everything there, i experienced it terribly, because i was like a second mother, that is, we were very close, this is my mother’s sister, a very talented person too, an interesting person, unusual, so i myself was surprised that i was coming to the workshop, you know , i just have a lump in my throat, tears are in my eyes, and i’m doing bright, bright work, maybe there’s some kind of healing, or something, and i’m even kind of wild. you see, i almost cry and make bright works, so i started a series of just bright, juicy works, so somehow i walked in, very much about festive, festive, yes, bright, joyful, festive, and i myself am sitting, you know, i have this pain in my chest, it’s just physical, so that’s it, that’s what it’s like an artist, yes, it’s interesting, in general, that’s what concerns an artist, well, as a child, i once drew a lot, sculpted, well , no matter how i imagined someone else.

here, as if through work, i did creative work, no, it didn’t affect me, even when it was this terribly hungry time, when in general i had only this i had 90 dollars left at home, but no orders, no work, well, in general , there’s just a hole, a hole opens up in front of you, and i just got up and started doing work and there was just supposed to be an exhibition. in the national museum of our weaving throughout the whole gallery, it was just about 1996, and i worked, you know, i also literally sat in the workshop day and night, i needed it, i weaved the work in 16 days, by the way, it is also located in the national museum of art, and i received it in time for exhibition, i made it, and you know that people are buying this work from me just as a salvation, well, that’s it, then somehow orders appeared, like... and

what kind of orders, depend, depend, yes, well, at the same time, i’m kind of in fits and starts i did it out of quality, here are the secrets of good morning and good mood, good difference belarus, on the satellite tv channel belarus 24, program good morning belarus, svetlana borovskaya is with you in the studio. so, i cut the meat, cover it with sauce and one sea buckthorn, and turn away from you. the body just sings, you know, it sings. getting to know amazing people. hello, beautiful people, good morning. we are glad to hang out, as a gift , at the mir castle. well, let's go for a walk, yes, forward 500 years ago. and a lot of useful and interesting information, one day the napir will prepare it.

only for our tv viewers we choose the best routes, where it is better to appreciate the existing ones and be proud of them, because there is no second such lead in any european country, and we set off on an exciting journey, products created by local craftsmen have enjoyed great in demand throughout europe, ivan the terrible himself could not resist bykhov’s guns. in fact, hedinin had seven daughters, but none of them were named lida. note that egaila is only getting younger over time, although

at the time of the marriage he was 71 years old, if the castle was captured, or there was a traitor who opened the gates, or in some peaceful way, to show that at that time until that moment , when, in general, your situation somehow stabilized, you didn’t have such a desire to leave your profession and do something more commercial

profitable, never, you know that i believed in myself, but not that i believed, i just don’t even think differently, but which of your works is closest to you? in general, i have a series of horses, as if it went like this, and a carol, first there was a carol, so, and then there was a series of horses, but they really, i’m a little so proud of this, because they original, that is, it is very important to do something that no one has done, right? which of your works has some very unusual history? well, first of all, my ragneda, of course, my ragneda in the national library. you know, some kind of tribute to a woman, not just a woman, but a woman with a capital w, that is, she was a personality, for me in general, when a woman is a personality, it means a lot to me, that is, in your work i'm interested in just such characters

, complete ones, yes, yes, yes, and some of them, even something really important, interesting, because it really is character, because she carried all this pride. hers, yes, which she was forced to hold like this inside, it’s all the same, yes, to go through such life trials, to still remain proud and not broken, frankly speaking, not broken, what are you working on now? oh, now i again have such a joyful, joyful theme, you know, it’s more like a summer evening, which means it’s on my machine, literally on my machine, waiting for me at home. there, too, again, it ’s belarusian, our butterflies, well, well, it’s so summery, well, absolutely so joyful, joyful, there it is, red, orange, blue, pink, well, just like that combination, but in general , i just completed two works, one large work, 70 meters

high by 2 meters wide, there is also a horse there , but it represents the dawn. yes , it’s on a red background, it’s all red , it’s all on fire, red orange with belarusian ornaments interspersed somewhere, it was opened, right there i finished the work, literally, as they say, they haven’t been exhibited anywhere yet, i’m cooking for their exhibition of anniversary work, it means it’s at night, there are also horses there, but it’s so belarusian , belarusian, there

i say, where is the quality in general , where is it, where, where are the real tapestries, because once upon a time huge works were done, very interesting works, in general all this was very interesting, now i don’t see it, so i’m trying to show what is this, you know, well, i sort of planned an exhibition, i won’t say yet , yes, but it will be my anniversary at the end of next year, i’m going to it...

we are in culture, here in art, we are now, i think, sitting in a hole, yeah, so i’m speaking harshly, you know, maybe even somewhere, maybe be too, well, i don’t know, i don’t think it’s not too harsh, yes, it is, there probably needs to be some kind of accumulation of a critical mass for all this to be possible, perhaps to receive a response, somewhere you know, a lot of people the artists really went. “i repeat many times, i’ll say it again, along the path of least resistance, it’s

fashionable, something is fashionable, something sells, a lot played a negative role when these salons and sales began, because so many artists just turned into nothing just let’s go and churn out, well, just make money, yes, i don’t think that an artist should be hungry, i don’t think so, but in principle, when you’re too full, it’s probably also harmful, our program is called meaning. life for you, what is the meaning of life? in my work, of course, well, you know, probably for a woman some period is important when the child grows, yes, the meaning of life becomes the child, this, this is certainly true, this, this, this, that is, life holds on, well it is divided into periods, but always with a red thread, yes, always it passed, well, don’t lose it, don’t get lost. achieve something, you know, sound something, say your word

, well, well, like this, probably yes, natalya vladimirovna, thank you for this conversation, very interesting, good luck to you creatively, i also want to wish that your creativity makes people happy, so that when people look at your work, they believe... in goodness, in beauty, thank you, this is what i work for, in general i work for the sake of people, because, thank you, this was the meaning of natalya sukhoverkova’s life.

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