his vigil had faded in the late 1960s, and the fame of viktar vuyachych had already thundered across the entire land in the decades since.

my proud, huge birds , he knew the audience very well, he adored the stage, in my opinion, when he went on stage, there was a feeling that he was getting into some kind of atmosphere, i was barking, flying over fate, swans, from distant childhood.

but best of all, the road is right home, from all latitudes the route leads to where your grandfather was.

for viktar vuyachich, the lady’s gift was not as wide and wide as the polite leninsky avenue, which he freely dissipates on rovary sometimes zdymak musical film sleeping budavat's house, but on that moment, and the geta was in 1970, he could already say that minsk... is a city for the sake of his family home, he is already a great grounder it's freezing here, it's freezing here , i'm hurrying home, home, home, home! between you, the senior one

in minsk, he was in charge of the tsalkam attack, and it happened in 1957, then 23 years ago , viktar vuyachych came to the ladies of kharka, tending to the service of the army, he served in important matters. then on the fleet in kaliningradze, in the baltytsy, and all the time in the future there will be increased production of pubachitsa with your former classmates. he told me in an interview that minsk lived here, and he was working with him in the army. and that’s it, if our city is the most stubborn, then we’ll give up on everything. as it seems. came out of the chicken and stagnated. by

the way, he has never been to minsk before. you don’t plan to live here anymore. forest, everything. you grew up for iago himself, because i have no faith in my strength and power? my dear minsk under the crane skies, lively winter fall with a vigilant patch, you are for me on this whole earth hello, i love everything. his first years on the professional stage viktar vuyachych worked with the yakasti salist of the dzyarzhainaga folk choir of belarus, in which the vukhons, falklarist, ethnographer and hormaystar genadz

tsitovich are praised . pad akenkam flock. menavita ў choirs vіktar lukyanavich sustraў galoўnaga chalavka svago zhiztsya, my future wife svyatlana, who at that time was the most prominent, group choir, and all of their sustreches were, as in your mind, only once are life i, ustrecha, adnoychy i na everything is alive, and then we are creative again, svyatlana vuyachych became the leading member

of the belarusian dance ensemble, and was named as an honored artist, then a people's artist , and then... the first student and the teacher celebrated alec’s part in the same opera on the school stage. rakhmaninova. darechy, my partner was the future star of the belarusian estrada eleanor ziger, who took over zemfira’s party.

started singing, you know, here he was, his beautiful baritone was so captivating the orchestra, it seems to me that we merged together then, he sang, the orchestra accompanied him with such pleasure, when he

finished singing, the orchestra rewarded him with applause, there was an impression that he was pleased with the orchestra, and the orchestra... the hour had come and gone kastrychnik 1966, menavita then adbyla, napeina, galoinaya padzeya creative life. viktar vuyachych, which chalked up the forests of the original sense and floated to all my further career. he became the manager of the first prize in the competition for the best model savetskaya song. at the competition, the closest

sappers were such well-known singers of the stage as yosif kabzon and vadzim mulerman, who gave further and more results. months. viktar vuyachych іkh apyaredziў і peramog. and not only did he succeed. peramagla and song, memory of sir igar luchanko and mikhail yasina. so yes. the city embraces, and quietly lights up the stars, and the song caresses the heart, our minsk, tired of the day, sleeps. yana was awarded the zhury sculpting songs of the competition and

was awarded with 80 creations, in her own right. much for that is, another udzelnitsa hell of belarus neli zakharauna baguslavskaya, a young hibernaculum, was awarded the title of champion of the competition. geta was such a great success, a great victory, i would say, a triumph of the young belarusian stage in the european arena. screechingly, he says , the guys are leaving again in the darkness and the ambush is silent again in the night, but machine guns are striking in the silence, my heart is boiling hot, the words of the sky are blazing, someone is furiously shooting at... this is igor

mikhailovich ilchenok and mikhal aronovich i wrote to you, he became the laureate of this competition, the veterans cried, you know, because that it touched me so much, how he victor sings this song, you know, the memory of the heart, only a veteran can sleep. he is a partisan of the past war, the night disturbed the wounds in him, and the memory speaks with his heart.

and then the team got together, and mikhail yasen, and igor mikhailovich luchenok, who wrote the song, and our famous pop musician, lev molar, who inspired him, helped him prepare for this competition, and naturally, his talent, his... his voice, his patriotism, his citizenship, in this song everything seemed to be stuck together clot, this was the result, utesov and our famous pop singers sat on the jury, you don’t want peace, your heart is so good. when he also sang a song, like many good girls, a song from

utyosov’s repertoire, of course, this song melted the feeling of the jury members even more, and he turned out to be head and shoulders above all the participants, so he convincingly won, his star quickly took off , and his star lit up, thank you with his heart. what can you do to love so much? art glass, visually light,

hard to the touch, and even sounds. like hands masters transform a shapeless mass into a work of art? let's make sure that the usual glass or bracelet is much more than just a serving item or decoration. the cultural fashion project, watch this weekend on the belarus24 tv channel. in each program there are new characters, during the filming the participants of the game drink 10 liters of water , they are worried, our team may call their hands, although... the wheels, pedals, saddle are attached to the bicycle and please tell us which part of the steering wheel, more than 100 tons, what kind of fruit used at the famous annual

spanish culinary festival on the last wednesday of august, the ancient greek goddess. on tv channel belarus 24. from uyachich’s first performances, the sense of beauty was very highly developed, that’s what he was like, you know what, for example, amazed us then, he

had aristocratic restraint, he was an aristocrat on the stage, he would never make anyone superfluous. nominations, he never behaved frivolously, he was restrained, at the same time, possessing a voice of incredible range, he had an exceptionally beautiful, timbre voice, it must be said that viktor lukyanovich, he had some kind of special feeling of luck, so he, probably, when choosing his path, as once on the map of the soviet union, showed the city of minsk with his finger.

yura sang with pleasure and i also sang one song there, and he also allowed us to start the second part with our performance. victor was very loyal to the musicians, he treated the musicians with respect , and i appreciated this, and he appreciated us too, he respected our opinion very much, looked at us as equal allies and partners, who, when dilila’s song appeared, yes from. ..

“oh sea, i ask you, oh menacing and gentle

sea, please give us back our love, all our dreams , our songs. we had three performances in a day, because the audience changed, and i never remember him being someone- he was worried, waved his hands or expressed something

, argued with someone, but i can’t compare him with anyone, because his appearance was so individual, love is all dreams. there is a photograph of the neagara waterfall and this pose of him in the background neagara falls, here she is, you know, as if she was leading to this mood, it was the apotheosis of his happiness, in these years, we dream of salty winds, songs wake up the old oilman, we will find the golden key to the depths of the earth and we have no hope. to fortune, we will take it with our own hands , we will still make it smile, and the fair breeze will be with us, we

will never bend under the wind, there were many all sorts of adventures, all sorts of interesting meetings, we had such a tradition that if we visited those places , where our ensemble members lived or relatives lived, then we went to visit, went, our parents received us, there relatives, and the same thing happened with viktor lukyach, the fact is that he purposefully went to the lugansk region, where his dad lived then, his house was small , with a small garden, right next to terikon. terikon is when a mine produces rock, it delivers it from above onto such a hill and... this terikon with rock literally already reaches the wall of this house, well, you can live, my father received us very cordially, and we also sang songs

and it was very good, vitya brought him a gift, i think, a tv, something a refrigerator, well, he brought something for him when he was driving, i thought that he would be grateful to his father for raising him, for the fact that he had such a... such a fate. viktor lukyanovich very often performed works by young composers when we were still studying at the conservatory, and he always included a program of songs, such as valery ivanov, vladimir budnik, eduard zaritsky, those guys, my fellow students, my friends and colleagues in the profession. we always waited with trepidation to see how viktor lukyanovich would react to our works, and he always like an older brother, all his comments or he

, if he liked it, all this... he spoke in such a grateful tone that we thought that we were lucky to have such a master next to us who could perform our songs and who would convey our music to the listeners. his repertoire was mostly civilian, he loved to open his arms there about his homeland, there was some kind of soviet pathos, well, he sang songs like these, then little by little he meant, at the beginning he allowed us two songs, and then one by one.

such future vigilantes of the worldly stage as julia iglesias, lili ivanava, rafaela kara, el-dzhiro and others who have performed at this and other shameful song forums, viktar vuyachych has successfully brought the belarusian stage to the international stage native arena, yon zhytstsyavіў gety praryў meaning earlier recording.

dear friends, it so happened that both the youngest of may and the older bastards, once with victor, and the first song with victor, and of course, a great creative collaboration with igor mikhailovich lushchenko, by the way, my former teacher at the conservatory gave a great basis for his creative palettes.

the neighbors, who lived in the same house for a long time with a deep, loving friendship, were on yanka kupala street 7, which is just for the sake of the supreme care of gorkaga park. viktar vuyachych and igar luchanok spent time in 1971 in chile, for the publication of the city of santiago, in the city of vienna delmar there was an international festival of songs, and vuyachych celebrated there.

verasa's song, so yana was singing for the meat. uvogule, viktar lukyanavich vuyachych aguchy, sung, mostly like two dozen songs of igar luchanka, and many of these songs were worked by the laureates, finalists of the all-union tv festival "song of the year".

only four. watch in the program “cities of belarus on” on the belarus 24 tv channel

. the performance is by viktar vuyachych, the earliest director of the tonika ensemble. getae kalektyў. this has become a frequent part of the history of the belarusian stage since the beginning of the 1980s, this former elite group from which the best musicians were gathered under the influence of viktar vuyachych. at times, tonica visited the entire savetsky union, visited dozens of countries, europe, asia, africa and america, the geography of their tours.

what does he think about it, and in such a way in a rather harsh form, but then it went away, and he treated this musician the same as everyone else, rudeness on his part, no matter how much he worked with him, he almost never observed, of course, there were a lot of meetings, especially when i started working at the ministry of culture , the tour with him was very interesting, we once went to the united states of america, the first trip, the country is very distant, in general, everything was received there wonderfully, but there i spied something else, i spied there what he was like, you know let's say, frankly, my husband, he traveled from all over the world, because that he went to the dance ensemble, the light worked in

the dance ensemble, she is generally such a rare person, i had the feeling that she was like a sculptor or artist, she walked around him all the time, she did everything so that he was. he was always so special, he shone in a special way, so that he was in a good mood, and i was always surprised by them, these very reverent relationships, he was so real... the peak of viktar vuyachych’s popularism reached the

1970s. my concerts played to sold-out halls, my recordings were broadcast on air all-round joy and television station. he would be a famous artist and the people of the world would know fame and success. at the pink jackets of savetskaga sayuz, at viktar vuyachy. there were added fans, well, often for everything , of course, fans, i was seen on the streets , i was pressed by autographers, they stormed concert halls, for performances, assassins, for people, and hell the ministers were forced to work so that they could sit in hell gascinians, and they lived with others, well, there was no shortage of food for viktar uyachich, where it would be not only.

it’s a disaster, it’s not a disaster, if it’s joy , if it’s heaviness, if it’s a feast for the whole world, if it’s pain , if it’s a battle, then together, we need to burst out this song together, hey, uh, viktor lukyanovich turned to me with a request, he said that

his anniversary concert is coming, and he would like new songs to be performed at this concert , he asked me to write for him, it seemed like a poem of memories to me, i thought the poem was cute, this, by the way, was the only time when he specifically gave me a poem, i started thinking again, in what manner to show him, wrote something, did something, wrote a song, called him. we met , there were no computers then , synthesizers weren’t so common, we met at his house, he invited me home, he had a luxurious office with a wonderful piano, i performed this song on the piano, he liked the song, and we even tried, he tried to hum it, we looked, determined the tonality, the stem, the character, in general, we went to record this song, this song really sounded like him... creative evening, only the memory keeps

the evenings over the river, the iron nose of the sparkling metal, you were sad and sang, and happiness was a dream, called me into the twilight, blue, what i want to say is that only later , closer to the creative evening, he confessed to me, that he wrote these poems himself, moreover, i remember this song, i remember it well now, the poetic lines, what he wants is a memory, because there are absolutely lines from his childhood: the earth has removed the snow-white outfit, he told me later he told me how...

somehow the connections fell apart, but it’s not even a matter of touring connections, the point is that life began to change very quickly, and in order for the belarusian stage to survive, it had to be saved, because the teams were strong, the situation was extremely difficult, but

someone had to be at the head of this matter, and it had to be a person who knew the stage to the last nail. this quality, by the way, is elucidating, he knew the whole kitchen associated with variety production, i went to his house, i think he called he will refuse me, we talked for a very long time, in general, he agreed, he understood that today he needed to take on his shoulders the artistic direction of the future life of istrad, it had to be led through this narrow strait, in which... an economic war is raging , so that later they would swim out, everyone would swim their own way, as a matter of fact, what happened later, he worked a lot of patronage concerts, which really were not for the sake of money, i believe that

when people are focused on money, money is not everything, it must be everyone has a heart and soul artist, that’s what he had. cordiality, because money comes and goes, but life goes on, so he was very much our person, for me this man was always an example of attitude towards culture, towards music, attitude towards people, attitude towards the profession, he wanted to be the best, he remained in my memory as such the brightest, most wonderful , most necessary person of that era, on the belarusian stage, month...

“i will come, i will come to you over the grass and over thin white ice, young and gray-haired, guilty and right, in thousands of years i will come,

i know i’ll come, i’ll take away my trouble, quietly call me by name, just call me with your lips, i ’ll come.