yes, this is the fire show, maybe someone will grow up and be in the fire show, you can just turn it in parallel so as not to hit yourself, but for now, well, it’s simple, try it, so, so why , where do we start , just just twist it, okay , okay, oh, so, okay, uh-huh, no, wait, we can do it together, and now in different ways, like a mill, in different ways, so, one, two.

we turn like this, yes, and we turn 180, they spin backwards, how do you like this idea, we put the ball on top, beautiful, look, hoba, both, beautiful, elegant, shocking, let's still watch the performance of circus professionals, the girls can't wait.

that’s how quickly my journey flew by, it was bright, active, interesting and educational, however, as always, my name is vika poplevchenkova, see you.

“all my life i have lived in the moment that i did not believe in what was happening, i still don’t believe that let’s say, i was probably from birth, that i was born, that i ended up in minsk, that i studied here, that there was no there are no prerequisites at all for me to go in this direction. there were prerequisites that i would end up in st. petersburg, there were no prerequisites for being here, now, just the other day there was a premiere, which i don’t really believe in either, but..." i’m one of those

people who ready to be surprised, surprise yourself first of all, for me this is a very important moment, otherwise i don’t see any point in existence at all, the key is to surprise yourself... work could not have happened at that time, after literally a couple of months there, my girlfriend brought me to the choreographic school in pinsk, where i was born, so i didn’t stay there for long, because there was always a shortage of kids in ballet, and literally within a week my life changed for one simple

reason: my dad brought me in a kamaz to opposite the theater, then the school was in laiz pashkevich street corner, now every day i look from my office at exactly the building where... it all began - and thus, in exactly a week, my life changed, at that time yuri antonovich troyan was the artistic director of the school, and thus, how- that it was he, it seems to me, who gave the direction of my path. my life was not connected with ballet for a long time, even at that moment when i was already a student, because i really wanted to go home, i am a home child, and literally every weekend my parents came to me, trying to somehow... tune me in, because that, in principle, they themselves did not understand what ballet was, i, i have parents of ordinary professions, my father is a driver, my mother was the head of a canteen all her life, so how i ended up here at that moment, i cannot explain to myself, probably someone somewhere saw something and led me further;

there was probably no support as such in a professional sense, but of course there was family support, because every holiday, when i left minsk to go to my home ... i understood that i wanted to stay at home, and my parents could help me and support me only in the format of large bags of food, that is, i always left pinsk with huge bags, they hardly pushed me onto the train and jam cookies, a cake was always baked, but in professionally this has not happened for with the exception of those teachers who taught me at school for 6 years, as a child i did not make any decisions professionally, but i had already made some... decisions in my life. my first and only competition was in st. petersburg. he had a huge influence on me , and later i realized that i didn’t want to go to competitions, because it wasn’t because i wasn’t a competitive child, but because the theatrical atmosphere that surrounded me

at that time, and these were such wonderful dancers as and igor zelensky, farukh ruzimatov, created a certain kind of creative atmosphere and competition, that is, in a good way in the theater. it turned out that after the competition , on the first day of the winter holidays, a call came from the theater, it was yuri antonovich troyan, who offered me an internship. i agreed without hesitation, the very next morning in january i came to the theater, where i was shown my place with the leading stage masters, at that time it was rimashevsky, furman, and alexey ovechkin, i was fourth in this game moborna, throughout six months, i have experience.

for about 26 years, until two offers came from two big theaters that made me think. today i understand that everything is not accidental, probably my presence here, now as the chief ballitmester, is also a kind of continuation

and development of what was once laid in pinsk, then in minsk, life has given me so many opportunities for self-realization, that there is never an opportunity to allow the thought into my head that... the business that i am interested in doing. the help of god's word is the principles of christian life. if we remember that the lord is above us and above everything we do, everything will always be fine. unusual architectural solutions and grandeur of churches and temples. brothers and sisters, the church, like the mystical body of jesus christ, forms for people, heaven for the living.

home, peace and quiet at home, understandably at home, at home, this is just that vodguk and this translation of the highest concepts of the holy scripture and our life. on the belarus 24 tv channel. today we see how unnatural the prism of representation is. western media of those events which concern russia, belarus,

here is the time to talk about abuse and freedom of speech, but for the west we are not only competitors, this is a tasty morsel that they are always coveting, the antarctic treaty system currently includes 54 states, only half, including the republic of belarus, can afford to have a station in antarctica, to begin conducting...

so far, such a ring composition has really happened, in which i am a boy from pinsk, who never forgot that i am a boy from pinsk, throughout this entire ring, and st. petersburg, and novgorod , now minsk again, i always remembered, appreciated and knew where i came from, this was the main point to experience on my way. i didn’t have such a feeling of pride in myself, but i always had surprise at myself, at this stage i again live, i live this moment when i look at myself with interest, i’m surprised that they see so much, much more in me more than myself, i never guess my next step, i don't determine it purely even fantasy, i never had any aspirations, i want this. there was no such thing, there was always a certain message from someone in my life, there was interest on my part, yes or

no, no, so even when i came to minsk, i didn’t very clearly understand what would happen next, it’s not worth it treat the plot of the illusion of love as some kind of rules for... behavior, rather as rules for reflection, including with myself, since during the production process i very often analyzed the situations in which i forced actors to be, for me a ballet dancer is first and foremost an actor, i believe that there should be as many dramatically structured plots as possible so that the artists and you live certain moments here in the editorial hall,

it is impossible, at the moment of coming to the big theater belarus, the first idea was to make a small fragment, that is, a kind of one-act performance, then i approached this topic from the other side, when... expanding their relationship into several pairs, but when the question arose in principle of the need to finally become a choreographer, i realized that then there must be some kind of high framework in order for me to reach the framework that i set for myself, bars, frameworks, and thus i realized that i must to be something

created from scratch, the form of the libretto was gradually built up, i asked for help, we were in constant... communication with alexander vasilyevich efremov, our wonderful director, elena blobanovich also helped me in this, who corrected some of my interjections, libreta arose from my feelings, from relationships, the work moved without attraction, i’ll say it’s hard, but not without interest on the part of the artists, which gave me the opportunity to move, including doing my work much more confidently when i already saw a slight breakdown.

which were before my eyes and with me, this is partly possible somewhere and something from my life, so we are talking about illusions, so the state of falling in love, it must be present in everyone’s life, i am very often fascinated by people, i am surprised people, not only in a bad ratio, at one time i traveled in minibuses in st. petersburg, until i was driving and i was... very fascinated, because you hear something about something, maybe in a low voice, but you can’t, i’ve never walked with headphones, you can’t turn off your hearing, and you observe how a person behaves , who is tired, who is visible as a couple against the background of the crowd, who can be seen that they are in love, that is, these are some kind of mesanoscene sketches,

which have become partly what is today an illusion love, it's like love, it's like an illusion, it's like meeting, like parting, it seems to be from beginning to end, but at the same time, life will never end, because the next generations will fall in love just like us. illusions in our lives are necessary, since we see everything differently than everyone else, even now we are trying to talk about this topic, no matter what happens, i am only for the illusory perception of what is happening, since any problem... it is always hope, as an opportunity for further continuation of life. the fact is that all my life i have been the thundering workshop in which we are now, with special trepidation, since it is here that the image of this

or that hero begins to be born before going on stage. it so happened in my life that the first half of my theatrical life was... mostly princes, that is, this is minimal makeup, but in the second half, when such roles as carabas, tebalt, sleeping bag and many characteristic characters came, of course i experienced trembling, because you were changed beyond recognition by the make-up artists, there were wigs, there were noses, chins too it’s just a bald spot, that’s why it’s a transformation. that came to me, it was actually a second life during the second half of my life in the theater, and when you are being put on makeup, i always felt a certain trepidation, because you are moving from the existence of igor kolub, who is gradually becoming a corabos here, and that’s all in you, part by part begins

to transform to create and to reliably convey the party to the audience. illusions used voice scream and texts, it seemed to me that maybe i could help those the most.