school such middle grades, some kind of seventh or eighth, most likely yes, the gift of this device as a gift who gave it to you from your parents and when you realized that you wanted your childhood hobby to become your profession, well, probably, you know, it probably had an effect on this children’s a youthful, most likely desire for self-realization, i wanted.

village, all this formed the basis of the theme, all this was, yes, by the way, now this is, and do you remember your first editorial assignment, yes, yes, quite unsuccessfully completed, i still didn’t know geography well district from mlivichesky, where i started working, i ended up on the wrong collective farm , i came to the wrong place, so... only after some

minutes there they told me: so citizen, you are looking for a completely different farm, soviet journalism is often criticized for the staging, for the pretentiousness, but how it really was, that’s how much life truth was in the frame, and how much staged material there was, well, of course the staging put pressure, of course, it put pressure, because they put pressure...

we need to consider this picture separately decide whether it can be published, because it already represents some kind of information completely different than just a message about some fact, so, well, of course , you know, at all times, in my opinion, this has been the case, i i remember when my senior colleagues, who started working in the press in the post-war years, they said:

so solid, but which of your photographs never saw the light of day, well, for one reason or another? well, for example, in those days i had the opportunity to go on such interesting distant business trips, she sent me on them the newspaper is true, yeah, i was leaving belarus far away, so i would have... such interesting filming places as, well, for example, like kamchatka, here in kamchatka i had the opportunity to film places where the border is guarded, just like that, brought from there the photographs, of course, again fell into the hands of specialists who said, well, this photograph is landscape, it represents a beautiful ocean expanse. here are these warriors walking

with dogs there with machine guns, everything is fine, well , there’s some kind of village behind, a building, that’s not necessary, that’s it. well, it's possible understand, this can be understood, because with the device i was already invading an absolutely, well, not absolutely, but a completely different world, you know, a world of strict regulations, yeah, and these regulations had to be observed. 100 brave children gathered in our studio. igor aleksandrovich, why do you think the children chose you for the conversation? first of all, if the children chose, it means that they saw me quite often on tv, well , the second thing is that children always like large

dimensions, each of them has a question for the adult. i'm ready, then let's begin. and what what happens if you turn it off? your phone for the whole day. the heroes of the program will have to open up to the audience. the main task is to honestly answer all original, and sometimes awkward questions. well, you understand that children can sometimes ask very awkward questions. this is great. i love awkward questions. do you promise to tell only the truth? yes. i noticed you have very cute shoes, and could you tell me how to walk in heels correctly? the very first why.

cultural aspects in the region. and there i was looking like this imitation. historic creation of significant shchuchansky palaces of drutsky-lubensky prisoners on the old month. there had already been a noble meeting, when the park had been destroyed, it seemed, and when the hand of stanislav yundziv struck. geta velmi vyadomy belarusian batanik kantsa 18 stagodzia. cultural-asvetnitskiy project, architecture of belarus. banks, if they come out, yes, a whole lot of other architecture, more and more beautiful architects. as a matter of fact, this was advertising, imitating such a speech, publishing

the jumps that the competitor had. gladzice on our tv channel. let's return to the topic of staged photography. your famous photo of novopolatsk , great chemistry, for which you received the grand prix of the international newspaper competition . is it true that this photo is a lucky moment or the result of a pre-thought-out idea? of course , there was a moment at the heart of the photo, of course, but you see, i really wanted to convey this moment with my emotions, i have my own attitude towards this moment, we all have this, so

i see it, i see it, i see it dynamic, i see it with more contrast, i see... lines, aspiring gothic, this one, a symphony of these converging milestones of perspectives, this at that time, now, i think, would remind me, now it reminds me of painting, soviet painting, of the sixties

, i really liked your photographs, tractor in the spring field they plow the first furrow and fly away. ists, yes, well, it’s very much a feeling of spring, the warmth of the sun, the first warmth of the sun, you can even feel how the earth smells, yes. stingy is such a paradox: the stingy photograph was rich, the stingy black and white

the photography was rich, the films were black and white, yes, they were, it was all rich in this generality, a generality that increased accessibility, another photograph that amazed me, bread, a black brick, cut, and next to three ears of corn, if there were no spikelets, there would not be. this volume is crazy in some depth, when there is the work of a villager who sowed, raised, collected, ground and baked, here is a whole panorama of life, some stage of a person’s life that is connected with the earth, even bread it smells, here you are, you saw time in this photograph, time stretched out over six months , sowed from... ground cake, here, but in the same photo there is a difference in texture, here is

a tender one, this is a golden spikelet, here is this crust of burnt bread , a completely different texture, but there is still a glimpse of jonah behind him, there is, i noticed that on business trips you traveled almost the entire soviet union, yeah, uh, well, now, so to speak, with the development of the internet, we can imagine how you sent photographs. in the editorial office, but how did it happen then in seventies? train, plane , hand-held, camera in hand, in a briefcase , photographs, of course, there were other ways, there were photo teletypes, they existed, but this is for some serious work, a lot of work in agencies, what a meeting with the heroes you had did your photos affect you? the biggest impression was that there were moments when, in

general, the hero was a person with whom i remained unfamiliar, i saw him, i saw him for the first time, i saw him a meter away, i was present next to him, i felt his aura, but to say that the acquaintance with him remained for a long time, no, his image remained. this image, this instantly captured image of a simple man from the village, who somehow stuck in my memory with his appearance, his conversation, the looks that took shape there in a minute, and this is often remembered. among your photographs there are many works devoted to a religious theme; you somehow came to this topic independently, consistently, or was it, well, i don’t know, editorial. task, i won’t say that it was my passion for

this topic, it was, it was peculiar some kind of editorial task at first, one or another, and then i saw that this topic, in general, coincides with many of my interests, with interests in the history of belarus, the culture of belarus, belarusian culture, so... and here is the history and belarus, the culture of belarus and the language of belarus, all this , you see, if we talk about the possibility of filming what we see in churches, what we see, in those places where some historical events took place.

there is a team of 20-30 people from a wide variety of activities of different professions, these are historians, clergy, musicians, artists , artists, writers, public figures, this group, it follows

a predetermined route with the goal that - along the way of this route, about all these personalities that we just talked about, about those who shone on this earth, personalities, to tell about them, to tell again, to remind about them, to learn something new about them, from the stories of fellow countrymen, from surviving evidence, this expedition has been working for 30 years already, i have been with this expedition for 30 years.

your yesterday, after all, after all, today day is not a concept cut out of a film, it’s the whole film, it’s the past, and it’s both the past and today, and everyone thinks what the next one will be, that ’s what today is, did you manage to film something inexplicable, miraculous with a visit from the saints? of course, in turva , a stone cross growing out of the ground, these are some cuts of trees, where the appearance and outlines of the icon appear, this is a stone that has retained the imprint of a palm, a leg, a foot, like this,

like this.

i would want to go everywhere again, because that i already know more about a lot of where i was than i knew in those days, and i know that you can learn even more there, i know that in addition to photography, there is another very big hobby in your life, you write poetry, i can ask you to read something from

mine, kali spadzyavatsa na lepshaya , prab’etstsa krynichka ўstseshnaya, pampkne rivulnaya rivulnaya , kali spadzyavatstsa light, right now this brave krylchanka abudzyazza cannons savage, alien gloom of advent, and everything that has happened has come to pass, my you i want you to smile, let's sleep on the flatbread, dzyakuy vyaliki, if you are praying for belarusian you... inshy belarusian language for me is like that, you know, this language is my thought, well, i’m going to say, yes, there’s something i’m looking forward to for belarusian. guchats pa-belaruska, well, yes, navat vos gata, as you say, guchats pa-belarusska, vos gata guchanni, i don’t mean, as if these

tops guchannі in another language, in another language, any language, i don’t choose, what there, ale ўvogule, all in the other language, all i hear in silence, how they read the vertices in the german language, let's say, all in the german language, as the chinese read...

24. polish people, people living in harmony with nature. this piece of our nature, which today, well, the sun is shining, and

how beautiful, look, the trees, all covered in snow, fluffy, the snow this year made us happy. the forest is in general, the forest is our wealth, it’s easy to breathe here, full, light, enjoy, their main wealth is humanity and... hard work, there are a lot of people who love their village, even those who left somewhere city, but they are with they are happy to come to the telekhan , help us organize holidays, events , we have to work on the land, but it also has its own charms, the pleasure of it, i looked back after my work, looked at the garden, looked at the tomatoes, what a beauty, watch poleshuki’s project on our tv channel. do you often pick up a camera now? well, of course, yes,

i still work, of course, i don’t work with the same intensity, that’s it, but i still work in print, as before, my business is connected with business trips. the interesting cycle is that i could see and modern people, those who are already

a different generation for me, you know, it ’s very interesting to enter this world again into the twenty-year-old world, the world of twenty-year-olds, so it’s interesting because you know, here are the university laboratories, auditoriums, again for me this is already . places that i haven’t seen before , equipment, some educational processes, others, it’s all different, it ’s interesting to visit there, this is one of the last ones already filmed and published. and how do you feel about the fact that now, with the development of technology, photography has become accessible to everyone, now almost all photographers took out their phones and took pictures, of course. and thank god, because you know, although this really hit the guild interests

of professionals, so to speak. it hit me very hard, of course, i feel it myself, everyone says so, so, but on the other hand, a huge opportunity has arisen for a new vision of the world, that is, if relatively speaking, on the globe there used to be a thousand or two professionals working there with a camera, now everyone is working, everything population, billions, they post everything online, post it, but photography is not just some kind of art. correctly , uh, determine the exposure, calculate the composition, but this is largely an accident, an accident, a random coincidence, just by chance, like a recording camera on the wall of a store captured some rare moment in the store, that’s all, and a photographic masterpiece, this is the moment, a reporter's moment, a rare moment, such a chronicle of one second.

this is the meaning - this is, well, this is a conscious value, a conscious value, everyone may have this value differently, but there are common values, this is the common value that is visible to me and it’s quite clear to me, this is the value of being useful with your work, with your presence, value...

honestly, i can show it in print, in the newspaper, on the screen, i’m needed, i know that this needs to be shown, i’m a journalist, i’m a reporter, i am needed, here, the value of life is that a person feels necessary for others, to a large or small extent, in a wide circle or in a narrow family circle. there is a need, it means he can say, there is a meaning to life, okay, thank you very much, thank you, that was the meaning of evgeniy’s life pesitsky.

we will introduce you to belarusians who deliberately exchanged the city for the village. what is your husband like when cooking? he’s the kind of husband when it’s easier to burn down the kitchen after he’s cooked something, or not. no, no, everyone praises him, usually, everything works out for him, of course he polishes some points, but nevertheless, they believed in themselves, their strengths and achieved results in their favorite business. i warn you, everything you see next may make you want to get up and go to the kitchen to fry a mountain of pancakes. honestly, potato pancakes they will be doing this with meat for the first time in my life, so i would really like you to guide me a little, tell me at least a little how and what is done, in what sequence. the presenter from the capital will have to experience all the delights of rural life. oh, everything is great, we warmed up and warmed up. and to be honest, i didn’t freeze.