with very real risks, the unique action project heroes transformation returns , but in a new, more exciting format, this time everyone can test their strength, more than a hundred amateur athletes from all over the country passed the qualifying stage of the new season of the show this weekend, however , only the strongest 48 will continue to fight for the main prize; the highlight of the new season of the project will be that first you will have to fight not for the team, but for yourself... yourself. in each

quarter-final of twelve participants, only the three best will be able to form their own team and advance further. based on the results of each quarterfinal, four teams will be formed, three athletes each, who will perform, and we will invite former professional athletes of the republic of belarus who glorified our country as team leaders, they will act as a coach for this team. today we plan to invite ekaterina vandaryeva, alexander bogdanovich and stanislav dorgun. test your strength and endurance and overcome your fears and lead your team to victory. the second season of the adult project heroes transformation will definitely not make you bored. and further, sports news, projects of the television news agency, are also available on social networks, in the mobile application qr code on the screen. new information already at one o'clock in the afternoon. before the meeting,

metallurg was only able to squeeze out brest in the next match of the regular championship of the hockey extra league in overtime, while the team from zhlobin led the match with a score of 3:0, but by the middle of the third period it lost this advantage, allowing the opponent to restore balance in the match 3:3. konstantin lukin scored the winning goal for metalg in overtime. who scored a double, two more goals in the winners accounted for alexander podkorytov. well, the enemy put pressure, tried as hard as possible and was 100% charged. eh, we’ll talk, we’ll find out the reasons, but the main victory is still a victory. metallurg occupies sixth position in the standings, and is far from the fifth-placed youth steelmaker, the gap is 14 points. but the advantage over seventh team. only four points.

gomel and neman are level with each other in terms of points after the matches of the forty-sixth round. the lynx beat lida on their ice with a score of 5:1. and the red-blacks were stronger than mogilev on the road 4:2. and gomel and neman currently have 64 points each. these are the third and fourth lines, respectively.

capital became a landmark; for the first time it hosted the forum, which was held with the assistance of unesco, the united nations educational, scientific and cultural organization. the slavic conference began in minsk

culture and the world cultural process. it brought together more than 200 scientists from 23 countries. but why exactly did this event attract me? such attention from the cultural community, why were the issues of the development of slavic cultures in the context of world civilization considered at such a high level? until recently , the soviet union categorically did not accept the idea of ​​joining unesco. until the early fifties, the leadership of the soviet union had a negative attitude toward the organizations that were created by the un. they believed that these organizations pursued policies in the interests of western, largest western states, therefore it is not appropriate for the soviet union to participate in such organizations. everything changed after stalin's death. on april 21, 1954,

the ussr ambassador to england yakov malik signed the unesco charter. a month later , the bssr became a full member of the organization. almost immediately, the belarusian side took the initiative to include in the agenda of the next unesco session the issue of the importance of studying slavic cultures in the context of world civilization. in august 1957, the first meeting of the bssr national commission for unesco. it discussed the issue of carrying out activities to

celebrate the seventy-fifth anniversary of yanka kupala. unesco supported them unanimously. but unexpectedly the discussion unfolded. a circle of another question, comrades, i propose that we need to declare the rich cultural heritage of the belarusian soviet socialist republic, what do you think? but for each of them the disputes are no joke: the head of the political department laid out before the members of the commission folders with photographs of objects, their descriptions. well, firstly, this is the unique belarusian nature. here is object number one.

intangible cultural heritage can hardly qualify for inclusion in the list of world cultural heritage. belarus will prove that intangible heritage has the right to be on the list of world cultural heritage in the 21st century. at the same time. in 1982, a conference in minsk summed up the great work that was carried out by the republic within the framework of participation in unesco programs. this opened wide opportunities to present belarusian culture, unique and multinational in

the world. what was there to imagine? new frontiers. this is how we can characterize the culture of the bssr in the fifties and early seventies. belarusian culture declared itself in the soviet union, even in seemingly uncharacteristic genres. pradzeda, she found us at the spakun’s place.

at the same time, viktor vuyachich made a serious bid for the belarusian stage on the all-union stage, not only with a cult song that only a veteran can’t sleep with, but also with a whole cycle of songs on poems by belarusian poets. their arrangements sounded new and were instantly loved by the audience. i remember at shabolovka, i

was also just starting to work and there was a program about your artist in uyachich, when in 1973 i went to japan for a year to teach classes, speak russian, i looked for someone in japan who came , they told me, vuyachich came, he i also had singing in my program in japan. the songs of alexandra pakhmutova and nikolai dobronravov are heard on the all-union stage.

igor luchenok became on a par with them, thanks to luchenok the takeoff took place, he created not just an ensemble, he created a whole wave, the veros swept along this whole wave, and the silver, light,

dewy, dreamed of the bright, bright, when the singers sang, there is that one...

but for everyone it sounded in its own way, especially, and this there was no rivalry, in the national culture they complemented each other, this is the culture, this is the theme, this is belovezhskaya pushcha alone, how talented they are, how they found each other, united and what level of voice, performance. the republic became recognizable not only on the all-union stage, but abroad. ensemble songs, popularity which grew rapidly, were sung everywhere. they were performed at prestigious

international competitions. in 1970, the songwriters became a laureate of the all-union competition. variety artists a few years later became the laureate of the tenth world student youth festival in berlin. first prize at the all-union competition of soviet song performers. but not everything was so simple and unambiguous. this met with opposition. i know one distinguished person who believed that they were simply spoiling the belarusian song. this is always strong, it it is very, very difficult to break through.

it was a time when outstanding young and already famous actors shone on the theater stage. nikolai eremenko, rastislav yankovsky, stefania stanyuta, makarova, molchanov. it was a time when

queues lined up at the box office to get into the performance, every premiere of a famous director. dmitry orlov, already well-known and the young and talented boris lutsenko, the yanka kupala theater and the russian drama theater are becoming leading in the republic, recognizable in the ussr. cultural figures, how they helped and performances were appropriate songs were played and concerts were performed. and they say very well there: censorship, censorship, no, censorship, maybe the word is iron, metallic, it is not euphonious, but it was the right selection, competent.

fine arts, folk art, the fifties, sixties - the time of birth of great literature. belarusian literature of the 60s is another belarusian renaissance in our literature, and in addition to aesthetics, and in addition to artistic-aesthetic creations.

iago's prose is overly realistic and prudent this is the message that all the citizens of the savetsky union, not only the belarusians, the entire slavic european world, my creative work, and the orthodox church of the russian federation, and the country, and our literature, have heard yay. petrus brovka, melish, lynkov, maxim tank, ales adamovich, a whole constellation of outstanding belarusian writers. the intelligentsia was special, reverent, history has preserved a unique fact in itself. the first secretary of the central committee of the communist party of belarus, kirill mazurov, corresponded

with poets in verse. his correspondence with petrus brovka has been preserved, which means brovka wrote him some congratulations in verse, and even not only congratulations, there on the occasion of holidays.

its terrible story was told by joseph kaminsky, who was not far from that place of paskororov, and then the idea was born to erect a monument to the burnt village, in particular to this particular khatyn. pyotr mironovich was assigned to oversee this project, since he... was involved in ideology, which means this was given to him, but what should the memorial be, opinions are different and they were divided, we... we are

in a creative workshop in which in the sixties, khatyn was created in monumental art, belarus, there were many innovative solutions, and khatyn is the first very striking example of innovative thinking in architecture. endless creative search. this is exactly what one could call the next draft solution, which young architects gradov, zankovich and levin were preparing to present to the chairman of the state construction of the bssr vladimir adamovich korol. remembering their last conversation about the landmark, monuments and

memorials that were erected. of course i understand that you can do whatever you want you want, where are the sacred things that require a classical solution, well, what is this, then the young architects were left alone with their decision, four villages, one broken, bells, birches, a burnt

stove. creative architects understood that perhaps it really shouldn’t be proposed with this topic, they made a traditional solution , but they would not have been such young and creative people if they had not yet made their proposal, as they understand the eternal flame, mironovich saved the situation, looked in to the workshop to have a look how the work is going, and most importantly, what solution for the memorial was found. and then they took out this version with three birch trees and an eternal flame, in the place of the fourth birch tree, and pyotr mironovich said that yes, this is what is needed, and this will become a symbol, i am sure, this will become a symbol of belarus. truly turned out to be

unique in its kind. decades later, the story of the khatyn tragedy in the language of architectural design leaves no one indifferent. and the image of kaminsky in his arms with the body of his deceased son, embodied by the sculptor selikhanov, conveys all the pain and the tragedy of the belarusian people during the war. opening of the khatyn memorial. took place on july 5 , 1969, with a gathering of thousands and thousands of people who walked and walked to this holy place in an endless stream. the folk trail to this holy place is not overgrown even today.

let's go on a journey in which we will learn more about the national identity of belarusians. at the top of the clock there was a sluggish collection of chess pieces. darechy, grodna can be called the chess capital of belarus and syarednyavechchy, there are so many of them here. velma the jumper, me i guess, i hope that in kalisha there is still such a fashion and the same slutsk baizes are from vernets. let us graze the most cultural meats of our country. we are sure that there are baroque pipes in the world of modern pipes. eight great, valuable, precious pradstaunik baruchnaga argan budainitstva.