more than once in my life, so i know what i will present to them, and i know that with all these nukanuka, in 3 hours you will be giving me a standing ovation, but i don’t mean, you understand, that this should not be read , here i am, here i am such a gimmick, yes, i did it in the satire theater with the play where- we, which i, so to speak, invented and initiated with alexander anatorevich shirvint, at my request, we have a gap, we will discuss it later, ok, but i know that for an artist there can be no better praise than not being recognized, art no one canceled the reincarnation, i know that one spectator demanded her money back for the ticket, because she did not see oleshka in the play, one of those spectators who nuka-nuka, yes, it was a scandal, but she came to oleshka, she says, what are you telling me, what’s going on, and when he arrives, i ’ve been watching the play for an hour and a half, i paid the money, but he’s not there, where, i say, is this. in front of you, she

was brought, yes, she was brought backstage, it was such a tetanus, that is, she was through pavel sees me, my voice, i say , don’t worry, please, everything is fine, now they will kill me, please go to the second department, but this is a compliment to the artist, on the one hand, on the other hand, in the 21st century there is such a tendency, especially in cinema , in general, to actors, especially... directors tell them: they beg, just don’t play anything , you know, they do self-tests, they beg, don’t play anything, that’s how you are, that’s the new sincerity, right? no, this is not a new sincerity, listen, it’s just an inability to create an image, a character, that is they don’t know themselves, yes, well, can you imagine if evstegneev, evgey evstegneev from film to film were like him in life, or papanov were like him, first of all, no one knows which ones? we don’t know, it’s true, you know

, we know their roles, if you put them together in a row, then you understand that vsegneev kleischner or stegneev preobrazhensky in heart of a dog, or stegneev in beware of the car, a director who suddenly became a director, this is all different people who speak differently, walk differently, think, these are all different people, this has always attracted me, that's why. on the one hand, this is my call to directors, so to speak, let ’s work with me, i will create different people, it ’s interesting, some, on the other hand, directors don’t have time, they want it, i understand them too, this is such a period now , now if you add up yablokovo from the turkish gambit, which i played there i don’t know, at the very beginning of my life in the cinema, or the alligator vasya. from daddy's daughters or paul

ii from the vakhtangov theater, or from the vakhtangov theater, floridor sat down in a scene from mademoiselle, these are all different people, or that the person who is sitting with you now to talk, well, you collect , yes, so you try to find a new one, but yes, i really want this, to create another person who would help and live there on the screen, without me, well, maybe this person we just saw, is it me, well, you said when we watched the trailer that it immediately becomes bad, why does it become bad, because these sounds... this is how the play begins, i think, lord, there are 3 ahead hour, i need to lift this barbell, i know, i once saw an actor in the house - inna churikova, who was holding the curtain like this, they are already announcing her, she whispers, lord, why should i do this, why should i , imagine, that is, well, it would seem that she doesn’t need anything from anyone to prove, it was a long time ago, she stood, because this step from...

the backstage of the stage, this is the most difficult step, and it’s hard for the stage to die? no, you think i’ll die , i’ll rest for a while, i’ll lie down for a while, i starred with dmitry brusnikin, the late in the film, called paid death, played mozart, and in the last year of his life, and with the stage it’s already like that say, his death, and i want to tell you that it was one of the most beautiful filming sessions. when it means mozart is lying at home, yes, he has already died, his wife, and everyone there, that means they are mourning him, so i had to just lie there all day, they were filming, under the right there is such a city of kutnogora, a city in which it is forbidden to place on some streets cars, because there are dug tunnels inside, it can collapse, yes, inside the skull, he says, on the bones,

it’s also terrible, you know, yes, it’s another feeling, joyful, but here i was lying in some kind of this house, it’s terribly stuffy , and hot, and i dozed off and the director says: stop, stop, mozart is snoring, wake him up , he’s dead, why is he snoring, and i’m like that, they pum-pum, sometimes, but this is of course a joke, but how can i tell you, uh, a person does not experience any pleasure from dying on stage, but when you understand that this is your profession, yes, after all, acting, there is a master in this, skill, master, he must play it, not live it, play it so as not to to go crazy so as not to incur any, so to speak, illnesses or projections, does not die actor, image, character, character dies, and

you had such difficulties with leaving the role , which are often talked about, well, you know, with this role, the difficulties were that i was injured, so i did not come to you , so to speak, here in the spring, yes, because the stage, well, thank god, now i ’m walking on my own two feet, all this is being restored slowly, well, uh, listen, no one forced, you know, when the actors start to complain, you know how it’s difficult, listen, no one forced you, if it’s so difficult for you, go find it another profession, an actor must have a theme, why, for what you are doing this. if you have this theme, then you can go through the turn to the stars, i have this theme, which one, i knew which one, tell me, you told me behind the scenes that your mother, uh, what she does, when she freezes, when

she sees you on the screen, that is, for her the rest of the world turns off, it’s magic, yes, but it’s in a pleasant way, that’s my theme, so that those people who look at me, so that... they turn off the world in which it is full worries, so that they want to straighten their shoulders , or they want to understand, listen, if everyone is crazy, but he is not going crazy, then i can, so that i want, i don’t know, read the same poems as me, or hear , maybe some advice, or a funny anecdote, or just say, listen , leave me alone, i have this person, i like to look at him, this is my topic, well, it so happened, mommy, that today we dedicated part of the issue to you, i say hello, i take this opportunity to announce that we have a telegram channel, don’t be silent, subscribe, ask questions and suggest guests, we are in touch.

the help of god's word and the principles of christian life. if we remember that the lord is above us, everything we do will always be fine. unusual architectural solutions and grandeur of churches and temples. brothers and sisters, the church, like the mystical body of jesus christ, is formed from people, from living stones, and from you, like a cyper. live in the light of you who have breathed for eternity. spiritual laws and life instructions of clergy? can a person cross himself and remain not broken, yes, but to be rich, i give you the opportunity, and this means that i am

rich. conversations about morality and reflections on eternal values. family, home, peace of mind at home, well-understood... at home, at home, this is just like this translation of the highest understandings of the holy scripture in our life. watch spiritual and educational projects on tv channel belarus 24. latvian officials have been charged by the investigative committee of belarus criminal case under the article of crimes against the safety of humanity. previously, criminal cases were opened against their comrades from poland and lithuania, although these countries participated in disturbing the peace in the countries of the middle east, they are in no hurry to let refugees in, maybe this is different? the confrontation between the west and russia, which began during the cold war, has unexpectedly

continued in our days. in their attempt not to be like the russians, representatives of the so -called civilized world came to new level. now it’s not enough for them that they have democracy, a counterbalance to slavic values, family and marriage, they came up with european ones, they demand compliance with new norms, in case of disobedience, seizure... the west has come to the point that it is destroying itself from the inside. the author's project of ksenia lebedeva is different. watch new episodes on the tv channel belarus 24. the program “tell me not to be silent” is on air again. and today we have. guest: honored artist of russia, alexander olezhko. today i am a little cold artist of russia, because you have

such a snowstorm, today there’s just a wall of snow, powder, and the trees are being collected, it’s very interesting, you warmed up in our studio, yes, yes, i feel good, in the film metro by karen shakhnazarov, khitrovka, the sign of four, you played one of the main roles, reincarnated as the famous theater figure vladimir ne danchenko, were you captivated by this role? of course, firstly, this is such trust, can you imagine where i am and where nech danchenko is, and oh, i was just talking about this, you know, i thought that , firstly, there would be some very difficult plastic makeup, it turned out, look, they just glued on my mustache and beard , combed my hair a little differently, exactly 6 minutes later another person looked at me in the mirror, i thought that... this will be some kind of long makeup plastic , well, that’s how shakhnazarov saw in me, that i can

do this, this is, so to speak, a gift, uh, yes , a look, a person who can do something like that in an actor, we asked him when he came, introduced the film, by the way, when he saw oleshka, he says, well, i don’t know, well they are very similar, one person, for him it’s not even a question, for us it’s not obvious, but for him it’s. imagine, but for me it was not at all obvious, but therefore i am very grateful to him, firstly for his trust, of course, i would like to expand this role, but there, so to speak, gellerovsky and stanislavsky had something to do, although it would have been possible to take and nemirovich, by the way , i read somewhere that in general nimirovich also went there with them to see tricks, yeah, uh, a fascinating story, the history of such a movie, in which... i want to act again and again, firstly, i really love gelerovsky

, i really love canandoyl, there is such an amazing connection, i really liked the script , you know, we had such a funny evening after filming, when they say, that ’s it, thank you, the actors are getting ready, and i say to kostya kryukov, imagine, right now, and we were filming... right now i’ll go in this makeup, in this costume, there, three houses away, house, in where zhilirovich danchenko, there is still a museum there, an apartment, i was in it several years ago, everything was preserved, right down to the small comb with which he combed his mustache and beard, i sat in his chair, not thinking that i would play him, i said, imagine, here... let's go there and i won't just ring the doorbell , i’ll open it with the key, i’ll start to

open it with the key, and there the museum staff will tell me that who? i’ll say, i came home , they look through the peephole, they say who, i say, but konstantin sergegevich and i are going to arrange this, well, of course, this, well, this characterizes you, alexander, how a person who likes to joke and misbehave a little, yes, a little, yes, i love it when... it doesn’t go into some kind of extreme, you know, because there are colleagues who, so to speak, act out somehow, harshly, no, this is not mine, but what is this for, that is, this is some kind of drive, but in order to have some kind of courage, then some kind of you understand, sometimes i hear, or i read to myself, they say, oh, why is he making everything up, but you understand, it ’s not my fault, that i myself was always looking for something interesting in this life, i initiated some interesting meetings, that my life line, it goes through the lives of those people

who in my childhood lived in books, on tv, on the stage, they were celestial beings for me, then suddenly they know about my existence, and if we say, by the way, here are the prejudices that we have already talked about about paul i, again about irina bugrimova, and when i was studying at the church school and finishing it, she... we had the chairman of the cycle commission, which signed diplomas and was presented to us by the legendary people's artist of the soviet union, first a woman tamer who entered a cage with lions, a symbol of a soviet woman who will stop a horse at a gallop, tame a lion, and so on and so forth, everyone is given a diploma, me last, she then quietly tells me, bend over, i bend down, she says: i give you separately, i want to give a carnation , i brought it to you, she hands me the carnation, then

she says, well, this is probably not modest, but this is a fact of my life, she says: please remember, “you are special, i congratulate you, you can imagine and me as a child i read her book, after a while i meet her in the central house of arts workers, i say, hello, irina nikolaevna, she says, you forgot me, and i say, it’s impossible to forget you, and i say, can i interview you, suddenly, i tell her, she says, please come, i’m coming to her on kotelnicheskaya embankment, i’m not a journalist. this is not my profession, but knowing everything about her life, i did an interview with her that she said: one sunday of the month is always yours, and i visited her, well, probably every day for two years a month one sunday, i was already studying at the shchokinsky school, we talked with her, i

recorded these conversations on a tape recorder, once i did another interview, she told me, in her book, by the way, she also has that about the prejudice that she somehow noticed that one person always goes to her performance, sits mainly in the first, second, third row, the best seats, and somehow after the performance she saw him already, that means on the street when she i was walking from the service entrance, she said, i’ve been watching you all this time i see you love the circus so much, do you like mine so much? tion, he says, no, i’m just waiting for the lion to devour you, this is a fan, let ’s talk about phantasmogoria, where we, which you already mentioned, you play a tv presenter who has gone crazy, let’s watch a short excerpt from your duet with alexander shervent, judging by the smells, it’s like a hospital

, or something, judging by the smells, it’s a garbage dump. how is it, give me a phone, phones, phones here i’m taking away, taking away, give me a phone, you know, where am i, don’t worry, you’re not do you know where you are, no, this used to be the home of stage veterans, oh, my god, how many great ones have been forgotten here, you can’t even imagine how bitter it is to see weakness. your idols, yes , then change everything, i’m alone, somehow something remained here, i exist, i live like an eternal jew, an eternal jew, eternal, oh, nation, idea, you said, the performance belongs to you, yes, we were traveling on

the train to st. petersburg, to the andrei mironov theater, alexander anatavich was supposed to receive. a statue named after andrei mironov, i owed him this statue handing over and singing means a song from mironov’s repertoire, and we went with him to the vestibule, we had compartments next to us, and you know, it’s a cinematic meeting, it’s just a scene, he ’s smoking a pipe, he says, how are you doing? i say, yes, everything is fine, i say, listen, let's play something together, he says, what? i say, well , let's unite, i say, the audience, i say, you are yours, i am mine, and he says, you have an audience, i adore him, and right away there is an audience, i say, this should be inserted into the play, he he says, i don’t mind, but i started looking for a play, then i realized that there was no play, it needed to be written,

i ran to radion yurivich ovchinnikov, asked him, in general, to tell him some kind of plot. then this plot, in general, so to speak, took shape and in general i had the idea that in this ward there would be another third important character, so to speak, a character, an actor, i wanted there to be a tv there, and for people to appear on this tv departed actors, but partners of shirvint, andrei mironov, orosova, papanov. menglet and so that at some point he appeared on tv young, and my hero said, listen, this dude reminds me of someone, he would say it’s not the dude, it’s me, no, i’m very sorry that he refused it, they rewrote the play again and came up with a great role for fyodor dobronr.