he would be one of the renowned masters of soviet song. we treasure moments like these with our hearts. they sanctified our destiny. victor is, of course, a great artist, a great person, he has done a lot for belarus. they floated lightly over the good land. big-faced, huge birds, he knew the audience very well, he adored the stage, in my opinion, when he walked out on stage, there was a feeling that he was falling into some kind of atmosphere. i know the swans of distant oder are flying over my destiny. for me, this

man has always been an example of attitude towards culture, towards music, attitude towards people, attitude towards the profession. but best of all, the road is right, home, from all latitudes, the route leads anywhere.

for viktar vuyachich , the lady's gift was not as simple and wide as the light-hearted leninsky prospekt, as he voluntarily scattered on the goods, sometimes the sound of the musical film " sleeping in the house", but at that moment, and it was ў 1970, he could already let me tell you that minsk... is for the sake of supporting their native homes, and it is already a great grounder . frost and sleep, i hurry home, home, home, home. mizh you, superior

ў minsk yon apynusya tsalkam vypadkova, і ў ў ў ўялістя ў ў ў 1957, then 23-year-old vіktar vuyachych came to the ladies of kharka, serving in the army, he served. reptiles on the fleet in kaliningradz, in the baltytsy, and all the time i will give you a higher education to work with your former classmates. he told me in an interview that minsk lived here, and he was working with him in the army. and that’s it, if our city is the most stubborn, then we’ll give up on everything.

gorka patched, you are a god for me on this whole earth, i love you with all my soul, my first croki on the professional stage viktar vuyachych zarabіў u yakastі salista dzyarzhaўnaga folk choir of belarus, which kіravaў praslaўlen vuchon-falklarists. ethnographer and hormaystar

genats tsitovich. under zakettam melted, pad akenkam melted. genadz ivanavich tsitovich the great apyaka of the young vuyachych and the well of the pit with whom he could. menavita ў choirs vіktar luk'yanavich sustraў galoўnaga chalavka svaygo zhiztsya, my future wife svyatlana, who at that time was a leading lady.

viktar vuyachych pastipi on the vocal adzyalennaya of the minsk musical academy navat celebrates alek's part in rachmaninav's famous opera on the educational stage. darechy, my partner was the future star of the belarusian stage eleanor ziger, who took over zemfira’s party.

it's been a very short time since the end of the year 196, and then the creator's hell was born. this is viktar vuyachych, who chalked the forests of the original sense and floated throughout his entire career, and became the winner of the first prize of the all-union competition for the best fashioned savetsk song. at the competition, the closest sappers were

such well-known singers of estrada, such as yosif kabzon and vadzim mulerman, gave additional information and success.

with his heart he speaks again, they leave the darkness, the guys are silent again in the night, an ambush, but machine guns strike in the silence, a hot battle boils, the words the sky is blazing, someone shoots furiously and...

memory heart, this is igor mikhailovich filchenok, and mikhail aronovich yate wrote, he became winner of this competition, the veterans cried, cried, you know, because he touched it as much as he did, victor sings this song, you know, the memory of the heart, i just can’t sleep wind. partisan, the night disturbed the wounds in him, and the memory speaks with his heart.

and then the team came together, and mikhail yasen, and igor mikhailovich luchenok, who wrote the song, and our famous pop musician, lev molar, who inspired him and helped him prepare for this competition, and naturally, his talent, his... forgettable timbre , his voice, his patriotism, his citizenship, in this song, everything seemed to stick together into one clot, and this was the result, utesov sat on the jury, and our famous pop performers, heart, you don’t i want peace, my heart, how good it is to live in the world. when he sang a song about how many good girls there are, a song from utesov’s repertoire

, of course, this song melted the feelings of the jury members even more, and he turned out to be head and shoulders above all the participants, so he convincingly won, his star soared sparklingly, and his star lit up. thank you heart. 100 brave guys gathered in our studio,

each of them has a question for an adult , why do you think children ask strange questions, a person is always scared by something new, what scared you when you were offered to become rector of bsu, something you could never forgive, well, for example, a loved one, as it is written in the gospel, if you forgive and continue to forgive people for their sins. what does bsu have that no other university has? very good question, the flakes are flying upward, there is magic light everywhere. in your time , interesting, so modern, the music

you listen to, the music you like, probably it should be played, look at the project 100 questions for adults, on the belarus 24 tv channel, the belarusian balcony, it is the most important for western countries , at peace with us they won’t leave you, so you need to prepare.

from uyachich’s first performances, the sense of beauty was very strongly developed, that’s how he was , you know, what struck us, for example, then was his aristocratic restraint, he was an aristocrat on the stage, he would never make an unnecessary move. he never behaved frivolously, he was restrained, at the same time, possessing a voice of incredible range, he had an exceptionally beautiful, timbre voice, i must say that viktor lukyanovich, he had some kind of special sense of luck, here he is, probably when i chose his way, as he once

showed the city of minsk with his finger on the map of the soviet union, and it must be said that...

the campaign of the tonika ensemble, as the supervising performance of viktar vuyachych. according to the basic practice of these bastards, tonic was an instrumental collection. ale, when they listened to antonava and the same tonic bass guitarist, aleg zhukav, the tonic musicians fell asleep, and the bands were so vocal, i would say, vocal-instrumental.

he sang there and i also sang some song there too, he allowed us a second part to begin with our performance, victor was very loyal to the musicians, he treated the musicians with respect, and i appreciated this, and he appreciated us too, he respected our opinion very much, looked at us as equal

allies and partners, who, when the song appeared, yes english , we told him: that’s why you can’t sing, victor, he says: yes, let’s help make the tamorodzhovka song, he sang it, i did it once, well , they helped him with the repertoire, from the outskirts of minsk, from the outskirts of paris, let the beloved heart sings a song, everyone has their own song, and the song is howling today , it turned out that somewhere we lived in the same area, we lived close, and we started meeting him in the children's kitchen, i went to get

food for my daughter, and he came to get food for the boy , so we often met with him there, we had to pick up these bottles at a certain time, it turned out that we saw each other there every day. pomeranian, i ask you, o formidable and gentle sea, i ask you to return to us love, all our dreams, our songs.

there is a photograph of the neagar waterfall and this pose of him against the background of the neogar waterfall, here she, you know, seemed to lead to

such a mood, it was the apotheosis of his happiness in these years, we dream of salty winds, songs awaken old neptune, we are looking for the golden key to the depths of the earth, and we have no hope for farkuna. we will take her with our own hands, we will make everyone smile, and the fair breeze will be with us, we will never bend under the wind, there were many all sorts of adventures, all sorts of interesting meetings, we had such a tradition that if we visited those places where lived or relatives lived ours here are the members of the ensemble, then they went to visit. he was traveling to the lugansk region, where his

dad lived then; his house was small with a small garden right next to terikon. terikon is when a mine produces rock, it delivers it from above onto such a hill and it is this terikon with... the rock literally already reaches the wall of this house, well, you can live, my father received us very cordially, and we also sang songs and it was very good, vitya brought him a gift, in my opinion, a tv, something like a refrigerator, well, he brought something for him, when he was driving, he thought about the fact that he will be grateful to his father for raising him, for the fact that he had such a fate in the first place.

there they were waiting to see how viktor lukyanovich would react to our works, and he always, like an older brother, made all his comments, or if he liked all of this, he spoke in such a grateful tone that we thought that we were so lucky that next to us is a master who can perform our songs and who will bring our music to listeners, his repertoire was civil, mostly he loved so with my arms outstretched. there about the homeland , there was some kind of soviet pathos, well, he sang songs like these, then little by little, it means that at the beginning he allowed us two songs, and then one at a time, and then altogether.

in 1973, with the songs of igara luchanka spadchyna viktar vuyachych, the celebrant of the ussr.

yana spent hours and hours fretting over the meat. vyktar luk'yanavich vuyachych aguchy, nap, a lot of dzyasyatki song igara luchanka, the many are the songs of the laureatami, the finalistami autumn may sum she told me.

concluded songs by igar mikhailavich luchanko.

we follow the sporting life of our country. shakhtar reached the top division of the russian basketball championship 3:3. in the second stage, which took place in arkhangelsk, in tandem the belarusian contenders won all matches. and we were allowed to participate in the licensed world championship, and we hoped and believed that we would still be able to compete at the olympic games, and this cannot but rejoice. we review the most interesting event. the other day the belarusian cycling federation summed up its results a year that, despite the ban, turned out to be a busy and fruitful one. sports of a new reality. the second stage of the republican digital tournament has ended in minsk. we listen to the opinions of competent specialists. there must be a stronger player in some position. now we have signed a big one, because we feel that we are a little lacking under the ring. at least this is a tough game,

i would say, the carnage showed that we have a team, and it was not in vain that we worked all year, so to speak. all this is in sports projects, on tv channel belarus 24. a guy from ecuador has been living here for 8 years and traveling around our towns and villages , it’s delicious, and even hot and cold. and who knows when she is ready and happy to talk about the most colorful places in the country, here, because it is close to the city, that is, you can easily drive, she said 40 40 minutes, and well, in fact, here there is everything you need to live

comfortably, somehow the village doesn’t happen in ecuador, i don’t know why, they don’t even like the internet, here nature has its own places, it’s so cool, because i look at the palm trees so much, i i haven't seen palm trees like this for a long time. performances by viktar vuyachych to the former director of the tonika ensemble. getty kalects have become a frequent history of the belarusian stage since the beginning and end of the 1980s.

this was an elite group that had a collection of great musicians under the influence of viktar vuyachych. razam from vuyachychi tonic ab'ezdzila.

when i started working at the ministry of culture, the tours with him were very interesting, we once went to the united states of america, you know, the first trip, the country is very distant, in general we took in everything there wonderful, but there i spied something else, i spied there what kind of husband he was, you know, let’s say, frankly, he traveled from the world, because the dance ensemble traveled, the light worked in a dance ensemble, she is generally such a rare person.

dear home, tow to the voices of the mother, and then to all the galas. the peak of viktar vuyachych’s popularity began in the 1970s. my concerts played to sold-out halls, my pastaan ​​recordings were heard on the airwaves of the all-union radio and television. i would like to help you. famous artists and kings have known fame and success. u

in the different corners of the savetskaya union there were added fans of viktar vuyachych. well, often for everything, of course, fans. i was recognized on the streets, i was asked for autographs, i was stormed by concert halls, i was performing , i was greeted by gascinians, i was asking for autographs, and the administrators gave me such a job, as if... always with a smile when he goes on stage, he is so collected yes, old the song is so

young, tari damida, with it there is trouble, no harm , if there is joy, if there is heaviness, if there is a feast for the whole world, if there is pain, if there is a battle, then together, we need this song together. he contacted me viktor lukyanovich with a request, he said that his anniversary concert was coming, and he would like new songs to be performed at this concert, he asked me to write for him, he showed me a poem of memories, i looked at the nice poem, by the way, this was the only case , when he specifically gave me a poem, i began to think,

again, in what manner to show it, i wrote something, did something, wrote a song, called him, we met, then there were no computers, they were not so common synthesizers, we met at his house, he invited me home, he had a luxurious office with a wonderful piano, i performed this song for him on the piano, he liked the song, and we even tried it, he tried to hum it. we looked, determined the tonality, tempo, character, in general, we went out to record this song, this song really sounded at his creative evening, just keep the memory, evenings over the river, iron nose, sparkling metal, you were sad and sang, eh. .. happiness dream sent me into the twilight

blue, what i want to say is that only later, closer to the creative evening, he admitted to me that he wrote these poems himself, moreover, i remember this song, i remember it well now, poetic lines, what does he want this memory about, because there are absolutely lines there. from his childhood, the earth took away his snow-white outfit, he told me later what pictures of his childhood he saw and what he wanted to convey in these words, this is the song, it’s distinctive, i probably don’t have a second such case when the performer is the author of our words joint song. at the beginning of the 90s

, viktar vuyachych was pressed to pursue new roles while reorganizing the variety bureau of the beldzyarzh philharmonic hall . the collapsed savetsky union fell apart, not even in terms of touring connections. change very quickly, and in order for the belarusian pop music to survive, it had to be saved, because the teams were strong, the situation was extremely difficult. but someone had to be at the head of this matter, it had to be a person who knows the stage to the last nail, this is a quality, by the way, you can see, he knew the whole kitchen associated with variety production, i went to his house, i think, on the phone, he will refuse me, we talked for a very

long time, in general, he agreed , he understood what is needed today... very much our man, for me this man was always an example of attitude towards culture,

people go away, but life goes on, so he was music, attitude towards people, attitude towards the profession, he wanted to be the best remained in memory of such the most... on the right and in the children, for the fact that its high the name of the artist is no longer a struggle and he paid all his fees for everything. we share.

don’t you call me, just call me with your lips, i will come, i will come, i will come to you over the grass and over the thin white ice, young and gray-haired, guilty. and to the right, in thousands of years i will come, i know i will come, and i will take away any trouble, quietly by name, you call me, just with your lips,

call me, i will come. i know i will come and love.