hello, fellow cadets! all my life i live in the moment that i... don’t believe

in what’s happening, i still don’t believe that let’s say, i’m probably from birth, that i was born, that i ended up in minsk, that i studied here, that there were no prerequisites at all for me to go in this direction, there were no prerequisites for me to end up in st. petersburg, there were no prerequisites for me to be here now, and just the other day there was a premiere, which i also didn’t attend. i really believe it, but i’m one of those people who are ready to be surprised to be surprised first of all myself, for me this is a very important moment, otherwise...

only as a child i had a dream that i was standing on stage in white tights, although there could not be any harbingers of something at that moment, literally there a couple of months, my girlfriend brought me to the choriographic school in pinsk, where i was born, so i tried there for a short time, since there was always a shortage of guys in ballet, literally within a week my life changed for one simple reason that my dad drove me to kamaz brought it opposite the theater, then the school

it was... because every holiday, when i left minsk for my place in pinsk, i understood that i wanted to stay at home, and my parents could help me and support me only in the format of large bags of food, that is, i always left pensk with huge bags, i was hardly pushed into the train and jam cookies, a cake was always baked, but professionally this did not happen with the exception of those teachers who taught me at school for... for 6 years, as a child, i did not

accept any -some solutions in professional plan, but he had already made some decisions in his life. my first and only competition was in st. petersburg, it had a huge influence on me, later i realized that i would not want to go to the competition and because it was not because i was not a competitive child, but because the theatrical atmosphere that surrounded me in at that time, and these were such wonderful dancers, like igor zelensky, farukh ruzimatov, who created a certain kind of creative atmosphere and competition, that is , in an amicable way, i actually ended up in the theater after the competition, on the first day of the winter holidays , a call came from the theater, it was yuri antonovich troyan, who offered me an internship, i agreed without hesitation, the very next morning in january i came to the theater, where i was shown my place by the competent stage masters, who at that moment it was rimashevsky, and furman, and alexey ovechkin, he was the fourth in

this group, for six months, uh, i interned, and it so happened that i even danced quite a lot, it seems to me, for the student and benvoli. well, it so happened that in ninety-six i ended up at the marinsky theater, that is, this was not the goal of the marinsky theater, i understood perfectly well that if there was no marinsky theater, then it would be a long time at that time, now the mikhailovsky theater, i had the desire to move from city to city, thus gradually gradually through the traumas of happiness and

misfortune, ups and downs, i served in the marininsky theater for about 26 years, until two offers came from two large theaters, which made me think, today i understand that everything is not by chance, probably my presence here, now as the chief choreographer , is also a kind of continuation and development of what was once laid in pinsk, then in minsk, life gave me so many opportunities for self-realization that the opportunity to allow the thought into my head that that i will never quit the business that i am interested in doing. in our republic they have not forgotten what november 7 is, this holiday of social

justice remains an important date in the state for the people, there is always a parade of gifts on this day, the country received a turnkey our own nuclear power plant, from now on we are in

line before until such a ring composition really happened, in which i am a boy from pinsk , who never forgot that i am a boy from pinsk, throughout this whole, this whole ring, and st. petersburg, and novgorod , now minsk again. i always remembered, appreciated and knew where i came from, this was the main point, in my path i felt proud of myself, i did not have such a feeling, but i always had surprise for myself, at this stage i again live , i live this moment,

when i look at myself with interest and am surprised that they see so much in me, much more than myself, i never imagine my next step. i don’t define it purely fantasy, even, i’ve never had aspirations, i want this, this has never happened, there has always been some kind of... suggestion from someone in my life, interest on my part: yes, yes or no , no, that’s why even when i came to minsk, i didn’t understand very clearly what would happen next. you should not treat the plot of the illusion of love as some kind of rules for behavior, rather, to the rules - for reflection, including with myself, since during

the production process i very often analyzed the situations in which i was forced to be an actor. for me, a ballet dancer is , first of all, an actor, i believe that there should be as many dramatically structured plots as possible so that the artists and you live certain moments here in the editorial room, in order for the stage to come out to the public once... the idea was to make a small fragment, that is, some kind of one-act performance, then i

approached this topic from the other side, when expanding their relationship into several pairs, but when the question arose, in principle , of the need for me to finally become a choreographer, i realized that then there must be some kind of high framework in order to i myself still have to reach the frame that i will set for myself, bars, frames, and thus i realized that there had to be something created from scratch, the form of the libretto was gradually built up, i asked for help, we were in constant communication with alexander vasilovich efremov, our wonderful director, elena balabanovich also helped me in this, who corrected some of my interjections. the libretta arose from my feelings, from relationships, the work moved without attraction, i will say hard, but not without interest from the outside. artists , which gave me the opportunity to move , including doing my work much more confidently, when i

already saw a slight breakdown in our bodies, in our minds and realized that i was on the right path, but now i started to get inspired by people, i can’t help but be inspired by people, that is, in to a greater extent, everything that was conceived in the head, it was born thanks to the artists, this is female psychologism, this is the relationship between a man and a woman, this is some kind of experience that... you already have throughout my life, this and my observations are the possibility of analyzing situations that happened before my eyes and with me, this is partly possible somewhere and something from my life, that’s why we are talking about illusions, therefore the state of falling in love, it must be present in everyone’s life, i am very often fascinated people, i'm surprised. people are not only in a bad relationship, at one time i rode minibuses

in st. petersburg until i was driving, and i was very fascinated by it, because you hear about something, maybe in a low voice, but you can’t, i never went with headphones , you can’t turn off your hearing, and you watch how a person behaves, who is tired, who is visible as a couple against the backdrop of the crowd, in which it is clear that they are in love, that is, these are some kind of... mesanoscenic sketches that and so they became partly what is here on today is an illusion of love, it’s like love, it’s like an illusion, it’s like a meeting , it’s like parting, it’s like from beginning to end, but at the same time life will never end, because the next generations will also fall in love, as we are. illusions are necessary in our lives, because we see everything differently than everyone else, even now we are trying to reason. on this topic, no matter what happens, i am only for the illusory perception of what is happening,

since any problem, it is always hope, as an opportunity for further continuation of life. the fact is that all my life i have treated the theater workshop in which we are now with special trepidation, because it is... here that the image of this or that hero begins to be born before going on stage, in my life it so happened that the first half of the theater life was mainly princes, that is, it is minimal. but in the second half, when such parts as carabosse, tebalt, sleeping and many typical characters arrived, of course, i felt awe, because the make-up artists changed you beyond recognition, there were wigs, these were noses, chins, including just a bald spot, so the

transformation that came to me was actually a second life. during the second half of my life in the theater, when you are being put on makeup, i always felt a certain trepidation, because you are moving from the existence of igor kolub, who gradually becomes either a matte or a korobos, and this part of you partly begins to transform to create and for a reliable presentation of the game to the viewer, in illusions at an exemplary performance i... did not thought, i did not plan to go on stage, for me it was such an impromptu to a greater extent, although my whole life has been an impromptu insistence, including, i felt what seemed to me the excitement of the main character victoria trenkina, as well as nikolai sergeevich, who resisted for a long time, to be on this path nearby, in this capacity, and thus

i thought that perhaps i could somehow support them at the same time create a natural emotion, come out into the hall, since this is not the environment in which artists find themselves every day, you need to come and prepare for this , that is, having a certain experience, but since in general in illusions the voice used is screaming and texts, it seemed to me that perhaps i would help in this way, and well, it really happened that nikolai sergeevich was scared victoria was also surprised, well, in principle, the audience that evening, which was located in the auditorium, there was no preparation. it was an impromptu, i believe that in life there is always a place for some kind of going beyond the boundaries, why not use it if you are an actor?

the license that struck me, the attitude towards the prince’s crossbow performed by the flask, created there, well, a certain certain amount there in the direction, then i realized that every detail in the performance is necessary and important, so in the illusions , everyday scenes with everyday, played out were very important to me genre scenes, to say that i saw everything at once, no, this would not be true, because

for me it was very important to create a multi-layered, multi-complex scene. and if the viewer's gaze turns in the other direction, a person cannot just sit there, which will be uninteresting to look at, a lot in the play will be and is already thanks, among other things, to the ideas of the artists themselves, one of the scenes of the young fan and the main character, it was not staged in the play, by the way, today i’m talking about this for the first time, it was not staged in the play, it is a pure improvisation of two people on stage. it seemed to me that at first it was a dubious pleasure, but after some time, when i changed the guys in places, the lineups, i saw the transformation of thoughts, the transformation of bodies, thanks to such an experiment, in in any team relationship , someone must always take

on a negative function and a positive function, somewhere a function that motivates movement, pushing even because the deadlines are tight, and somewhere you start, somewhere you remain silent, and somewhere you are like that in a way you will build a process so that you understand what is necessary here , now, there is no other day, there is no other time, but here now we have to do it with you, this is also very... everyone has a strange reaction, someone is right there panics and refuses, someone hears coming, someone in in such situations, he makes some strange leap and takes the lead, it’s absolutely perfect. an amazing process of creation, when you cannot calculate it in any way, you can make a sketch, but coloring occurs in an unpredictable way, as a rule, before

completing any stage, either a part in a performance of one kind or another, or using yourself in some other capacity as an organizer, as a manager of various projects, within 10 days, 2 weeks, i begin to feel sad before all this... is worth it, because my interest begins to sharply move away from what i am doing, and thus, i need to immediately have several key moments so that my consciousness already goes into different directions of interests, i don’t know how to be in a performance for a long time, when it has already happened, i need to clearly understand that even if i rest, then the brain is gradually developing something, this is what i would like to do next, this is not necessarily a creative component, this is not necessarily some kind of business, rather an interest in the mind and to go somewhere, do something, i am one of those

people who, if you move, then you must move, if you are sitting, then sit , first of all, i don’t think about the fact that i want to be remembered for something, although most likely i will be remembered for the endless amount of coffee per day and the backpack with which i walk all my life, i would like that , so that opportunities would open up for artists to have artists stand in line at the theater, now there has been such a breakthrough, it seems to me, since quite a lot of artists from russia began to come to us, just recently couples was accepted into the ballet troupe from brazil, so gradually this process it's going on, interest in the theater is increasing, which expands the scope and interest in us, so today i would like that when tours are offered, they offer... a name not only in the form of swan lake,

which is surprising, at the time of my... here trying to format my schedule is outside the limits and positions outside my interests, since there is still a festival in veliky novgorod,

it will be held in january next year, and of course i will leave, since it is impossible, you can negotiate remotely about some points, but presence is desirable and necessary , so i still continue to dance, not so often, because... the process of staging is so exciting that, in principle , i’m gradually leaving artistic interests and thus rather leaving to disconnect, rather than because there is a need , my interest is now concentrated here, with regards to family, my decision was controversial to move to minsk for 3 years, literally this morning i saw my wife off. back to st. petersburg, today she has a day off, but tomorrow her creative activity continues at the marinsky theater, in which she is passionate, her son has absolutely his own directions,

his son’s girlfriend has her own directions, getting everyone together is virtually impossible even in st. petersburg, since he was with us all his life with different schedules, and the only thing , that we worked, served in the same theater, we were connected by the marina theater, and how... somehow perhaps this strengthened our relationship, although sometimes it’s difficult to find more criticism than my wife, with whom i have the hottest debates about my works, both theatrical as an artist, and productions, primarily with my wife, so we are trying to find time for each other, well, now everything is there , not in a live format, even in all other formats, to be connected, and we are aware of everything that is happening in... in our surroundings, close and intimate. i don’t believe that truth is born in an argument, but when they love you, they will never hurt you, although, as a rule, people close to each other sometimes do.

to a mistake, since we are not at the factory, and artty they don’t always do the right thing, but i also understand, i even understand in advance that they are making a mistake, but i do everything to ensure that this does not happen to them, everyone has the right to make a mistake, i have not yet encountered a creative crisis in any as an artist, neither in that life, nor in that profession, at this stage, no, although the premiere has passed, i can already see some points

that i... wanted to correct and rather refine than correct. there is never enough time to do it the way you would like to see it in the finale. i think that i i would have walked my path exactly the same way that i started it in pinsk, minsk, and st. petersburg. and today i look at myself with interest from the outside, and again in minsk. at the stage when i started to engage in the profession, i did not realize. what , what is pain in general, that is, this is a certain interest, these are certain opportunities, travel, a financial component, and some uh, for the insane pleasure of being on stage, they also pay you money, that is, it was in this format, in some for a period of time it interfered with my personal life, family, because you spend a lot of time in the theater, the other half spends a lot of time in the theater, the combination is actually minimal and this created problems, and we

agreed that we would not communicate at all at home. regarding ballet, but at the present stage, in the interest that i am in, in this vein, i think that this is already my life, after so many years in the profession, and ballet is my life.

far from the bustle of the city, here are your roots , your strength, go forward to come to yourself, slow down, enjoy the moment, direction will tell you. every step is unity with nature, wild, ancient, its own spruce tree. belarus inspires. a meeting on

the development of the belarusian national biotechnology corporation and land reclamation work in the country are topics that are being discussed by the head of state today. the participants of the meeting were members of the government, heads of government bodies, governors, and representatives of the scientific field. alexander lukashenko noted that in such a composition it is traditional to submit for consideration the most topical. very important issues of strategic development of the state. bnbk is one of the image projects in belarus, launched a year ago, but today not everything in the production meets the set objectives. the president demands from the government a clear algorithm for eliminating shortcomings. it’s been a year since the grand opening of the unique, large-scale bnbk production took place. we were, and are now, proud of this production.

to start. work, all conditions were created, and we agreed that we would do our best to support this project, but from the documents presented i see that things are not quite the same. the way we planned. the state control committee, which was ordered to seriously audit the situation at bnbk, reports that there are significant shortcomings and problems in loading the plant’s capacity and marketing finished products. the president made a number of critical comments to the government regarding the progress of land reclamation. a year ago , at the republican seminar , there were meetings on the restoration of the use of miliative lands. however, on today, the situation with the implementation of reclamation measures is far from ideal , said alexander lukashenko. at the meeting of the 65th session of the parliamentary assembly of the union of belarus of russia, which was held in moscow, the budget of the union state for 2024 was adopted

. chairman of the house of representatives of the national assembly of the republic of belarus vladimir andreichenko took part in the meeting. the revenue side of the budget amounted to 6.970 million russian rubles. from 2023 , the share contributions of belarus to russia increased by 38%. these funds will finance five programs and 37 activities of the union state in the fields of energy, information technology, space, medicine, agriculture, and border security. vladimir andreichenko expressed confidence that the budget of the union state for 2024 will become an effective tool for the implementation of projects and programs that are especially in demand at the present stage of integration. it is important for young people with developmental disabilities to be provided with vocational training and then further socialization, the speaker of the top chambers of parliament natalya kachanova. the council of the republic held a regular meeting of the advisory council on issues of adaptation and integration of such children. as an example

, the minsk state college of digital technologies, where special young people study, also heads of an it company, work and show excellent results, noted natalya kachanova. our country has a fairly systematic exhibition.

the women's union summed up the past year and discussed plans for the future. all bsg projects are aimed at strengthening the role of women in society and its significance. today there are more than 160,000 people in the organization’s ranks, active representatives of our country. the association is involved in political life. thus, the day before , the issue of the participation of the organization’s divisions in the preparation and conduct of the upcoming election campaign was decided. the results of work in the international arena were also summed up. during the year, the union successfully held forums with colleagues from russia and uzbekistan and plans to expand the list of countries next year; we recently organized a united organization of state standards belarusian women's union , today there are more than 165,000 active women in total throughout the country, but the most important

thing is not that we are growing quantitatively, the most important thing is that we are growing qualitatively, because people come to us not because someone according to the order, he said to come, yes, but because they see our activity and want to become involved in what we are doing and the events that we are holding. it is clear that when some new category of women appears, new ideas come with them, hence the constant feeding movement, well, i'm sure it will continue to do so. belarusian farmers are preparing to surprise domestic buyers with their unique product, craft cheese. today, there are already more than 100 craft cheese factories in the country, one of them is on the farm of the kulikov family in the soligorsk district. the young family’s agribusiness is going well; they use their own unique product to make cheese. from cows and xhosa, special breeds. the products are in demand, and now another batch of farm cheeses is ripening for new year’s tables belarusians. our goats are of the anglo-nubian breed, their peculiarity is that they have the most raw milk, high, high content.