in the corners of our country, you are more than aware, we are gathering a friendly campaign for the sake of the charg van, acquaintances with our talented fellow countrymen, the saving agul cultural decline, the present darkness and sacred people. this happened again and again in the past in aktsyabrskaya district. let's follow the history and myastsovye abrads. here your ukrainian lankans got a happy drop of plowing shukevich on the 19th century. shoukava grass. on the oblique, on the cover wound , the bridegroom gathered from the church, to put the candle, and that bridegroom, which i first put out a candle, got married, and i jumped around on my own, i raised my clothes, i wove something, and i gave the old tradition a new life, as i travel and i am thousands of years old.

ask any average person which artists you know or which ones you love, yes these are three artists: davinci, wangok and more, some can name aivazovsky, of course. a standard fate for many artists, since childhood i had a desire to draw, i remember such moments when in kindergarten all the children were walking somewhere, some of their toys, and i was sitting with a friend at table and almost all day, well, almost all day we draw, there were no other children playing, they weren’t like that...

i leafed through these magazines and it inspired me very much, i even tried to sketch something, you know, how it is in childhood that everything is always where -you copy if something inspires you, so this is some kind of environment of these magazines, my mother constantly subscribed to a young artist, there was such a wonderful magazine, i also leafed through it all the time , looked at it, well, in general, somehow it all stretched from the family and uh , well then, of course, somewhere in the second grade before that i... studied in a regular school, minsk, here is number 57, by the way, now this school, it was closed, and it was transferred to the academy of arts, that is, now this is the building of the academy of arts, this is the fifty-seventh school, i studied there in the first grade, and in the second grade already they started taking me to the studio to see evgeniy nikolaevich sakovich, who was a student and a teacher at art lyceum number 26. they already started taking me there and i

entered the second grade there, from the second to the twelfth grade i was already drawing there , trying to do something. learn, let's say, well i learned a lot, of course, then i entered the academy of arts to study advertising, oddly enough, but here is also the same story that i actually dreamed of enrolling in graphics, and my classmate and i went to show our work at the academy before entering, we were met at... departments like this stairs, can i show you my work, where are you from? well , we’re from the lyceum, he says: oh, no, no, no, i didn’t go , most likely, now i understand that he was just in a hurry somewhere, he had to, but for some reason we considered it some kind of denial that

’s it, they don’t want to see us here, they were afraid, we got scared, we went to apply for advertising, i studied at the academy for 5 years, then... literally a year after graduating from the academy , i was lucky enough to enter the sovitsky workshops, well, that’s what they call the workshops of painting, graphics and sculpture at the ministry of culture, in my opinion, but everyone always called it sovietsky’s workshops, because because he organized it all, he held it all in his iron fist, thanks to him.

they give out some artistic materials, for free, they pay a stipend, it’s just a dream, and at the same time, every six months there is such a viewing, but this viewing, you know, is not the same as in schools or in an art school or in a college, where they gather and they can scold you and so on, this was such a more creative meeting , that is, a commission headed by mikhail sovitsky came. poplavsky georgy georgievich, yes, and many other interesting artists, wonderful masters, there was a discussion about where you were going, what you want, and what to do next, that is, some kind of creative conversation that didn’t trample

the artist, well, well, as it seemed to me, she was inspired, that is, this is, in my opinion, a very good springboard. i also want to remember about my wonderful teacher tyurin, vyacheslav petrovich, who gave me a lot in terms of technology and spatial thinking, so i went to him when i was preparing for the academy, it was he who often quoted chistyakov, pavel chastyakov, professor imperial academy. i generally liked this phrase: first according to talent, in the middle it’s stupid, finish according to talent, yes, and i also i liked it, sometimes with a needle, and sometimes with a broom , yes, that is, this is what he constantly quoted, my aspirations or my deviations into

some kind of artistic world were first of all supported by my mother, because at one time she herself dreamed of entering the academy of arts, but at that time... they didn’t really want to admit women and girls to the academy, that is, there was huge, firstly, competition, there were, i don’t know, there were 50 people per place, but a huge number of students tried to enter and accepted primarily boys , because among well the teaching staff was , well, i don’t know the stereotype, that this is a male profession, a woman should be... in the family, give birth and cook, so to speak, they, it seems to me , did not want to be scattered on some kind of thing, they wanted, if you cook artists, then it is necessary to train male artists, and therefore then it was especially difficult

for girls to enroll, now it’s the other way around, by the way, well, no, it’s not that it’s difficult for boys to enroll, now boys just don’t go to the academy to enroll. and i’m teaching right now, and i’m like this it’s an interesting trend, i have three courses, in each course there is only one boy, the profession is becoming a women’s profession, so it... at one time my mother was afraid to enter the academy, she went into architecture, but she really dreamed of it, so when they appeared i have some inclinations, she of course supported this and constantly consoled me in every possible way, if necessary, if they scolded me there, he says: no, you ’re great, you’re doing well, you, that is, she supported me so very well , so yes, this is all from...

thanks to the same films that are constantly being made about artists, and they constantly show some strange , practically non-existent life of bohemia, which has practically nothing to do with fine art, so yes, such a stereotype is created that these are some kind of gulen, some kind of artists - the walkers, wasting their lives in poverty, of course, constantly remember, of course, vangogh, who... died in poverty and did not sell practically any of his work, well, in general, this is some kind of

stereotype, although everything is very depends on who to get settled, one might say, as there are also moments of luck and, of course , a lot of work, that is, it all has to be combined, i think that this is probably the same as in any profession, especially a creative one, the same profession as an actor, but lucky no luck, no one noticed. back in 2003, vyacheslav petrovich tyurin called me to bsu, he

was teaching drawing there then, and they needed a teacher for preparatory courses, so he recommended me to the department, so come, you will teach as an applicant, well, from then on for now, one might say, i teach continuously , so the transition from studying myself to teaching others... happened very smoothly and imperceptibly, and then after the academy i even went to the same department at bsu, this is the department of environmental design, i was assigned there because i graduated from advertising, i had a design education, and that was exactly what was needed - a teacher of all sorts of design projects, well, mainly graphic design, teaching itself, on the one hand, interferes with creativity, on the other hand

it helps, it hinders, of course, because you pour yourself a little, not even a little, into the students, you invest, but on the other hand, when you come across a student or several students who are on fire themselves, you begin to recharge, that is, here you can find this balance. on the one hand they draw energy, on the other hand there are some who charge, that is, there is an exchange of some kind of creative aspirations and energies, and this is very good, the main thing is to love, if you love students, love creativity and love it pour into the students, somewhere absorb from the students too. yes, it will be a joy, and a benefit, in principle, because young minds

always give birth to some new interesting thoughts, somewhere you can even spy on them, learn for yourself, that is, such an exchange takes place here, and if, of course, this is not love and constantly whine to yourself that oh, these students again, this work again, well then... sometimes i think that looking through rose-colored glasses is bad, but it seems to me that a person must constantly put himself in rose-colored glasses, why not, you can look at any thing artistically, and even the most seemingly

unsightly substance will be interesting creatively... the difficult question of revealing the talent of a direction, and how not to make copies of yourself, of course, always arises, but it seems to me that this is impossible to do , because latently, somewhere subconsciously, every teacher, artist considers himself, well, somehow, somewhere an ideal, somewhere, somewhere right, and of course, we teach, we... a traitor, i have in mind, we teach what we can do ourselves, so here we always there are probably threats to make a copy of yourself, but on the other hand, a student, a future personality or an existing personality, she herself must decide what she takes from the teacher, what she does not take, in the end it

always turns out to be a compromise between the image of the teacher and ... the inner core or inner world of the student himself, over time i began to work in different techniques, including graphic ones, including painting, that is, according to nemography, i do painting, but since childhood i have really loved working with ink, pen ink is mine. .. love with childhood, then this drawing with a pen and ink, in principle, passed into other graphic techniques, such as lithography, there you can also draw with a pen, though not on paper, but on stone, there is such a lithographic stone , a special limestone, finely divided, and also fed from inspiration from such

a wonderful artist as roman sustov, i tried my hand at... forte, afort is a zinc engraving, there are different types, very different aquatint, metsatint, drypoint, but i tried my hand at an etched line, it’s quite complex , interesting process, but i am more inspired by drawing with this needle, a thin needle - i take a sewing needle like this and - the thin drawing turns out to be almost the same ink. but it’s even more subtle, although i found such a way of fine drawing with ink, rapitograph, there is such a rapitograph, such a technique, by the way, rapitographs came to us from architects , it was precisely the architects who used the first rapitographs, they are there in different calibers, here they are 0.18, if you charge it with black

ink, you get something like a 0.18 line, but i tried mixing it with... but for me it is not the language that is important, but the meaning that is important, it doesn’t matter what language, if a person is interested in something and can say it with love, even in tatar, even in french, in chinese or in belarusian, it doesn’t matter, the main thing is what you say, but technology, well, this is the beauty of any language, yes, which is more beautiful, chinese or

french, it’s impossible to say, these are different musical ones. simple images. sometimes it happens that an idea comes quickly. that is, you go, you go, i saw there, i don’t know, a bird on a branch, oh, yes, it happens, but if i have already started work, i do it, you can

change it a little, for example, in this work, i initially thought that we have these babies, here they are lying, but initially there were four babies, and then in the process i draw, draw, draw, then i think , and why four, so if you make one churpa empty, it seems to me that this will strengthen... that is, the name of the word is the complement of the image and the image is the complement of the word, that is, these are two such parallel flows, and this series, for which, however, they gave me

a prize in the field of fine arts, this series is called khatyn, it was originally created for the khatyn museum, it so far consists of two sheets, the first:

in addition to fine arts, i am a little interested in music, i sing in the salutaris youth choir under the direction of olga yan, we have been going for probably 15 years . well, in addition to the choir, we also play , well, we organized such a group, well, such

a folk group, at some point i started writing poetry, i thought, why not set them to some kind of music, well , i started something with a guitar choose, well in the end here organized with creative friends. musical, it seems to me, should not interfere with visual creativity, because this is some kind of addition, this is also a kind of image, only in a different language, again, yes, music is a different language, but oh same.

there are different stages, it all depends on the character of the artist, some live according to a plan, they have, as they say, a planned economy, some live completely spontaneously, but many of them, it seems to me, arrive. art rose-colored glasses that probably help not to go crazy and fly somewhere, probably nowhere at all, well... to be in some

kind of state, exhibitions are needed not even for the viewer, but for the artist himself, to see himself, here we are in our studio, in your rose-colored glasses, then it’s all put on display at the exhibition, or not all of it, or something selective, and you look at some cross-section, some stage of yourself, and how it looks in another space, because ..." the workshop is one space, the gallery is a completely different space, when some viewer is standing nearby, you have come to your own exhibition, a visitor is standing next to you, and you even, he doesn’t say anything, is silent, but you even seem to be connected, connected to his gaze, to his as if sight, you look at it all with different eyes, and maybe you even get

a feeling of some..." in the khibiny mountains, this is on the kola peninsula , the northern nature is beautiful, even then we saw the northern lights, well, we are there for each other, so to say, they found it, here is the schedule itself, we have three children, a boy and two girls, well, we also sent them to my beloved mother’s gymnasium, college of arts

, there was even once an exhibition in molodechno, it was called an art nest, because our whole nest was exhibited there, and my wife’s and three children’s works were exhibited, there are two artists in the family , yes, it seems, but we get along very well, since the wife is a very wise woman, even if there may be some family quarrels, for some reason they always come from... me because of my some, maybe , impatient temperament somewhere, she always has it balances, she can always say wisely somewhere, wisely remain silent somewhere, and well, we are even such advisers to each other, somewhere i show some sketches, she says: well, here you can still correct, somewhere... then i say that here you can

move a spot somewhere and so on, especially since we... work in completely different styles, probably this also helps, i am often asked, this is how you sign your works, because that they notice that there are all sorts of flourishes under my works, especially well, circulation works, graphically, like the rule is signed on the front side and... i basically answer that calligraphic handwriting appeared in my youth, i found, well, let’s say, i came across one book by a wonderful belarusian calligrapher, colleographer, i still can’t understand what a calligrapher is probably doing, semchenko’s fawn, the calligrapher’s melodies are called, a brilliant book, it was completely handwritten, i then fell in love with calligraphy.

i twisted these monograms in the fields , i started studying, training, constantly writing notebooks, i got a huge benefit from it pleasure, this calligraphic handwriting is greatly facilitated by either a fountain pen, or a pen, ink pen or ink pen, because the pressure itself provokes the hand to do beautifully, the hand and eye see this beauty, they begin to obey this beauty. what are the three criteria for creativity, which is very valuable to me, the first is technique, the second is design, and the third is soul, that is , technique, design, soul. you can do work at the highest level of technology and with a good idea, but there is no soul, that’s all, for me this

work is, well, a little dead. can be done with with a good plan, with soul, but without technology, for me this is also a rather weak job, or to do it with technology with soul, but without a plan? then it works empty, that is, these three parameters are very valuable to me, and if i see in some artist a combination of all this, i really like to look at such works, well, i myself strive for this, that is, i try to work out any technique, drawing, painting technique or calligraphy , or some graphic etching technique.

nomination continues this week candidates for deputy until january 15

, inclusive, territorial and district election commissions will accept documents, then the commission will begin to register candidates, this period will continue until the end of january, only after that candidates have the right to begin election campaigning, this is one of the most...

2000 rubles. a single property payment is being introduced, which will include land and transport taxes on real estate. transport tax rates have been increased. owners of vehicles should pay special attention luxury facilities.

young professionals will pay less taxes. for an organization with a profit tax base of over 25 million rubles. the rate increases from 20 to 25%. individual entrepreneurs operating without vat and whose revenue exceeds rub 500,000 will be required to create a commercial organization. a new tax deduction was introduced. this deduction amounts to 620 belarusian rubles per month. and it is provided to graduates who have received higher, secondary, special, vocational education sent for distribution to the place of work. this deduction is presented for the period of work on distribution for the subsequent extension of the contract with the same employer for a total of no more than 7 years. for example, if a young specialist earns 1. rub. per month. accordingly , 620 of them are tax-free, so he saves on income tax and gets more in hand. help developers find potential partners, provide them with a package of benefits and financial support. hi-tech park.