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day. be with the belarus 24 tv channel and discover belarus. evgeniy viktorovich, who do you think is a good photographer? a good photographer is one about whom colleagues will not say a bad word, but... those who see his photographs will say, well, what else to look at, my guest has been writing history in photographs for half a century, there are real people in the lens of his camera , with true emotions,

real problems and genuine feelings. today my guest is the legend of belarusian journalism, photojournalist for the newspaper zvezda, evgeniy pesetsky. eugene viktorovich, hello. evgeniy, i know that you have been interested in photography since childhood. do you remember when you first picked up a camera? well, for the first time i don’t remember, these were some of the first ones, maybe

. well, of course, the staging was pressured, of course, it was pressured, because they were pressured, they were not written, but in a couple and written. it represents some kind of information completely different than just a message about some fact, well, of course , you know, at all times, in my opinion, this has happened, i remember when my senior colleagues, who

when they started working in the press in the post-war years, they said that it was for the purpose of creating such an image. never saw the light of day, well, for one reason or another, well, for example, uh, in those days i had the opportunity to uh, such interesting distant business trips,

the newspaper pravda sent me on them, yeah, i left belarus far away, so i had such interesting filming locations as, well, for example, kamchatka. here in kamchatka i had the opportunity to photograph places where the border is guarded, and so the pictures brought from there, of course, again they fell into the hands of specialists who said, well, this photograph is landscape, it represents a beautiful ocean expanse, these warriors with dogs walking there. everything is fine with the machine guns, but there’s some kind of village, little building behind there, that’s not necessary, that’s it, well , that’s understandable, that’s understandable, because with the device i’ve already invaded absolutely uh, well, not

absolutely, but absolutely another world, you see, a world of strict regulations, yeah, and these regulations had to be observed. let's get back to the topic of staging photos. your famous photo of novopolotsk - great chemistry, for which you received the grand prix of the international competition newspapers pravda, this photo is a lucky moment or the result of a pre-thought-out idea. of course, there was a moment at the heart of the photograph. certainly, but you see, i really wanted to convey this moment with my emotions, i have my own attitude to this moment, we all have this, so i see it, i see it, i see it as dynamic,

i see it as more contrasting, i see, therefore, more rigid, like a line drawn up. a symphony of these converging milestones of perspectives, this at that time now, i think , would remind me, now it reminds me of painting, soviet painting, of the sixties, i really liked your photographs,

a tractor in a spring field plows the first furrow and storks fly , yes, well, this is a very spring feeling.

a villager who sowed, nurtured, collected, ground and baked, here is a whole panorama of life, some stage of a person’s life who is connected with the earth, even the bread smells, here you are, you saw time in this snow, time stretched out over six months, sowed, threshed, baked, that’s it, but in the same photo there’s a difference.

when, in general, the hero was a person

with whom i remained unfamiliar, i saw him , i saw him for the first time, i saw him a meter away, i was present next to him, i felt his aura, but to say that my acquaintance with him remained for a long time, no, what remained was his image, the image , this instantly captured image of a simple man, from the village, here, here, who somehow stuck in my memory, with his appearance, his conversation , his glances, which in a minute there outlined, and this is often remembered, among your photographs there are many works devoted to a religious theme, you came to this topic somehow independently, consistently, or was it, well, i don’t know, an editorial assignment, i won’t say that it was ... my fascination with this topic, it was, it was some kind of peculiar, first an editorial

task, one or another, and then i saw that this topic, in general, coincides with many of my interests, with interests in history belarus, the culture of belarus, belarusian culture, this is the history of belarus. the culture of belarus, the language of belarus , all this, you see, if we talk about the possibility of filming what we see in churches, what we see in those places where some historical events took place and left their mark in the form of monuments , stories. in the form of the same temples, in the form or as the surnames

remained, like the famous, a number of saints of the belarusian land, especially since there is an opportunity to realize this interest in such an annual expedition on the road to the shrines, it is carried out every year by the expedition. this is scientific and educational expedition, it is a team of 20-30 people.

has the opportunity to be in these places, it has become closer to the understanding of reality, with the understanding of what

today is rich in, in its yesterday, because today is... not a concept cut out from a film, it is the whole film, this is the past, and this is the past and today and everyone thinks what the next one will be, this is what today is , did you manage to film something inexplicable, miraculous when visiting from holy places, of course, are growing in turov. from under the ground there is a stone cross, these are some cuts of trees, where the outlines of an icon appear, this is a stone that has retained the imprint of a palm, a leg, a foot,

these are the facts, they are found in belarus. you know, i had the opportunity to visit jerusalem and the lands close to it, but this opportunity was there for half a month, but when years have already passed, i understand more and more how, in

particular, this opportunity, how she was. i already know more about many of the places i’ve been than i knew in those days, and i know that you can learn even more there. i know that in addition to photography , there is another very big hobby in your life, you write poetry, can i ask you to read some of yours? kali spadzyavazza na lepshaya,

a successful krynichka will break through, pomkne brook. na provetnaya, kali spadzyavazza bright, right now this brave winged woman of abuja, the guns of the famous, alien gloom have arrived, and everything that is chakanae has come, my you admonished me with a grin, let’s sleep on the lepsha, dzyakuy vyalik, if you are talking about belarus, you are different, the belarusian language for me is like this: you know, this language is my idea, well, here i am and i want to say, yes, there they are, they are talking about belarus, they are speaking about belarus, well, yes , navat vos gata... vos, as you say , gouchats pa-belarusska, vos gatae guchanni, i don’t say, as if these vertices guzzled in another language, in another language, any language, i don’t choose which one

there, but in vogul, all in the other language, all in silence i hear how they read the vertices in the german language, let’s say, all in the german language mov, how the chinese read their tops, vesyo prygozha, madouna, ale vos gety sens, yaki... i work in the press, as before, my work is connected with business trips and with the execution of some tasks with texts, with photographs,

here are reports , individual, photographic information or with text information, this is still all, of course, almost every day i have the camera in my hands, but what are you shooting now? i recently worked with a series of photographs at the belarusian technological university, it was very interesting, the interesting cycle was that i could to see modern people, those who are already a different generation for me, you know, it ’s very interesting to enter this world again into the twenty-year-old world, the world of twenty-year-olds, so it’s interesting because you know, here are the laboratories...

and it’s becoming, so i’m watching after big exhibitions, after competitions, amazing pictures appear, like this, exactly where

a professional would never take pictures, knowing that there is a risk of failure, this is already a hackneyed topic, maybe, and not a hackneyed topic, it is eternal in life, that's another thing, that a person a professional is already getting used to it, then an amateur suddenly picks up the device or his phone comes across some kind of unique lighting that the professional missed, did not see, did not have the opportunity to see. the program is called the meaning of life. for you, what is the meaning of life? i would say this, meaning is, well, it is a conscious value, a conscious value, everyone may have this value, this value is different, but there are values.

by my presence, value by the fact that i am needed, i am needed as, my grandchildren need me, my children need me, my friends need me, my readers need me they need me, you know, in the end, they need me, some reader who... he may not know me, but tomorrow i can show him something interesting in print, in a newspaper on the screen, so i am needed, i know that this needs to be shown, i am a journalist and reporter, i am needed, here, the value of life is that a person feels necessary

for others. adventure of foreigners in belarus. my name is evgeniya. evgenia, it’s very nice to meet you. well, for me, i like it better if it’s cooked. according to taste, they are according to

tastes differ, that's more for... a guy from ecuador has been living here for 8 years and traveling around our towns and villages, i would also like to do a lot, yes, what's the problem? not yet, it’s not a problem, while i’m still young, and it won’t spoil here, no, there’s thermometry, fans are blowing the air , he’s happy to talk about the most colorful places in the country, well, it’s delicious, i don’t know, so much... there are vegetables here, it’s just that it’s incredible how many hectares you need to dig to get so many vegetables, i already know how to get sugar, the most difficult thing was because that he swims on a shokulyado, watch in the travel project white dew, on the belarus 24 tv channel, how the life of foreign guests in belarus proceeds, in minsk in the summer we regularly rode in gorky park, there is a very long

bike path there. and you can just drive through the park for several hours, enjoy yourself, the idea came up that to open a place where you can have real cuisine, it seems to me that we were received very well in minsk, when i’m in the hall, i talk to people, i also study their interests, again again we return to belarus, it’s very cozy here, comfortable for the soul, that is, you relax here, watch the project “a look at belarus”: on our tv channel.

tv news agency begins an information day in the studio elizaveta lokotko, good morning, in this issue, determine the development strategy.