when i tried to cook at home , when i cooked, i tried it, that’s for sure , when he remembers my homeland, in fact , at the beginning it was a little difficult, so that when i got used to your kitchen, i also really missed my kitchen, but because in it’s very difficult for belarus to find hot spicy dishes, and i’m just reading this article, why when you... eat a lot of pepper, you already have a hobby, that is, people get pleasure from the spiciness, now 4 years have passed, when i’ve already lost my abilities, i can barely eat spicy cuisine.

i think it's quite difficult to come to a foreign country because it's a completely different world, i really like it when i see that i'm growing so quickly. because i have long wanted to live on my own without help from my parents and other people, despite the fact that i am young, i also think that you can live on your own, this, on the other hand, also means that you are a capable person, and you have your own talent, you can somehow create a good career for yourself on your own, i will say this when i lived in china. "i didn't live my life,

i haven’t seen this world, in china we just have very hard studies, we lived right in the school, our school has everything, shops, restaurants, a hostel and so on, but i didn’t know what this world looked like, what others looked like country, but when i came here, i will say that my life not only..." began for these cats, i realized that it’s good that 4 years ago i made the right choice, that i came to belarus.

about that, what a jazz composition sounds like, everyone knows that this genre arose at the beginning of the 20th century in the united states america is also no secret. what kind of jazz is it in belarusian? who opened its amazing world to the belarusian listener? we will find answers to these and many other questions together with the professionals of the national academic concert orchestra of belarus. named after mikhail finberg,

alina nevoina is with you, and this is a fashion for culture. jazz is a unique form of musical art, which, with its unique, vibrant sound, unites races of nationalities and erases the boundaries between people and countries. the history of belarusian jazz begins with the creation of the first jazz orchestra. more than 80 years ago, under the leadership of edi rosner

, the state jazz orchestra of the bssr was created. in modern belarus , the honored national team has become the successors of the traditions of the great jazzman. academic orchestra of symphonic and pop music of the republic of belarus, headed by its director, people's artist of belarus mikhail yakovlevich finberg. together with his team, he organized more than a hundred festivals, including the minsk jazz festival, beloved by many music lovers in belarus. to unfortunately, the maestro left this world, but his creative legacy continues to live on. for 34 years now, minsk jazz has been a bright event in the cultural life of the belarusian

capital; today the artistic director and chief conductor of the orchestra is maxim rasokha, a laureate of international competitions. to listen to jazz, you need to love it, yes, like any music, especially since there is jazz that is more accessible, like swing, and there is jazz, which is very complex, it is for a sophisticated audience that must be prepared, that understands jazz, we of course perform music that is more accessible to people, so that people enjoy the music, do not sit

in tension, that something so crazy is happening on stage now, namely some accessible swing things, especially the forties and fifties from the repertoire of the glen miller, duke orchestra ellington, that is.

also relied on his german folklore, all composers in their work - this is their national highlight is that it is folklore or near folklore, also the case of evgeny glebov, he ... wrote as in belarusian folk themes, so he created his own pseudo-belarusian folk themes, everyone thought that this was a folk theme, but it was his original music, his own melody, so national jazz is very important - it is jazz based on national roots, this is very important, first of all, and secondly, what is clear is that there is german jazz, there is american jazz, there is russian jazz, the century of russian jazz has already been celebrated, but we have our own special jazz, it is based on traditions and european, traditions of russian jazz.

the magic of live sound, tape, cassette, when we put it in, it goes the way it is, it, we know that now it will be this, and it will be, and in a minute it will sound like this, especially if it’s possible several times we listened to this, we are already accustomed to this sound ; there is already a standard in our head when it is performed by a live orchestra, there is no standard, it seems to be there, but today i am in such a mood, i want it differently, i can take the tempo slower, i can ask a musician, while playing , just use his hands to play more quietly, softly, that is, i i give out the emotion, yes, that is, if there is no conductor, the orchestra can play unconditionally, but it will just be music like on a disk, here it comes, what it is, what it is, in

the process is the conductor, what is the conductor for? to create a process , it’s no longer a result, the result, yes, it’s already there, we’ve done everything, they can play, but to achieve what you want, when the concert starts, the most interesting thing, for example, i’m in this mood caught, yes, that is, one thing is in the rehearsal process, and the heartbeat and pulse are so even, on at a concert, everything really clears up, somewhere the tempos are different. for me. musicians are true masters of improvisation. honored team.

the national academic concert orchestra of belarus named after mikhail finberg annually presents jazz fans with a wide palette of world classics of jazz music, introducing the best composers and performers of this musical direction. if you want to feel the beauty and grandeur, at least for a moment. and elite music, we invite you to attend events such as the already traditional minsk jazz festival, in turn you will receive a real jazz cocktail of enchanting rhythms, bright melodies, virtuoso improvisation and of course harmony.

along unexplored paths and routes, a certain medieval traveler, a favorite

of today's marketers, called belarus a country of castles, and not to say that he was wrong, because sources of the 18th-18th centuries claim that there were about a hundred castles on our land, we will travel all over belarus, streshan church, majestically snow-white, built of brick, they knew that everything was erected in europe. of similar buildings, only one has survived to this day, it is in disrepair, to show how unusually wonderful our country is, grodno cannot be bothered. i can’t stop, i’m walking in this city with a task, and you sleep with me, and i’m all tired of the hellish grandee of the jumping administraion, this fire tower. darechy, yashche adzin turistychny, papular ab'ekt. adkrywejce belarus is appropriate with the tv channel

belarus 24. heavy music in belarus appeared in the second half of the past centuries, in the two thousand years there was a new dawn of it, belarusian groups appeared performing both in belarusian, russian and english. at the moment , only in minsk, the capital of belarus, can an overwhelming number of groups be identified. rock music has grown...to such an extent that it now consists of numerous types and dozens of subgenres. let's take a closer look at its genre, metal. it has a fairly large number of styles, from relatively soft ones, such as classic metal, to very heavy ones, black metal or grind cour, and

metal fans themselves are called metalheads or metalheads. so much for all music lovers.

instrumentalists among musicians, this is often the case, and as for changing something, i already play in too many genres, that is, it’s not always a specific one, it’s a crossover in any case, if i do something easier, then there’s still a lot of stuff there , so change something, which is what it is, but i don’t see the point, i just don’t think that anything will change even with time, because it’s not something like that anyway narrowly focused, what topics do you mainly reflect in your texts? well, themes are like vocals, this is usually not the case here...

it’s different, incredibly different, it ’s really a lot of techniques, maybe the average listener can’t hear it at first glance, and it seems like an ordinary scream, but if you just scream incorrectly, then you’ll be in trouble for a long time you can’t shout, so this has certain, of course, techniques, there really are a lot of them, but they are also often hostages of the genre. denis, there is an opinion that musicians who perform heavy music are just like that informal in themselves, not entirely organized, yes, destroy this stereotype, right? in fact, this is music first of all , completely different people can listen to music, so it’s not worth burdening it in any way, but often listeners of heavy music are well-read, interesting people, in most cases, as a rule, than more extreme, the heavier the music they listen to, the more they love, study, and there, as a rule , the love for some interesting stories often intersects, that is, it’s like

as a rule, people are well-read, most with good jobs, but there are different ones, of course, there are always exceptions, but in general... that they are kind of humpty-dumpty and unkempt and so on, even closer to thirty i notice a completely evenly proportional story. heavy music has its own listeners, this is what, in your opinion, can surprise the modern listener today, because he is oversaturated, sophisticated, has already seen a lot, heard a lot, i don’t think it’s just everything, because even if you look into the history of metal music before the 2000s , there's still too much there is a lot of interesting, just an unplowed field, so listen to the new ones. it’s better to even pay attention to old music, everything is always cyclical here, everyone will return to it. how has heavy music changed in general over the past decades? well, there are certain changes. it began to become more complicated from the technical side, the mathematical approach, that is, in this regard, yes, musically, of course , it’s not very easy to somehow surprise now, so the approach is more complicated.