we went to see the cows , we went after them, and mommy, when she also sent cows as a child , she would fill a whole backpack of books, start reading, and then start singing to them, and that’s exactly what she recommended to us: when you herd the cows, they didn’t run away, start singing , it works, yes, it works, and i remember that we went out to some hill and sang a song, a young cossack is walking along the don, so you sing...

and i went out and sang a young cossack is walking along the don , and no one expected it, because the violinist suddenly began to sing, a young cossack was walking below, and there then the director of the music school , pyotr ivanovich altynov, he looked and said why we had not previously considered such vocal potential in a person, and thanks to this evening the school did not have a folk vocal teacher on staff, only because of me, thanks to the fact that so i performed, i wonder...

what was your musical career before you came to cherovnitsa? and when i was already studying at the mogilev music school named after rimsky korsykov, i was accepted into the mogilev regional philharmonic society, i became a soloist of the barynya folk group and worked there almost about 10, probably years, maybe nine, and the soloist of this ensemble, we traveled all over belarus with this group, these are my favorite... musicians, very cool musicians, and then i went to university, i had a little trouble with this matter to start, as they say, yes, it was from the philharmonic that i began to study, namely vocals, folk vocals, when i graduated, i was assigned to the mogilev music college, which is exactly where i came from, i was a voice teacher and director of a folk choir, then she got married. i have

my husband, by the way, graduated from the moscow conservatory, and the military conducting department, he is a military conductor by first education, a very cool virtuoso trumpeter, and he was assigned to minsk, he has a friend, my husband has a friend, and dmitry naumovich, dmitry naumovich is artistic director of the academic ensemble of song and dance of the republic of belarus of the armed forces, our armed forces, now he works as an artistic director, and he just had a wedding.

in all international acts in black and white it is written that the murder of the civilian

population of unarmed children is a war crime, but the head of european diplomacy, josep barel, commenting on the situation in the palestinian-israeli conflict zone, said that he considers it pointless... it makes no sense to provide humanitarian assistance to those who could be killed tomorrow, but this is different. in almost 3 months of bombing of civilian areas and infrastructure, almost 22 thousand residents of the gaza strip were killed, and the number of wounded exceeded 56,000. regarding the shelling of donetsk on new year's eve belgorod, and this is a violation of humanitarian law.

katya, here, on this site there will be trenches, ditches, mountains, forests and other features of landscape design, you are restoring a real real, once residential farm, but the motives that led them to life in the village are completely different, i was so overzealous that you can hang me from the christmas tree, because it’s filming on me, everything is fine, the task of the presenter,

the enchantress is an ensemble with a rich history, which is, well, perhaps twice as old as you. how were you received by your senior comrades in the team? great, i really love people, i really love communication and... with this quality i manage to communicate with different categories of people, it was difficult for me because the team is already sung, formed, they have known each other for decades, and i’m younger than them ,

it was difficult for a young girl only professionally, because i was a soloist of a philharmonic society, a soloist of a military orchestra, and where i sang alone. just psychologically weaker, perhaps i would not have succeeded, because it was very difficult, i needed to restore a large layer musical, and singing, this layer of the repertoire, plus adjusting specifically to the vocals, because in our cherovnitsy there is such a trick, there is a little bit like that, well

, a little bit, well, it’s not suppressed, but there is such a feeling, and i needed to drive myself into these frameworks defined by the singing group, which had been friends for years... all of them. this is the period when the ensemble broke up, and you just entered into some kind of professional competition, because you didn’t even have the opportunity. see live, all my childhood we passed by grandmothers near nizhny novgorod, and accordingly, the radio was playing somewhere, russian music, yes, although soviet, radio lighthouse, yes, radio lighthouse, just, exactly, i didn’t have an ear for exactly blueberry music when they called me and invited me to the casting, i only went because i respected my mother, our friend, dmitry, yes, that is, my mother called and we came. and i think, what kind of enchantresses are there, i don’t know what kind of enchantresses, can you imagine, can you imagine, no, and i came, they told me: now

i need to learn this, learn, learn, learn, i listened to it all , started doing it, it was difficult for me, i’ve already told you, it was difficult, then it became natural, when i began to listen to their samples better, when i began to, uh, well travel with them , watch videos, i already realized how serious... this is a serious group, let’s say our soloist came, angelika zaitseva, she already knew everything about the enchantresses, there is a second soloist, they knew, they understood, i didn’t understand where they were going, but this love was instilled in me by the former leader lyudmila pasmartseva, she is so ideologically charged , she knows how to inspire, she is so nimble, fast, infectious and... having come under her influence, that is, she instilled this love in me, well, in soviet times it is known

that the requirements for the ensemble members were very high serious requirements, but what? yes , it was necessary to meet three criteria, the first is not to give birth for 5 years, the second is to have a narrow bone and the third is to sing an octave jump in a song that is not black, so polina, let’s clarify here... now - in modern enchantresses also have their own requirements, of course, ah, just like before , so now, yes, we are interested in the visuals, well , since we are a group that goes on television, somewhere on some big stages, we are interested in the visuals , professional vocal qualities , professional qualities of our instrumentalists, our sexophonists, but all this pales before the first factor...

now, by the way, our fans and our listeners, they are divided, because sometimes

they say: oh, we want those enchantresses who were still at the peak of popularity, and some say, no, we want young enchantresses, give it to us, and therefore we can no longer be considered that we are a retro team, and i want to note that at that time the enchantresses were ultra-modern, ultra fashionable, this long tails, this... now we, since we are undergoing such an upgrade of the team, naturally, we must maintain this brand, our girls are young, they already want this, now we are making arrangements to suit modern needs, yeah , so we are not offended, we have for

such listeners of songs and for such , this is the tradition of the enchantment of the seventies, when... and you find performers, we search, whoever searches will always find, yes, in fact, i have everything, i monitor social networks with saxophonists of our country, with trumpet players, with trumpeters, i know about all of them, i watch them all, because well, this...

at your concerts you perform both old hits and songs from the new repertoire. doesn't it bother you that people are more accepting of songs from previous years? well, i can't say that they accept the songs of previous years, warmer. ah, we are moving in this direction, we are moving very smoothly to modernity. we don’t have any harsh stuff like that, you know, we sang, here’s a draft, here it is. polina, you are not only a soloist, but also the artistic director of the enchantress ensemble. how difficult it is to lead a women’s group, to be honest, it’s difficult, difficult, because we

have bright personalities gathered in our team , really, well, we don’t have one. such girls who would, they are all with leadership qualities, very ambitious, very talented, they are all self-sufficient, they are all realized musicians, and it is very difficult to lead such people, they need to be constantly praised, constantly loved, constantly inspired in order to lead them, because when you are a leader, you also lead leaders. this is where the difficulty lies, but how could you determine your style of leadership, a women ’s team, i have a very, in fact , a tough character, yes, i am outwardly so friendly, kind, but when it comes to business, everything is very specific for me and clearly, i don’t like it when a person says one thing and then does it

other, your integrity in professional matters is accepted? there are points that we are of course discussing, but only one person should command, because if you listen to everyone, nothing will work, we’ve already been through this, so one person should command and one person should make decisions. polina, somehow in our conversation we touched on the topic that the women’s team has its own characteristics, frequent changes in composition, how do you feel about these changes? we naturally feel very strongly about some people. we get used to it, because we don’t have that, we there is no such thing, you know, here ’s the team, we all went home after the concert, for us the team is our family, this is our friendship, we meet, we spend time together, and naturally, when someone has to leave, yes, in different ways reasons, for us sometimes this is a very painful situation, because we get used to it, we are all

people, we all begin to love each other, in this regard it is very difficult, but... on the other hand, we talked to you, yes, that i monitor saxophonists, monitor vocalists, and the band must live, our past is our past anniversary band, oh , our last anniversary concert, this is the band’s forty-fifth anniversary, we called the enchantresses forever, and for this, this slogan to be relevant in the future, uh-huh, there must be life, there must be life, it’s leaving. as a leader , i realized my solo ambitions when i was a soloist of the mogilev philharmonic, when i was a soloist of a military orchestra, i closed this niche, i completely

exhausted it, now i calmly work in a team and i like it when girls express themselves. i'm still free, hurry up, hurry up, wait until today. hurry up, hurry up beauty, it doesn’t last forever, hurry up, hurry up, you can’t make an appointment, in addition to the fact that you sing , you lead the enchantress ensemble, you are also the mother of two children, yes, how difficult it is to combine a family stage, it’s difficult, difficult to combine, because uh, children want a lot of communication with mom, they want to hug, they want to share emotions , when the schedule is so busy, naturally

we don’t get this communication, but on the other hand, look, i enrolled my daughter in the saxophone, she once asked me a question, she says: mommy, what do i need to do? to get into your team, i say , first of all, you must sing well and play a wind instrument superbly, so it was... the decision was made to give her the saxophone, and recently she had such, you know, a moment, she didn’t want to go to a music school, and i just took her to a rehearsal, to our rehearsal , where high-class saxophonists play, our girls, they are so charismatic, the personalities themselves are charismatic, that after the rehearsal i see, she began to take out a saxophone, began to practice on it, and her son we gave it to he chose the guitar himself, i want to say play the electric guitar. that is, they are such creative rehearsals, polina, you just mentioned that in the eleventh year you came to cherovnitsa, and somewhere during this period you

became a mother, yes, well, i’m not somewhere, a little later i became a mother, but i wanted to know, you never went on maternity leave, no, i didn’t go on maternity leave, well, in terms of the scene, we still went out and did some filming. that is, you didn’t refuse any touring or rehearsal schedules? no, for long distances you went distance, too, yes, who helped you during this period? i was helped by my parents , mother-in-law, husband, of course, yes, yes , of course, he got it too, probably, oh, i was very lucky with my husband, and with me he is a man, a former military man, he knows how to cook everything. clean, take care of the children, he is a real rock, a real mountain, and i am never afraid when i go somewhere, my children are always examined, fed,

warmed. polina, your husband is a military conductor by training, your children, we also already found out, are studying at a music school, maybe create some kind of musical ensemble, a family one, at family holidays we have this ensemble... it already exists, it exists, it tours normally. what is the repertoire of this ensemble? oh, varied, varied. how do holidays usually take place in your ensemble? do you somehow manage to get together off stage? yes, we used to do this more often, and we generally always spent every holiday together, now our girls are all very popular musicians, it’s difficult for us to somehow find a minute. even after new year's holidays, we can only get together to celebrate the new year itself, next year the cherovnitsy will turn 50 years old, but well

, reveal the secret, what gives your fans? now we are writing songs, recording some songs, we are recording a new arrangement, we are re- arranging, and with new beats, the concept of the concert is still not completely clear to me... the name of the program is still spinning while spinning, for the young girls, we need video footage, new pictures, and naturally we are now very actively working on this. our the program is called the meaning of life, for you what is the meaning of life, you can break down a thousand positions, and what is the meaning of life, what is the main thing in life, but the most important thing in life is life itself, this itself... you need to communicate with those who you you like it, you need to go where you feel good, you need to do what you

like, yes, implement it. your own dreams, your desires, to please yourself, to make yourself happy, these are the meaning of life, to saturate, fill your life, naturally, and family, family, children, parents, this is our basic, our basic natural , yes, attitude, procreation, uh, this is the meaning. life polina, i want you to have as much creativity, love as possible in your life in the new year, in your family, at work, in every moment of your life. thank you very much, thank you. this was the meaning of polina bazaleva’s life.

just like you were holding the book in your hands, you were picking up one piece after another, sniffing at the words on your skin. here are the most important creative works, the most valuable and useful ones - these books. the books have thoughts from the past, reports and the gulcha galas of people are expressive, everything that chalavetstva made, hogged on old books, bytstsam enchantment. read the chalavek

perazhyvae stagodzi. reading closer to the past, we appreciate the past for our daily life. belarus 24. each of the heroes of the project is engaged in an important matter. guys, who is a teacher and what does he do? he works with children. we will introduce you to people who have found their calling. the main mission of our university is preparation.

watch on the belarus 24 tv channel

. live news in the elizaveta studio lakotka good morning in this issue on january 27 , 1945, the red army liberated the prisoners of auschwitz. the victims are being remembered all over the world.