it's vital for the uk, it's vital for the world. the alternatives to trade disruption are supply disruptions, inflation, economic shocks and business disruptions. we cannot allow this to happen. this is why operation prosperity guard is so important. a few days before the attack on yemen, us secretary of defense lloyd osten went incognito to his hospital bed. by the way, the white house, about the absence of the minister at work. no one informed the place, and this was all on the eve of the military operations on the other side of the world, where the department and its head play a key role: coincidence or reluctance to sully the track record, history is silent, but there is no doubt about other issues, everything is on the surface, an ally treated with subsidies and investments, a country for which barely anything is done perhaps the key bet in the confrontation with china, also refused to dive into the deep end, for

example, this is more than what canada provides. the houthis who came under attack blocked transport ships in the red sea have announced that they will continue to operate until israel stops killing people in the gaza strip. for the americans , their partners prepared an unambiguous answer in the form of a video with floating coffins, and a version of such an answer is supported by technical capabilities. yemen has quite modern missiles, many of them. surprisingly, some of them in the white house

may be of western production. yemen's attack was largely aimed at iran. the fact is that the official tigiran operates in context of its national interests and refuses to obediently carry out orders from the white house. the day before, iran literally brought the americans to their knees. an oil tanker associated with the united states was seized in the waters of the gulf of oman. previously. the ship with iranian oil was confiscated by decision of an american court, in fact, iran took what it was owed. tigiran is simply dancing on american reputation. us senators are already openly calling for the bombing of iran. they have been saying for six months now: hit iran, they have oil fields in the open sky, they have ksir headquarters which can be seen from space, erase iran with world map. iron.

they make money from this. while deindustrialization is underway in the european union, particularly in germany, directly opposite processes are taking place in the united states. industry on the rise in investment is showing record figures. but the truth is, this all looks like an attempt to plug a hole in a sinking ship with pins. it is unlikely that the scheme worked out in world war ii will be repeated. the internal political crisis is tearing the population of the states apart in different corners of the ring. north-south again on the verge of a fight. and public opinion is actively preparing for such a development of events. the film "civil war" will be released before the us presidential election. what kind of american are you exactly? sounds like a phrase in the trailer. we will find out the answer in november and will definitely discuss it. unless, of course, the americans decide first. that's all for today, it was the trends program, disparate facts packaged into a single concept. until next time.

morning and good mood. dobroya ranitsa belarus. the program “good morning” is broadcast on satellite tv channel belarus 24 belarus". svetlana borovskaya is with you in the studio. so, i cut the meat, cover it with sauce and one sea buckthorn, and turn away from you. the body just sings, you know, it sings. meeting amazing people. hello, beautiful people. good morning. we are glad to be in the air , shanovnogo donation, at mirsky.

watch good ranitsa belarus with svetlana borovskaya on the belarus 24 tv channel . watch everything that modern belarus lives today on the belarus 24 tv channel. this is news from foreign countries, broadcasts of especially important events. live broadcasts from the scenes, current interviews with famous belarusians, exciting travels around the country , feature films for all ages, in

the countries: finland, sweden, norway, denmark, the netherlands, germany, france, spain, portugal, cyprus, austria, switzerland, italy, greece, romania , serbia, croatia, poland, lithuania, latvia, estonia. set up a satellite dish satellite express am8. the channel's signal is broadcast in the clear and is available 24 hours a day, every day. be with the belarus24 tv channel. and discover belarus! natalia vladimirovna, male artists often mention their muses when talking about inspiration; who

or what inspires you to create? i am a patriot, i love my belarus, for me the most dear and beautiful country is belarus. people, nature, and everything that surrounds us, our belarus, inspire me. my guest, who had heard conversations about art since childhood, played with brushes and paints in her studio. parents and also dreamed of becoming an artist, but despite the trials, overcoming which, she found her destiny. today i'm visiting textile artist, natalya sukhoverkhova. natalya vladimirovna, good morning, good

morning, good afternoon, and of course happy new year with carols, yes, a wonderful time, of course, yes, wonderful, natalya, you are a hereditary artist. your father is a painter vladimir sukhoverkhov, your mother is a portrait painter, galina mayevskaya. if you draw a picture of your childhood, what pictures come to mind first of all? well, firstly, of course, the artists with whom my father was friends, naturally, then, you know, there was some kind of brotherhood then, they even took me when i was little, abused me demonstrations, of course, everything was yes, but that goes without saying, then there were trips, trips out of town. going to mushrooms, yes , by some kind of bus, yes, simple, but the artists, that means, were traveling together, gathering, there were a lot of large groups there, going to mushroom picking, then there were some

scooters there, a tsomobranka, which means this everything, some conversations, naturally about art, about everything, you know, i grew up in such an atmosphere, and of course, artists gathered at home for holidays. there was such a creative atmosphere, absolutely, that is, i’m in it i was brought up, and as my mother says , well, i don’t remember this myself now, well , i always had such knees, you know, almost calluses on my knees, because i stood on my knee all the time, drawing, drawing , i painted, i painted, i really loved to sculpt, yeah, i even honestly thought that i would be a sculptor, maybe some small plastic artist, so what got in the way, i’ll tell you what got in the way, even perhaps i could also be a ceramicist and sculptor, you see, i am very sickly as a child, after the war, i had a lot of pneumonia, so my father is strictly like a sculpture. because it’s clear there and the polishing is going on, that’s all , that’s why my father sort of directed me to improve

the quality, although for me it was completely incomprehensible and even though, well, that is, i really loved watercolors, making watercolor drawings, but the quality was perfect for me something completely new with my father-in-law, and it was very difficult for me to enter into a flat solution, a flat vision.

he painted the picture with all his soul, that is, there we can say that there are specific characters there, people like this, i think that this is the main character who rises to the top, this is filipskikh, most likely he probably made it from him, well, who led the flame detachment, well, here’s yours my mother is not a legendary artist; she continued to work until she turned 100 years old. this is generally a very interesting story, she worked as a patriot, she did not join the union,

she believed that she, well, this is happiness, you know, how quickly to join the union, she would not yet have time , excuse me, to hatch, but for a rude word, already in the union, but before it seemed like it was very, well, it had to be very, very achieved, then , well, she is a modest person and somehow thought that she was not, well, unworthy, not mature enough for the union of artists, so, but she was wonderful in brushing and so... it turned out that my son had just been born, she was helping and somehow she stopped working, probably for about 20 years she didn’t bother to brush at all, in general, suddenly, when she was already 84 years old, she said, says: natasha, i really want to work, and we bought paints, and you know, that she began to work very successfully , so much so, and this was just the nineties, i had almost no work, so, and here my mother suddenly, you know, like some kind of heyday, here, here, literally up to ninety, probably one year, until she was 92, she

worked actively, why did you choose precisely from quality, and not, say, painting, the fact is that from quality, i’m saying that that’s when you began to develop secography, then as a monumentalist, and then as a sculptor, essentially, because i weave everything with my hands, and this is generally hard work, well, i won’t say painting, that this is easy work, no, it also develops there, but...

work, well, you know, of course, for me it was just like that, it’s just a gift, you know, this is my early work, i actually even joined the union with it , once upon a time, in order to enter the union, you had to already be an established artist, fully developed, and not just just graduate from college, and what kind of story is this when you quite by accident became the prototype of the sculpture of your mother’s homeland in minsk, this is the merit of valentin zankovich .

he just invited me, here is his figure, maybe even my views, my position, maybe my life position, seemed to all come together in one thing, i think so, he asked you to convey some kind of internal emotional state of the image, well, you know, that in general for it was normal for me, that is, it’s as if i didn’t need to make an effort on myself, now when you look at this sculpture while driving by. do you see the similarities, what feelings do you experience? i’m proud, i’m proud of belarus, without any false pathos, i’ll be honest, i’m proud of the sculptor zankovich, and a little bit of myself, there is a kind of similarity, especially when somewhere there are such turns, where i raise my hand, then these are my my hands, there

one hand is raised, raised, yes, the second one seems to be like that, yes there is a similarity there with me, of course. here, let's talk a little about the soviet period of your work, uh, after graduating from college , it was difficult to get, well, let's say, the first order, and what kind of work was it? you know, at first there weren’t even any jobs related to one’s specialty, but these were even design work somewhere work, and then orders appeared in the specialty, and of course the biggest one, i don’t know, so you’ll probably ask me this question, but what about the national library, right? that is, i had such a dream to make a large monumental work, i kept it inside me all the time, that i had to do this, so that they would invite me, too , as part of other artists, to make babelens there, and somehow in general, one might say, i felt pretty good right away, the sketch

was like this, it was so grey, you know this one... well, more discreet , like this one in color, and they kept us there for a whole year, withstood it, and then we had to make cardboard in a month, just imagine 3-something meters by 2-something yes, three-and-something wide in height and cardboard , they gave a month for cardboard somewhere, but you know, i won’t reveal the secret, probably that a lot of people just did it on the computer, enlarged their work. and i did as artists once did, that is, as they should, and of course, there was excitement, how will i not only how will i manage to do this and everything? to overcome, but how the color will come together, because when the work is not completely finished, it’s not, well, not yet, yes, well,

i worked from about 8:00 in the morning every day until 1:30 at night, every day. you know that the big artistic council, which accepted the cardboard, was supposed to be on that very day, and 10 minutes before the council arrived, i finished the color, when i finished, i saw that everything came together, there is an opinion that the dawn of decorative and applied art in the soviet union is associated with the fact that it, this art, was less subject to some kind of ideological censorship, this is a fact, the advice was very...

art was regularly highlighted in full, so among the artists the authors of the gabelins lived very luxuriously and richly, you know, it’s like i lived in an apartment , which my father received, yes, i still live there in a two-room apartment, though in the center of the city, on victory square , almost, but we never had anything luxurious, on the contrary, we had, what a feast...

that’s probably it, that’s it i don’t know, i’m probably doing a lot of work now, yes, i have an opportunity has arisen to produce large

works, the work is hard, you see, not everyone is able to withstand this work, frankly speaking, the audience really likes it, they always go with pleasure to look at decorative applied art, because it is very interesting, you know, it is man-made , and besides. loved ones, this is my mother’s dear sister, a very talented person, too, an interesting person, unusual, so i myself was surprised

that i came to the workshop, you know, i just have a lump in my throat, tears are standing eyes, and i do bright, bright works, maybe there’s some kind of healing, or something, and i’m even kind of wild, you know, i’m almost crying, and i’m doing bright works, that’s how it went for me...

. some kind of modernization of ideals, images , had a very negative impact, it had a big impact , of course, the level dropped very much, it’s just that it somehow affected your creativity, it didn’t affect mine, but you know that i earned money, how would we we made envy, although we made all creative envy, it was interesting, but still it’s not exactly what i would like to do, so i did creative work through work, no, not... i refused, even when it was this terribly hungry time when i actually had 90 dollars left. at home, no orders,

yeah, no work. well, in general , it’s just that a pit opens up in front of you, a pit, and i just got up and started doing work, and there was supposed to be an exhibition in the national museum of our weaving for everything in the whole gallery, it was just like that i worked for about ninety-six years, you know, i literally did it day and night in the workshop, i needed it, i wove the work in 16 days, by the way, it’s also there.

that they are original, that is, it is very important , and i’m even a little proud of this, because to do something that no one has done, right? which of your works has some very unusual history? well, first of all, my ragneda, of course, my ragneda in the national library, you know, some kind of tribute to a woman with not just a woman, but a woman with a capital letter, that is, she was a person,

that's it for me in general. when a woman is a person , it means a lot to me, that is , in your work you are interested in precisely such characters, integral ones, yes, yes, yes, and some of those even well, something really important, interesting, yeah, because really character, because she carried this whole pride of hers, yes, which she was forced to keep inside like this, it’s all the same, yes, to go through such life trials and still remain proud and not broken. let's face it, it's not broke, what are you working on now? oh, now i again have such a joyful, joyful theme, you know, it ’s more like a summer evening, right now it’s on my machine, literally on my machine it’s waiting for me at home, there, again, it ’s belarusian, our butterflies , well, well, this is so summery, well, absolutely so joyful , joyful, there it is, red orange

blue. pink, well, this is such a combination, but in general i just completed two works, one large work, 70 meters high by 2 meters wide, there is also a horse, a horse, but he creates the dawn, yes , he is on a red background, it’s all red, it’s all on fire, red orange with belarusian ornaments interspersed somewhere, she has wings and... right there i finished the work, literally , as they say, they have not been exhibited anywhere yet, i am preparing an anniversary work for my exhibition, it means night, there are also horses, but it is so belarusian , belarusian, you know such color combinations of dense pink, such a pink color with green, so the horse drinks, and you can

predict.

you have a reason that real art is eternal, unconditionally, unconditionally, that is, i do not divide modern, non-modern, well, i will repeat once again what i think. something is wrong at all. natalya vladimirovna, if you were now taking on some monumental work, what topic would you choose? well, firstly, patriotic, of course, and, well, the theme of revival, after all, because we need to be revived. we are in culture, in art, we are now, i think, sitting in a hole, yeah, so i’m speaking harshly, you know, it’s possible.

i repeat many times, i’ll say it again, along the path of least resistance, it’s fashionable, something is fashionable, something is selling, a lot played a negative role when they went. these salons, sales , after all, many artists simply turned into meshta, they just went to stamp, well, just earn money, yes, i don’t think that i should be hungry, i don’t think so, but in principle, when you’re too full, this is probably also harmful, our program is called the meaning of life, for you what is the meaning of life, in in my work, of course, well, you know, a certain period is important for a woman when the child grows, yes, the meaning of life becomes. child, this, this is unconditional, this, this , this, that is, life holds on, well, it is divided into periods, but always as a red thread, yes, it always passed, well, don’t lose, don’t

get lost, achieve something , you know, to say something, to say your word, well , well, like this, probably yes, natalya vladimirovna, thank you for this conversation, very interesting, good luck to you creatively, i also want to wish that your creativity made people happy, so that when people look at your work they believe in goodness and beauty, thank you, this is what i work for, in general i work for the sake of people, because, thank you, this was the meaning of natalia sukhaver’s life. we follow the sporting life of our country. shakhtar reached

the top division of the russian basketball championship 3:3. in the second stage, which took place in arkhangelsk, the belarusian challenger tandem won all matches. and we were allowed to participate in the licensed world championship, and we hoped and believed. that we will still be able to perform at the olympic games, this cannot not to please. we review the most interesting event. the other day, the belarusian cycling federation summed up the results of the year, which, despite the ban, turned out to be a busy and fruitful one. sports of a new reality. the second stage of the republican tournament on digital banking of the game of the future has ended in minsk. we listen to the opinions of competent specialists. there must be a stronger player in some position. we signed a big one because we feel like we're missing a little bit under the ring, at least it's a tough game i'd say the massacre showed that we have a team, and it was not in vain that we worked for a whole year, so to speak, all this in sports projects on the

belarus 24 tv channel

. they are delighted with every corner of their small homeland.

each of the project's heroes is engaged in important work. guys, who is a teacher and what does he do? he works with children. we will introduce you to people who have found their calling. the main mission of our university is preparation.

the university develops the skills of providing emergency assistance in various clinical situations. watch on tv channel belarus 24.

you are watching the news now in the studio elizaveta lakotka, hello! and let's start the release with the latest information about the crash of the il-76. according to the russian ministry of defense, the plane was destroyed by the ukrainian armed forces from the area of ​​the village of libtsy, kharkov region, using an anti-aircraft missile system. the radar equipment of the russian military space forces observed the launch of two ukrainian missiles. it is also known that the crew of the il-76