is that all there is to it for the towel, or how much more can be done? the name itself is white-eyed, it’s very chamber, it’s very patterned. malyunak on our panyamon handbrake could have been, but muggle might not have been killed. the patterned little one was given, well, not very important meanings. the room itself was folded and textured.

everything is simple, and these menavity have been dug out, so as to settle down like walas, like walas. all of us are working on a loom, we call it a weaving loom . yes. on the very right, i have many different parts and different names. cub it took two days to thread such a loom. the infection is filled with white-eyed weaving, this... it will be a little hand, my work is done, what can i do? well, of course, kali laska, we ask. marya, i left you, i told you, i told you, i told you, i am a slave. so, for the rest of the day, since we have a little school, we need to drop the board so that we can get our bearings. let's send the nearest ones here so that we can open our mouths. yes, eight yon. next, let's take a little bit and...

throw it like this, hop here, we'll extract it like this , we'll pick it up and try it like that geta zmotsam oh z'edu z lava adpuscіtse i znoў matsney pridzіtse a i yashche so we need to stand on panazhy on the left two vos on getyya so. it’s cold, but the other sides, we squeeze out , at once, at least once, yes, i have some kind of fitness here at the same time, we’ll get tired of it another time, yeah, so let me know, if you caress, come here closer, let’s not repeat it why, i we're trying, we're trying, i 've been here for so long, how much work i've done, how much i've worked and how much i've tried, well, this is how it's done... just

a few millimeters, how many times i need it sit down and do such weaving? great quality of time and great value of strength. mary , thank you for such a great maystar-class, thank you for the fact that you want all these traditions and implement them, know new ways, like this robot, creating such a simple handbrake, but everything is the same and there are so many great forces . that these things are chestnut and unprofitable, and i continue to address my cultural interests in lidze.

gety budynak pabudavany ў kantsy 18, pachatku 19 stagodzyaў, geta sabor of the holy archangel mikhaila. pershapachatkova's heta was the kascel of the order of piyar, the pennies for the future 5 thousand rubles were given to the russian emperor paul i himself . magnificent fire, which is healthy in the city since 1800. godze of our cult pabudova. the temple was completed only on the 20th year. at 20 stagodzі here it would be sweltering. pazney at the savetskaya clock planetary and regional museum. in 1996, budynak was transferred to the right-wing faithful. the planetars were liquidated, the local museum was creating a new land. i'm looking forward to litsky

historic-mastatski museum and not in the car, but with such nostalgic expressions, let’s move on from the 60th reptile, zgadzitse, magic. unique. tazziana, good zen. good zen. i know that you have a great grandiose historical expression that can transfer us to the past. pra khrushchowki, i’m ready to go.

traditionally in the hallway, in an apartment from the sixties the hallway is very small, ours is the same size, here are street shoes, clothes, pay attention to the galoshes, galoshes, that’s right, the sixties

this was the main shoe for both men and women, and women’s shoes could be like this; they could be worn together with a high-heeled shoe.

neman, alas, it is impossible to restore it, but it would be easy to look at how it looks like a bastard, this saprauda is a unique magician. i’m lying there on the sofa, lying down for hours, healthy, my grandmother

had meetings, there and i wanted, so, of course, guessing the fall, and so, all the yanks all came together at once and so on. and darechy, there are a hundred dachshunds behind me, a hundred and one, a hundred and one? answer, here it is, where we see wax seals, it was a box for long-distance shipments by mail, the so-called postal item, and what do we see here that could be sent, well, for example, for a small child, yes, socks, and all what?

here you go, this is none other than rubber zina, such a girl, agni iborto had such a work, a poem about rubber... rubber zina was bought in a store, rubber zina was brought in a basket, a cult toy of the sixties, which, it seems to me, was in every family, it was a fairy-tale hero who personified robinhood, a good-natured man, a fighter for justice, this is the famous cat of the boot, oh, iago navat drip of smoke! taking care of such a busy little corner, i make a limp wardrobe and there is

a great amount of space in the wardrobe. geta is a proud housewife, a chaffonier or a closet. so, what kind of fashion was it back in the 60s? for a long time there were natural fabrics, linen, krebdyshin, well, for example, we have such a wonderful dress. kripdyshinovaya, there are calf dresses, but they were replaced by a material that, unfortunately, was not environmentally friendly, but was wear-resistant, very bright, you guessed what i mean, crimplen, yeah, well, for example, so tight, they were very bright, very wearable...

nostalgia for very open human, simple human relationships and also the memory

that things keep, a wonderful memory years when people were a little kinder to each other, perhaps more attentive. tatyana, thank you for putting us through such an atmospheric past. and thank you. cultural excursions in lídzia seemed to be captives in the distance from the hell of the known excursions to the centers of the old age city. tsikava had learned about the great tradition of white-knitted weaving of panyamonnya. at the center of culture and folk art, ancient traditions and unique weaving techniques are being demanstruated, and historical handicraft museums are not only about the history of personal knowledge

. how long ago have you held a book in your hands, turning over page after page? , greedily tasting every word, from all manifestations of human creativity . the most amazing and worthy of attention are books.

the thoughts of past times live in books. people's voices can be heard clearly and distinctly. everything, that humanity has accomplished, preserved as if by magic on the pages of books. through reading, a person survives centuries; reading brings generations together. appreciate it!

palace of the holy regiment of the chatsvyartsinskys at the zhaludku. the mystical pastaral of the prosperous state of the feudalism of the russian empire. aristokratychnaya zivatstva, which has fallen from the vyalіknyazskaya ganarystastі i bezmezhnaya upeўnіnastі ў personal greatness y adyoznyh regulation. the ruins of some of the provincial lands of the italian architectural empire were revealed to the right world. mastatskaya thought, why mauchytsya this ugly statue patterned architecture, architecture of belarus. zhaludotskaya pameschy zheli ў nevyalіk adnapavyarkhovay huts, šnіshchanaya adrazu past the end of the future of the palace. for the myashtsov

aristocrats, who washed the shmat with gas, the myashchanskaya hut was over... small there in 1907, uladzimir svyatopolk-chatsvyartsinski pachaў budaynitstva new home, yes ўvyazennya yakog zaklaў hand of the dead italian architect marconi. prince svyatopolk chetsvyartsinskiy were noblemen of a special nature, working in the hell of the dolida and the magic of a practical non-magician. gistarychny krynitsy grabbed episodes in which the architect is working several times. project, do not look at the veils of the ganarar, for reasons of amal shyzafrenichnyh ideas of the customer. the happy nest was knitted in a brilliantly lavish way, covering the original decor, but everything i wanted from the holy regiment did not coincide with the laws of physics and with a smooth porridge.

at the same time, it was taken out of the cup. the stomach would have been published with double-paved shykouns.

the monumental two-pavement budyns are covered with attic dachas with avalanche hatches. hallways and double-sided frontal facades formed from round centers and rectangular roofs on the tanks, covered with self-standing hipped roofs with creases. the central dwarves are cut with high parabalic window openings and aval hatches. ryzalit completed. a balustrade and a sculptural heraldic campaign with dekarat vases. there is a terrace with a balustrade agarodjay on the front façade. in the circular gatherings, the exit halogens are formed to the balconies, the façade decor has excavated high panels, figured and custom-made leaves, sandals,

cartouches, garlands, rustication. a number of these elements, the most refined and rare for the belarusian river, appears as a cartouche on the central rosary, this cartouche. not looking at changes in time, wars, different feathers, i was able to capture two heraldic plots: the first ones are the polish carols, and the other ones, this is the coat of arms of the family, like the trees of these palaces, we can show the horse with a cap, then the side of the yury , peramozhtsa snake, coat of arms, which belongs to the family, just like the chatswiartsinsky ones, and the very words cartouche pakhodzitsy hell words convolution, cool, you can. you will also find a coat of paper with torn edges, which is important for softening the parts. in our case, this is the coat of arms of the gaspadar family of the chatswiartsinskys.

adpavedna, softened such a cartouche was given just like the calling card of sennya, yayulene, who is the gaspadar, who is the geta budynak. admetnaya prykmeta baroka is a holy parushenne ensign in the ancient order system. parts of the order. the base, the entablature, the capital are unfolded, the adzin is placed on the other, twisted. persh, harmonic structure, superdimensionality chalavek, growing mass and irvana rytm. the skin detail is lush and smooth. in a combination of closely related styles of baroque, racaco and classicism, the first is the origin of any and large decor. this lynx is fucked. tym rakako, put a lot of emphasis on dancing. the main masculine idea is a psychological criticism of the people of the past, which corresponds to the current dynamics and current style, and

a high degree of emancipation. at the interior of the building and the central part there is a vestibule from the front staircase and ballrooms above it. on my own. vesvitsa sealed amal i have a free space in the vestibule, so i’ll give you a healthy sens. you don’t ask for anything, you just ask for your exit. there is nothing to say about the interior layout and interior of the palace . a military unit arrived at the city of budynak, the glad prince of the tsalks was occupied by the vaisk army. irregular planning was carried out and calidor. courtrooms and salons. they were covered with green roofs, and the excess waste in the interior was simply burned in the fireplaces. the palace itself has captured a part of the interior,

you can have an authentic black and white chessboard pattern with this configuration. you can open the doors, windows, past the smoke of the film masakra, and the dekaratsy that gives this palace a secret. after several decades of the renaissance era, the state of affairs has returned to the heights of flamboyance, superstition, pomp and luxury. in addition, the baroque style would be filled with composition, theatricality and the unexpected. here there is wiseness, contrast, heightened emacy, and on another plane strictness, symmetrical and simple-linear style. era of adrajennya. in most of the baroka trots, the style of the table and scenes was revealed in a blurry and small way. the scenes were framed with elements of the order, with

main panels, sculpting. their design includes lush, rich frames with cartouches, garlands, and ornaments. in every case , the materials are made from natural and pieced colored marmurs. pa- pershamu at the top, well, magchyma, geta and such a yashche measure for the abarona, drudgery abshylka, panels, all the scenes were depicted, the pane of the first step on top , the entrances of the horse dachshunds were depicted in all, and the small acanits, which began to appear inside, hewn, from oak, pulped. baroque style. freely sleep in the architecture, if the padarvazza is unchacana, beams of pilasters, double columns, suited to your needs,

heights of walls, partals and... windows of the palace , several times more than the average height. unrastynic greed is falling and patroyvaya in all terms of expression. there are already few special columns, and as soon as possible, they can be replaced by pairs. nedastatkova expressively it's a great idea, and it's not a big deal to tear it apart, if they're on a different scale. at the foot of the little gulna is the holy architect. the horses are looking not at all the forms, but at the fall of the pastup, pausing them two, three and five times. the front entrances are lined with balconies on four paired pillars. on the side of the dwarf façade there is a pit and high shrines, a stained glass front door.

the forests, the taxa with balconies, the highest expression of the principle of the façade roof are given in the form of a raskrapovak, at the same shmatrasovy crushed parapet, which is called out in the verse of the booth over the curved line of the cornice. style, at yakіm pabudavana geta palace three drop out from the cantext: geta neobarka. you know that the baroque era - the 16th, 17th, 17th century and beyond - the baroque era has evolved and the era has passed. and the whole palace is pathetic, as it is from the pack of the 20th century, the most important thing is to pick out the elements of this style. as it seems like our followers, here we are looking at the french baroque with elements of saxon embellishment. the palace itself is unpainted, great jumpers. h

mansard mansards, which have vykarystovayutstsa so-called lyukarny, this nevyalichnaya round shape of the akens, which were dekaraty, napalov distinguished on the sacred memorial. moreover, the getaga and the jumping palace are decorated with garlands and various sticky elements, which are part of the baroque architecture. diversity of work on raptounasts, contrasts, nechakanasts urajannya. the palace of svyatopolk-chatsvyartsinskih taxa is characterized by a variety of classicism and gothic and navat and raman legal reforms. and the dekaratsyyns the top of the façade is carved into the backdrop of the theater, and the back of the building is like a shading of the building itself. the fantasy of the crazy person of the customer and marconi was added to the wisdom of the wise.

from the art of folded three-pieces, avalas and pentagrams, these plans themselves are not necessary, but they give an impetus for the next dynamic exterior. the outlets are symmetrical and in the center, and are of such a unique shape, not round, not flat , not faceted, everything is in this shape, and they are settled. care for the lower top vyshny prarezi from the galounga façade from the tanks in this hall are built up and in the istybul we have such a ceremonial, like the gates and patrabna, on the opposite side there is a balcony, a cartouche such a long-lasting hetas rise, such a form has never been rare for us, and it’s not all that coveted o i shmaty, tanky ryzalits taxam...

yany paraўanna with the central ryzalіtam, and their deaf, large-scale role in the role that flanks the hallowed façade, the great good is being removed. unfortunately, the first worldly war didn’t scratch the stomach, the months of adyshli and poland, and sometimes another earthly everything was developing imklivey, paselak. they spent three days tending a packet of war, and the master of the palace died in asvenets. the germans burned the stomachs of the tsalkas and slaughtered their acres. there would be a military hospital here. in the 1960s , this month the military unit softened, and massive technology melted behind the palace. what happened in budynka from 1983 to 1995.