in your family, who is the major general, you or do you give the right to command to your wife in the family? of course, mostly forgotten , the wife is responsible for the family, because, especially when he served in the army, the working day was at least 12 hours, usually weekends, everything was also in the service, so

the wife was mainly responsible for all the housework, the house, and feeding the children , therefore, she is more of a general, and you obey as best you can, especially since she now has an education and as a scientific agronomist and economist, so she clearly commands how to work in the country, we must obey, dig. and your children, did they also choose a military profession? no, i have two daughters, the eldest daughter graduated from medical school. and we work as the director of a medical center , a junior economist, she graduated from economics and works as the financial director of a large company, i have grandchildren, today is my holiday, the eldest grandson is an engineer , graduated from the radio engineering university, went to work at the enterprise, of course, the youngest grandson is studying at the university economically, granddaughter, this youngest daughter is a schoolgirl, well, it’s clear that you are

a busy person, and yet, how do you do you like to spend your free time? i like to go hunting, i like to work with bees , i like to read, i like to work , to cut, to saw, with my own hands, i will cut something more, yes, yes, more wood, ivan vasilyevich, our program is called the meaning of life, for you what is the meaning life? probably to benefit people, to benefit the state, and of course, to family and friends, to be in demand among friends and family. this was the meaning of ivan dyrman's life.

every week we review the main topics that aroused the greatest interest among our viewers and subscribers on social networks. we offer you to learn the belarusian language while walking with our tv guides. we also introduce you to amazing people who live in belarus and do everything for its development. broadcast 24x7.

music, dj, hello everyone, in a minute the hero of our program will take his place and answer your questions, children, are you ready to meet our guest? igor pavlovich, what do you expect from the children you will meet now? i think creativity. in what mood do you go into a conversation? with the beautiful. you promise to tell only the truth.

just the truth. good luck then! today in our studio we have the honored artist of russia, chief political master of the bolshoi opera and ballet theater of the republic of belarus, igor pavlovich kol. igor pavlovich, i want to warn you that according to the rules of our program, if for some reason you cannot or do not want to answer, you have the right to refuse the question three times, accepted and be attentive to the questions, at the end of the program you will have to choose best, well now you have exactly one minute to briefly tell us about yourself. time has passed. usually, lately i have been talking about myself in this way: i was born in pinsk, studied in minsk , worked as an artist at the marinsky theater, this is st. petersburg, russia, today i am in minsk, this is the city of my childhood, the city of yours age,

and using the opportunity that was given to me a year and a half ago as the main director of the bolshoi theater, i am happy that i live in this beautiful city, according to... on the other hand, this is only such an illusory story, because literally from the very early in the morning you come and begin to study a large number of papers related to how to organize the process and, of course, the lives of the artists who

are with me every day from morning to late evening, which means you no longer dance on stage, i dance, i find time , you need to be in good shape, so... the stage is not left in small fragments and i don’t go out on it very often, so i dance, of course, the dance will not leave me. igor pavlovich, turn a little to the right, a question awaits you from the yellow sector. hello, igor, my name is lyubov. you previously worked in st. petersburg. why did you decide to move to minsk? the fact is that i really came into my own professionally in st. petersburg, and i saw my further growth precisely there as a prime minister.

turned my interest primarily to minsk, because at a certain moment two offers came, one from the bolshoi theater of russia as a tutor, the other came literally a month later - from the bolshoi theater of the republic of belarus as chief britmester, and i was very i spent a long time making it interesting for me, because first of all, childhood itself is such a main factor that... moves me through life, it’s very interesting for me to be here now, and this is very important. we are moving to the black sector, we will have to turn right. hello igor, what is the level of belarusian ballet? first of all, the belarusian school, it has always been strong, today it is the same, but when we communicate with each other from different schools, from different cities, we comprehend some common outline, today belarusian the ballet is at a very good level, thank you.

in performances in the auditorium, there are very few of them, so today the interest with which the public looks at the theater only makes me happy, so i believe that, first of all, these are the artists who lead the repertoire, who allow people to come to the theater due to their high skill, at the moment you will have to turn over, turn over, i said something, turn around, everything is correct, everything is correct, turn to the left and... a question from the purple sector, please raise your hand, why did you decide to study ballet? after all, many people think

that ballet is for girls and not for boys? the fact is that i didn’t decide anything in my childhood, chance decided for me, literally, while in pinsk, i was left to myself for exactly the first half of the day, since my sister and i studied in different shifts in order to have time to share a table at home everyone should do their homework. i went in the second half of the day and the first half of the day was absolutely free for me, it was both a circus studio and a young naturalist station and so on and so on and so on and also there was a studio for this dance, at some point my classmate took me to a chorigraphy school for company, i had to get up very early in the dark, it was autumn and in the dark go to the other end of the city. thus, literally two or three months i lasted in this school thanks to the persistence of my

classmate, at some point i was selected, two teachers from the belarusian choriographic school arrived from minsk, who found me, on the newspaper page, the phone number was written , boy, call, tell my parents to call in the evening, so exactly... literally in a week my life changed, my dad took me to minsk in a kamaz, they looked me over, pressed me, i did the splits in one, on trust i did the splits in the other, this is how i turned out to be capable of dancing, literally exactly a week later i was already standing with the documents , now i’m looking at this building in which the school used to be located, every day looking from my office at this building... and i think, what should i do? this is how, how could this happen, without knowing, living in a city in which

at that time there was not a single theater, neither dramatic nor musical, i would be pulled out of pinsk to a completely different, different microclimate, and i would do this, in principle, consciousness, despite the fact that i have absolutely simple parents professions, my father was a truck driver, my mother was the head of a canteen, so in principle there were some prerequisites for the fact that i unexpectedly... hello, my name is masha, tell me, was your childhood different from usual? as a rule, there is an opinion that children ballet, they don’t... don’t know what childhood is at all, i don’t remember any moments that were connected, except

for homesickness, for me to be deprived of something, for me it was an ordinary story, that football, swimming, cycling , absolutely free holidays, in which the only thing one of the teachers really wanted us to do was to maintain some kind of shape, we filled out a diary, today i sat down with my right leg on the splits, with my left leg on the splits and there i did 10 push-ups, that is... this is the only limitation, which was somehow, uh, a limitation, but it’s funny to name it, even to define it, so i remember my childhood years as an absolutely happy child, since i’m a village child, both lines of my father and mother are from different places, half of the holidays were in one village, half the holidays in another village and are not deprived of anything from the natural moments of childhood. did the boys tease you for doing ballet? firstly, no one knew what ballet was in

pinsk, and as for teasing, i think not, i’m probably one of those representatives which before... show the opposite, that it is important to honestly engage in what interests you , everything else, it is swept aside on its own, so no, of course, the next question, black sector, turn to the left, please explain how to understand what the ballet is about , and if the artists don’t say a word when they come to the theater, there is a program in the theater in which... the underlying meaning is: i love you, today, i basically think that this gesture, that i even in ordinary life we ​​do this, i immediately begin to add hands, as i basically today, unexpectedly for myself

, i gesture a lot, then when you come to the theater, you will see these gestures. certain ones that are connected by the convoy of dance that this or that choreographer conceived when presenting his work, his performance. can you please tell us something by dancing, and we will try to guess what you meant? i remind you that you can refuse this question, you have, of course, who gives up so quickly? well, let's guess, children, whoever is ready to guess, please raise your hand, maybe maybe i can dream, absolutely true , thank you, and i thought what does that mean, i’m going crazy about you, the options may be different, but no, i’m going crazy, it would be the temple, the next question flies into the red sector , is there

a ballet part that runs like a red thread through your whole life? there is such a party, in the second year at the chariographic school , the troupe of the st. petersburg conservatory and an absolutely wonderful person, personality, choreographer, teacher, nikita aleksandrovich, came to us on tour in minsk dolgushin brought a program from the silver age, anna pavlova, vaclav nezhinsky, and a miniature by fokine, leading the rose, when the girl comes home from the ball, she also sits in a chair, as i am sitting now. falls asleep full of impressions from the ball, where there was communication, dancing , a certain ghost appears to her, a smell, roses, and a completely complex, incredibly technically complex, physically complex miniature, where a young man depicts literally a flair, a smell, from the second year nikita

aleksandrovich conveyed this miniature for me, and literally until my last days, my name is veronica, please tell me, when you perform and dance, do you get upset when no one claps for you, or this didn’t happen at all, i think we had a tour in rostov-on-don, where in the front row, a girl took out her phone and began to actively do something in it, and it was so offensive, i

bowed after the number and could not stand it, i came up. what's the strangest thing you've had to do for a role? i was once invited to a furniture exhibition, where i was asked to come up with plastic ideas. this one is on the subject of a chair, me first it made me laugh, uh, then somewhere it got a little tense, but at some point, when i

already felt interested and imagined how it could be done, and it was quite funny, a large number of ideas came up, unfortunately, my participation canceled, so yes they were, turn to the right, red sector, raise your hand, what kind of career growth does it have? as a rule, everything is quite rapid, at first it seems that this is a very long process, a learning process, you reach a certain height, you receive a certificate, in this certificate you points for what you have worked hard, but when you come to the theater, you realize that you are a nobody again, you start from scratch to build yourself, your life, the range of your interests, and 20 years fly by, and you are a nobody again. because artistically you have already taken place, then there should be some kind of movement according to your interest, or the possibilities offered, or if not

offered, as a rule, all ballet artists do not leave the trajectory of dance, that is, this can be pedagogy, this can be choreography, as mester used to say, in my case i never focused on just in... the profession, i always thought about what and what if it doesn’t happen, that is, for some reason this question haunted me literally from the first days of working in the theater, and i always expanded my range of interests, restored furniture, i understood that, in principle, if not a profession, if that very career does not work out, as you define it, then i will always have a craft in which i will be interesting to myself, that is, i... understood that life does not end there , that this is a certain movement in the interest in which i am now. and one more question: did you always have enough money or were there

some difficult financial situations? a difficult moment happened in my life; exactly a season later in st. petersburg, i received a serious injury at a performance, which did not allow me to follow this path further and confidently enter the profession. there were exactly two such situations. at the performance of sleeping beauty, i received a serious injury, i tore all the ligaments on my left knee joint and, but this did not stop me, because i love, and i am lucky, more precisely in relation to the wonderful people nearby who always saw a little more in me and thought of me a little better, it seems to me, than i really am, so literally a month later i was flying to america. to have an operation, and a few months later i was already on stage again, but i was in a hurry, so a year later i flew to

america in exactly the same way in october to have an operation again, already the second operation was such a stressful moment for me when you realize that this is what is happening now and what will happen next if everything turns out to be bad, but nevertheless human it is not a resource... trauma, everything that does not happen to us, it is given, as it seems to me, for something, so that we pay attention and perhaps, on the contrary, open our horizons, and not become isolated in one

situation or another. belarusian doilitstva, which is important for your jumping and this time you need to learn and master. for belarus, the tree was such a material, as with which any masters of the muggles can work easily, and with this material, the muggles can do anything worthwhile. the façade is in disarray. we really respect the jumping clothes here and the look of the kalon with the completed karynskaga warrant. the history of the creation of significant cultural

objects is horrifying because it is wrong.

who live in belarus and do everything for its development. broadcast 24/7. a project that everyone should see. watch us every friday on the belarus24 tv channel. i heard that in ballet all the dancers are on a diet, do you limit yourself in anything to stay in shape? my biggest diet is that i don’t have time to eat, because in the morning i don’t want to eat, and in the afternoon i don’t have enough time and literally, if i have 5

minutes, i go down. the topic is basically shaded, because i want to look good, and of course , no one will be interested in the current red face, and since we do primarily physical labor, after the performance many lose a fairly large number of kilograms, some two, some three, because a lot of fluid comes out of us,

no one is interested in looking at the tired face of the artist on... the stage, this is that necessary moment of the profession that creates a holiday for you when we enter the stage, thank you, turn to the right and the yellow sector, hello, my name is vasilisa, is it difficult to do support? this requires, of course , preparation to a greater extent, not even physical, but technical, since there is an opinion that it is always difficult for ballerinas there. guys have to be strong, this is not always the case, on the one hand, something is really difficult, because it takes time, preparation, on the other hand, it must be done as if it had taken off, as if by itself, but it must be coherent, have you ever dropped your partner, yes, and this the proof is circulating on a certain internet network, a small fragment of a performance from 2000, in amsterdam, when

i had back-to-back evening-morning performances, that is, actually a double, and i danced with different ballerinas, they did completely different moves, at the moment when i passed by my arm went off, a fairly large stunt movement happened, which actually still terrifies me, but how much was - uh, the element of human self-preservation was recorded when, in independence, where you are not located, you are obliged to...

in principle, how to lift a barbell, but this is not entirely true, but purely technically, we must understand that in order to obtain a certain support , several factors, specific provisions must be combined. joint movement in one direction or another in order to provide support, what is the maximum weight you lifted? since i was well trained in our choriographic school, i never thought about how many kilograms i lift, for me, first of all, the support was the manifestation of dance and the delivery of the plot component conceived by the choreographer. i weigh 30 kg, can you help me? naturally, come here , let's try support, come here, get up , now we will show arabesque, you raise your left leg back, wow, that's it, it was

beautiful, huge applause, please, that's how in one second the girl became a professional ballerina, girl first , maybe he’ll go and look at school, college, gymnasium, college, we’ll choose everything , maybe, how old are you, 11, everything is still ahead, so come, let ’s applaud and turn to the black sector, this is to your right, the next question, from there, hello, my name is arina, and it’s true that ballet dancers don’t have days off or vacations, they dance every day, in fact , this is not entirely true, although there are situations with traveling days off, due to the fact that there are unpredictable situations in the theater, like...

my next premiere in the theater, it has already been made with this in mind, when it will take place on friday, so that the artists have time to rest, and so that i have time to all work schedule that is necessary, so always

you can find a compromise in one or another legislative framework so that everything happens for everyone. they say what is in the ballet. there is a lot of competition, and how did you deal with your competitors? the fact is that i will repeat myself, i never fought with anyone except myself, i always moved not according to career growth, but to the interest that the theater offered, repertoire policy, the theater, the director, how they saw me, how i was introduced to certain performances, to a greater extent, i will say, i was really lucky in me we saw more than i saw myself, for example, we were preparing a desere at the same time with another artist, and me, i always went to other people’s performances, i will say this, i was interested in it, but i was interested from the other side, how interesting this or that artist was come up with than for me, if i understood

that it was much more interesting, i looked for a problem in myself, and i believe that, in principle, this is my strong point, if you are not fighting with someone, not with circumstances, with yourself in the proposed circumstances... this path is more honest and you will achieve some things faster results that you dream of or don’t dream of, so this is the case when i have always been calm in life, but not calm in my work. it's the turn of the purple sector, please turn left. hello, my name is katya, and your wife is a ballerina, how did you meet? my wife is a ballerina, we met... in a completely traditional way at a ballet buffet, because when you come to the theater, your whole life, to a greater extent of the time interval, is located within the walls of this or that theater, in my case...