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my guest is an incredible workaholic, he works in two theaters, acts in films, leads an orchestra, and on weekends, which he rarely has, he goes to his homeland to restore his parents’ house, how he manages everything, now we’ll find out, today my guest is an actor alexander pashkevich, alexander, hello! good afternoon, but we

’ve known each other for so long that it would be logical to switch to you, we’ve probably been playing on the same stage for 30 years, so yes, so yes, so we’ll be on you, yes, but today we’ll talk about you, about yours works in the theater, cinema, o your creative plans, how did your creative destiny develop, let’s start with childhood, okay, come on, what events from childhood? formed your desire to become an artist, my mother was a teacher of russian language and literature, she had a great class teacher, and this is a rural village school, i studied with her, and in russian language and literature in high school, she was good, but it all started much earlier, even before i reached high school, she already attracted me to this amateur activity, there we there were agent teams, we traveled, i accompanied them, to begin with, i already knew a little.

when a gypsy goes through, yes, probably the seventh grade, a gypsy is a work, yes, by alexander sergeevich pushkin, yes, a gypsy, and we did the staging, yes, and i played aleko, and this was the first experience when i kind of i plunged into it, although i didn’t realize that it was theater, then it was somehow present in my life , but since i was still in music school, i was somehow directed along this side of art, yes, i entered music school, but so... without theater

it didn’t work either, there were a lot of amateur performances, they also made some plays, in the army, by the way, too, in the army i even wrote a play on the instructions of the political officer, and we staged it for the new year, the new year’s adventure of vitya the student was called, yes, yes , and it was such a story, a commandment, we must celebrate the new year, yes, we must celebrate it cheerfully, well, after school , the majority of future artists immediately tried to enter the theater institute, but how did your fate turn out? everything is more complicated for me, i didn’t graduate from theater institute, like this it turned out that although i can’t say that i didn’t study, maybe i studied more than anyone else about this business, because when i came out of the army, i already began to work, get a job in my specialty, and then i entered more i graduated from the conducting department in absentia, here i was at the institute of culture, but i was invited to the people's theater. which, in

principle, was a very good youth then, from which the regional theater grew, well , why not, i wasn’t too stuck there yet, so to speak, in music school, i didn’t grow up there it’s just like a class that... now the kupala theater, for you personally, what are the features of each of these theaters? well, the regional theatre, molodechno, the minsk regional drama theatre, of course the first thing was school and studies, well, because i had to work a lot, i played there,

scary to say, about 300 roles, all this has not gone away, it’s all baggage, this everything is experience, then it means at some point, that’s when... i was 50 years old at that moment when i had a question, this is what will happen next, i had a repertoire, there i could of course, i played for a while , i did, when i already left for the youth, i continued to play, i never give up the theater, so i took it, slammed the door and left and whatever you want, no, no, then there are roles that i’m interested, which i love, but here the question is different, how can i create a schedule in such a way as to avoid overlaps, well, well, i left after all. i played for a while, first on 05, then on one-time ones, then somehow all the optimization came, so i, in general , little by little somehow left there, well, you i understood that you need growth, i need growth , absolutely, yes, absolutely, then, this

is theater, in my understanding, this is not a specific theater, this is where i work, but i’m always in the theater, i’m in it i work all the time, but there is an even broader concept of theater, which is... we do it as a business that exists, as a profession, here i am, i will play in five theaters, if i have such an opportunity, and they will invite me and call, and the main thing is that you have enough strength, and it could be planned, and somehow well, the directors came too, and the performances were interesting and still are, and the repertoire somehow got bigger, maybe i didn’t play the very central leading roles there, although that was also there, so, but i was interested, and as many of my friends tell me, your youth has polished , the expression is, well, it really is, because this is a little different, well, like a different level, i must admit that in the theater, when you work with more than one, with several

directors, this is a school, but that’s how it was, youth the way it was arranged for a long time was that there was no artistic director of the main director, there were invited people working all the time. there are also deep performances, but there is, of course, a need for the viewer to come and relax, have fun , this, this, this is a given that cannot be discounted, 100 brave guys gathered in our studio, igor alexandrovich, why do you think the children chose for... talking specifically about you, first of all, if the children chose, it means they saw me quite often on tv, well, the second thing is that children always i like the large dimensions, each of them has a question for an adult, i’m ready, then let’s start, what will happen if you turn off your

phone for the whole day, the heroes of the program will have to open up to the audience, the main task is to honestly answer... all original , and sometimes uncomfortable questions, well, you understand that children can sometimes ask very uncomfortable questions, that’s cool, i love awkward questions, you promise to tell only the truth, yes, i noticed that you have very cute turkish shirts and could you tell me how is it right to walk in heels? the very first thing that can cause you to fall is when your socks begin to braid one after another, watch the project 100 questions for adults on the belarus 24 tv channel . getting to know belarusian enterprises and the outstanding results of their work. our export countries now include germany, bulgaria, and israel. due to the fact that there have been difficulties recently in terms of export supplies to some countries, we

are able to increase export shipments. our pride is natural ice cream, which is made according to classic recipes for more than 40 years. trying, of course, to make his contribution. all food products require the approach of a good, competent, kind housewife. it seems to me that this is so. at least, i have always set such goals for myself that what i like, i roughly understand what our consumers will like. watch the project, a sign of quality on the belarus 24 tv channel

. well, the kupala theater became your third theater, but despite this, you are not one of those artists who often change jobs. you worked in the youth theater for 10 years, it turns out already, in molodichno it’s been about 20 -odd years, 20-odd since ninety-three, yes, well, one 21 years something like that, somewhere like that , now the kupala theater have you been thinking about for a long time? should i accept this offer or not? yes, there was a moment, of course, there were such doubts, i had already started to join in like this since about october, i officially got a job on january 6, and before that i just went there, they took me to pavlinka, so i already played pavlinka there, but again i don’t know, i don’t feel the years, probably because i it’s difficult to leave there in the morning and come home. with dawn with sunset, even at the same time, to feel happy

, needed, in demand, which for an artist, there are periods in life when there, our profession is dependent, they didn’t see it, didn’t take the material with which you have everything, and you can to remain idle is a very painful feeling, but when it’s the other way around, when you are needed, when they count on you, and you understand that you can justify this trust, this is happiness for an actor. and how did they perceive in the youth theater that you will now be play at your kupala theater? well, it’s difficult, in principle, how to say, well , they accepted and accepted, so i found understanding with the director, with marina vladimirovna derkach, we talked with her, she understood me, so we sort of agreed and agreed that i i’m staying, i’m playing roles, everything, everything is fine, colleagues, someone, someone is happy, someone is pretending that...

it means that i’m the first, i’m the last, or something, i’m leaving for another theater, well, you served for 10 years, yes, yes, and every person has the right, especially since i don’t clap i leave the door there, and i want to play, because many things there are dear to me, which happened to me in the youth group, alexander, now you are an actor in two theaters, in fact, the kupala and the youth theater, how difficult it is to combine and secondly, do you think about the future? still make some choice in favor of one of the theaters? well, i’ve already made a choice, i’ve already switched to my main job in

kupalovsky and my work book is there, so i think that this will be my last place of work, so to speak, that’s where i am, but i i’ll work in the youth team as long as i can or maybe as long as they’ll allow me there and so on, kupalasky of course i want to play something there like...

i always have the text of the play in the dressing room, and not in my bag, i take it out, put it in, i take it out of the pub, and it’s lying with me, scratched out, rewritten somewhere somewhere. i definitely have to have it, if i have it with me, god forbid, i forget it, i don’t feel very comfortable, comfortable, yes, it should be there, in your acting career there were many different theatrical experiments, let's say, here are your roles in the plays the seagull, sasha take out the garbage,

the public reacted ambiguously to these roles. there is even some criticism, why do you think? they thought that these were very bold roles, well, because it is a little unconventional and may be unexpected, because we perceive life in our own way, it seems to us that this is right, in art, well , many people think that they understand art, although in reality this may not be the case, well, everyone has the right to judge, this his right and so on, yes seagull. it was a very extraordinary performance, very , practically, it was a very bold step , and we, in principle, understood what we were going for, but yes, there were opinions that radically diverged from the delight of the sconces, those who stayed until the end, and before those who left there from the first act, they said, you can’t do that with chekhov, and which riley you played

turned out to be the most difficult for you, well, they all at once, until... you take on this role when you’re still you don’t understand where this will lead and what forces will be needed there, your resources, your reserves, they are all complex, then at some point, when you have the feeling that you understand about this role, and the director helped you, that is, some kind of thing comes in the process of rehearsing, rehearsing, sort of sticking there... here, it seems like it’s not this, not that, not that, then suddenly some kind of insight comes, suddenly you understand something about this image. here in the cinema you had a chance to meet the real masters of russian and soviet cinema, these are sergei ginsburg, and alexander kot, dmitry ostrakhan, alexander frantskevich, laie, this is what you took from each of them, well, in general

terms, yes, i’ll start with the fact that this is a completely different art, the nature of acting is kind of the same, but... everything is a little different there, and it’s clear that it’s an episodic , it is filmed, it is filmed several times from several angles, there may be several takes, so you need to keep perspective all the time, remember what happened to you, and what will happen to you, if we have already talked about this with the director, so and he outlined some tasks, just like it was with dmitry khananovich, before i started filming in these kids, it...

emotionally, so it was necessary to get to this moment, to run in, so that now it’s all over, there’s nowhere else to run, that’s all, the filming was difficult, it was a difficult filming, they were physically complex, that’s the point , yes, well, this is the main one, this is the psychological one, because well, it was probably the first time i played a hero who was killed on camera, and children, but i remember this film with gratitude , uh-huh, yes, he gave me that... so much experience in terms of just such things, when you need it right here at the break, when at the end of the shift , now you’re just sitting there, your legs can’t even reach the car, sasha, when you already have, let’s say, so many roles in

the theater and cinema behind you, by what criteria do you choose role, that's... what's most important to you? well, firstly, if there was an opportunity to choose it, i hypothetically, hypothetically, well, at least in the theater there is such an opportunity, well, sometimes such a question was asked, but never, it was not more likely that it turned out by chance that i have a role that i would like to play i got it, i always want to tell a story, and i want it to resonate. with some kind of my idea of ​​the world, so that i have the opportunity through this idea to contribute something of my own, to communicate something to humanity, sorry for the pathos, for something like this?

of course, there are few of them, and maybe the dramaturgy is not what i would like, but at least there i managed to play something

in these roles, so actors often say that the best performance, the best film is the one which has not yet been played, here is your dream , what is it, well, first of all, it is not alone, i would maybe expand on my dreams more , say that i would also like bulgakov to appear in my creative biography , for example, mikhail afanavich, i love him very much, as a writer, i don’t know, the white guard, which is any role i would like , it doesn’t matter, they are all wonderful, very bright, there is something to play, character, well, that’s the story wonderful, again and love, everything is there, ulgakov, i don’t know, cabal svyatosh, maybe, monsieur demalliere, i don’t know, this is... also such a story that oh, this is interesting material, yes, again, i would of course like to play monsieur de moliere, but there are other wonderful roles,

sasha, you are very an active person , active, you work in two theaters, but you kept silent about one more type of your activity, this is that you are a leader, conductor of an orchestra, yes, tell me how it happened, yes, i did not give up this business, well, i studied s... we already said right away, music school, college, institute, duty faculty, i taught at music school, i had a class, and even students, there were laureates and so on, but then the theater outweighed and i began to be more involved in theater and the groups that i had were folk with titles, children's, exemplary, i left them, now i have there is only one group left, this is the orchestra of timbre boyans of the teachers of the art school in molodechno, which i... lead, the orchestra already has a history, it is already 45 years old, it exists, there is a repertoire that i write for it

myself, that’s what i do the score itself, even some original things, because i had experience, i wrote there for the theater, back in molodechno there, yes, i also wanted to mention this, that you also write music, i designed several performances as a composer, several seven, maybe i don’t remember exactly six now. this is also interesting to me, because this is also creativity, when you have time, well, i have time, sometimes, no, sometimes there is time, it’s disingenuous if he says, oh, i’m right there, there are such zones, or something, no, no, then hop, there happened, so when i was in 1920, when this pandemic happened and we were forced to stop the show and were sitting at home, during this time i wrote six or seven scores there, then the conductor's... the cast understood, of course,

all this is discussed, rehearsals are all and so on, but that’s all, i know that you, uh, in the hours, on days when you are not busy anywhere , either in the theater or with the orchestra, you go home and restore your parents’ house, which you managed to do in the village, well, in order to succeed in something, there’s not enough time or money, no, i’m really drawn to it, there is a garden there, there is a vegetable garden, there

i give it to both, i grow grapes, i make wine. everyone knows about this , sasha, do you have dreams, desires that have not yet come true in life, but which you dream about, in life, in your career, in life there is a dream, well, i won’t say it openly, i hope that it will come true someday, but as for the creative profession,

of course i’m waiting for roles, so i... i see in this my meaning of life, just like in some of my everyday personal life, the same thing , here i am, i have some, i don’t know how he is was formulated, or i read or heard somewhere that you need to live according to the principle that the best will definitely happen to you, has not already happened somewhere, this makes you somehow sad, but to realize that everything better is already behind you, remains it’s like...

so he shocked me there or upset me or made me happy or something like that, that’s what ’s precious, that’s why we spend our hearts, we go on stage, we spend our lives, thank you very much, thank you, that was the point life of alexander bashkevich. tv channel belarus 24 broadcasts for you round day, don’t switch. our daily task is to talk about belarus in the country abroad . more than 100 million viewers around the world have access to watch projects from our tv channel. so what is it like, belarus? business and developing,

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