was always carried out, if we had not seen, had not looked at the future, we would probably have been sitting on the sidelines a long time ago.

belarusian doilitstva, which is important for your jumping and this time you will learn and master. russian style, it has been working on and the extraction of such symbolic elements of that old architecture, but the materials were already different: there are trees, there are stone materials, and there they have been created like this, well, they look like imitations. the history of the creation of significant

cultural objects in the region. šchučansky palace of drutsky lupine prisoners on old months. there was already a noble meeting there, when it was broken, it seemed like a chick park, and when the hand of stanislav yundzi, this nobleman of the belarusian batanik of the end of the 18th century, struck. cultural-asvetnitskiy project architecture of belarus. banks, if you get out. yes, the whole world of other architecture, yashche and hired the best architects, if you want, this was advertising, imitating such a speech, publishing the jumps that the competitor has. glyadzice on our tv channel.

this is a site that allows you to make either state symbols or flags with logos of different companies, some banners, posters, any advertising products on fabric. the print length of this plotter is as long as the fabric is enough, charged a kilometer, a kilometer will be printed, the largest flag in the republic of belarus was made and is being manufactured on this equipment, its size is 7x14. the russian

press house has the exclusive right to produce strict reporting forms, this is a passport of a citizen of the republic of belarus, a military id, documents confirming a residence permit, it was organized in 1992 production, and we made a passport of a citizen of the republic of belarus, which we can be proud of, by the end of last year. this year we started producing a new type of document approved by the government: a biometric passport of a citizen of the republic of belarus, here it is on a sample, it is modified, a chip is inserted into the cover on which the personal data of the owner of this passport is recorded, and it has many protection schemes . it is a great happiness

to come to your work and enjoy it. you have to be sincere with people , all the managers here are somehow brought up, probably after working for a long period of time at this enterprise, they also stay and become established, because every day the general director, the chief engineer, who is also the first deputy, i... every day in the workshops, that is - in principle , we don’t need to hold receptions on personal issues, as managers, because this person can ask any question, but directly at his workplace, probably after all, i’m more of a romantic in life,

although now i’m such an enlarged version optimist, i always say that everything will always be fine, we will work, there will be work, there will be day, there will be food and we will always break through. here are two bright representatives of book production, a 1935 edition, and the other a 2012 edition, everything was printed in the belarusian printing house, this one is from the year thirty-five, it was made in a high-quality way. printing, letters were specially typed, proofs were made, offset paper, 65 g, has already turned yellow with time, what now, this is an offset printing method, it is more average, it can receive

and good color illustrations, maybe text ones are good too. this is the publication polosk, i took part in its production, a large colorful reference book about the history of the city of polotsk, there are even stickers on special paper, tracing paper with a seal. this is a very difficult publication to produce, which took a lot of work to complete. time does its job, but in any case, thanks to both archivists and libraries, such publications are preserved, and this is very nice. i think our modern edition is 2012,

someday our descendants will look and say, yes, that was a long time ago. my personal opinion is that a book, a newspaper will never cease to exist, this is the psychology of a person, this is his movement forward, these are his thoughts, he communicates with a book in the same way as on the phone with an interlocutor, but on the other hand he feels a smell, a page, feels the roughness of this paper. or vice versa smoothness. we always have books written, we are the heirs of francis skaryna, the first book publisher, a man who invested a lot in the development of book printing, he was

a great educator, therefore we consider ourselves heirs of skoryna. snowy 25, 1926, near the hall of the minsk cinema theater culture apple

, there is a lot of bamon, kіraўnіtstva of the bssr, famous paets, actors, directors, at the former haral synagogue, which became a new settlement for the temples... sleeping true story, directed by yury tarych. in 1885, in 10 years, the paryzhy brothers lum'er had developed a cinematograph, and also paryzhy. the light has appeared in both belarusian polack and polish plotsk. in some profiles, one letter is written at the name of the city, and in others - two. it's true, the biographers haven't figured it out. yes getul. it’s all cinema, the mastery of illusion and mystification. as a matter of fact, tarych could live in two

garades. the father yagons were for the vaiskians, and the yanas were changing their muscles from month to month. darechy, in the dzyatsinstvo it would not be the atarychs, but the alyakseyevs. but then the nickname fell into a hole full of banality. the alyakseyevs have a lot of people in the world, no matter if they are with anyone, they think of themselves as pseudans. i pakhodzitsy yon, darechy, it’s not hell in the parking lot, as it was possible to be foolish, but hell is called the garage in tabolsk province, tara. the lad went there not of his own free will. at the age of 20 i was subjected to exile for revaluation. dyvandrouka ў sibir seemed to be the original forest for the forest. yes , yura's aryshtu studied law at the muscovite university , here at siberia raptam opened for himself the enchanting light of the theater. only the muse of melpamena explained the tightness of... the mufflers. it all began with local samadzeism, then with professional and

right-wing theaters in tabolsk and the common people. the sleeping lad plays at performances, and then begins to stage them. ureshtse, i write a song about my sons, the expelled ones. and here comes the yaraslav businessman to the family from magileushchyny, rygor lipkin. yon vyadoma yak kaubasny karol, ale y mroyakh bachyts sebe paspyakhov kіnapradzyusaram. i eight. above the edge of the meat pit there is an adjoining cinema. it's no fun, there are growing exhibitions and films of great creativity. lipkin's dedicated screenwriters. starych hutka is thinking for iago ashalamlyalny plot. the hero is in a lethargic dream. urach kanstatue death, bad luck. and all the godless abujaets in the school in the sick crypt. the film "the tragedy of syam'i nabatavykh" became one of the first among the russian trailers. well, this is the right way to live tarych at the expense of the revolutionaries. the right-wing

actor moved to maskva, entrusting it to the serpents, to organize large-scale events on the red square, and to establish a kurdish theater near kramlya. among other things, he would be the worst of the first, who in the special scene of lenin himself, was already blessed this entire month in the wake of the death of ilyich. anyway, i’ll hurry up and the theaters will cover up the hole. tarych, of course, that there is a new kind of art, cinema... may a shalamal future and move on to this new field. you're in pain, i 'll hurry up with the secrets. byavik on the topic of revaluation. that's all i'll be watching at the pristine praletarian clubs. films are released one after another. spyarsha performs for screenwriters, then she masters the stage, she is self-sufficient, because she doesn’t study at all. and the raptam and yago burst out with the tskavay prapanovaya. yashche ў 1924 year. the beldziarzhkino trust was created. i would give it up, i have all the money for the fire

of the blockbuster, the pear padrymka of the bssr, current abstalyavannaya i galounae, peeper, like the unfavorable part of your films. don't grab the samaga halounaga - frame. the first films developed an understanding of the real dangers that were the most important in the history of the young republic, the current ones caused by the hell of the polish intervention. for the sake of the script. there were no problems. mikhas charot would be not only for famous poets, but also for playwrights. the musical at kupala is worth the haste, and the theme is not new for iago. in the guerrilla movement , supratsa palyakaў yon braў most chynny ўdzel. there's a pile the apovest of swinepas pisa with the knowledge on the right. ale dze znaystsi rezhysera? the task is not easy. yano understood. then the getam was not taught in any way. there were cinnamon-red grays. on the rapan production of the first belarusian films tarych pagadzhaetstsa, the first advance payment, and then

you know, the authorities are not willing, as it turned out, the director of the other spakuslavaya propanova , muskve’s knowledge of the large-scale project the exact drama of the wings of khalop, admovitsa hell, he couldn’t have such a chance, but as a swinepas , the pakryudzhan was tortured by the soldiers, according to the director, smokehouse and... the directors showed everything that was thought and launched in the creation of other films, which are also important in plans to prevent the accidental floods. syarod zhanchyn, a simpleton. tarych is not going away. the stubble of the wings of khalop, the tragic forest nugget you hunter, became a cult, and chalk hastened not only in the savetsky union, but also in america. eisenstein himself is overwhelmed by it, and as soon as the smoke is over, tarych takes up the forest reality. the name of the swine pit was not the

best for an epic film. director replace it. tarych prapanava’s galloun role . that’s it, and then wash it up: in the smoke, i’ll take my love, please, i won’t be able to pack it with my beloved. and the character geisha became a noblewoman and played a couple of three scenes, and galina, while shepherding this crop, got herself into a movie. the film glad true reality is very important. on the screen of the current absence, the last six days have passed, as shown, the yana are so addictive that no one will go anywhere with the indians and the parainanna. the film had prominent and so-called roles kamiya, geta, kali vykanautsa play for yourself. the ukrainians of the bssr alexander charvyakov, wilhelm knoryn and yazef adamovich took part in the smoke. tarych

is eager for a new film. the drama of today can be seen in practice. it was clear. dzeyanne adbyvaetstsa ў zahodnyay belarus, yakaya apynulsya pada polish settle down. after this cold weather, there is no doubt that the director comes from our region. thanks to the roof of khersonsk. grains on the yago, you are drawing in your thoughts not the shuffling pavilions and calidors of the film studio, but the thick nuts, oaks and maples yagonai dear belarus, i am the bare forest azers and the nyahutkaya deep slaves. without succession there is no natural breath in the winds of the village, in the vital winds of the history of our people. yury tarych’s career in belarusian cinema ended just as it began. the hours changed, many former signs of rapt became enemies of the people. tarych is no longer buzzing with suspenseful

dramas and battles. instead of getting the job, agit is right for the unprofitable capitalists. zreshty yon davёў... shto і і і і і і згіліні сікавы. u 1943 godze ў yago vachah the spark was ignited with heat. there is a chance for masters of not only russian and belarusian cinema, but also yashche and mangolian cinema. the historical drama "stepavya vitsyazi" has become a movie classic in mangolia. for the rest of his career, yury tarych would be directed by the navatars. yong comes up with bold maneuvers. however , quickly... for hours everything was folded: the cinema became clumsy, young ambitious directors appeared, classic paths from other schools, the cold winds no longer pressed the pit, but only the work was being done. in the form of popular pictures, and yago ўhorashny blockbusters were gathering dust on archival fingers. the chaos of the bastard has passed after the death of tarych, and

the fashion for the silent movie of the vernetsian has passed. perasychany special effects suchasny gladach usprymae old. the shavings have been sealed, and in recent years, polack has hosted a festival in the name of yury tarych for the director of the amatar. who knows, you can't get from them the implication of the belarusian film.

cities of our country in the homeland of enlighteners, and this place is simply loaded with attractions, you already guessed where i am, dear friends, today i am building my the route to polotsk and my trip promises

to be very exciting, so many historical and cultural monuments in one city, just a gift for curious tourists, and today i will visit a church that is almost nine centuries old, i will master the ancient technique of painting. i will join national rituals in weaving museums and study the history of the city in monuments. you can get to polotsk by train or minibus without transfers. the first option is cheaper. ticket costs from 15 rubles. and more comfortable. but minibuses run much more often, every

hour. the journey will take no more than 4 hours, and if you drive your own car - 3.5. the oldest city in belarus has stood at the intersection of the western dvina rivers for more than eleven centuries. many beautiful legends go around this city. ragneda, yazyaslav, vyacheslav the magician, which stories about them are true and which are fiction, now it is impossible to say for sure. one thing can be said with confidence: polotsk has a rich cultural heritage that is worth talking about. first of all, polotsk is known as one of the religious centers belarus. churches and cathedrals built many centuries ago still operate here. unfortunately, we know very little about those who built and designed them. the name zodchiva ioanna appears only once in the life of st. euphrasinia and gumena of polotsk. and

yet, researchers of ancient russian architecture associate the personality of john with the heyday of the polotsk school of patronymics in the 19th century. in simple terms, he is the first belarusian architect who is mentioned in written sources. by the way, it was he who became author of the church. which i'm heading towards now, look, he's holding it in his hands. the transfiguration church was built during the life of euphrasinia of polotsk. here is the cell in which the saint lived. now restoration is in full swing, and those frescoes that were painted directly under her leadership are being revealed. on them are the faces of saints to whom saint ephrasenia prayed and whom she imitated in her holy image.

the spassky church can now be seen not only in itself, some of them were moved to the polotsk art gallery, where he takes excursions to them, shows them, tells them all the details of the art of mural painting, and i’m going to look there too. the art gallery is located in one of the buildings of the former jesuit college. an integral artistic complex has been created here, dedicated to the iconography of belarus, a collection

of copper castings and secular portraits. only original works of art created in the 17th-11th centuries are exhibited in the gallery. before you is an icon depicting st. nicholas the wonderworker. nicholas the wonderworker is one of the most revered christians. their, patron of agriculture, trade, protector of the poor and disadvantaged. on this icon, in addition to the canonical image above the gospel , three bags are added; they are written here for a reason. this is a story from the life of st. nicholas, when he threw three bags of gold to the undevoted girls to save them from poverty and shame. the uniqueness of this icon lies in its background image. here we see hand-carved ... subjects, of course, the virgin mary with

little jesus, there are several types of images of the virgin mary and child, and this one called tenderness. it is the most lyrical of all types of iconography. mother and child clung to each other's faces, expressing mutual tenderness, care for each other and for all suffering humanity. icons get their names from the places where they were first painted or divinely appeared. therefore, these icons have exactly the same names: kazan icon. mother of god and the vladimir icon of the mother of god. not only ancient art is worthy of attention in the gallery; an entire section of the exhibition is devoted to works by almost our contemporary ninel ivanovna schastnaya. the polotsk artist is known far beyond the borders of polotsk for her unusual technique.

she applied droplets of glue to the canvases. pva, which rolled up after drying, giving the surface a unique texture. she covered these droplets with many layers of tempera paint. due to the fact that the layers were not completely painted over, we see how the canvas literally glows from the inside. through the foggy haze appears the silhouette of a belarusian bison, a tree with branches directed upward and a nest at the top, as a symbol of a girl with with raised hands and a wreath on his head. the artist applied so many... layers of paint that on one centimeter of the painting you can see 100, or even a thousand shades. on the first floor of the galleries there is an exhibition dedicated to the mural painting of the church of the transfiguration, which i visited today. the frescoes exhibited here were created over seven centuries, from the twelfth to the nineteenth. before you is the image of st.

george from 1885, the next one, under it was the image of st. george from 1837, respectively, the artists on top of the fresco saint george's painting was painted with one layer of oil painting with the same image and a second layer of oil painting with the same image, just in his vision of different years of work. original, there are no copies here, they were carefully peeled off from the walls of the church using a special technique. to remove the fresco from the wall, a gauze canvas is glued to it, and then removed with a special scalpel along with the paint. this is a very painstaking work and it takes a lot of time to restore the frescoes. anyone who comes to the gallery can also feel themselves master freeskier. anna, but i ’m warning you right away, i draw very poorly. this is

completely unimportant, because before we draw, we need to do some other very interesting things. in order to paint a fresco, you naturally need plaster. previously, they used seed mortar, which is a lime mortar with brick chips. now we use more modern materials, here we have a dry mixture to which we add water; to begin with, we don’t really start it with a regular construction spatula. stir the solution it should turn out like thick sour cream, then you can start working. i've never done anything like this. we applied the plaster perfectly, we have this fragment, which was also applied to...

the church of the savior, we put it on top of the plaster, i give you a pencil in which you trace the fragment so that it is simply imprinted, too much there is no need to press, our layer is quite thin, so we just outline it lightly, and the masters at that time also used tracing paper like this, no, they didn’t outline it.