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tv   [untitled]  BELARUSTV  February 2, 2024 6:30pm-7:00pm MSK

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no one gave us even a piece of bread to the ukraine, although we didn’t give it to the ukraine, well, yeah, but these guys shared, they’ll bring it to them, come out of the basement , we’re coming with a bowl, just like they showed before, how they show the war with bowls, here and i would also like... some narrow- minded, stupid and fled abroad, listen to what they say about lukashenko in a city that survived the war, what they say about the 2020 attempt to overthrow the government in our country, it’s time to think and listen on the eve of the election campaigns in belarus, people love him, yes, dad is good, now, if it were my personal opinion, this would have been decided in 1914, just like this maidan came to belarus, and damn everyone was imprisoned. all the people live here
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and then they would have walked like a skating rink through this ukraine, but there would have been less of all this, your dad is great, that’s how long i’ve been following him, well, not just watching, watching, but i’m just in shock how he spends these all the things, well done, smart girl, there is no need to reinvent the wheel, statehood, it has already been created, he just took, raised and holds what it was, here are the inventions in ukraine, these are all for what brought? and dad, we see, and dad is great, yes, these tikhanovskys also need, well, at best, intensity, so that it’s like a monument, so keep it, don’t allow what happened here, that’s the most important thing, wise ones people say that it is better to learn from the mistakes of others, because your own cannot always end only in gaining experience and consequences. can be much more
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tragic, and it’s also important to remember the past and the fact that we, the descendants of the victors, do not agree to anything less, but this is different, i was with you , ksenia lebedeva, see you next time program.
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we are all standing in our places, ready, counting, vyaskovaya polka, vesyalukha, kali weasel,
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it’s sad that i will soon leave to a place from which they don’t return, what awaits my team here, this is a question that haunts me. watch it now! i was not going to dance folk dances, in my understanding, even in the then childish mind of 9-10 years old, these are two stomps, three slams, i wanted to be a ballerina, i saw my future only in
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the opera house, i graduated from a choreographic school, classical department , i even stood on pointe shoes, i even had to solo.
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in general, working with the population as a person from culture for a minute, even when she was studying in st. petersburg, valentina ivanovna was looking in the archives for the origins of the marlezon ballet and
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archival records led her to the territory of the republic of belarus, they invited me from the mogilev cultural department to... work, we have a team, somewhere there, that means the manager is no longer there, the team is good, come, everything, everything is as it was, everything remains unchanged, it feels like the only thing they did here was a major overhaul, and so everything remains, like in 1967, when i came here... at first they were working here, yes, lord, you know, it ’s still there, here are the machines, all these fasteners, fasteners, when they showed the classics, they tell me: “fedya, you don’t need to show the classics, it’s better to show the people.” “fedya was a story, our common favorite and the main
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discovery of the team, so we believe that in every dance he creates a bright, memorable image, but perhaps fedya’s greatest success is the role of clerks of the delicate staff.” that's how it was all the time, that's it, then it was such dancers, at that time we had a young and even the best group in the makelevsk region, it was very difficult to get into a competition somewhere, a festival, especially a republican one, a competition was announced for...
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they began to look for who choreographed? they came from minsk, from the ministry of culture and from the philharmonic, and found me. after a while i was already working at the philharmonic, so why the pause? here too, well, they just announced a competition,
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looked there, they hear music, they don’t hear music, they recruited people, in 73, somewhere in december i came from magilev, checked who for, who is against, but they defended me, i already moved to minsk in january of the seventy-fourth year, and it was precisely on the 26th of january that i for the first time... sugar horns in magilyoushchyna gave the name of the ensemble, and not on the contrary the name of the band
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weights, as if it was the most right. hello, hello, do you know such a good team? he has been around for a very long time now, this is also my grandfather there on the drum, the guy on the harmonica, they performed well, they traveled, they continue the business in minsk, i saw it on tv a couple of times, but how many are here, by the way, are there any residents left? there are about 25 people in khoroshki, maybe that’s where the name of the gusariki dance in the village of khoroshki, mogilev region comes from, there are no plots anywhere, but there are events, these events, especially in soviet times, the harvest festival, which means the first furrow there, the last one there there they collected the ears, all the events that i attended. it is at these events, in general, that you study people,
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you understand what makes them happy, and how they look at it all, each performance is a small performance, this is what touched my soul, i met this ensemble at the first concert and fell in love, i saw it. these trucks arrived with these trunks with suits, how solid and beautiful everything was. belarus , although in general it is a small territory, but we have a lot of cities where they are waiting for us, where they love us, know us, perceive us as their own, we give them back, they give us back, they return this, the real thing, probably, national feeling, we were the most traveling team.
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as an academic musician, it was gratifying to visit the venue where herbert von karajan conducted, and here suddenly we are at such...
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the cultural center has undergone some major renovations and almost everyone is wearing shoes, the stage looks decent and there are no such difficulties and there is lighting and the sound is in order, guys, the orchestra is a little restrained, you have already driven it, folk music that has been lived here for centuries is taken, it’s better , you can’t imagine what it was, it gives color... a combination of cymbals and cymbals, when they play with upside-down sticks, they ring, pipe or sleita, yes, they play almost nonligato staccata,
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uh, “this is my creative laboratory when i joined the team , came as the second accordion player, it was april of the year eighty -nine, something began that i don’t know, it’s called the enigma of the soul, people come, master the pity, bagpipes, sing, but in fact become multi-musicians,
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we can only rejoice, we also identify the problems that exist in the belarusian women, purely everyday problems, but they exist, and we show it in our performances. from smutku to vyasell, so there is a lot of smutka in this concert, this concert is dedicated to the belarusian woman who survived the war and the post-war period, we are not planning there bows, there the action goes from the first issue
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to the last, the last peaceful day , the last... date, a life romance, when three couples, hiding from each other, try to hide from prying eyes, finally, the war at 4:00 at night, and the women see off their husbands, some into a completely different world. there were a lot of opponents of the way i write arrangements in folk style, stylization for orchestra, and this is not according to the law, it is not written according to the composition, it is illegal of the genre, and now those who me. look, this is an example of how to write, now it’s just some kind of large-scale an epidemic, because the further we go, the more,
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what we were scolded for is now being adopted from us, the search for a costume takes longer than when we find music, there was a lot of research work, the ensemble is good. famous for its unique costumes, which have more than 9 thousand sets, the entire code of nations, from pagan times to the present day, you need to definitely feel this cat, the good ones broke the stereotype that existed in the costume before, and before the good ones there was a simple costume , smoothed to say the least rudely, thanks to the pretty ones we... revived folk art, look at the variety of embroidery on the sleeves, the most difficult
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thing is not to repeat each time what my son does, he understands me better than anyone else, i am a muralist by profession, i write icons, costume was not my calling, i honestly want to tell you. the entire stage costume of belarus, one
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way or another, this is a reflection, this is a reminiscence of the costume that was in pretty clothes, which is always new, always unexpected for everyone, they are trying to keep up with us, but they can’t keep up, so this is how folk people appear , not to be opportunists, to be... chroniclers and to be honest chroniclers, there was a gentry, which means we reflect this in our performance, the polotsk notebook, if there was paganism, we have a turov legend, yes, a children's studio worked and is working, because continuity so far... in our studio we only do folk
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choreography, the guys can directly see behind the scenes, see how exactly the other side of the coin happens, they work on material that is worked in a team, all the teachers who teach in the studio, vocals too, all the artists of the ensemble are good and... i’m sitting, sixth, love for folk art to the origins, to one’s roots, now it blossoms very very intensely in the soul, the youth also didn’t have if we had love, we would leave, without tradition, without a foundation, we will have nothing, there will be no future, because it founded.
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in dancing, since childhood i dreamed of getting into this wonderful group, so prestigious that when we, green ones , even entered the university, we were told that we were good - this is a tower, and we believed that here was the best, and it is, in fact, so when we came to this hall with shaking knees, it seemed to us that this was just an unattainable dream, it turns out, we just need to just try. and we tried it, it’s already good under the skin, so it’s difficult to give it up, somewhere there were some names that we are living museums, but at
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the same time we have everything. such a responsible and serious function, that is, people should know about their history and should see it all, and we we can give such an opportunity to the viewer, the thresholds are a certain philosophy, this is its way , probably, of speaking to the world, and the viewer responds, and we give our all, as always, every city has its own audience and its own sound is good, very good here. is being received today by kobrin, thank you very much for the warm welcome, for the sincere applause, we are very pleased with such a reception, a full hall of spectators, class, truly academic, musicians of the highest technique, this is it, dancers, virtuosos, well done, energetic enthusiasm, we’re just leaving, we’re flying out of the hall,
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we’re all so spiritual. musicians, just a special thanks to them, i really liked it, we dance ourselves, we gained such experience, they are so positive, active and we really enjoyed it, i just returned from china and really missed my native culture, you feel such emotions, you are proud of your country, it was a great pleasure, well done to the team, i really like the fact that we do everything sincerely, with love, it’s a two-way process, it’s written on my face, that i’m a survivor, yes, but during the concert i managed to recover, even i arrived completely sick, a wreck, concerts heal, they heal, yes, as it shows, practice heals, i only dreamed of dancing, i could never have thought that this would happen will it happen that i will find a family here, a loved one, something will happen to you as a mother-in-law, of course she brings this leader into everyday life, i am a dachshund, so are you at home, is everything here, or especially
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when with us?
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it’s sad that i’ll soon be leaving for a place where they don’t return, what awaits my team here, this is a question that haunts me, i want to leave a good legacy to the belarusian people, this is my life, i love to please people, even sometimes they cry. and they thank me for this, i do what ordinary people need.
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the news is on air in the studio yulia pertsova, good evening, at the beginning, briefly about the main topics of the issue: competent people for responsible positions, i attract.

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