you are hand-embroidered by you, the quartet of arms, the charm of the bad luck, and as a keepsake in the house, you are the hand-piece embroidered by you, the quartet of arms with the charm... bad luck, i will spread the yago, kali sumnay and the mountain, i will plunge into the bastards, the kingdom of raishlo, dze matulina's hands , asked by you... by

you, the prowling pashchotna and the sertsa svaygo, dze matulina’s hands, asked by you, the prowling pashchotna and the sertsa svaygo, we return we must be ready to return to our house, fathers, but again there, although we sometimes we don’t remember about our parents, we forget about our mothers, for little, so that our parents also us they waited and opened the door and allowed us to enter our father’s house, thank you for the interview, thank you, someone might hear something new or have their own thoughts.

for a long time you held a book in your hands, flipped through page after page, greedily tasting every word, of all manifestations of human creativity, the most amazing and worthy of attention are books, in books the thoughts of past times live , the voices of people are heard clearly and distinctly, all that humanity

accomplished, preserved, as if by magic on the pages of books, by reading a person experiences centuries, reading brings generations together, we value the past for our present. belarus 24, we talk about the most fascinating things from the world of science. more than 2% of the world's population is in the final stage of this disease. and according to the forecasts of scientists, this figure will only grow. thanks to science, we have learned to control their spread. i'm talking now about viruses and, of course, about the main method. combat them through vaccination. we share

interesting facts that if you give drinks made from grain crops, berries, fruits and honey to ferment a little, when consumed intoxication will come, people knew in ancient times. the ancient greek scientist aristotle noticed the negative consequences of drinking alcohol and called it voluntary madness. there is an assumption that viruses appeared on the planet earlier than any living cell, that is, a billion. years ago we ask the most exciting questions and look for answers to them. we have the last question, many people think that in the new season there will be a new strain and vaccination will no longer help, why is it still worth vaccinating against both influenza and coronavirus? we are here to create vaccines, we will crush this virus, conditionally , split it into small fragments and then purify them, that is, the technology, well, let’s say, is somewhat more complicated, look at the project science nearby on the belarus 24 tv channel

. acquaintance with belarusian enterprises and the outstanding results of their work. our enterprises have produced the first personal computer 1840. they have risen to the level of the best in the world, the largest enterprise in europe, more than 2.750 million linear meters of fabric, if all the fabric is sewn in one roll, the globe can be wrapped around the equator 86 times, we have two main areas, these are automotive components and computer equipment, these products are not inferior to their european foreign counterparts, an approach to business that everyone should strive for, people who have worked in our workshop for 42 years, we really value the continuity of the generation. when you solve problems, you achieve something, you get a certain

level of pleasure, and this moves you further and develops you professionally. watch the quality mark project on the belarus 24 tv channel. kiril, if you were making a film about yourself, who if you invited me to play the main role,

it would probably be an actor with a beard, but i really like actors like christoph waltz or william defoe, i won’t say that they would play me, well, i would really like to work with them, in what genre would this film be? i really like the tragicomic genre, because that’s how life is for us, everything is not very funny or everything is very sad, no, life is such a swing, it’s a black and white stripe, and i would really like to work in this genre, outline i also have them. so, uh, with the leading actor, we have already decided on the genre, so to speak, and what this picture will be called. i really like the one-word title, well, for example, filmmakers, uh, firstly, this is jargon, because only filmmakers can call each other filmmakers. if they hear this from an outsider, it ’s insulting, i’m not a filmmaker, i’m an artist,

but immediately in this name there is a genre, it’s a comedy, filmmakers, these advertisers, that is, something about some scoundrels will, something will be funny. dear tv viewers. as soon as we decide on the title of the film, we invite you to the main cinemas in the country. people like my guest in the film community are said to be young and early, he came into the profession early, started making films, made his debut in feature films early, and now his film has opened the falling leaves festival. it’s early again, who knows, director kirill khaletsky is my guest today. kiril, hello kiril, recently your film filmmakers was shown

at the opening of the falling leaves film festival. i remember, that when leaf fall was opened with paintings by govorukhin, todorovsky, yes, it’s a great honor, how did you do it? it seems to me that many circumstances just worked out in our favor. i told this to the film crew , among other things, that we all ended up here for a number of random reasons, that is, someone was just lucky, someone joined us at the last moment, but nevertheless, these are accidents that were not random, also with leaf fall, that is, when we just started filming, we understood that... in principle, according to the deadlines, we would finish somewhere in october, we need to get to the fall of the leaves, but no one could have predicted that it would become a film discovery, then the next question is: filmmakers - this is your debut in a full-length film, how to make sure that at the age of 22 you are given

budget money and allowed make a movie? it seems to me that again, accidents are not accidental, and it was something like an experiment, that is, i... graduated from the academy of arts, i already had some victories in international festivals with my short films, they were noted and presidential awards, that is, in principle, i was heard somewhere in the minister. culture and the moment of distribution has come, i’m not sure how i could roughly guess where i can work, but here vladimir mikhailovich korachevsky calls me and offers this option that there is an opportunity to distribute a young director, a structural unit of the youth film studio will be created specifically, and that i would be the first to launch this studio, a small core of people had gathered for us, they assigned me and... they immediately talked about what i would have the opportunity to make a debut feature film. in general, i immediately understood this and

immediately understood the burden of responsibility that falls on me. during the filming process, the management saw that the young people were capable and i would like to note that this is not only a director’s debut, there are 24 debuts in the film, it is a cameraman’s debut, a sound director’s debut, there are many acting debuts, costume designers are all debuts. and the young group did it. and the film is now receiving very favorable reviews, as if from experienced filmmakers, from the management, and we can say that our film, it will help other young filmmakers come into this field, that is , they will no longer be so afraid to attract young people, on the contrary, they are now asking me to attract young people. kiril, well, in addition to the fact that you got a good reputation, you also won a script competition? yes, if we strictly follow the chronology, then in august s was distributed, and already in september we wrote the first version of the filmmakers, and it

was submitted to the ministry of culture for the competition, naturally, we did not know what the results of the competition would be, but when it turned out that they still gave preference to us, well, this was already the first step on the path to a big movie, that is, we rewrote the script 12 times, this is all also connected with approvals, because humor is also a controversial thing, and the young team writes the script, all this went on for a long time, we just wanted to make a movie, but in the end the twelfth version, it calmed both sides, we came to a compromise, this is what the viewer will see on the screen, it helped a lot that i had artistic directors, from the youth studio movie, it was elena turova, in the picture it was ivan pavlov, so it’s like two powerful udruks with two different opinions, yeah. and sometimes you just had to navigate somehow, yes, but i really liked

working with ivan pavlov, because i didn’t know him before, he acted as such a creative spiritual mentor, that is, he practically didn’t try modify my script, he only tried to improve it, that is, initially there were very heated debates on this topic, but then i i realized that, after all, a film studio is work in a large team and this... is also film production, there are workshops here, there are responsible people, there is a contractual relationship between the client and the performer, so the longer i was at the film studio, the more i understood, how it should work. kiril, after all, writing a script for you , it was such a difficult task, painful, or was there some kind of creative inspiration in this, i can say that it’s harder than writing a script, just rewriting the script, that’s the same thing. ..montage, i i just as an editor, i can say that editing is harder than editing, only re-editing

, that’s why writing the first version was quite fun, fervent, as if we were enthusiastic, the second, third, fourth were still fine, but by the twelfth, we had already started to run out of steam, did you perceive something from what was happening there, yes, in general we just tried to calculate some tails from previous versions, because in new versions they simply could not... but everything is fine, the main thing is that we are all done, everything packed , we entered the entire period with a calm soul, your film crew is quite young in composition, it turns out that age did matter, including, i liked that we didn’t have any negative interactions with each other, no matter how young you listen to us, this didn’t happen, on the contrary , the young people learned from the older ones, and the older ones from the young ones, and i liked that the more... experienced age part of our group, she was responsible for some technical, some

administrative parts, and the young one was responsible for the creative components and therefore in this in tandem we worked very well and indeed, there was an atmosphere on the set, well , semi-family, we all became very good friends , we all communicated well, and most importantly, this atmosphere, kind, light, relaxed, was transferred to all the material, and after watching the audience now also notices this, that it’s a super kind , cool movie, very light, it’s very nice to hear that, and how the relationship with the actors was built, it was probably important for me that the film had some kind of star, so that at least at the level of advertising it could hook viewer, but understanding that funding for a debut is not so much, and i was very skeptical about belarusian actors, but in fact i looked at about 200 actors, maybe 250 for different roles, and i realized that there are a lot of talented, really talented actors in belarus , with the choice of the main character

i was almost immediately sure, in some places we immediately wrote for him, it was... everything was fine, it was very interesting with the choice of actor for the role of alena’s father, this is the role of an avid filmmaker who loves to tell stories , this the character is a collective image, but i dedicated it to my course master, gorovy valery mikhailovich, the character’s name is also valery mikhailovich, there was a week left before filming, we couldn’t choose an actor, we’re just once again opening different theaters of the republic, and i see in the vitebsk theater . this type, i select this actor purely based on a photograph, there is no opportunity to come to minsk for auditions, we do remote auditions, the first auditions were simply disastrous, but i still believed in him, he is funny, we talked on the phone, i gave him a task, he did the second tests, one hundred percent of the heroes of the project are doing

important work. the chief custodian of funds is an earthly profession, very responsible. our team is working to collect and preserve materials about the past for the sake of the future. we will introduce you to people who have found their calling. i am the deputy director of the nalibox republican landscape reserve. conservation of nature is important for all of us, as we all depend on the environment. which gives us food, water, health, quality of life, we suggest spending one day with specialists to learn all about the intricacies of their work. welcome to our palace, the object comes here for temporary protection, then the question of its acceptance into the museum is permanently decided by the stock-purchasing commission, we specially turned it upside down,

the age of the skull is about 20,000 years, urochishchekova bear traces were visible there. we planned to go there as a group today on an excursion, but what? watch on tv channel belarus 244. we will introduce you to the people of our country. as a child i was a hooligan, a terrible hooligan, i liked testing this world for strength. at some point in time , yoga comes and a different awareness, a different understanding, a group gathered, there were five people there, the grandmother’s retirement age, so we started studying with them, like that. my whole point is this transition from the status of a student to the status of a teacher. they have a lot of interesting stories behind them. we simply begin to get acquainted with our body, with its laws and a little more carefully we begin to consider it all, we begin a little more consciously in the processes of life participate and are ready to surprise again.

these are tribal practices, that is, we set the intention that now not only the men present here are in the same stake with us. and all our ancestors support us in these competitions. see the belarusians project. on the tv channel belarus 24. each director has his own method of working with actors, some show it themselves, some try to explain, immerse the actor in the role, then on the contrary, in general, it goes in line with the actor’s vision of the role, but as was the case with you? since my co-author and i wrote the script, konstantin bakulin, moscow screenwriter, and some textual things, it was the speech ones that were important to me, so when i was choosing an actor, they came to the set, he and i went over the text, and i understood, here

we need exactly this intonation, here on the contrary, it is necessary to highlight this particular sound, and even... we went through all this and i probably came from the actor first of all, i gave absolute freedom in everything, i said, guys, create, if the text doesn’t suit you, make it for yourself, if you don't want to say this phrase, go ahead let's think, everything is fine, if you come up with some kind of improvisation, do it, maybe it will be very good, what other difficulties did you have to face during filming, most of these creative and technical difficulties were born due to limited funding our film , that is, it was another feat that our team accomplished, we shot the film in 21 days, this is something colossal, this is... impossible, and the output of an experienced director is 2-3 minutes per day, the output of a debutant -

it should be even less, about a minute and a half, so that you can swing, think , discuss how it will be edited, because i edited films, and so we had an output of 5 to 10 minutes a day, that is, this is what you are talking about about screen time, right? yes, yes, i’m talking now about screen time, at this speed it was important not to lose quality, but by the way, the experience of an editor and screenwriter, it gives me a complete picture of my film, that is, i immediately understand how i will edit it, the cameraman is understands, therefore we understand with him some basics of editing , how best to film it, whether it will be edited, in the end i was a little scared to come to the editing, in case we were wrong about something, but during the editing process i realized that we all... .they did it right, everything was very good, and the film came together, well, the picture was shot, edited, it needs to be shown to the management, how did it all happen? i understood that

there were a couple of weeks left from the delivery of the film to the film festival, by the time the film was submitted i just wanted to go on vacation, and the film was accepted without my participation, then there is a group defending it in front of the ministry and they already told me, that is, later, that the ministry was very pleased, they applauded and laughed, which is important for comedy in one of your interviews, you said that before you start making a film, you need to decide, we are making art or business, filmmakers - is it art or business? it seems to me that here, for the most part, this is about art, that is, it was at least an order from the ministry of culture, but it was some kind of... great freedom in this regard and i could afford to make some kind of copyright things, that is, this is 100% auteur cinema. that’s why it seems to me that we were getting

closer to art, but we understood that we were making a movie for the audience, i immediately set limits for myself, our film should be 12 plus, so that the whole family could come, with parents, maybe there with grandparents, everyone had fun, so yes, we fell into this age category, price, everything is fine. we weren’t naughty, everything is fine, so i can say that we tried to please both, but as creators, we tried to get closer to art, the film has been shot, edited, and what is its future fate? is the film expecting a big release? absolutely certain, from december 14 we are going into wide release, and it will not be limited only to belarus, we want... to go to russian movie screens, perhaps we will touch on other countries, neighbors, it seems to me that the most difficult time for a director is this ,

when the film has already been shot, edited, when ratings from viewers and critics have already been received, and then a very difficult moment comes, and what next, how, in general, not to go lower the artistic level that you have already reached, well, of course, the maximum task is in the next projects, but even at the distribution stage, that is, at this time, i already understand what i will work on next, that is, i already have thoughts, we are already starting work on the next projects, kiril, i can’t help but ask you, this is what, when at 22 you are given the opportunity to make a big movie, but this naturally causes some conversations, probably some kind of envy, this you... through this i heard such things about myself as if, well i can say for my part that, as i said earlier, my experience will allow me to attract

more young people, in this regard i do not refuse anyone, on the set we had a lot of students who were simply interested, we included them in the film crew, there as assistants , some, but they were very interested in understanding how cinema works and generally understanding whether this is their profession? after the experience on the set, during the editing and training period, they understood it was 100% great, it was necessary, it was good, so in general, oh i try not to refuse anyone a request or something else, i can somehow talk to everyone, at least on a level, and what should i do, and how, and how it works, i can suggest something, have you ever heard a sharply negative attitude towards your work? no, there are no sharply negative ones. but i somehow try to be in touch with everyone, plus or minus, so if some kind of criticism appears, then in quite calm tones we can discuss something, what is clear, what

is not clear, i myself somewhere... i agree, yes, here we have a specific movie blunder in the film, but we couldn’t do otherwise, something was cut out, something changed during filming, so it had to be this way, but how do you react to hate, i probably don’t try to support any such conversations if any questions arise there in my company or something else, everything is discussed, and i say, perhaps i can even agree on some things, but in general, bad advertising is also advertising, let them advertise the filmmakers. but hate hate and discord, how do you feel about criticism? positively, that is, for me it’s probably more important to hear some, well, not to say negative, but some kind of constructive criticism, if i just say i don’t like it, but this is subjective , i don’t agree here, well, you mentioned it, praise, you like praise, does

it matter to you? probably not, well, it’s like, when i started receiving the first awards, that’s when i will be, it was an event, while still a student, yes, i somehow understood, wow, this, this needs to be collected, collected, but it stimulates, that’s right, you see, on the one hand it stimulates, but at some point, i was chasing some kind of collecting awards, they just ask me, why? and a good question , just to put it on the shelf, well, well, that’s not what it’s for , probably yes, during some film festivals, you meet people, you discover new countries, that’s all good, at some point i thought that these awards would help more for producers, when you are already faced with producer cinema, this will also help you, but it helped me just to be noticed in my own country, that is, these awards

helped... and for so that they know about me in ministry of culture, later at the film studio and this is how they helped me, at this stage the awards are now, well, my mother likes it, my mother has it at home, by the way, who do you show your work to, first of all, whose opinion is a priority for you, in any in this case, i try to make my relatives the first spectators, that is, even to the filmmakers, to rough screenings, i invited family members , even there closer to the shooting of the film, we showed the commission versions several times, different versions and i tried to invite, well , for example, mother, she i just wanted to at the premiere, but i don’t want to see you, only at the premiere, only the pure version, good, but it seems to me that your relatives cannot evaluate you quite objectively, well, in any case, they love you, everything is fine, you ’re great, ivan pavlov, this there was a super expert opinion for me, because an experienced director, again, for me an expert

opinion, my course master valery mikhalovich, also, well, a lot of experience in this profession, well, in general, expert opinions at the film studio were enough for me, because the film the filmmakers watched and it was very important what will they say. kiril, we talked about your cinema, and now let's talk about someone else's cinema. i think that any person, director or... non-director, is characterized by what films he watches, and these are the films you prefer to watch. before we started working on our film, i understood that we are focusing on our audience first of all, i can just name my favorite director, to whom they send a lot, where are the filmmakers, uh, balabans, but if we are talking about domestic ones, this is probably , you're a bastard kochagar, this is kochagar, this is blind man's buff, this is brother, very nice french cinema,

french comedy. and i can also tell you an interesting fact, when editing the filmmakers, i edited it in 9 days, by the way, i edited 117 minutes in 9 days, you left the editing room, naturally, it was nine working days, so, but when i edited, just in the hollywood film open gamer was released, and the cameraman and i came to the screening, he even watched it three or four times, that is, he liked it so much, i only watched one, and i was just worried about...