether

a person has an increased risk of developing hyperpigmentation and, accordingly, signs of photoaging. watch in the project science nearby, on tv channel belarus 24. the commonwealth of independent states, integration, which unites over 230 million people, the leaders of the countries discussed how everyone can be stronger together, a red thread, in the theses of the belarusian president there is one thought, in the answer to unfair restrictions, the world is big, the light just doesn’t converge like a wedge on europe and america. developing cooperation with russian regions is an absolute priority for us. literally every week a chapter. the state negotiates with governors, alignment to the right, or who these days are inspired by the third reich, from the nazis in the canadian parliament to the fascists in the european union. russians are becoming the new jews. belarusians, by the way, also fall into

this category; for persecution of infringement of rights, a linguistic criterion is sufficient. main topics in main broadcast. watch on the tv channel belarus 24. in each program, new heroes, we are bakers by education, we work together at the same enterprise, attitude, plus englishcation, this is higher education, i will learn the korean language, korean, korean language, yes, unpredictable questions , what was the name of the brothers who, according to legend, were suckled by a she-wolf. so, the obligatory version, a chill on the forks, don’t take everything so literally, and unexpected answers to them, maybe? this somehow rhymes with dimyan, well, not timyan, but somehow, perhaps, porridge, i don’t know, some kind, this is a sport in which you have to back away, i accept the answer rome, the correct answer, milan, santa maria delegation, in milan, build a tower, watch

in the intellectual show, tower on the belarus 24 tv channel, every day we shake off a million emotions, we can rejoice. glory, zzіўlyazza, sumavatsa, sometimes our emotions are not good for us, but music, music... the force of lethality is for our souls, and our fathers for us, and they become the irremovable puzzles of our life.

the mystery of music is what i know i will express an inexhaustible krynitsa there, dze razmova

zmaukae, music instead of a thousand words. quality has always been widespread among belarusians, and it appeared on the territory of our country in ancient times. archaeologists date the weaving finds to the second half of the first millennium bc. in the 11th-13th centuries, the level of weaving in belarus was already quite high. the oldest belarusian products were. woven bedspreads, tablecloths, towels, shirts, and people themselves grew flax, kept sheep to get wool, everything processed manually using natural dyes, women usually did this, there was work for men too, they made machines, quality skills, how to thread a pattern, how many threads were passed exclusively from mothers to daughters, threads on bobbins, weaving and weaving, watching the

balls during warping so that the shadows roll out. by the age of 14-15, young village women usually knew the basic techniques of making fabrics. in general, the ability to weave was considered one of the advantages of a future bride, as evidenced by many wedding songs. and now in belarus there are those who preserve the traditions of belarusian folk weaving. in the agricultural town of budevich, in the mostovsky district of the grodno region , one of the main architectural attractions, the museum of belarusian literature and ethnography, has been preserved. it was created in 1968 by the teacher of the belarusian language and literature oles nikolaevich belok, at the gudevichesky secondary school. initially, the museum was located in one room. gradually its area began to increase. now the museum has four halls. and more than 17,000 exhibits of the main fund.

the diversity of the exhibition attracts visitors not only from different parts of belarus, but also from abroad. in addition , the museum enjoys authority among literary critics, ethnographers, cultural experts and other researchers. the theme of folk weaving occupies a separate place in the museum, where in the hall of practical weaving, local women revive it in their own way. craft. the gudevac museum has a unique collection of old double carpets, among which the oldest dates back to 1898 year, a real rarity. double weaving is a very complex type of folk art. the national artist of belarus, vera ignativ belokos, has over 15 double carpets. for her work in 2013, she received the title of people 's master, and following the results: in 2016, for her personal contribution to the revival, preservation

and development of double weaving technology, as an element of the intangible historical and cultural heritage, she was awarded the dubko prize of the grodno regional executive committee, for creative achievements in the field culture and art. in 2016, vera ignatievna was an active participant in the regional folk art festival, from her great-grandfather. the danish weaving international festival of arts slavic bazaar in vitebsk is a laureate of the republican festival of national cultures in grodno. and also. vera ignatina, good day, good day, tell us how weaving appeared in your life? in our life, weaving turned out

to be so in all the peasantry and people, from the dyats of the dyats, we heard and practiced such a zayachynka, and every day. lads yes men's large, all the ladies were engaged in weaving, there, on the contrary, all and whiteness, and the upper seams were woven with our own hands in the chamber, on whiteness, on the sheet vykarstovaya in the main flax, on the upper adzenna we used flax as a basis, on utok, war and this was already the case for men's and women's jackets, which we called the sachak, the ladies' jacket, and the sachak, the same kind of ward woven on linen, or the navat then already became lyats netki

called the mountains on the mountains this weave the war geta was called the placenka yago ў asnoўnym weave in your opinion, vera ignataina, why is it so important to capture all these traditions, your history, why is it all? nescheki pradatsk, yak qiagage was junkyn $ minulom, uso natkatsk, pashvasi, pashytsk , apranets syami i natkats there, i abrusa, i davano, i was in the uzheyago, cabin council of counselous. at the house at the pass to my daughters. the variety of technical techniques, swearing, choice, openwork, engraved weaving, made it possible to create real works of art, which invariably reflected very deeply worldview, philosophy and aesthetic

views of belarusians from the patterns and ornaments of ancient towels and tablecloths, we have the opportunity to read the book of our lives. the pages of which are truly unique and priceless. what is belarus like in the eyes of those who once left it? belarusians have more of this active life position. i really love belarusian nature, i can come... the forest, just stop, stand, look at the sky, admire this beauty. true patriots are ready to share their love for their homeland, far beyond its borders, it is impossible not to love everything that is connected with the homeland, so that we would carry it, take it to our own countries, and there they would also talk about it,

by their example of serving the homeland of their ancestors, as if they showed that... it can be done, that it is necessary do, historical memory is the strength of the people, the world can be preserved if you preserve the memory of your roots, of your ancestors, of those who lived on this land, beautiful, clean, clean, clean, belarus, watch the project look at belarus, on the tv channel belarus 24, one of the most the clean rivers of europe and in the second most honorable city of belarus, gomelich, the borders of three lands, the lands of drygovichi, radimich and krivichai, and then the principality of smolensk, chernigov and turovpinsky closed.

unique architectural monuments await you , the famous russian art critic georgy lukomsky, having visited the palace in 1913, watch the program of the city of belarus on the belarus 24 television channel. weaving

is perhaps the most widespread type of russian folk art. the ability to weave was mandatory for every girl, and for good reason the main part of the dowry consisted of woven products, bedding, towels, tablecloths; quality was a purely female occupation, only with the development of commodity production it became a lot. men craftsmen, many ancient folk rituals and customs are associated with this craft, it is very often mentioned in belarusian folk songs, but how did the design on the fabric appear, for example, mortgage weaving, with the help of which our ancestors created rich decorative designs, complex in technology, various geometric patterns and plant character, gave a pickled quality, widespread throughout belarus.

the director of the museum of ancient berussian culture, candidate of art history, associate professor boris andreevich lazuka will tell you more about the appearance of patterns on fabric using the example of one of the main brands of belarus, the sluts belt. boris andreevich, good afternoon, good afternoon, we are in the holy of holies, in the font storage of the museum of ancient berussian culture, where the originals of the slutsk belts and arnats x are presented. weaving, men were allowed to make slud belts, because it was a rather complex, unusual craft, with its own unique style, so tell us what the style of slut belts was, is this something already verified or the design was different, this is a truly unique achievement, belarusian culture, belarusian art, a work of decorative and applied art, but you should definitely remember that the sludka belt is one of the variants of the kontush belt, that

is, a belt that was used with kuntush, outerwear, gentry of the belarusian nobility, in slutsk, where the production of similar kontush belts was established, a new version of such kontush belts was manufactured, invented, and formed. when we see the original islud belts, we are truly amazed not only by the quality technology, but also by how harmoniously all the elements of the slots belt look. how do you see their modern sound today, how can these unique technologies be brought into everyday life? let us make a small digression, we will now deploy one of original sluud belts, which are kept in our museum of ancient belarusian culture. the sluud belt... this is always, as in fact, the majority of kontush belts , always double-sided, that is, it is a belt

in which there is no front and back side, but if you notice that the belt has a different tone and a different color, coloring on both sides, this is not crumbling, these are certain threads of a certain color that are visible... on this side, on the other reverse side, they will be ocher, the point is that we are here we can also see other objects in which old fabrics of seven centuries are present, they too, these are church vestments, they also have this difference, sludsk belts also have this division, where in sacred fabrics it bears a sacred... meaning: how about our historical memory, about our history, about our highest achievements of belarusian culture, we can

talk about remembering now, on a variety of objects, onto which we can transfer this or that pattern from the same sluud belt, these ornamental compositions, here such beautiful bouquets, medallions with different flowers with different ornaments, floral patterns, we can carry a variety of objects, the same applies not only to slutsk belts, but to any other fabrics that we can now see, the wealth of textile products is immeasurable, limitless, and it would be very good if among these fabrics there would sometimes be such repetitions of historical patterns - patterns from the past from the 6th, even 19th centuries. this always awakens not only the desire to admire this grace,