may qualify for incentives from the president’s special fund to support gifted students. the regional stage of the tender sniper competition for the prizes of the presidential sports club brought together more than 300 participants in the chaus. the guys perform in three age categories. the team from each district, as well as mogilev and bobruisk , included 14 people, including 12 students and two representatives from the educational institution. the competition takes place in two stages. the winners in the individual and team championships will be determined in all. age groups in each type programs: sprint race, mass start or mixed relay. based on the results of the regional stage, a team from the mogilev region will be formed, which will take part in the finals of the republican snow sniper tournament on the biathlon track in raobichi. together with the belarus24 tv channel, we will plunge into our cultural life.

the most famous carols are the plots that can be learned from the battle - geta pastanovka "tsar irad". i will tell you at the same time as me and i will look at you. a star appeared in the sky and was quite pleased. i, tsaryrad, am a dzeyach of slauna. geta darling was so here's the plow, the peasant may have knitted, and the slave may have done the work. on this side

we can pahodzitsya, on others, yes, the great man easily turns, look at the cultural development in the project, we will show modern belarus from an unusual angle. i also see that in belarus there is a huge advantage for those who, for example, work, let you be 40 years old, 50 years old, for example, i have friends who just go to an amateur hockey club. the level of education is much higher, the system itself is so advanced compared to states, i can’t even explain this, belarus has become for me some kind of piece in life, which i can’t even live without, every time i want to come back here again, we’ll provide the opportunity to see what is invisible to the eyes of local residents, here the metro is very beautiful, especially the green line, which is now being built, in general it is beautiful,

tv news channel belarus 24. agency see in the project a look at belarus on presents. in the public domain. we have no secrets from our people. yakov mikhailovich sverdlov. on lenin's instructions, on behalf of the russian federation, he conveyed congratulations to the first all-belarusian congress of soviets on the formation of the belarusian soviet socialist republic. smalensk 30

snowfall of the year 18 ў with this budynka the sixth dawn-sunning ablas conference of the rkp was winged. adnagalosna is committed to creating a self-sufficient belarusian socialist republic. all rocky organizations of belarus were present at the conference, where i considered myself the first stars of kamparta belarus. congress adopted a declaration on the establishment of federal ties with the rsfsr, approved the constitution, state emblem and flag of the belarusian ussr. during the days of the first all-belarus congress of soviets , the versailles conference was held not far from paris, officially on the agenda “peace with germany.” unofficially, on the sidelines there was a conspiracy about war against the soviet republics. this time, imperialism

is betting on the bourgeoisie of poland. more recently, pelsudsky fought against the entente, on the side of germany. today americans are facing...

daniel, what are your five qualities? need to know before starting a conversation? well

, let’s do this, i don’t like lies, efficiency is probably my quality, i don’t like stupidity. but i love a pleasant conversation, and i love to read , my guest moves through life in an interesting way, thinks outside the box, sees in a new way and directs in an unusual way, he...

but such a very unexpected hobby, when the desire arose to chronicle his life after the death of my mother, she died very early, i was 6 years old, probably in this way, but this is now from the point of view already...

i had already entered a creative university, and there were observation diaries, i thought that i intuitively felt what my profession was, because i had been keeping it since i was 6 years old and it was familiar and interesting to me, that is , it didn’t bother me, then the notebooks moved to the laptop, and so on , now i conduct , no matter where it seems to me, the main thing is that i conduct them, write them down every day, and i know that your diary entries became the basis... the script basis for the play "the yard of my childhood", which was recently released to the audience, there was a premiere, you weren’t afraid to expose your personal memories for the public? at the moment, writing this play, this dramatization based on the diaries

, was not scary, in general, when it was all planned, when we won the grant, started staging, it was not scary when i started rehearsing with the actors who speak the text... of my diary, but it’s as if your personal diary was stolen from you and they begin to read it, that’s the feeling, of course, it was exciting and not always convenient for me, especially there is a moment when... the main character utters a line about what i’m talking about led everything because my mother died and i’m 18 years old, now i consciously accept it for myself, otherwise i’m always uncomfortable, i take off my glasses, i don’t watch this little scene, well, somehow it’s not uncomfortable for me to watch when people are strangers, although these are my actors, but these are still strangers who read your thoughts. daniil, well, surely your diary entries recorded the moment when you decided to become a director or... did this desire live with you from year to year until it acquired some

visible forms? no, i have been interested in choreography since childhood, i graduated from choreography in general, the subrion dance ensemble , which was directed by my grandfather, fimekolic gutman, and i graduated from music school, i took some courses in drawing, that is, i was looking for myself, at some point i met the theater, by the way, it was the yankee theater kupala, i remember this performance by the pinsk gentry, sitting far, far away on the balcony. i saw practically nothing, i only heard, and i was somehow impressed by what i saw, heard, and i became interested in general, what is a stage, what is an actor? at first i dreamed of becoming an actor, by the way, i met controller tatyana, who worked at the maxim gorkov theater and began visiting this theater for free, met directors, actors, well, in short, yeah, got completely into the profession and wanted to be an actor, went to enter the academy of arts, meshchenchuk gave me two exams dozens, at the third exam he said: you better go for directing, of course i was very indignant, what is a director, i want to be

an actor, that’s it, but now i’m very grateful to him, in general i hope that he knows this and that i followed the way he accidentally drew it for me, after art college you set off to conquer the country’s theater universities, and went to several universities at once, why did you choose gitis? well, i think that vogis is the best academy in general, i don’t know, it was an academy before, now it has become an institute, in general in directing, but i don’t know any such outstanding actors after vogis, usually it’s the shchukin school or the shchepkin school, but after gitez, well , i probably had some kind of idea that gitez educates directors, true real ones, if i finish, then i will be truly present. the second point is the master who came up, mikhail zakharovich lvitin, who supported me and even in the first round said that

i have you, you got in, but i was still worried, i slept on the arbat, there was nowhere to sleep, there was no money, in one of your interviews you said that in your work you remind yourself of your master, and what exactly did you borrow from him, humor, in general mikhail zakharovich is a great man of humor, he has a specific one, when odessa humor yes kharms. yes, with palischuk , well, i probably adopted this humor, because i don’t know how to stage comedies, unfortunately, myself, yes, i would love to, even at the box office, i could earn so much money, but i stage meaningful drama and tragedy , they don’t really want to go to this, people don’t want to suffer, probably in the theater, they want to have more fun , but i’m somehow so strange, i have some notes for myself, that i noticed humor here, humor here, i usually like tragedy, drama, for me it suits the stage, in life i like humor. creatively, what are you borrowed from mikhail letvinov? i borrowed from the harshness of communication with actors,

especially when he has actors who deliberately try to, you know, impose some questions on him that are really clear that this does not apply to him, or deliberately tease him somehow, that is, i i read this very well, in this regard, i communicate strictly with artists, that is, i am not afraid, even if an honored artist, people's artist, i am not afraid of this, i respect these people very much, just like... i respect, but i have there is a clear distance, i am the director, you artist and let's be, and then we will communicate very nicely with you after the doors close, of course, i know that you had an internship at the roman viktyuk theater, what did you borrow from him, endless efficiency, although i was efficient, but i didn’t see this in directors, it seemed to me that they were so thoughtful with themselves, but until the end of his days... there remained this terrible love for the theater and this terrible love for the artist with

whom you rehearse, that is, me for hours, if i'm interested in an artist, then i can rehearse this for hours and generally forget about the break, and he will forget about the break , that is, he created some kind of atmosphere around himself , he didn’t want to finish this process, well , i’m trying to learn this, i think that some artists, especially in gomel a very good youth theater troupe, with whom it is simply an endless pleasure to rehearse. 100 brave guys gathered in our studio, each of them has a question for an adult. why do you think children ask strange questions? a person is always scared by something new,

what scared you when you were offered to become the rector of bsu, something that you could never forgive, well, for example, a loved one? as it is written in the gospel: if you forgive and forgive people for their sins, then the heavenly father will forgive you, everything. the heroes of the program will have to open up to the audience. the main task is to honestly answer all original, and sometimes awkward questions. what does bsu have that no other university has? very.

katya, here, in this area there will be trenches, ditches, mountains, forests and other features landscape design, you are restoring a real, real, once residential farm, yes , the motives that led them to life in the village are completely different, i was so overdone that i too could be hung with little rings, because it’s not easy for us to remove, roll up, everything in ok. the presenter’s task is to find out why rural life is still better than city life, wow, cool, this often happens every half hour, it’s amazing, it’s even a little scary, don’t be afraid, this is all positive, if they hadn’t told me that we are here on territories landscape designer, i would think that

some kind of football fan lives here, because these are, well, these are our greenhouses, a project i’m from... watch on the belarus 24 tv channel . it’s true that in one of the theaters you forced the actors to keep diaries on behalf of their characters. well, what kind of story is this? it was a thunderstorm in the pinsk theater.

actors probably often take offense at you, yes, there are people who hate me, this is a normal thing, i’m a dollar bill so everyone likes it, but at the same time i preserve myself, i think about myself, i think about my profession the place in which i came, that is, to any theater that i would not come with my intrigues, scandals, gossip, i make my own theater, as if here it is, here it is now, there are five people, my troupe, i them i love, adore and lead if they are offended. well , in my work i show them and always prove with the result that this can be achieved in any way, by the way, levitin’s remark is that if you achieve a result in any way, sometimes you have to act authoritarian towards the actors, that’s how it is and no other way, yes, of course, especially to those actors who want, well, it happens that they want to lead

another line there or... i really have, with all my lightness, with all my laughter at some kind of rehearsals, yes there, maybe be , even sometimes easy behavior, i always know what i want and i know where i am leading and how to lead - this is already my way, i can lead them with jokes, i can lead them despotic, i can lead them strictly, no matter what way, i choose my own way for everyone, you have to yell at someone terribly, after which my heart it hurts and my hands are shaking, but it’s all a process. how do i achieve that goal, i like this result that we are achieving, and only then all the grievances, you know, where they take place at the premiere, when they are given flowers, the audience applauds, all the grievances arise somewhere and...

not it’s hard to speak naturally, but rehearsals, if i don’t share this, i’ll shut up, then well, it will be strange, the actor responds to my personal ones, the actor will tell some personal one and we somehow. we are putting his role into play gradually, i am only an assistant in this, but how can i not allow it, well, i’ll probably never betray something like this in my life, i won’t betray, and i won’t betray my people not in the theater, even if i’m leaving, it doesn’t mean that i’m betraying, i’ll finish the job to the end, i’ll specifically bring my job to the end, but in no case will i give up, i’ll say, after me there’s even a flood, i know that you never dreamed of working in a repertory theater, but... however, fate brought you to the kupala theater, how did it happen? they invited me, everyone asks me this question, but they invited me, i agreed, tamara mironova invited me to

theater, she said, we need to help , i thought it was interesting, i decided to try, and where were you before in tyuz, the theater for young spectators, yes, you were a director, staged two productions, and you thought for a long time whether to accept this offer or not? yes, about a month and a half passed, probably, before the decision was made, i will repeat once again, firstly, it was not my dream to be in a repertory theater, and secondly, the kupala theater was not a dream , for me, well, sort of, that yes, this is a very good theater, a strong theater, from its history of theater, in no way am i belittling its merits, but i don’t like sitting in one place, and let’s be - all the time with the same actors, i like to travel, stage, because for me this is a more productive moment... and for the actors, when they don’t get very used to me , because i probably have some kind of maternal instinct or paternal instinct towards actors, i begin to feel sorry for them, this is where my personal life begins, i begin

to dismantle them, then already at rehearsal i turn into such there are more administrators than directors when you come for a one-time visit stave, you are not interested in the personal problems of these people, you are only engaged in your profession, so i strive not to be in one place, uh, travel, stage with different actors. danilo, you are often criticized for a new interpretation of the classics, the same play by romeo giglietto, yes, you transferred the action of the play, the soviet union, yes, to the soviet union, but there was no grumbling among experienced theatergoers, well, among our theater, no, among neighbors, perhaps, yes, of course, well, it’s good that how to say it, shakespeare inspired again them for discussion. its themes, i only wanted to say one thing with this, that in every time there is its own romeo juliet, that’s all i wanted to say, transferring it to another space, that’s all, i didn’t want

to say anything else, well, apparently they would like to find some kind of -that’s a deep thought, but it’s not there , so they said that it doesn’t seem to suit everyone, in today’s time there are a lot of people, young people, who commit suicide because they are not allowed to love another person. however, how do you take criticism? oh, with pleasure absolutely, if it’s not criticism, if it’s criticism, i don’t pay attention to criticism , i try to listen, looking at who else is saying it, if it’s some kind of authority for me, i’ll listen with pleasure, and maybe even some things, if it’s in my power, i will fix it. how do you react to praise? in no way, i don’t like, i wanted to say , i hate, i thought it would be too much , i don’t like, absolutely, she doesn’t make me - she doesn’t give me development, absolutely praise, i don’t listen to her, i try not to read any of it at all and don’t listen when they smile at me, say that everything is fine, i just turn a deaf ear, that’s when it’s still

scary. now, if they don’t care about my work , well, then that’s scary, probably then i’ll do some soul-searching, and if he criticizes, it means they’ve noticed, it means there’s a topic for conversation, and what’s the most unusual compliment addressed to your performances? have you ever heard a compliment, yes, a positive review, probably once upon a time, a very long time ago, a girl signed some kind of postcard before... gave it through a bow through the actress, the actress gave it to me , it was written there, your performances are space , this is probably the most unusual thing, i thought what space is, i began to analyze this about what unusual, but not cool, not magnificent, not brilliant, these are these , your performance is space, this is space for her, i think this is the kind of world i built for her, it’s interesting, for at least one person, out of 380 i built this space,

well, super. only for our tv viewers we choose the best routes, where it is better to appreciate the existing ones and be proud of them, because the second there is no such lead in any european country, and we set off on an exciting journey; products created by local craftsmen were in great demand throughout.

i know that many directors do not go to see other people’s performances, and you are interested in what your colleagues are doing, of course, absolutely, this is an integral part of my profession, also to see what they are doing, but i never discuss my colleagues, by the way, i am very many directors, journalists, can just like...

if you didn’t like it, that’s your problem, what you didn’t like is over i worked at this, it’s a job, and do you like to watch your performances? well, with difficulty , with difficulty, especially if it’s a hard room, it depends on the room, if it’s hard, if they sigh, cough, look at their phones, leave or something else, so of course i try not to do this, but i have to, that's when you're in repertory theater, one of the reasons why i don't...