996 people. this week, territorial district commissions began the registration stage. will everyone come to campaign? we'll find out on january 30th. this time, belarus learned from the experience of previous election campaigns, including in security issues. and fortunately today only archives remind us of what happened on the streets of minsk in the twenties. this exhibition once again answers the question: what would have happened if the rebellion and coup had taken place in the twentieth year.

exclusively national interests, this was discussed this week at a meeting with the head state, the same one where the governors and leadership of savmin were gathered, on this sovereign territory that belongs to our people, only we make decisions, and act only in exceptional conditions that are beneficial to us. belarus adheres to a clear route in its development, and even tightened sanctions did not prevent it from going ahead. exports were a record for the last 11 years, deliveries increased by a quarter, while poland can boast of only 7%; in lithuania, exports completely went into a stable minus. this is how i remember this week, see you on the air. dynamo derby in moscow, today the bisons start in the next away series of the khl regular championship and the first.

that’s all for me, let me remind you that you can follow the developments of events in the country and the world on social networks, as well as in our mobile application, qr code on the screen. see you at 15 o'clock.

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that i will soon go to a place from which they do not return, what awaits my team here, this is a question that haunts me,

look right now, i was not going to dance folk dances, in my understanding, even for the then childish mind of 9-10 years, here for... these are two stomps, three stomps and i wanted to be a ballerina, i saw my future only in the opera house, i graduated from the choreographic school, the classical department, i even stood on pointe shoes, i even had to solo in the bluer's waltz, as they said, the new one is more developed than you, valya there is no one, by profession a mechanic of instrumentation and equipment, we were prepared for lavsan, we were told that well, guys, teams were already created here before you.

calm, warm, when i worked here and went there to dance, wednesday, saturday, sunday, in the evening, this is the cultural center of the kirov automobile plant, my first steps creativity, when nikolai valentin ivanov arrived, a team was created, specifically vesnyanka, we all love the art of dance, we love seriously, we owe this to our choreographers nikolai grigorievich and valentina ivanovna dudchenko.

she was looking for the origins of the marlezon ballet and archival records led her to the territory of the republic of belarus, they invited me from the mogilev cultural department to work, we have a team, somewhere there, that means the leader is no longer there, the team is good, come, that ’s all. everything is as it was, everything remains unchanged, it feels like the only thing they did here was a major overhaul, but everything remains as it was in 1967, when i came here, at first. they worked here, but lord, you know it, it

’s still there, here are the machines, all these fastenings, fasteners, when they showed the classics, they told me: “fediya, you don’t need to show the classics, it’s better to show them.” our mutual favorite and the main discovery of the team , we think, in every dance he creates a bright , memorable image, but perhaps the biggest one... good luck to feda, this is the role of a clerk in a delicate codrille, that’s how it is all the time, this, this, then there was a dance in the hussariki, like this, here, at our...

they checked who was for and who was against, but they me they defended it, i already moved to minsk in january 1974, and on the 26th of january , i was in the small hall for the first time, and it was called seventh grade, i held my first lesson, the beginning of work on creating real belarusian.

in a good way, he disappeared a long time ago, it’s also my grandfather there on the drum, the guy on the harmonica, they performed well, traveled, there are those who continue the business in minsk, i saw it on tv a couple of times, and how many residents are left here, by the way, here in there are about 25 good people, maybe this is where the name of the village husariki dance comes from good girls from the mogilev region, nikolaycha, valentina ivanovna saw this and decided to bring it to life. this number is still being worked on with us, in the afternoon of

the ensemble in the fall of 1974, when kharoshki debuted at the belarusian musical spring. the way the goyaya started is unconventional. the focus was on building a folk program, a folk dance ensemble, because there was a very organic connection with music. what didn’t happen, it was very difficult for me in the team, why? because after stretched muscles, after work on pointe shoes, the first program in the goodies was based on folklore, all these are fractions, all these are squats, it was such a nightmare for me, suddenly valentin ivanna comes at the same time for a rehearsal, arranges the composition, it turns out a number, it immediately makes sense...

walk wider, tanya, more broadly, you are confused, there are no plots anywhere, but there are events, these events, especially in the soviet times.

i met this ensemble at the first concert and fell in love, i saw how these trucks with these trunks and costumes arrived, how solid and beautiful everything was, belarus, at least in general, it’s a small territory, but we have a very...

in slippers and woolen shorts, at that time we weren’t chasing money, we didn’t need money, they gave us dances, that is, we were interested in touring concerts, decorating various venues from the munich philharmonic, i, as an academic musician, was pleased to visit the site where herbert von karajan conducted, and here suddenly we presented our national art at such a high level. in that region, the kremlin palace also applauded, the impression of the sea, so at one time we gave about 120 concerts a year, we recognized belarus across the border, in america, when we worked in italy,

not only italians were at our concert, they asked, asked, but they didn’t hear belarus. filmed, filmed, there is already a small dekakt , there are large cinemas, but for an artist , for a professional, in our team i have always brought up this way, there are no bad scenes, all scenes for you are a professional scene, i bring them up every day, for this so that they understand what they are depicting on stage, they must very

there is a lot to know, but now many recreation centers have already undergone some major renovations. and almost everyone is wearing shoes, the stage looks decent, and there are no such difficulties , and there is lighting, and there is order with the sound, guys, orchestra, a little restraint, you have already driven, folk music that has lived here for centuries is taken, better than it was , you can’t imagine, the color comes from the combination of cymbals and cymbals when they play...

when i joined the team, i came as the second button accordion player, it was april of eighty- nine, something began that i don’t know, this is called the enigma of the soul, people come , master zhaleiki, valynki, sing, but in fact become multi-musicians, in 2007 i joined the ensemble, i worked for about a year and a half in the orchestra, we are sitting on some kind of huge treasure for us...

from smutku to vyaselli, so there is a lot of smutka in this concert, this concert is dedicated to the belarusian people who survived the war. and the post-war period, we do not plan bows there, the action goes from the first issue to the last, the last peaceful day,

the last date, the romance of life, when three couples, hiding from each other, trying to hide from prying eyes, finally war, but... accompanies their husbands, someone to a completely different world, there were many opponents of the way i write arrangements in folk style, stylization for orchestra , this is not according to the law, it is not written according to the composition, not according to the law of the genre, and now those who blasphemed me then are offering students right there...

creativity, look at the variety of embroidery on the sleeves, the most difficult thing, every time repeat what my son does, he understands

me better than anyone else, i profession: mural artist, i paint icons , costume was not my calling, i honestly want to tell you, those who worked before me went a little, as it seemed to me, not in... the whole stage costume of belarus, one way or another, this is a reflection, this that reminiscence of the costume that was in

pretty clothes, that’s always new, always unexpected for everyone, they try to keep up with us, but they can’t keep up, this is how people appear, don’t be opportunists, be chroniclers and be honest chroniclers. there was nobility, that means we we reflect this in our play the polotsk notebook, if there was paganism, we have the turov legend, a children's studio has worked and is working, because the continuity of generations is an extremely necessary part. programs, in our studio we do only folk choreography, the guys can directly

see behind the scenes, see. how exactly the second side of the coin happens, they work on material that is worked in a team, all the teachers who teach in the studio, vocals too, these are all the artists of the ensemble are good, and i sit sixth, love for folk creativity, to the origins to its roots, now it is very very intensely... blossoming in the soul, the youth too, if there was no love, they would leave, without tradition, without a basis, we will have nothing, there will be no future, because it is based it was precisely on history, on the life experience of previous generations, it didn’t just arise, songs, dances, costumes, the colors of these costumes, it was all dictated by life, it’s our function.

this is actually true, so when we came to this hall with shaking knees, it seemed to us that this was simply unattainable a dream, it turns out, you just need to try, and we tried and are already pretty under the skin, so it’s difficult to give up on this, somewhere there were some names that we are a living museum, but at the same time we have a very responsible and a serious function,

that is, people should know about their history and... should see it all, and we can give such an opportunity to the viewer, goodies - this is a certain philosophy, this is its way, probably, of talking to the world and the viewer responds, and we we give our all, as always, every city has its own audience and his sound is good , kobrin is receiving us very well today, thank you very much for the warm welcome, for the sincere applause, we are very happy about this reception, a full hall of spectators, our class, truly academic, the musician has the highest technique, this time, dancers, virtuosos, well done, the energy is enthusiastic, we just leave, we fly out of the hall , these musicians are all so spiritual

, just a special thank you to them , we really enjoyed it, we dance ourselves, we gained such experience, they are so positive, active, we really liked it, i just got back from china, and really missed my native culture, you feel such emotions , you are proud of your country, it was very pleasant , well done to the team, i really like the fact that we do everything sincerely, with love, this is a two-way process, remember it’s written on the face, that i’m a squeezed lemon, yes, but during the nemevsky concert i managed to recover, even i came with...

i’ll give orders, sit on the porches and relax, look at nature, anyway, it ’s enough for a couple of days, a lot of destinies have happened here, families, a lot of children were born, was born, and those who worked here for some reason left the team, well , moved to another, started doing business there, somewhere, uh, from dancers, several lawyers turned out good, they just, they say, we, we want to come back , somehow...