it’s sunday, i called, well, literally ten comrades, very trusted people, but for some reason they somehow got wind of it, found out and stomped to this screening about 30 people, a secret, clandestine screening was organized by me because... they brought a forbidden, stolen a picture from the proverbial shelf, and before the screening he came out, stooped, tall, looking at us gathered , about 30 people, as i said, from the brow, this was already very famous in the soviet union, already recognized by world film authorities,

soviet screenwriter and film director, gennady poloka. misha kazakov introduced us to us in the summer of 1970 in moscow. we sat at a table on the second floor. hotel minsk, on tverskaya, on gorky street, where i lived then, and fourth, at our restaurant table there was a very beautiful, dazzlingly beautiful, tall woman, poloka’s future, but short-lived wife, from time to time, having no other area for love affairs , they took the key to...

“tomorrow i will take them to her, i ask you not to do this, i will pay one of these days, the last time i will meet you halfway, if you do not pay off in 3 days debt, these bills will be seen by madame xydias. gennady poloka was born."

or who is your nationality, he always said: i am russian, although as he himself admitted that there were germans, poles, ukrainians in his blood, i am russian, and he says: i cannot be abroad for more than 10 days , that pulls me back to my homeland. geno, like all children who felt a craving for art, went to a music school in this kainsk, attended a dance club.

a notebook, a night when the cart creaks, but the big waltz stands out not only from the work of julien devevier , and in general i think this is a very wonderful fantasy.

he is assigned to film his first film at the tajik film studio chaiki nad barkhany. this was a picture with which the tajik film studio wanted to glorify the construction projects,

so to speak, of communism, the laying of a canal across the steppe, that is , some kind of life-affirming soviet film, well, probably almost a poster. but poloka says: i made a completely different film, i made a cruel film, when the tajik leadership looked at more material, they were horrified, but poloka took this material to moscow, and the board the ministry of culture enthusiastically accepted this material. the tajiks, the poloks did not forgive this... they opened a criminal case against him for embezzlement, for theft of gold, for drugs, after a year and a half this protracted case

was closed for lack of evidence of a crime, but some shadow was already beginning to invariably follow...

it will also be reflected in the shelf’s biography; of course, the film republic of shkit featured an actor with whom gennady became friends, pavel luspekayev. hello kids, why aren't you? gennady said i really like it the monastic word “brothers”, and says: in this picture, probably in my only film, i managed to somehow convey this feeling of happiness, some kind of unity of these

people, with the eccentric films of the twenties of chaplin and even soviet ones, i decided to create this

picture as installation of attractions. it was some kind of madness, the car was racing around the circus arena, drove into the doors of some room, drove out into the street, the doors of the rooms turned into cabinet doors in reverse, the actors played several roles, some some kind of unprecedented attraction. the exuberance of the director's imagination in general, fell, gentlemen , we are from counterintelligence, no one should know that she is here, gennady said that... only in this picture did he feel like

a happy man, only in this one, but after watching, the chairman of the state -cinema of the ussr, romanov issued a terrible decree, where the picture was simply destroyed, that it was a mockery of the images. bolsheviks, and that it was a distortion of historical truth, that it was all turned into a farce and an eccentricity, moreover, it was secret, secret resolution of the central committee signed by the chief ideologist of the cpsu central committee at that time , demichev, where poloka was generally prohibited yes...

agony, check on the roads of hermann, 33, yes nelia, malba about ulladze, christ landed in grodno, bychkovo, kiev frescoes of parojanov, khatyn 5 km, kolovsky, commissioner askoldov. and this picture , in order to bring it to minsk, because

poloka’s comrade vladimir orlov, asked to bring it to this viewing, gennady, as he told me, literally stole it, somehow stole from that notorious shelf and the prize to minsk for this private view. the lives of bandits, maybe he will show us how the bandits sing, oh, thunder has thundered, there is a flood, the provincial search is sending out telegrams, because the whole district is filled with beasts, that there is a cry.

some of them were simply shamelessly stolen and incompetently used gennady ivanovich’s ideas in their own. pictures, maybe you don’t like me, or i, no, that you, i like you all very much, the rejection of the picture also occurred among colleagues, because poloka formulated it very precisely, he said that all film directors were brought up in soviet

neorealism, this is the truth of life, and his painting, it was... an offer to the beautiful regina made an offer to me, to star in an episode in his film, one of us. he said, naive people, he says, our leaders. they, he says, thought that if they gave me a proven script like this, then i would make the same

proven film. the picture told about the work of the german.

intelligence officer kim philby, a total of 12 people came, these very closed, secret people, and the picture, one of us, they really liked, chairman of the state cinema of the ssr romanov on discussion, he was also present there, molodov carefully asked if this

picture of molodov offends you. and the press was given a command not to respond in any way, not to review this picture in any way, but the shelf says that many connoisseurs and experts of my work, the picture one of us considers my best film,

in 5 minutes you will die, don’t be afraid, if you tell me the plan , according to which you are working against me, i will give you an antidote, you have 4 minutes left, emergency help, you can, but you don’t have to.

but no one needs him anywhere, because every woman has her own destiny, her own children, her own , so to speak, families, thank you, son, again the press attacked the shelf, i read an absolutely terrible review in the magazine art of cinema, where literally stone unturned... they left neither the script nor from the actor, nor from the director, the picture in general was subject to some kind of astrakism in general, what are you doing, i’m asking you, what, go away,

we can live without you, you can’t live without me, you won’t live at all, christmastide, wicket he dropped it off, i dropped it off, i’m not landing it yet, but if you think i’m living with this palater , you’re very mistaken, ilya or him, then we’ll talk, he’s my father, well, kiss him, and you get out of here, you fool, after these films in january 1974 , poloka was deprived of the right to direct films . with this formulation , as if he had not drawn conclusions from his ideological misconceptions, had not drawn

a conclusion from his ideological misconceptions, there is no work, and poloka began to finish, to draw on other people’s imperfect scripts, 12 of them were under his surname poloka, but even more, like him he admits, it was under pseudonyms, one was even under a female pseudonym , some kind of galina omelchenko, or something, when she says, there was no work at all, i remembered my first profession as an actor, i starred in films in soviet and foreign ones, playing, as a rule, foreigners. vlet, come for the third latest, bigheaded.

computer game or real world? they entered the game, but they didn’t teach one thing, everything here is for real. this is the most extreme project in the country. heroes, reboot, fights with himself. this time, instead of the young ones fire and rescue professionals will compete against show business representatives. first lines in the charts, rating projects on tv. they want to show their character and express themselves even louder. i admit honestly, i’m not an athlete, i’m an artist, this is not a vocal

competition. i wish my fingers remained intact. anton kushnir is waiting for you, there is no need for these leading dances. every time gives birth to its heroes. the mission control center is ready. tsup, ha! you have to unscrew it, otherwise you'll be left to live there, that's it, i lost, yes, it seems, yes, goodbye, what does this do? incredible, guys, watch on the belarus 24 tv channel, we’re going on a trip to belarus, sorachan lakes, the blue necklace of the island region, which rightfully tops the list of the most beautiful places in belarus, here once upon a time there was a sacred oak grove in this place, really... iduyev, my god ,

there is a wonderful tradition, hug an ancient tree and make a wish, we ask you to join our round dance, with pleasure, oh, start dancing, visit the bright sights of our country. the church was built by order of chancellor lev sapieha back in 1604, this temple is really very unusual, its peculiarity is that it opens its doors only once a year for parishioners on a special occasion, see the route in the program , built on the belarus 24 tv channel in the eighty-first year

, the picture of poloka was released on the screens. as if a continuation of i am the leader of the outpost, where the fates of the heroes of the previous film were traced, well, you know, somehow it was not bad, everything was somehow sluggish, not very interesting, to vilnius, to the visiting plenum of the union of cinematographers of the ussr from belarus

three people went. poloka and i and film playwright ela milova, well, the lithuanians , of course, well received their neighbors, the belarusians, and prepared for us some kind of humorous speech, or something, very witty, i don’t remember it exactly, but i remember that gennady and i, as if they looked at each other, they had to respond with something, here...

they were talking about his feat there, here he is walking around here alive and no one needs him, he is already forgotten, he no longer exists, he is already only an exhibit, he is already only history, very interesting topic. then he again plunges into his beloved the atmosphere of the twenties, the return of the battleship. it is based on a story with the same name by alexei kapler about how esenstein filmed the great film badasser potemgen. most of the film was shot in belarus, and of course, odessa flattery featured again.