they throw a lighter, the bread burns, and the hut was already starting to burn, and i lay down, lying there, until then i’m already burning, my legs want to burn, and my head wants to burn, i’m already in the attic, they brought me next to me, the punitive forces did not spare anyone, against unarmed people were used with flamethrowers , pelted with grenades, many were taken to the outskirts of the village, where there was a collective farm barn, it became: he

dug a grave with a knife and buried them. the memories of surviving people are the main argument against historical nesia. no matter how weighty from the point of view of the nazis they were the reason to kill civilians, among whom are frail old people, women and children, is a crime. when the grenades were thrown, it meant our daughter-in-law was there. here it is with the girl.

where could there be a lake in winter, well, in the middle, this is a small mirror in this village, when they approached, it was frozen human fat, the soldiers of the forty-eighth army of the belarusian front, who came to the ashes in ale, found mountains of corpses. ashes: they buried

dead children, women, old people, all together in a huge pit grave. today at this place a monument to the soldier-liberator, but not only red army soldiers are buried here, but also people who died in ala. and even 80 years after the tragedy, we cannot name all the people who were shot and burned. of the 1,758 people, the names of only 299 victims are known. the difficulty was that. there was no reporting of who, when, from which settlements came to the remote forest village. today, researchers have established the names of twelve villages whose inhabitants were in ala at the time of the tragedy, the thirteenth being ala itself. these numbers are immortalized on the memorial, 12 silent bells, one that rings. about the memory that... cannot be silent on the main

broadcast by elena bormatova, andrey gorodoboev and vitaly selyavko. and that’s all we had time to talk about today. pavel lazovik and victoria senkevich were with you. see you on the main broadcast. happily. today they remember the beginning of their creative journey with laughter, because at first they had to turn to builders and installers for advice. the man who dealt with sex, in my opinion, he dealt with, well everything, well, of course, he said everything as it is , as you do not regret the information, three shovels of sand, one shovel of cement, yes, this is a golden recipe. it took time to understand that

construction concrete is different from architectural concrete, just as it took patience to obtain the right quality material through trial and error. concrete is... well, 100% not fashionable. roman and anna matisovich are the founders of a family workshop of concrete products. they mastered new professions and technologies from scratch, creating their own small family business, and were not afraid place a bet on a complex, labor-intensive and

largely underestimated material by belarusians, architectural concrete. the very first question: functional or just beautiful? usually this is how the owner of this showroom begins her communication with guests. this is architectural plaster, the color can be almost any, or vice versa. made of concrete, something more brutal, say , for boys, yes, the plant itself can also be selected, or you can do it, for example, with stabilized moss, and the fact that just now the manager of a large company came here, to choose gifts for employees, something

small, stylish, but at the same time universal, the workshop’s customers are different, there are many who are looking for corporate gifts, and there are many completely ordinary buyers. who, having accidentally stumbled upon the guys’ instagram, order something for their interior or as a gift, come to the showroom to see the baochue thing they like. the photo still does not accurately convey the color, texture, or size. we prefer to work with concrete, because it is the kind of material that you just pick up, yes, that is and this is obvious, it has character, yes, the second, yes, let’s say, this branch is... trends, vases, these are little boxes, without this we cannot make cool things like this, that is, this , as they say, to support our pants, if we don’t make ordinary, let’s say

, marketable and in-demand products, then we won’t be able to invest in our creative side, concrete, that very thing... three shovels of sand, one shovel cement, yes, this is a golden recipe. today the boys remember their first steps with laughter, because then they had no idea that architectural concrete was radically different from ordinary construction concrete. in addition to sand and cement, it

also contains many different ingredients. some need to be added in kilograms, and some in milligrams. there are commercial hangs where we measure up to 50 g, when we are there in dozens. we measure a kilogram, then we measure it with such kufons up to a kilogram, already milligrams, jewelry scales, that is , we even measure milligrams, you won’t report the required ingredient or you’ll overdo it with something and the quality material will not it turns out that the guys experimented a lot, tried different compositions and continue to do so to this day. we studied the american youtube glass fiber, this is architectural concrete in itself , las vegas is built from it, so this topic is in the west... very popular and there is a lot of information about it, it is in the public domain and transfer all this american information to our materials , this was the difficulty, finding materials here, buying them, for example, the minimum batch of coating that we use can cost 600 rubles there. minimum quantity there

fiber, it can cost 1.00 rubles there. and that is, all this to assemble a small pot, the price may be 15-20 rubles. but when you buy materials at such prices in such... volumes , there is no going back, whether you want it or not, you have to move forward without looking back at doubts, as we understand, that moment , yes, when we definitely continue to study, and... we , probably, we never doubted that something might not work out for us, but honestly, there were no such thoughts that oh, suddenly it won’t work out, let’s have something else in reserve, look at some other options there, no, i didn’t even have such thoughts, but still, probably, roma and i are like that, we don’t give up, and by education roman, a computer music arranger, anna, a manager-economist in the field of international sports tourism, would seem to have interesting creative professions. but it so happened that not one of them found a job in their specialty or found an opportunity for

self-realization. both continued to search for themselves, they met when both were brought into a completely different, but also creative sphere, the organization of quests. when the guys got married and had a child, they had to think about family life chart. well, basically , quests, yes, it’s such an evening, night, and weekend thing, so roma, i sat with the child. and roma always turns out at work on weekends, in the evening, i’m a creative person, i never said or shouted that i was just a mother-mother who would sit there constantly with the child, and so the appearance of oles influenced the fact that in the end, we sold the quest and started looking for - let's just say, our business, as often happens, chance played its role, we needed: an ordinary flower pot, the guys looked on the internet and made it our first concrete floor planter and

thought, why not try to take this business seriously? we started working on the balcony, then moved to the basement of a residential building, and after a while a full-fledged workshop with a showroom appeared. we are very lucky that we understand they always say yes, it’s great when a hobby brings you money and we are fulfilled from the creative side and we are realized, well we are realized we earn money we don’t work anywhere else this is our main job so we were lucky we studied the market and '. understood while many people deal with architectural plaster, concrete is more and more difficult, it

is much more difficult to work with, and for the belarusian consumer it is still an incomprehensible material. when hearing the word concrete, many people’s heads evoke associations with something rough, heavy, uncomfortable and not very suitable for interiors, and it can be difficult to destroy this stereotype. python is the art of seeing beauty in an imperfect world. and the tactile feel of concrete, when you touch it, it’s really cool, and so many people who came to us, they’re all like one, they’re like that they stroke it, wow , touch it, no one touches linum or laminate, they just look at it, and this material is not rough, it’s rather brutal, yes, but brutality doesn’t mean that it’s something bad... then, yes, or it carries some bad qualities, no, it’s just a material that has its own...

masters, then it’s either some kind of collective farm, yes, or it’s something not very high quality, well, 100% not fashionable, then, when we say we work with designers, yes, when they see opportunities, see what we do, they they admire and say, it’s amazing that our belarusian guys are doing no worse than what they are doing, producing abroad, and of course, we are pleased with this, and of course. we strive to show the possibilities, to show that we can do it too. to keep abreast

of the latest world trends, roman and anna constantly monitor new trends and techniques. this also applies to architectural concrete and gypsum. having seen an idea on the internet, he immediately adapts it to his conditions and materials. i think this lunar texture can be try to do it with a gun. it seems to me that this can be done simply with the help of no foil.

of course, and the most important question is always at a master class, when work is done, they ask: “you, how much does such a tray cost?” people who have attended such a master class at least once will never say: where does this price come from? what's so difficult about it? i'll do this once or twice. children often hear nothing like this, especially at various fairs and exhibitions of craftsmen. mostly they try not to pay attention to such statements, but sometimes, anna admits, they touch a nerve. but sometimes it’s really offensive, sometimes, damn it, you think, damn, i would have stood there, done it, understood how much, how much in general, and in one such thing, well, in any one product, how much labor, effort was invested, in addition to this additional costs, and such as taxes, utilities, rent

, etc., etc., etc., then, probably, the person realized that what is behind all this is behind one such small... after all, roman and anna try to do everything treat with optimism and constant humor, especially looking back at how they started their business, how much was done completely differently from how it is usually described in business textbooks, you can start without start-up capital, you can start without a business plan, that there a girl can work with concrete right? uh, actually, that you can work together with your husband, uh, i don’t know, it seems to me that we are generally one continuous, one continuous, big, broken stereotype, from the outside it may seem that everything goes together easily for these young guys without any problems stress, but anyone who works in a small business knows how difficult it is: at

work you work without weekends and holidays, you are a foreman, a manager, a loader, a cleaner, you overcome difficulties and solve problems 24x7 , and yet, roman and anna want to expand, hire employees, create their own team, they see prospects for developing their business here, in their homeland. yes , there are difficulties everywhere, absolutely everywhere, it seems to me, well, you can’t say that somewhere it’s simple, everything equally, you yourself need to create with your own hands, it seems to me, for a creative person, well, the only one can be... such a nuance is where he draws inspiration from, yes, in our case we can and do draw inspiration from that the places where we are, we are developing, i hope that in the near future we will simply be everywhere at the same time, that is, you and i will live here, our offices, representation will be everywhere, i dream about it.

unique architectural monuments await you in chernigovsk and the principality of turvapin famous russian art critic.