a day for hot soup. there is no talk about studying. zelensky’s ukraine is like this now. snow on the subway, ice on trains. a video has been circulated on the internet of a kiev metro car being covered with snow on open sections. he literally sweeps people away in seats, on the floor, and on the way. the metropolitan capital nezalezhnaya still mainly uses soviet cars that require maintenance. without it , the air intakes suck in snow. however. users joke that ukraine is the first in everything; the country even has the first convertible cars in the metro. it's already a train long-distance, one of its cars is a real refrigerator, snow in the vestibule, icy windows from the inside, insulated with rags. well, you can make a horror film frozen, they write in the comments. not to stay in the country, about 12 tons of humanitarian aid were collected by the public association belaya rus for the children of donbass. in boxes there are toys,

school supplies, food products, sweets, hygiene products, medical products, this is aid from minsk and some areas of the minsk region, and also today another 3 tons of cargo arrived from the gomel region, the parcels will be sent to the addressee on monday. every day , humanitarian aid will arrive from the regions of our country, volunteers work here, we store it, sort it, and the first vehicles will go to donbass next week. such an impulse. throughout the country to provide assistance to people in need, especially children in the donetsk people's republic and in other areas of the russian federation affected by military operations. volunteers help in collecting unloading loads, these are students military academy and students of the university of economics. the individual race at the russian cup stage in izhevsk ended with the victory of belarusian dmitry lazovsky, our biathlete left everyone behind him.

including olympic medalist eduard latypov. lazovsky made only one mistake on four firing lines. well, literally at these minutes the belarus 5 tv channel is broadcasting the women's and individual race, so we are cheering for ours. more information. my colleagues at 15:00 on our air. all the best.

socio-political talk show in essence, in the studio alena sirova, kirill kazakov , today we will talk about culture as such, let’s remember the president, his words that he said at the awards for spiritual revival, here is alyonin’s term, probably cultural sovereignty, let’s find out what it is? hello, let's get started and i'll remind you that you can join. to our program, here at the bottom of the screen there is a qr code, point your smartphone camera at it and join our youtube broadcast, here, here is another qr code if you join this telegram channel, then you can read what is happening behind the scenes of our program, in fact, how we think about this or that event, good evening, well, in general, kiril has already said that... the very one was born

during the award ceremony for spiritual revival, when the head of state spoke very succinctly about cultural sovereignty, then, well, those who were present in the hall became witnesses, spectators, of a very, very beautiful action, which was literally there, about one and a half - it lasted two hours, but the scene was so quintessential just the wealth, the cultural wealth of the belarusian people, which is... music, and dances, and ballets, opera, and what not there was, even the voices of belarusian classics, our writers, sounded, and so, willy-nilly, that’s how- then i thought, well, we have our own, yes, that’s what we can be proud of, there’s so much, it’s hardly possible to fit in, even within the framework of one program, within the framework of one evening, but we’re talking about the protection of sovereignty, lately this quite a common concept, we say,

economic sovereignty, military sovereignty, electoral sovereignty and so on and so forth, well, of course we will now speak from the point of view of the average person, well , an ordinary person, what will they say to you , what is called the most banal movie, we

open the poster, yes, we listen to what they are saying, people go to the serfs, people went to the bremen musicians, this is not the worst, in general people went mostly...

i advocate that our belarusian, it should be at its best, especially since you yourself said at the beginning that we saw , how many, diverse, and what we have very cool, therefore, we must talk about this, who else but you and i should talk about this, because not everyone can buy a ticket or attend this or that event, not everyone is a journalist, due to busyness, due to distance, understanding.

culture, yes, that is, well, this is one of the accessible places where you can get a social lift once and, you know, as accessible as possible , the semi-passing score for this specialty you are talking about is 344. therefore, this also requires a lot of preparation in order to enter this specialty, and culture or art should also be led by literate people, that's why we , by the way, have preserved the system of children's art schools, it helps prepare a well-mannered viewer who will come to the same more, perhaps he will not be able to dance like igor kolp, this man who studied choreography, for example at the pinsk school of arts, but he will at least understand what the work is, what the specifics are.

you actually came from the street, you received a certain star rating for the streets they also come, many of them, many in principle

talents that were found out of nowhere, well, it just seems to me that igor pavlovich would have been a star here too, even if he had stayed, he just graduated from college when there was still practically a soviet, well, space, just if we talk about belarusianness, how much it plays, left, returned, yes, it plays a big role, education plays, art schools play, colleges play. because in all the outbacks of belarus it’s difficult to say who we have according to statistics, irina vladimirovna, it’s you, how many training facilities we have institutions, universities in order for the same identity to take place in principle, i’ll rather explain kirill’s question, well, in a simple way, it’s always been the same with us, which means, went to moscow, went to st. petersburg, well, to the capital of a once large country, that means he studied there , so now, of course, the fact that when he came, he came, he... returned, which means 100%, he is a thousand times more educated there, better, of higher quality, we would rather give

preference to him than let’s say we’re there for his, is it ours or theirs, well, igor learned from us, it’s clear, i’ll imagine very bright today simple, why simply because belarus is about 10 million, and russia is about 140, it’s 140, naturally, the number of viewers, a person’s popularity grows from the number of views. i’m in moscow, she returned to belarus , because that’s what we’re talking about: russia is big,

belarus is small, and we are happy that she returned to belarus, now she represents the big theater, but not only daria gorozhanko , every year we arrange castings for opera troupes, russians come to us without belarusian citizenship and education, and they want to work in the big theater of belarus, literally tomorrow we have a casting casting, we have several representatives of the russian federation coming to... in the big theater both before the war and after the war, it was such an international cast, in a global world, just look,

how in this global world, when we say once again that we are under some cultural, informational influence, as journalists, as artists of russian show business, russian art, we still find something of our own, well, for the best thing for me is when a ural guy comes here creates songs, yes, that is, this means he found it, he...

that interest in real art, regardless of language, nationality, always exists, when this is a high bar, then well, we understand perfectly well , and we also talked about this with you, that if we suddenly set ourselves a task there and compose the entire repertoire only from belarusian works, then for sure, well, globally we will lose a very large number of viewers, not only do you like to eat potatoes, you like to add salad, meat , tomato. a opera, ballet, after all, this is a world thing, a world treasure, a treasure of everything, these are composers of the italian school, french, german, russian, we have bilingualism in the country, we have russian and belarusian - these are our two state languages, this year pushkin, we will have a premiere of evgeniy negin, we dedicate, we will have a mini-project of pushkin’s fairy tales, a huge repertoire

of russian classical opera in the bolshoi theater, i invite everyone, prince igor, in february i will perform the role of yaroslavny.

in principle, it didn’t exist, as i understand it, before defined until this year, and thanks to the eightieth anniversary, we really at this stage have come up with a form in which it is possible to submit a certain synthesis of perception as playwrights, we must pay tribute to the composers and wagner and glebov to a large number of compilation works, both dramatic and musical, including and ballet based on belarusian literature, namely our heritage. therefore, of course, by june some new form will be released, which today allows us to talk about what has been done here, shaped over centuries and how it will be presented, well, if we say that they come to the big theater for world art, but then the gorky theater, well, among the people the russian theater, we can

say that of course they come for russian art , listen, well, chekhov is also a world classic, world classic, come on. absolutely, absolutely correct, absolutely correct formulation, of course, russian theater, russian theater, this is from the point of view of belarusians, from the point of view of russians we are a belarusian theater, these are the last tours, just unfortunately few understand, no, no, it’s natural, that’s it, but russians look at us in russia on big tours, they are interested in how belarusians see russian classics, that is, at this moment, at other moments we are all brothers and the same . but when it comes to the performance, they distance themselves, i wonder how the belarusians will show our ostrovsky, you see, and how the belarusians will show our chekhov, and before that the general one, the same thing

was understood... well, probably that’s it, i’m just saying what , people who ran away, they prove that that we are terrible retrogrades here, that everything that is being done is either some kind of soviet concept, or something unfinished belarusian, here they are, when they did some performances, something else, it was just culture, which we almost lost, again, well, we can say that...

you know how, they can think whatever they want, as in that joke, we don’t think about them, that’s why here in the competition, ballet competitions often this and that performs there, but this one does not participate in the competition, but you just have to do it, and not look back at what someone he says, because if you read everything, what and what should they do now, where we see now here rather, you know, the moment, here we are constantly, when we talk about education, about history, about art.

avant-garde performance, the hall was not full , i won’t name the theater now, of those invited there, 30 percent were, in general, people who did not buy tickets, i saw people leaving this avant-garde performance, although then i saw a positive thing, this is what he says sergei mikhailovich reviews and so on, by and large you still can’t fool the viewer, you can’t well, then they will say that it was just that the viewer was not like that, wait.

support and glorify the so-called artists who will begin to hammer into human consciousness: the cult of sex, violence, sadism, betrayal, in short, all immorality, government we will create chaos and confusion. they perceive the point from the president, but these are the responses, which, in general, was the initiative of the head of state, the sixth point has already been implemented, but this is relatively new for the republic of belarus tradition when students.

political, let's say, propaganda, polarization, she popularized belarus and our achievements in all areas. belarusian is beautiful, belarusian is ancient with a rich history, belarusian is rich, belarusian is high-quality, that’s why it is called in all spheres of society, that is, it concerns not only professional art or everyday culture, it also concerns industry, and trade and our speech, so

in order to immediately shut up the opponent’s mouth, they they will say that this was socialist realism under stalin, when everything was permeated with this very concept of socialist realism, everywhere we talk about belarus well, i agree, but it’s just better, let’s remember the not so distant past, without going into the forties, fifties , let’s let's remember the 18-19 years of our century and the notorious projects that everyone remembers tyart, which sergei mikhailovich spoke without remembering, without remembering, and the previous fall of leaves. for me personally it’s a shame, probably everyone was somehow to blame for this, overlooked, that, for example, a whole generation of directors or a whole generation of theater film directors passed away due to the fact that they were fooled by the idea that if you want to win, if you want to become famous, you must do like europe, and like europe , dirt, yeah, it’s bad in the country , it’s dirty in the country, well, remember one notorious film that was almost nominated for an oscar, remember about one of our provincial towns,

where you gave your salary in crystal and how everything was. art and that the more pope, but here only a narrow circle of the elite will appreciate themselves , everything else doesn’t matter what these people brought to our culture, they don’t remember anything, they don’t remember their films, and most importantly, these people don’t exist, what the culture has lost from this, i think it’s also lost a little. they said, oh, this thin, thin layer of refined intelligentsia is coming, there will be nothing to show, there is something to show, recently - not one of the premieres, the premiere performance, in the theater directed by sergei mikhailovich, with ivan ezhigan, a most complex work, an idiot, everything plot the lines are open, the performance lasts for 3 hours, the halls are full of young people, and the prize that was awarded to ivana and the theater is not only a tribute to her merits, it is simply real

popular recognition. nothing is lost here. believe me, this is not the biggest problem of belarusian culture. cinema is two things, the past must serve the present and the future, that is, all the great history is selected, rises to the top, what highlights our dignity in the present and inspires the future, the second is about china and chinese citizens, okay, i think

that this is very, but how our cinema is developing, so we say, remember, we had a program, remember last year’s premieres, some were so iconic, they collected more.

television is not the same as russian or , for example, our culture is not the same as russian, you always answer that belarus is, in principle, a european country, let’s compare it with hungary, slovakia, slovenia,

the baltic states, this is a country that is developing its culture on this territory , it’s clear that it’s still in the global world there is no different from the european one, from the american one, from the russian one, and we live in the same thing, that’s where we are for sure.

from the point of view of cinematography , he plays there, well, maybe he doesn’t relate very much, but that’s how you like it, this is dirty, beautiful, it should be perfect , that’s the boy’s word, it’s just now a phenomenon of the russian-speaking space

, it’s a phenomenon that’s true and you need to learn how to create such phenomena, i just want to say, in addition to sergei mikhalovich , that after aristotle i changed a little aesthetics except. i watched it in full, waiting for the final episode to come out, for me it was key, there was pain for these people, in general, despite the fact that it was shown dirty, i didn’t see any romanticization of violence, which is what this project was accused of, it is made of very high quality, like a work of art, although one opponent said that i should not confuse it, supposedly there is mass culture, art is something else, i say again that it’s all there. done to the highest standard, you know,

starting from the work of the producer, the work it’s hard to find a director who is already of greater authority in cinema, probably russian, than nikita sergeevich mikhalkov, who says that maybe we should learn this, because of course, if there is a struggle between the best and the beautiful, then it will be so the notorious socialist realism, when the leaders of production are struggling, this is not the worst time for art, in fact. i say again, socialist realism is a wonderful direction that also needs to be studied, but there are simply different approaches, and boris andreevich, from the point of view of belarusian literature, of the belarusian language in the belarusian culture, what is the period of flourishing, rise, i tried so hard and yes, well, let us... from the other side, with

which we can paraunat, that's when we will become violent and some past hours, savetskih hours, yashche and more, then this will be like a roskvit , occupation of something else, let’s remember the history, history, for example, care for the warehouse of rechy paspalitay, then the situation, in belarus i'm the land of the teritory end of the 18th hectare...

sapraudny chalavek, you can't ruhazza further, and the magic thing is to read a certain pavyatovaya newspaper - geta dastatkova for you budze , and then here's the other one on the right, and then let's go, let's do it right now , so we have a lot of trouble, i think that the admonishments here for two hundred years are inappropriate this, we live in a situation , whether we farm it, we create it, and all the way here to... this program and

every support of our colleagues, scholars, prominent members of belarusian culture, i still wonder the same thing to myself. y ab tym i tortured ab tym, who farm the getas national sovereignty of this culture, and my thoughts on this in terms of, i think, it will be good for both you and our tv presenters and those who farm. ancient cultures and traditions, changes in their values, in their words, in their rights, in their images of the creation of sovereignty, and then there is another very important, original such entity: these verenitet, he paid a lot of pride for us, for belarus, for our traditions for our cultural decline, as it was, there is also farming at once, and

all farming is all this, this is not so simple, like the mass of pharmaceuticals, madness, hell first month, our dear adukatsyya , the system ўsya, which is basic and zeynichaya , it has a taxa knowledge, this menavita of mind, and yashche adzin moment, this science, this science is serious... in the end of the day we go, we go and farm our way sovereignty and independence in this regard, there are many different tortured, different aspects, well, for example, as we adore the classics, the classics of the italian, and french, and german, we are, we are all sovereignty, we are here abme we regret ourselves and will only ў getai

vyalik, do not confuse the sovereignty, in these minds, if we have the internet, we have the most diverse information hidden in our minds and so on, but it is clearly there, yes, as we already have i farm, i hate i would like to jump to such

words as immunity, immunity, immunity, which will allow us all and the whole. handy cultural and ordinary people who go to the theatre, cinema, museum, to some exhibition and so on, feel and understand, this is for you, this is yours, this is not yours, but what i am, yours, ours, ours and others , many, many things here are taken care of at the warehouse, so i don’t know, i’m telling you on the test, i’m expressing my thought, perhaps, the force of thought is intended, but the immune system, by the way...

finds out this, yes, that is, even if we were, any country, well, let’s say, neighboring russia, remote regions, yes, where belarusians who left also live, descendants of belarusians who left at one time, resettlement, siberia, and so on, they, listening to these songs, they then come and say, now i understand, i’m a woman, i remember that i wasn’t a grandmother once, this is this is ours, look, they remember what their grandmother once sang to them.

just go ahead and slip into modern arrangements only, and it won’t really be

modern art, yes, but over time, it will lose that part of the original traditional culture, namely the belarusian traditional culture, which, anyway, on the basis of which it should be based, in its concerts , let’s say, we are great, we understand perfectly well that... any team in our country, that modern youth, they will not accept a two-hour program it turns out that there are singing grandmothers, well, that means objectively older people, no , in fact i’m young, last year the group had 70 concerts in belarus, and of them, well , more than half were in halls where tickets were sold specifically for ticketed events, 20-30% there were children, young people sitting, there were concerts where young people were sitting crawling, here you very skillfully

need to combine traditions that within the framework of one concert, let’s say our choir, we insert acapella things, traditional drop things that are recognizable and somewhere... these are very trends includes exactly the folk ones, well there, for example, yesterday i watched, preparing for the program, how the players of the russian national team took to the field, they came out in

such stylized boyar attire, but that was , yes, that was our approach, yes, that is, that means we understand, that babkina herself is some kind of combination, a compilation of modern and folk, and kosovorodka in russia is also an element of such a fashionable culture, at one point we say that everything belarusian is bast shoes. you can’t get hung up on one genre, one type of art, you need to see everything, everything right away, i’m not really talking about the state

choir, but about the zhenovich orchestra, we had a forum of all cultural universities of the cis countries, including the chinese, who came and asked to organize a concert of the choir, the zhenovich orchestra, only young students, teachers of creative universities sat, they accepted all this with pleasure, it’s just that, unfortunately, here we have...

in belarusian language, apranuzza in belarusian, adzin zen pazhyts pa-belaruska, parazmaulya paisci ў our not only cultural institutions, pasvyatkavat on holy days, sleep.

showed that the innovative nature of this document and the ideas of the ruler of the country, cultural sovereignty is not only on the right side of the culture, there are only the cultural spheres, no, here the cultural sovereignty of the cultural spheres tsi, and the spheres of our tavern complex, and rural gaspadars, and the ministry of government of taxam , because we are all creating for the electrical industry, we are all creating, it may not be as active as we would like, but we all have this concept, in the plan, which is what we are giving, we are, so to speak, greened up... our gardens, as i am a pavina education and care, because culture is what it is, what it is, what it is, what it is, what it is, what it is, we are trying to grab our current citizens from you, what are people’s cultures, and what are people’s cultures? in belarus, i am in this connection here is a great important thought, i would like to get rid of it and smell some water, comments,

magchyma, and essence. i will never forget some important aspects, such important moments, i will never forget this meeting, i will attend the conferences, and there on the sidelines, at the stage, i’m screaming and prastaўnіkoў different national science colas, at your face and race, and i give a lid to such humars torturedly, as i say, as a caress, well, for the belarusians, who

also mean us belarusians, well, that’s the bulb. i’m there, and i’m there, and i’m drinking, what’s there , matroshka, magchyma, garelka, magchyma yashche stostsi, you know what i’m smelling, i’m smelling such words, for the sake of which i’m simply silent, for us we salute the signs of the race “it’s the powerful government of the president, the powerful army and the two-gallon arol, and now let’s take a look at what we have here in sustretchy... tsudonnaya zhanchyna, tsudoўny chalavek i kіraўnіk, rektar university of culture and art. piglyadzitsa, kali weasel, on the right is what i am, well, doing, working in this establishment, you are no less in contacts, this is such a weak field, which has no name and partitions of some, and i know such moments, here is our present day padzeya, kalyadny sustrechy, kalyadashchyki, supracouniki mago addzel,

whom i kіru, sabralіsya, apranulі. our own fights, which could be known, from the kazu, from the gypsy, from the dzed and so on, and we went to the addzels, to how and so far, who would? to the galloin cappers of this getag natalya pilipchuk, the extraction of the university of culture, is so good for everyone, and so clever, hatsya ya rykhtavali ўvogule, yana restaўratar on your aba knits, but you are no less. as it is necessary to dig up such a specialist, so that not only all these old-fashioned forms, paws, anuchs, and so many other things will be saved. how can we manage this new cultural situation? this is not great, it ’s not simple, it’s not simple, and this is a question for yourself, how caress, tortured, how we look at fashion fashion, we mostly, well, for example, the fashion of india, and

we clearly understand that this is how it is, we mostly look for fashion there, for example, china, the current fashion, the current, you, from which you can pay on the way, on the street, which they are belarusian, which one is belarusian?