watch today in the current interview immediately after the panorama. the number of victims of a landslide in colombia is growing. a mud avalanche quickly hit a highway in the mountainous region. at that moment there was a traffic jam of cars. today, thirty-six people are known to have died in the choca department, and an operational headquarters has been deployed under the leadership of the governor. search operations continue amid heavy rains. a state of natural disaster has been declared in the region, which will allow funds to be allocated for the development of road infrastructure. and these are the last ones news for this minute. see you at 19:00. just one chance to show your strength. who wrote the poem? about a man

scattered from the street by a swimming pool, what family was the last owner of a worldly castle, demonstrate your intellectual potential to the whole country, the main thing is, of course, your knowledge, well , how savvy are our participants, let’s find out right now what the hockey expression “throw off your leggings” means? maxim, the players are preparing for a fight, so, mikhail, sanata, sanata, sanata.

watch in intellectual and entertaining show on tv channel belarus 24. i don’t know any people who are happy about the fact that this war seems to be going on, in general, but no one is happy, we ourselves have given the opportunity to our enemies, as if yes, not only to dismember us, but also force each other to fight, behind the lines, behind everyone, they rub their hands like this, they, so to speak , forced us, the slavs, to kill each other, but we didn’t have enough inner wisdom to do this...

yak yes, you were holding the book in your hands, shaking one piece after another, sniffing at the skin in words, creativity is right here. the most valuable and useful books are these books. the books contain the thoughtful thoughts of the people, the reports and expressive chatter of people. everything that chalavetstva created, she ate up on old books, bytstsam witchcraft. read the chalavek

perazhyvae stagodzi. reading closer to the heat. we value the past for our present day. belarus 244. who would you invite to play the main role? it would probably be an actor with a beard. and i really like actors like christoph waltz or william dafoe, i won’t say that they would play me, but i i would really like to work with them. what genre would this film be in? i really like the tragic comedy genre, because that’s how life is for us, it’s not all very funny or everything is very sad. no, life is such a swing, it’s, it’s... black and white, and i

would really like to work in this genre, i also have ideas, so, with the leading actor, we have already... by the way, decided on the genre also, what will this picture be called? i really like the one word title, well, for example, filmmakers, firstly, this jargon, because only filmmakers can call each other filmmakers, if they hear it from an outsider, it’s insulting, i’m not a filmmaker, i’m an artist, but immediately in this name there is a genre, it’s a comedy, filmmakers, these are these advertisers, that is , something about some. there will be something funny about the hindus. dear tv viewers, as soon as we decide on the title of the film, we invite you to the main cinemas of the country.

about people like my guest in the cinema environment. they say young before early, he came early to profession, he started making films early, he made his debut in feature films early, now his film opened the festival of leaf fall, early again, who knows, today director kirill khaletsky is my guest. kirill, hello, kirill, recently your film was shown at the opening of the falling leaves film festival, uh, i remember that when the falling leaves were opening, the films of govorukhin, todorovsky, yes, it’s a great honor, how did you do it? - it seems to me that many circumstances just worked out in our favor, i told the film crew, among other things, that we all we ended up here for a number of generally random

reasons, that is, someone was just lucky, someone joined us at the last moment, but nevertheless, these were accidents that were not accidental, also due to leaf fall. that is, when we just started filming, we understood that, in principle, according to the timing, we would finish somewhere in october, we needed to get to the leaf fall, but no one could have predicted that it would become the opening film. then the next question: kinushniki is your feature film debut. how to make sure that they give it to you at 22 years old budget money and were allowed to make films. it seems to me that again, accidents are not accidental, and this. it was something like an experiment, that is, i successfully graduated from the academy of arts, i already had some victories in international festivals with my short films, they were also awarded presidential awards, that is , in principle, i was rumored somewhere in ministry of culture, and the moment of distribution has come, i’m not

sure how i could roughly guess where i can work, but here vladimir calls me mikhailovich korachevsky offers this option that there is... an opportunity to assign a young director, a special structural unit of a youth film studio will be created, and that i will be the first to launch this studio, so a small core has gathered for us, i was assigned immediately there was talk about the fact that i would have the opportunity to make a debut full-length film, in general, i immediately understood this , i immediately understood the burden of responsibility that fell on me, during the filming process the management saw that young people were able and i would like to note that this is not only a director’s debut, there are 24 debuts in the film, it is a cinematography, sound and director’s debut, there are many acting debuts, the costume designers are all debuts, and the young group did it well, and the film is now receiving very

favorable reviews, like from experienced filmmakers, from management, and we can say that our film will help other young filmmakers come into this field, that is...

a hand with two different opinions, yeah, and sometimes you just had to navigate somehow, yes, but i really liked this one working with ivan pavlov, because i didn’t know him before, he acted as such a creative spiritual mentor, that is, he practically did not try to modify my script, he only tried to improve it, that is, initially there were very heated debates on this topic, but then i realized that... that after all, a film studio is work in a large team and this is film production, there are workshops here, there are

responsible people, there is a contractual relationship between the customer and the performer, so the longer i was there at the film studio, even more so i understood how it should work. kiril , after all, writing a script for you - it was such a difficult task, painful, or was there some kind of creative inspiration in this, i can say that it’s harder than... writing a script, just rewriting the script, that’s this also applies to editing, i’m just like an editor, i can say that editing is harder than editing, only re-editing, that ’s why writing the first version was quite fun, fervent, as if we were enthusiastic, the second, third, fourth is still ok, but by the twelfth we have already started fizzle out, did you perceive something from what was happening there, yes, in general we were just trying to figure out some tails. previous versions, because in the new versions they simply might not fit, but everything is fine,

the main thing is that we did everything, packed everything, entered the filming period with a calm soul. your film crew is quite young in composition, it turns out that age did matter, including, i liked that we didn’t have any negative interactions with each other, no matter how young you are, listen to us, this didn’t happen, vice versa, the young ones learned from... and the older ones from the young ones, and i liked that the more experienced age part of our group, she was responsible for some technical, some administrative parts, and the young one was responsible for the creative components, so in this tandem we are very we worked well together and there really was an atmosphere on set, well, semi-family, we all became very good friends, we all communicated well, and most importantly, this atmosphere, kind, easy, relaxed, was transferred to all the material. and after watching, the audience is now also noting this, well, it’s a super kind, cool movie, very

light, it’s very nice to hear that, but how did you build relationships with the actors? for me, it was probably important that the film had some kind of star, so that at least at the level of advertising it could hook the viewer, but realizing that there was not so much funding for a debut, i was very skeptical about belarusian actors, but in fact... i looked at about 200 actors, maybe 250 for different roles, and i realized that in belarus there are a lot of talented, really talented actors, with a choice i was almost immediately sure of the main character, in some places we immediately wrote for him, everything was fine, it was very interesting with the choice of actor for the role of alena’s father, this is the role of an avid filmmaker who loves to tell stories, this character.

choose an actor, we just once again there was a week left before filming, we couldn’t open different theaters of the republic, and i see this type in the vitebsk theater, i select this actor purely from a photograph, there is no opportunity to come to minsk for auditions, we do remote auditions , the first tests were just failed, but i still believed in him, he's funny. we got on the phone, i set him a task, he did the second tests, 100% right. the belarusian balcony, it is the most important for western countries, they will not leave us alone, so we need to prepare, consolidate within the state, carry out our...

we are going on a trip to belarus. dear friends, welcome to novostarobensk. few people know, but this is what the city of soligorsk was once called. now the only reminder of this is the inscription on this stone, which symbolizes the beginning of construction cities. with us you will receive a charge of positive emotions. i attended a variety of

master classes, very different, but honestly, this is the first time in my life that i have seen something like this. i tensed for a moment, because our mishka fedor began to stand straight under his paw like that. visit the vibrant sights of our country. there are two museums with amazing exhibits here. agree, such rarities can now be seen only in soviet films. girls love to decorate the world around them, and i am no exception, so there will be such a painted we have a candle. look in the program. the route was built on the belarus 24 tv channel . each director has his own method of working with actors, some show it themselves,

some try to explain, immerse the actor in the role, some do the opposite, in general ... since i wrote the script with my co-author, konstantin bakulin, a moscow screenwriter, and some textual things, specifically speech ones, were important to me, so when i chose an actor, we came to the set, he and i went over the text, and i understood, here this is exactly the intonation you need here, this is where you need it on the contrary, highlight this particular sound, and even a gesture, even a pause, we all.

this was another feat that our team accomplished, we made a movie in 21 days, this is a lot of funding for our film, that is , something colossal, this is something impossible, the output of an experienced director is 2-3 minutes per day, the output of there should be even less time for the debutant, a minute and a half there, so that you can swing, think, discuss how it will be edited, because i. i edited films, so we had an output of 5 to 10 minutes a day, that is, for this amount about screen time, yes, yes, yes, i’m talking now about screen time, at this speed it was important not to lose quality, but by the way, the experience of an editor and screenwriter, it gives me a complete picture of my film, that is, i immediately understand how i will edit it, the operator

understands this, so we understand with him some basics of editing, how best to film it. will it be edited, in the end i was a little scared to come to the editing, in case we were wrong about something, but during the editing process i realized that we did everything right, everything was very good, and the film came together, well, here we are the picture has been shot, edited, it needs to be shown to management, how did it all go? i understood that there were a couple of weeks left from the delivery of the film to the film festival, by the time the film was submitted i already... just wanted to go on vacation, and the film was accepted without my participation, that is, the group defended it before the ministry and they already informed me, that is, later that the ministry was very pleased, they applauded and laughed, which is important for comedy. in one of your interviews, you said that before you start making a film, you need to decide what we are doing

art or business, filmmakers - is it art or? it seems to me that here , for the most part, this is about art, that is , this is at least an order from the ministry of culture, but it was some kind of great freedom in this regard, and i could afford to make some author’s things, that is, this is an author’s cinema 100 %. that ’s why it seems to me that we were getting closer to art, but we understood that we were already making a movie for the audience, i immediately set limits for myself, our film should be 12 plus. you could come with your whole family, with your parents, perhaps there with grandparents, everyone had fun, so yes, we fell into this age category, price, everything is fine, we... didn’t go crazy, everything is fine, that’s why i can say that we tried to please both , but as creators, they tried to approach

art. the film has been shot, edited, what is its future fate? is the film expecting a big release? absolutely definitely, from december 14 we are going into wide release, and it will not be limited only to belarus, we want to expand into russia. movie screens, perhaps we will affect other countries, neighbors. it seems to me that the most difficult time for a director is when the film has already been shot, edited, when ratings from viewers and critics have already been received, then a very difficult moment comes, and what next, as in general, not to fall below that level artistic which you have already achieved. well, of course, the task of the maximum is to keep the bar in the next ones. projects, but still at the rental stage, that is, at this time, i already understand what i will work on next, that is, i already have thoughts, we are already starting

work on the next projects, kirill, i can’t help but ask you, this is what, when at the age of 22 you are given the opportunity to make a big movie, well, this naturally causes some conversations, there’s probably some kind of envy, that’s you have you gone through this? i’m talking about myself, as it were, but i can say for my part that, as i said earlier, my experience will allow me to attract more young people, in this regard i do not refuse anyone, on the set we had a lot of students who were simply interested, we included them in the filming crew groups there as some kind of assistants, but they were very interested in understanding how cinema works and in general to understand whether this is their profession, after experience...

i just don’t like it, but this is subjective, i don’t agree here, well, you mentioned - praise, you love praise, does the number of festival awards matter to you? hm, probably not, well, it’s like when i started receiving the first awards, that’s when there was an event, it was an event, while still a student, yes, i somehow understood, wow, this this this needs to be collected, collected, but it's stimulating. right, you see, on the one hand it stimulates, but at some point, uh, i was chasing some kind of collecting awards, they just ask me, why? and a good question, uh

, just to put it on the shelf, well, well , no, not for that, probably, yes, during some film festivals you meet people, you discover new countries, that’s all good, in which -at that moment i thought that these awards would help more for producers, like... yes, you will already encounter producer cinema, this will also help you, but it helped me just to get noticed in my own country, that is, these awards helped so that they knew about me at the ministry of culture, later at the film studio, and that’s how they helped me, at this stage the awards are now, well, my mother likes them , my mother has a house, by the way, who do you show your work to first of all, whose opinion is for you? in any case, i try to make my relatives the first spectators, that is, even at the filmmakers’ rough screenings, i invited family members, even there it’s closer to the reception

film, we are several. they showed the commission versions, different versions, and i tried to invite, well, for example, my mother, she really only wanted to go to the premiere, but i don’t want to see, only at the premiere, only the pure version, okay, but relatives, it seems to me, not quite they can evaluate you objectively, well, in any case, they love you , everything is fine, you’re great, ivan pavlov, this was a super expert opinion for me, because an experienced director, again for me an expert opinion is my course master, also, well, a lot of experience in this profession, well, in general, expert opinions on the film studio were enough for me, because filmmakers watched the film and it was very important what they said.

we introduce you to the architectural memories of belarus from different eras and centuries. here we are trotting the french baroque with elements of saxon embellishments. the palace itself is unpainted, the great jumper. byzantine architecture, which had passed its time with a bang, began to float on the ancient russian style. і all that is rightly guessed by the kanza 19 stagodja. geta uzho tsalkam palitichny project. let's look at their history and basic facts. gets cartouche, not looking at changes in time, wars, different penal codes, could acquire two heraldic plots. the softening of such a cartouche was just like the calling card of sunny. uyaulenne, hto gaspadar, chy geta budynak. the pseudo-russian style is given to such people by their own metas, theater, as a center, public events by

the living people who live in belarus and do everything for its development. broadcast 24/7. a project that everyone should see. watch us every friday on tv belarus24.

kirill, we talked about your cinema, and now let's talk about someone else's cinema. i think that any person, director or non-director, is characterized by what films he watches, so what films do you prefer to watch? before we started working on our film, i understood that we were focusing on our audience first and foremost. i can just name my favorite director, to whom they send a lot of film makers. balabanov, if we are talking about domestic ones, this is probably balabanov, you are a stoker, this is a stoker, this is blind man’s buff, this is a very nice french movie, brother , a french comedy, and i can also tell you an interesting fact: when editing the windows, i edited it in 9 days, by the way, i edited 117 minutes in 9 days, you left the editing room, naturally, it was nine working days , here, but when i edited

it, it just came out... and the cameraman and i came to the screening, he even watched it three or four times, that is, he liked it so much, i only watched one, and i was just worried about my montage, what if i did something too early, what if i saw it hollywood editing, how clear and sharp it is, it’s such a mess of shots, plans, and i realized, so i literally sat in the cinema learning editing, after watching it i came in the morning and reassembled some...

do nothing, just watch movie, only now i understand how it should have been watched, do your filmmakers have more fun, humor or sadness? you know, from scene to scene it’s simple, maybe somewhere there is not such a super peak of humor, we have specific jokes and gags, but the feeling of some kind of bright smile does not leave your face, you just feel good, so i would call filmmakers a lyrical comedy, like this, perhaps even something similar to soviet comedies, when you just feel good, it’s very difficult for the director to watch his movie as a viewer. because they are worried about something, they are offended about something, it didn’t work out here, but i tried to simply switch off during some of the final viewings as a director to turn on the audience, and what do you think is more difficult, to make the viewer laugh or make him cry, make me laugh 100% make me laugh,

many people ask me about this too, why with comedy, comedy is the most difficult genre to start with, but it just seemed to me that it was right to start this path to feature films with comedy. it will be somehow more correct, because this atmosphere is exactly what i wanted to be a little frivolous, and well, after such a feeling , maybe everything in life is not so bad, maybe it’s just that i, as a person, like a director, trying to find only positive and even in a negative situation you can notice some kind of, well, not humor, but still there is something good in any case, well you are probably already approaching the last question at the end of our conversation, but there is such a concept: in directing, as a super task, this is what you decided for yourself, what should the viewer leave the hall with? i really liked that ivan pavlov, after watching the film, he said: “please note, and thank you very much to kiril, for the fact that after these 12

scripts, a difficult filming period, intense and editing, he did not lose the most important thing in his film, this is love, and pavlov believes that first of all this is a film about love, love for each other, love in cinema, that’s probably the most important thing, that it’s just to love each other, to be human, to love each other, everything, well, like mathematics is very simple, at the end of the film - preference is given not to awards, but to the family of this love , this warmth between each other, that is, this is the moral, that cinema is still some kind of thing, well, it’s more about work, but most importantly... i ’ll say this too, again when we meet the group, once again, a movie is not made by a director, a movie is made by a group, this group, these connections, you can’t lose it and you can’t , you can’t spoil it, the program is called the meaning of life for

you, what is the meaning of life, it seems to me that the meaning of life is to find your happiness, and for everyone it is different, but try to find your happiness, i really like how... leonov says, evgeniy leonov, that happiness is when you want to go to work in the morning, and go home in the evening, take care of your family, constantly be in contact with your family, because now we have become very rare to meet , call, sms, sms everything, there is no time, and then the person may no longer exist, this is probably the meaning of my life - to find happiness and some kind of inner zen for the fact that i do what i like, and there are people around me whom i love, and who love me. thank you very much, this was the meaning of kirill kholetsky’s life.

how saints help believers with their invisible power. it is not the saint himself who is the source, he is the conductor of our prayers, he is the intercessor before god. why do people change their lifestyle and go to a monastery? there's something in my heart it was said that one must leave this secular life, just as the grand duchess in her time left a luxurious, rich, secular life and devoted herself to monastic work. just as faith gives strength and supports in difficult times, our prayer requests to the lord, mother god and saints should be aimed at acquiring spiritual virtues, at...