and that means that those who can conquer and maintain markets in 2024 will have good income and a good national economy, we will not have export income, there will be no economic income, of course it will be very easy to shake us up. thank you very much for this conversation, for participating in the program, that’s all for today, see you in a week. skin hero may i’m making a non-paustory history of the life of a creative person, i saw a concrete pot, i showed it to roma, i said, i need it, well, that’s actually how ours began a journey into the concrete world, i... probably walk

like this step by step along the steps, i manage to do everything, in general, everything in my life comes when it needs to come, and i’m very happy with my life, that is, that their overwhelming, great greed, to realize their potential, all these little krakovins, all these little bubbles, all this is so unique, in the same way it’s impossible to make a second one like the artist’s, for example, my gaze falls on me there on some branch, of some unusual shape, i...

hello, you are watching the program say don’t be silent, in the studio victoria popova and tatyana.

uh, let’s say very important in the life of any artist, awards, encouragement from the state and the head of the state himself, this is of course...

here is the text that i will pronounce, now i will be awarded, then i must go out and say these beautiful words and when i i approached him, he completely knocked me out of this state of repeating the text that i would say, he spoke to me so simply, he said: “well, nastya, well done, i achieved everything i wanted , congratulations, i completely forgot the text that i wanted to say, blank sheet?". that is, i was so pleasant, so warm and simple, as if we were such close friends who meet every day , just recently at the ceremony, when i received this award from his hands, he

smiled so slyly again and said, well nastya, well done for you, well done, congratulations, that is, he remembered these words and once again to me... yes , everyone says that he has a phenomenal memory, yes, and then, that he said this, and of course, that when you approach him, an amazing energy comes from him, very kind, very warm, very strong, it feels like you are being covered with such a warm blanket, being enveloped, as if being enveloped, yes, in fact, i always have this feeling when i’m close to my head, and also about energy, that’s what everyone is talking about, and of course, what is the ceremony itself? the award and prize is for spiritual revival, it takes place on the days of christmas, our brightest holiday, this is especially pleasant, because well, yes, this another christmas miracle, your grandfather alexey vasilyevich kotyurenko,

a graduate of the famous baumanka, came from moscow to minsk in 1944, he was the first director of the auto mechanic technical school, we have his photograph, which is actually with... this technical school under your grandfather and was being built, he arrived in the destroyed minsk and was simply shocked by how much this city was destroyed, and the only residents left were old people and children, and he needed students, he needed teachers, and he went to the station with a sign in waiting the fact that someone would go out to the railway station to smoke and suddenly want to stay in minsk, but it was written on the sign. drawing teacher, hostel and meals are provided, only 80 years have passed, how do we see minsk today? i am happy that our minsk is so beautiful these days, and i can’t even imagine these, this destroyed city, we

, no one can imagine what was then, in fact, only 80 years have passed, there is again around us threat, uh. war, the threat of what could happen again, what we experienced at myself, so i always rejoice in what surrounds us, that we have a peaceful country, that we have a peaceful, prosperous city, beautiful architecture, wonderful people, everything works, i think that my grandfather, and alexey vasilyevich and grandfather on my mother’s side, who reached berlin, they are somewhere in heaven rejoicing at everything... that we now have in belarus and i think they would be happy to see such a prosperous minsk, but minsk, of course, is my home city, i have three generations of my family, who come from here minsk, and my grandfather actually came to

minsk and was the first director of the automobile plant, the automobile factory technical school, and my father graduated from this technical school and worked all his life. on maz my whole life is connected with the avtozavodsky district, the factory district, i’m such a factory girl, in general , a girl who suddenly became an opera soloist and a people’s artist. since those times, this soviet school has been going on, this is a music school, a college, an academy

of music, a whole huge staircase, school education in soviet times was phenomenal, we did a lot of things, we were able to, what we were doing, today something has been lost, do you think it’s worth returning singing lessons to our school education? we urgently need to bring back singing lessons, at least until the ninth grade, because this is spiritual development for our children and... and i remember my cry, every year we started with the singing of the anthem of the bssr and the anthem of the ussr, and we knew the words of the anthem in a notebook the anthem was written, i remember with great adoration the singing teacher, how we were at school, despite the fact that i went to a music school at the same time, i remember singing lessons very vividly i always had an a, of course, but you , too, anastasia, can do a lot of things. in particular , cross-stitch, this is probably a legacy; your mother sewed, and

she worked in a sewing factory, and you can also look at one of your works, look, we found how much life there is in it, i understand why you love mlyn, because that you yourself are a needlewoman, and you could also, probably, so we often ask people, what could you do, besides singing, uh, everyone shrugs, but you could, i it seems, yes, to get settled. my mother was a sewing cutting teacher at school, she was an engineer, she graduated from the vitebsk technological institute, engineer, technologist , sewing production, she knew a lot of handicraft stories, she embroidered, well, in our family it often happens that what mom does, then girls do it and teach it there, someone knits, my mother never knitted me, i don’t see, but she embroidered, i embroider, well then my mother

is the stove that dried these photographs , listen, now you’ll tell me my childhood, it’s so nice

, the same way the bathtubs were closed, and i wonder how long you cross-stitch a picture like this, how long does it take, a couple of days or a month, well, in fact, it doesn’t take that much time, but just the covid period was so fruitful, for me this is relaxation, for me this is rest, this is relaxation, then you look up from the embroidery, and the great pletnyov calls you:

this is another bright flash, but in your biography this performance, what do you think? yolande is one of my first roles that i performed on the stage of the bolshoi theater belarus, the main, one of the main roles that was entrusted to me almost 20 years ago, throughout my entire career, it was a role in my repertoire and i was also invited by the people's orchestra of russia mikhail pletnev to take part in a concert

production of this opera in moscow , we also visited with this... japan, tokyo, these were the days of russia, russia in japan, we opened, these days were precisely the yalanta opera, and, but this was not the first meeting with pletnev, before that we, i performed the part of the princess beloved beauty in the opera by rimsky korsykov, koshche the immortal, also from the maestra, we were also in japan, the japanese really love russian music, in fact they adore pletnev. i was pleased, of course, it was a great honor to work with such a great master, when i asked, when i said, thank you very much for inviting me to iolanta, because the biggest competition is with the sopranes, there are many of them everywhere, there are a lot of sopranos in russia, i said that you could have invited any other soprano, there are a lot of them in moscow, on

what mikhail pletnev told me, yes, there are a lot of sopranos, but iolanta is such a part, it is both a girl and at the same time a bright image, but it was written for a strong soprano, the sound in the image should be such a virginally beautiful angel, but at the same time very young girls are not yet cope purely physically with this part, it was written for a strong voice, the older singers , too, we don’t believe them that they are yalants, even if such a rather difficult part, and he said that when i listen to you, i have tears in my eyes eyes...

at concerts you, well, probably have a more spiritual, more sublime feeling, because you step onto the stage of beautiful halls in this country, you see the faces of the public who come to classical music concerts, these are special people, in any country, these are the people, the intelligentsia in the country you come to, who love music, so it’s always a wonderful feeling on any tour, and japan is an amazing country, which i’ve been to twice. which you want to return and want to visit again to check his impressions with alexander mikhailovich anesimov told us that during the japanese tour he was surprised that there were real fans in the hall, like we have pop fans, there are fans of classical music who were waiting for him at the seventh so -called service entrance of all

the other musicians and were ready were carried in your arms, you also had the same situation and it was whole. in the finale there is applause, it is very warmly received by our audience, they are received there, but more restrained, but this is expressed in some other forms, i can say. also the same story in china, we recently went on a guest tour with the large symphony orchestra of the bolshoi theater under the direction of nikolai kolyatka, the orchestra is soloists, we traveled

through the cities of china, and we had a wonderful reception and we had the same situation, the people of china stayed and waited us to get our autograph when we left after the concert, and i can say that i even learned two chinese. in chinese, i didn’t think i’d ever come across this, folk, no, modern, i love china, it’s like that the anthem of china, this is such a bright song, and rickienza’s song is a composition of a song by a modern chinese composer who even came to our concert, and here i met a girl from china at the conservatory who taught me chinese pronunciation, so this experience of performing on it was chinese. for more than 20 years you have been serving in a large number of the main sapran roles in your repertoire, we just want to show a number of photographs, this is allanta, the already mentioned kupava in the snow maiden, and

yaroslavnaya, then liza in the queen of spades, anna in willisakh, this is a production by oksana volkova and many, many other performances, while you joke that there is often a saying among opera artists: we understand how to sing when we are already going out for... the day got up like a robot, sang, voice answers, you sing the top notes, this is constant training, constant training, constant search for sound, search for how best

to sing the top note, how best to do this part, because this is such a delicate instrument, a voice, and you need to work all the time, not only when you come to the theater, they give you small parts, this is one load on the voice, gradually you move to the leading repertoire - with age you already move to some kind of dramatic repertoire, which also requires different training of the vocal cords and another, a different strain on the vocal cords, so there is constant training, training with accompanist, with a conductor, with a director, with a teacher, i am happy that my vocal teacher teaches at the kolos conservatory lyudmila yakovina, i can come to her at any time and say, something is wrong, help, she can me...

by the time you retire, you no longer doubt it, you are already sure that you seem to have found the right way , in fact, you constantly doubt, well , to sing, but it’s too late, that’s it, you’re retired, they tell you, you you will sing not tatyana , but tatyana’s mother, for example, but the theater is wonderful because with age you can switch to a different repertoire, stay in the theater if you remain in good physical shape, in good vocal shape, but there is such fear, what?

answered that by the evening your voice would be fresh, as if you just got up in the morning, so we try not to talk during the day, so that the cords rest, so that they are only present in the evening, so that there is a fresh voice, and so every day, well, that is, in a performance, no , not every day, if we sang every day, we would we haven’t sung for so long, in fact, because it’s a very serious load on the voice, but we have lessons with an accompanist, rehearsals every day. but there are not performances every day, of course, there should be a voice mode so that you understand that you, as we say, are quail, which means you need to be silent for a couple of days, there is a doctor-vaniator, there is a voice mode, you must restore your voice and after 2-3 days go back into battle, this does not mean that you do not work for 2-3 days, you watch the game with your eyes, you remember the little part of the scene, you teach, because we are constantly in the process of studying

the party. where we are, every year we have many productions, several ballet, several opera, all the soloists sing the current repertoire and learn new parts. well, let’s give you a little rest, anastasia igorevna, let’s take a break, i remind you, we have a telegram channel, tell me don't be silent, subscribe, ask questions and suggest guests, we are in touch.

i have a question for an adult, why do you think children ask strange questions? a person is always scared by something new, something that scared you when you were offered to become the rector of bsu, something you could never forgive, well, for example, a loved one, as it is written in the gospel, if you forgive you will forgive people for their sins, then the heavenly father will forgive you, that’s all. the heroes of the program will have to open up. before the audience, the main task is to honestly answer all the original, and sometimes and uncomfortable questions. what does bsu have that no other university has? very good question. the flaps are flying upward, there is magic light everywhere. in your time, in such an interesting, modern way. the

music you listen to is the music. which you like, it should probably be heard, look at the project 100 questions for an adult, on the belarus 24 tv channel . the program say don’t be silent is on air again, and today our guest is a people’s artist.

i think that genetically everything is passed down to us from our ancestors, so i am very glad that i have such a good family and that i was born with... such parents, such grandparents, and that i have such a wonderful past and present of my family, so, well, you’re still being modest, well, i’m being modest, well i think that there is probably such a character trait, i think that this is a good trait, especially in our time it is very rare, in fact, what does the head of the opera company do in the theater, what is included in your responsibilities? i try to get all the artists to come to the performance.

which confirmed my guess, just when i studied, it was very nice to learn about your grandfather to see on the website of our automotive college, his photograph, time - it keeps the names and ours somehow yes, those who write

the modern history of belarus, they try to preserve their photographs in museums, it’s all very- very important, well, in general, this was a pleasant discovery for me and the answer to the question of why you are like this, anastasia, well... as you said, colleagues will judge what kind of manager you are, we recently visited your colleague, daria city dweller, let's hear what she has an opinion about you, pay attention to the screen, who is your guardian angel in the theater, who treats you so favorably, i adore anastasia igorevna moskvina, she is just in general, we are also a legend for me, she is both human and strong spirit.

it should be noted that you are helping young people, because the main thing that seems to me is important to know here, many primas, well, the competition is high, they are simply strangled, they are not allowed in. are you these girls? i believe that if you don’t prepare your shift, then there will be no one to help, what is behind your desire to help work in 10, 20 years, that is , it is necessary in the theater so that there is a change of generations and that all generations represent the troupe, and youth, the middle generation and people of pre-retirement age, pensioners, that is, for... there is work for everyone, but the most the main thing is precisely the influx of fresh forces, and since this is such a unique profession in our country, there are a lot of young people, but not from the conservatory, many musicians graduate from the academy of music,

but not everyone is able to become a leading opera soloist and then glorify their country and their our native theater is a piece of goods, we have a casting every year, just a couple of days ago we again had a casting for the opera’s corpse. not because we don’t have enough people to sing, but because we are constantly looking for new, fresh, young voices that do not immediately become leading soloists, 5,6, 10 years pass for them to become such masters, so this is a period of learning they move on, they graduated from the conservatory and then they study in the theater, this training continues and we see who is really capable and perform the main parts.

the fear that 1,300 people are looking at you, everyone is evaluating you, the orchestra, the choir, the soloists, that is, finding yourself and being universal, confident in yourself as a soloist, this is the most difficult thing, because you can sing beautifully in class, at a rehearsal, you sang brilliantly the singer , it turns out, cannot sing, many cannot cope, they leave, this does not mean that if you get into the theater that you are there forever, many understand that they cannot, they cannot withstand this psychological load, very much. character must be the soloist

must have a very stable nervous system, and the person must be very smart, the intellect of the vocalist is one of the main things, i think, talent, voice, musical ability, but also intelligence, and what is intelligence for, well, at least in order to remember the part, in fact, the art of opera is an intellectual art, not only for the viewer, but also for the performers. to give, so it seems to me that i have come to the point that i want to give

, teach what i can, but you won’t take it to your grave, roughly speaking, well that is, if you have achieved something, learned something, if you can give, try to give, this also applies to teaching activities and the academy of music there, i understand that i can already offer something to the young man and suggest, suggest, you are very lucky that you had lyudmila. kolas, she instilled this love in you, yes, and now you simply know how to teach so as not to harm, the most important thing is that she taught me how to sing correctly, yeah, love and the right school, voice training, because so many people learn and they can't sing it such a delicate moment, the ligaments, they, you can lose your voice at any moment, then just sit, cross-stitch, let's, by the way, listen to how you...

what performance do you fly to like on wings? i always fly as if on wings, i think any artist will answer this way, because in order to get used to the return, in order to... sing a part, sing it well, you need to love any part, small, big, any image, you need to love it, because otherwise the viewer won’t believe you, if you ’re doing something you don’t like, it’s better then you can’t sing it, but i’ll honestly say, i love the parts that i sing in my native language, because i understand them, the word that comes out of you

is clear to you, you put a different emotion into the word, after all, it’s russian and belarusian language. and these are parts of russian composers, belarusian ones, it’s not because we now have such a fashion for everything russian, no, absolutely, i just feel like such a slavic woman, and an organic woman, these are all slavic images of us, this is yaroslavna, prince igor, it's time for february, there's a performance in february, i invite everyone to at the beginning of february at the bolshoi theater, we will have an amazing line-up, and vladimir gromov and... stanislav trifonov and oksana volkova and in general there will be a stellar line-up, i promise it will be amazing before inviting, check if there are tickets anastasia igorevna, we haven’t come to you yet it’s so easy to get in, you invite millions, the whole russian opera, this is anegin, and allanta, and the queen of spades, in march we will have

a wonderful soloist coming, we have a wonderful soloist, we have now invited mikhail pirogov, russian theater. our amazing history, great theater russia, moscow, met us with great interest from applause, last year, on tour in moscow, we took wild hunting, these were exchange tours, this year they came to us this season, they also brought the royal bride and ivan the terrible to us ballet

, so this is the friendship between theaters and specifically the belarusian opera, because

all musicians like it, this is our way of life, we do not sacrifice anything, this is our image, lifestyle, this is our life, theater is not a job for a musician , that is, you are nothing you expect from the theater in return, we get a lot in return, we get enormous colossal energy from the audience, we enjoy the music that we perform ourselves, we come into contact with the greatest composers every day. we can sing it, we can listen to the orchestra, create these performances together, it’s such happiness, it’s amazing music, amazing stories, not only that, it’s live. the sound is the live sound of an orchestra, i always say this, we don’t have any sub-phonics, with us the viewer comes and can hear the real live voice of the singer,

orchestra, see a beautiful story , beautiful costumes, immerse yourself in such a fairy tale, somewhere dramatic, somewhere more cheerful there the ending will be, as in iolalanta, happy, but this is real art, where every day you can say so, yes ? has on the body, and we are constantly under this influence, we are happy people, in fact, music therapy, we are happy not only because the viewer receives us there perfectly, this is of course a great happiness and we work for the sake of the viewer, but we ourselves enjoy their work during performances and concerts. now we will take a short break after a short break with...

on the air again, say don’t be silent, our guests are people’s artist of belarus anastasia moskvina and the silver soprana, as we have already mentioned, but few of our viewers have... heard you sing bart’s repertoire , and we have unique footage, now our audience will be able to listen to how anastasia igorevna performs okudzhava, pay attention to the screen, and how the earth is still spinning, and how the light is still bright, lord. give everyone what he has

no, give your head to a smart man, give him a horse to a coward, give him a little of everything, and don’t forget. although my mother’s grandparents lived in a private house at an automobile plant, there is a northern village like this, and my mother and i were born in

a private house, that is, we had a dacha across the road, my grandmother’s house and garden, and we still have this house and my relatives live there, my uncle and his children, you just showed a video, everything could have remained at the guitar level, once upon a time, yes, there might not have been an opera and a conservatory, because that was... the maximum i i was presenting songs with a guitar, and for some moment i just felt uncomfortable, i decided to take up vocals, because i didn’t have enough breath there, it seemed to me that i needed to sing better with a guitar, so i went to practice vocals, and this all grew into a love for opera for the soloist of the opera house , people's artist of belarus, i don’t pick up a guitar very often now, because it’s...

another non-verbal holiday, i need to make a capusnik, anna dmitrievna is already saying, yes, i i see that you want me i made a skit show, there aren’t enough skit shows in the theater, in fact, we had such a tradition, a few years ago we had skit shows at the opera, now there’s a pause, but i think that the moment will soon come when we will return to the skit shows, this is good tradition, this is usually in drama theaters, but in opera - this is also always such a moment, in fact, right now on... which was once performed by kamburova, elena kamburova, i was her fan, i went to not her concerts at the philharmonic , okudzhava, when he arrived, that is, i was in philharmonic, i was at all these concerts, i

really loved all this music. in fact, bards also bought records, my mother and i bought records, and then i bought records from the melodiya company, then they published a lot of our bards, in fact, both dolsky and doli, veronica, i listened to a lot of things, taught them, performed them, this is the culture romance, bard song , it is very deep, there are very...

on stage during a performance , a lot of different extreme moments happen, and if you are not friends, no one will help you, somewhere you tripped, fell, somewhere you forgot a phrase, they supported you, that is, such an acting brotherhood, it exists, but at the same time we are all competitors to each other and we are all, so to speak, just a few, each for himself, this is the situation in the theater, well, that is , it is downright difficult. this is such beauty, in fact, this is what you are, but if we say so, if there was such an opportunity to do miracles, what would you do? i would make sure that there is no

war anywhere in the world, that people do not die and that there are no... orphanages, that all children live in families, how wonderful it is, yes, this is love anastasia igorevna reads you to the children, and in general, love for life, as we have already found out today, for people, for colleagues, for the repertoire for the work that you do, you are a happy person, thank you very much for visiting our studio again, we will be waiting for you again after another pleasant occasion. and of course, we will answer your call to come to the theater, the big theater, our wonderful theater, where tickets are still available, unlike many other countries, and such wonderful people sing and dance there for us, and we, tatyana shcherbina, victoria popova, say goodbye to you for today, goodbye, goodbye, anastasia moskvina is speaking now. i am very happy that i live in a peaceful,

bright, beautiful country.

yes, the main thing is that the artificial intelligence does not sing, because then we will have nothing to do, that’s true, the main thing is that we sing, let him draw. but we will sing, yes, we agreed, peace and prosperity.

to become part of a foreign country, you don’t have to be born there, today we bought it, he’s positive, smiling, like my smile, no, not like yours, no, more beautiful, well, yes. for me, not for him, it’s enough to behave at a party, like the host of a show, like at home, where we landed this time, and i think in a new fairy tale, two foreign students will discover belarusian customs, well, okay, are you ready , yes, of course, let's go, well, wait, where are you rushing, let's take photos first.

midday news in the studio vladislav bondarys, hello, this is what we’ll tell you about in the issue. a belarusian multi-brand center will open in mongolia, from technology to milk, as we are moving forward in the asian market, we spoke today in minsk.