learn to respond to the changing direction of the winds of political life. you cannot lead astray someone who knows how to change the trajectory of movement. and if you are confused by belarus’ active course towards africa, then you simply do not keep up with events. don't forget the old wisdom. fortune favors the brave. only those who act achieve the most ambitious goals. even if someone from the outside doesn’t believe in their achievements. well, for those who are trying to improve the well-being of belarus with comments. off the sofas, it's time to admit that you have chosen an ineffective platform, i'm marina karaman why do belarusians need to go to africa, we figured it out, everything is clear, see you later.

we are all standing in our places, ready, counting, vyaskovaya polka, fun, if weasel, goodies have turned the stereotypical idea of ​​belarusian upside down.

what they scolded us for is now being adopted from us, it’s sad that i will soon go to a place where they don’t return, what awaits my team here, this is a question that haunts me, look, right now, i wasn’t going to dance folk dances , in my understanding, even in the then childish mind of 9-10 years old, these are two stomps, three slams, i i wanted to be a ballerina, i saw my future only in the opera house, i graduated from the choreographic school, the classical department, i even stood on pointe, i even had to solo in the bluer roll, as they said, but no one is more expressive than you... by

profession, a control mechanic measuring instruments and equipment were being prepared for lavsan, we were told that well, guys, teams had already been created here before you, a year or two, i say, guys, for god’s sake i... i’ll go to my boiler room, i’ll return to my native mogilev, i say , i’ll work at the boiler room, well you see, the collective has existed for 50 years , a reminder of my past, you know, my past youth, there is still a living pipe left in this boiler room, i worked before the army, somewhere until the seventieth, the work was good, calm, warm, when i worked ...

ballet and archival records brought her to the territory of the republic of belarus, they invited me from the mogilev culture department to work, we have a team, somewhere there,

that means the leader is no longer there, the team is good, come, that’s it, that’s it. as it was, everything remained unchanged, such i have a feeling that the only thing they did here was major renovations, but everything remains the same as in 1967, when i came here, at first they worked here, yes, lord, you know it, it’s still there, here are the machines, everything these mounts, fasteners, when they showed the classics, they told me, fedya, you don’t need to show the classics, it’s better to show them to the people, fedya balabaika, our common favorite. and the main discovery of the team, we believe, in every dance he creates a bright, memorable image, but perhaps fedya’s greatest success is the role of a clerk in a delicate codrili.

and like this all the time.

they looked there, they heard music, they didn’t hear music, they recruited people, in ’73, somewhere in december , i came from mogilev, checked who was for and who was against, but they defended me, i already moved to minsk in january ’74, that’s exactly 26

january, i was in the small hall for the first time, and it was called seventh grade. conducted the first lesson, the beginning of work on the creation of a real belarusian folk group. and this is also my grandfather there on the drum, the guy on the accordion, they performed well, traveled,

there are continuers of the business in minsk, i saw it on tv a couple of times, and how many residents are left here, by the way , there are 25 people here in boxes, maybe this is where the name of the husariki dance of the village of khoroshky, mogilev region, came from, nikolai grigorovich valentina ivanovna saw this and decided to implement it in life, this number is still working with us. because after stretching the muscles, after working on pointe shoes, the first program in horoshki was

based on folklore, all these are fractions, all these are squats, it was such a nightmare for me, suddenly valentina ivanovna comes along and rehearses the composition, the result is a number, immediately meanings appear, and the number blossoms. this issue is about how in the old days in winter, young people courted girls, well , young people courted girls, the girls embroidered a scarf and gave it to their betrothed, i’m not making anything up, i’ll read something like that , tell me something, go wider, tanya, wider, are you doing something right? there are no plots anywhere, but there are

events, these are the events, especially in soviet times, the harvest festival, that means the first furrow, there the last ear of corn was harvested there, all the events that i attended were there, it was at these events that, in general, you study people, you know. what makes them happy and how they look at it all, each number is a small performance, this touched my soul, i met this ensemble at the first concert and fell in love, i saw these trucks drive up with these trunks with costumes, like everyone else it was solid and beautiful.

filmed, filmed, there are already small theaters, there are large cinemas, but for the artists, for the professional in our collective, there is always i raised them that way, there are no bad scenes, all scenes for you are a professional stage, i educate them every day so that they understand what they are portraying on stage, they should know a lot of things, but now many cultural centers have already undergone some renovations. then their capital ones and almost everyone is wearing shoes. the stage looks decent, and there are no such difficulties, and there is lighting, and there is order with the sound, guys, the orchestra is a little restrained, you have already driven it, folk music that has lived here for centuries is taken, better than this it was, you can’t imagine, the color comes from the combination

of cymbals, and cymbals, when played with upside-down sticks, they ring. a pipe or flute plays almost nonliga stakata, this is my creative laboratory, when i came to the team, i came as the second button accordion player, it was.

everyday problems, but they exist, and we show this in our performances,

from smutka to vyaselya. hidden from prying eyes, finally, war at 4 o’clock in the morning, and women seeing off their husbands, someone in a completely different world, there were a lot of

opponents of the way i write arrangements in folk style, stylization for orchestra. it’s not according to the law, it’s not written according to the composition , it’s against the law of the genre, and now those who blasphemed me then are offering it to students, look, this is a sample of how to write , now it’s just some kind of large-scale epidemic, because , the further, the more, what we were scolded for is now being adopted from us, the search for a suit takes longer. the entire code of nations, from pagan times to the present day, you need to accurately feel this cat, the good ones have broken the stereotype,

which existed in a suit before, and before the good ones there was a simple, smoothed suit, to say the least, thanks to the good ones we have revived folk art, look at the variety.

the entire stage costume of belarus, one way or another, this is a reflection, this is a reminiscence of a costume that was in good shape, that is always new, always unexpected for everyone, they are trying to keep up with us, but they can’t keep up, this is how folk ones appear, don’t be opportunists , to be chroniclers and to be honest chroniclers, there were nobility, which means we this

... in our studio we deal only with folk choreography, the guys can directly see behind the scenes, see how the other side of the coin happens, they work on material that is worked in a team, all the teachers who teach in the studio, vocals too, this all the artists in the ensemble are good, i’m sitting sixth. love for folk art, for the origins, for one’s roots, now it blossoms very, very intensely in the soul,

the youth too, if they didn’t have love, they would leave, without tradition, without a foundation, we will have nothing, there will be no future, because it is based precisely on history, on the life experience of previous generations. it didn’t just arise, songs, dances, costumes, the colors of these costumes, it was all dictated by life. our function is still to preserve our national belarusian culture, of course, time dictates its conditions, there are modern dances, i would say , probably a certain kind of leisure, for myself i don’t see modern dances there, since childhood i dreamed of getting into this team is wonderful, so prestigious. what when we were green, we even entered the university , they told us it was good - this is a tower, and we believed that this is the best, and it

really is, so when we came to this hall with shaking knees, it seemed to us that this was just an unattainable dream , it turns out, you just need to try it, and we tried it, it’s already good under the skin, so give up already. this makes it difficult, somewhere there were some names that we are living museums, but at the same time we still have a very responsible and serious function, that is, people should know about their history and should this is all to see, and we can give this opportunity to the viewer. powders are a definite philosophy, this is her way, probably, of speaking to the world, and the viewer responds, and we give our all... as always, every city has its own audience and its own sound is good, kobrin receives us very well today, thank you very much for the warm welcome, for the sincere applause, we are very happy about this.

welcoming a full hall of spectators, really classy, ​​truly academic, musicians, the highest technology, this is it, dancers, virtuosos, well done, energetic enthusiasm, that’s just we leave, we fly out of the hall, everyone is so inspired, musicians, i just especially thank them, i really liked it, we dance ourselves, we got our fill. such an experience, they are so positive, active , we really liked it, i just returned from china and really missed my native culture, you feel such emotions, you are proud of your country, it was very nice, it was great, well done team, i really like what we have they do everything sincerely, with love, this is a two-way process, it’s written on my face that i’m a squeezed lemon, yes, but for during the concert, i managed to recover quite well, even i arrived completely sick,

a wreck, does concerts heal? heals, yes , as practice shows, it heals, i only dreamed of dancing, i never could have thought that this would happen, that i would find a family here, a loved one, that she would become a mother-in-law, she certainly brings this leader into everyday life , i just noticed, you’re at home, everything is here, or especially when our cottage is resting, here i’m the mistress, here i ’ll be in charge, sit on the porches and...

if i didn’t like it, i wouldn’t work here, but while they still give me opportunities, well , as they offer to work, i’m happy to work here, help the team, it’s sad that i’ll be leaving soon.

as if you were holding a book in your hands, clutching one piece after another, sipping on skin words, the greatest creativity comes from all of us, the most valuable and useful ones are this book, books have thoughts. and minulaga.

the thick galas of people are clear and expressive, everything that the chalavets have made, they have been stocking up on old books, the charmers have read the chalaveks you experience the stagodzi, the ever-closer flames. we appreciate the past for our today. belarus 24.