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tv   [untitled]  BELARUSTV  January 21, 2024 7:20pm-7:51pm MSK

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first, we’ll take a photo, they’ll introduce belarusians to the cultural characteristics of their countries, well, they’ll be punished, let’s try it here, yes, all the equipment here is different, look, in the project, like at home, on our tv channel. watch everything that modern belarus lives today on the belarus 24 tv channel. this is news from a foreign country. broadcasts of particularly important events, live broadcasts from the scene . current interviews with famous
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there is a collective, an ensemble, khoroshkin, we don’t need money, they give us dances, khoroshkin assembles the most brilliant foreign auditorium, we went to thatcher herself came to our concert in london, she came and said: “bravo, bravo, bravisimo, what they scolded us for is now being adopted from us, it’s sad that i...” “soon i’ll go
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to a place from which they don’t return, that my team is waiting here, this is a question that haunts me, look right now, i was not going to dance folk dances, in my understanding, even with the then child’s mind of 9-10 years old, these are two stomps, three slams,
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i’ll go to my boiler room, i’ll return to my native mogilev, i say, i’ll work at the boiler room, well, you see, for 50 years now, the collective exists, reminders of my past, you know, the past of my youth , there is still a living pipe left in this boiler room, i worked before the army, somewhere until the seventies, the work was good, calm, warm, when i worked with...
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in general to work with the population as a person from culture, for a moment, while still studying in st. petersburg, valentina ivanovna was looking in the archives for the origins of the marlezon ballet, and archival records led her to the territory of the republic of belarus. they invited me from the mogilev cultural department. to work, we have a team, somewhere out there, which means the manager is no longer there, the team is good , come, everything is as it was, everything
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remains unchanged, it feels like the only thing they did here was a major overhaul, and so everything remains as it was in 1967, i came here and there, at first they worked here, yes, lord, you know, it’s still there, here are the machines, all these fasteners, fasteners, when they showed the classics, they tell me: “ fedya, you don’t need to show the classics, it’s better to show the folk ones.” fedi balobayka, our everyone’s favorite and the main discovery of the team, so we think, in every dance he creates a bright, memorable image, but perhaps fedya’s greatest success is the role of delicate clerks.
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the best group in the makelevsk region, it was very difficult to get into a competition somewhere, a festival, especially a republican one, a competition was announced for the best belarusian act, the merry woman won this competition. polka on the left, polka on the right, they began to look for who put it? came from minsk, from the ministry of culture and from the philharmonic, we found me, after a while i was already working at the philharmonic, why the pause, thank you,
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there shouldn’t be any pauses, we’re all standing in our places, ready, the score, the performance of one of the most popular ensembles in belarus.
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this is also my grandfather there on the drum, the guy on the harmonica, they performed well, they traveled , there are continuers of the business in minsk, i saw it on tv a couple of times, and how many residents are left here, by the way, there are about 25 people here in the shells, maybe that’s where it came from name of the dance
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of the husariki of the village of khoroshki, mogilev region, nikolai grigorevich valentin ivanovna, saw this is what we decided to bring to life, and we are still working on this number. the day of the ensemble's celebration was november 1974, in kharoshi.
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and gave it to the betrothed, i’m not making anything up, i’ll read something like that, they’ll tell me something, they’re walking wider, you’re confused about something, there are no plots anywhere, but there are events, these are the events, especially in soviet times , the harvest festival is there... that means the first furrow, here and there, the last ear of corn was gathered there, all
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the events that i attended were there these events, in general , you study people, you understand what makes them happy, and how they look at it all, each performance is a small performance, this is what touched my soul.
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at that time we were not chasing money, we didn’t need money, they gave us dances, that is, we were interested in tours, concerts, conquered various venues from the munich philharmonic, i, as an academic musician, was pleased to visit the venue where herbert von karajan conducted, and here suddenly we presented our national art in that region.
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filmed, filmed, there are already small scenes, there are large stage theaters, but for an artist,
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for a professional, in our collective i have always raised them this way, there are no bad scenes, all scenes for you are a professional stage, i train them every day in order to they understood that they were portraying on stage, they had to know a lot of things, but now many cultural centers have already undergone some major renovations and almost everyone is wearing shoes and clothes. the stage looks decent, and there are no such difficulties, and there is lighting, and there is sound order. guys, the orchestra is a little restrained , you have already driven it, we take folk music that has lived here for centuries, you can’t think of anything better than it was, the color comes from the combination of cymbals, and cymbals, when they play with inverted sticks, they ground, a pipe or flute, let them play almost
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non ligata stakata, this is my creative laboratory, when i came to the team, i came as the second button accordion player, it was april of eighty-nine, something began that i don’t know, it ’s called the enigma of the soul, people come, master the pity, bolinki, sing , but really becomes. in 2007 i joined the ensemble, i worked for about a year and a half in the orchestra, we are sitting on
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some kind of huge treasure, we just need to manage it correctly. yes, we were sometimes told that you have a lot of lyrics, but this is our belarusian soul, we cannot only rejoice, we also identify the problems that belarusian women have, purely everyday problems, but they exist, and we show this in our performances. from smutku to vyasell, so there is a lot of smutka in this concert, this concert is dedicated to
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a belarusian who survived the war and the post-war period. someone is in a completely different world, there were a lot of opponents of the way i write arrangements in folk style, stylization for an orchestra, this is not according to the law, it is not written according to composition, not according to the law of the genre, and now those who
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blasphemed me, then that’s where they offer students, look, this is a sample of how to write. now it’s just some kind of large-scale epidemic, because the further we go, the more, what we were scolded for is now being adopted from us, the search for a suit is taking longer, what, what music we find , there was a lot of research work, the horoshka ensemble is famous for its unique costumes, of which there are more than 900.
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they accepted this idea, the goyaya went crazy, dressed the dancers in these dresses, how can you dance in them, it turns out, you can , the entire
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stage costume of belarus, one way or another, this is a reflection, this is a reminiscence of the costume that was in pretty clothes, which is always new. always unexpected for everyone, they try to keep up with us, but they can’t keep up, this is how folk people appear, not to be opportunists, to be chroniclers and to be honest chroniclers, were the gentry, which means we reflect this in our performance polotsk notebook, if there was paganism, we have the turov legend.
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love for folk art, for the origins, for one’s roots, now it is blooming very intensely in the soul...
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of course, time dictates its conditions, there are modern dances, i would say leisure, i probably don’t see myself in modern dances there , since childhood i dreamed of getting into this wonderful team, so prestigious that when we were green even at the university, we were told by the goodies - this is a tower, and we believed that this is the best, and it really is and... therefore, when we came to this hall with shaking knees, it seemed to us that this was simply unattainable a dream, it turns out, you just need to try it, and
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we tried it, it’s already pretty under the skin, so it’s difficult to give it up, somewhere there were some names that we are living museums, but at the same time we still have a very responsible and a serious function, that is, people should know about their history and should see it all, and we we can give something like this... we can give it to the viewer , the thresholds are a certain philosophy, this is its way, probably, of speaking to the world, and the viewer responds, and we give our all, as always, every city has its own audience and its own sound, good, very we are received well today kobrin, thank you very much for the warm welcome, for the sincere applause, we are very happy about this.
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such an experience, they are so positive, active , we really liked it, i just returned from china and really missed my native culture, you feel such emotions, you are proud of your country, it was very pleasant, well done to the team, i really like the fact that we do everything sincerely, with love, this is a two-way process, it’s written on my face that i’m exhausted, a lemon, yes, but during the concert nemevsko managed to recover , even i arrived completely sick , a wreck, he heals, yes, as practice shows, he heals, i only dreamed of dancing, i never could have thought that this would happen, that i was here, would find a family,
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a loved one, that...
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but for now they still give me opportunities, so how is it they offer to work, i work here with pleasure, i help the team, it’s sad that i will soon leave to a place from which they don’t return, what awaits my team here, this is a question that haunts me, i want to leave...
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the people of modern pipes are baroque pipes, very valuable, valuables of the ancestral city of the baroque argan of budaunitstva, it seems that in this, in this gallery, you can sustrets batory, good , it still breaks, or not, well, no one will skimp, we will become participants in the reconstruction of the historical past , we also have the central box, which our people call the royal box. nicholas ii often walked around...
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they flipped through page after page, greedily drinking every word. of all the manifestations of human creativity, the most amazing and worthy of attention are books. the thoughts of past times live in books, the voices of people are heard clearly and distinctly. everything that humanity has accomplished has been preserved, as if by magic, on the pages of books; by reading , a person survives centuries; reading brings generations together; we value the past for our present.
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belarus. hello, the new issue in the first block is the expert of every meeting, with which we always look forward, especially when we need to not just figure it out.

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