tributes to memory and examples of courage these days throughout belarus are remembered by internationalist soldiers, on the thirty-fifth anniversary of the withdrawal of soviet troops. a thematic block was released from afghanistan. a ceremonial cancellation of the stamp took place in the post office. it depicts a temple-monument in honor of archangel michael, which is located on the territory of a spiritual and patriotic complex in memory of the soldiers who died in afghanistan. one generation that participated, now we can say that several generations have passed, but passing on this memory to children, grandchildren and beyond, we create. this is the basis in

the state that allows you to cleanse all traditions, everything starts with history and history, whatever it is, is the history of the state, and if you live in it, you are obliged to honor and remember and really pass it on. the circulation of the thematic stamp is 10 thousand copies, all of them have already scattered across the country to replenish the collections of philatelists. then we have sports news, tv news agency projects, also available. in social networks in the mobile application qr code on the screen. new information already at one o'clock in the afternoon. see you. the world aquatics championship continues in the boat , where swimmers are competing for awards these days. the day before, in the final at a distance of 100 m. brasom, belarusian alina zmushko showed the sixth time. ilya shimanovich, at fifty dollars , brasom, failed to make it into the decisive heat with the leader. the men's team took tenth place in

the semi-finals. let me note that according to the results of the qualifications , bras was the first in belarus in the 100-meter dash; earlier, let me remind you, shimanovich fulfilled the qualification standard for the olympics. in a similar type of program for women, the cherished the quota for games was earned exhaustively. washington is defeated on home ice by colorado, 3:6, in an nhl regular season match. in the sixth meeting in a row , captain alexander ovechkin scored for the capitals, but the belarusian forward of the capital alexey protos spent 10 minutes and 17 seconds on the court, made one interception, did not score any effective points, his utility indicator was -2.

end of september 1982. became a landmark for the belarusian capital; for the first time it hosted the forum, which was held with the assistance of unesco, the united nations organization for issues of education, science and culture. the conference on slavic cultures and the world cultural process began in minsk. it brought together more than 200 scientists from 23 countries. but why this particular event? attracted such attention from the cultural community, why the issues of the development of slavic cultures in the context of world civilization were considered at such a high level. until recently , the soviet union categorically did not accept the idea of

​​joining unesco. until the early fifties, the leadership of the soviet union had a negative attitude towards organizations which were created by the un. including unesco, but what guided the soviet leader? they believed that these organizations were pursuing policies in the interests of western, major western states, and therefore it was not appropriate for the soviet union to participate in such organizations. everything changed after stalin's death. on april 21 , 1954, the ussr ambassador to england yakov malik signed the unesco charter. a month later , the bssr became a full member of the organization. literally immediately the belarusian side came up with an initiative to include in the agenda of the next unesco session includes the question of the importance of studying slavic cultures in the context of world civilization.

in august 1957, the first meeting of the bssr national commission for unesco was held in minsk. it discussed the issue of carrying out activities to celebrate the seventy-fifth anniversary of yanka kupala. they were unanimously supported by unesco. but unexpectedly, there is a debate. turned around another question. comrades, i propose that we need to declare the rich cultural heritage of the belarusian soviet socialist republics, what do you think? but there is serious debate about each of them. the head of the political

department laid out folders with photographs of objects and their descriptions in front of the commission members. well, firstly, this is the unique belarusian nature. here's the object. number one is the belarusian part of the beloveshskaya pushcha, with its relict forest, the only one preserved in europe. secondly, architectural objects. our mir castle, nesvizh castle, is what we should be proud of and what we should show off. and the folder that caused the disagreement. intangible cultural heritage can hardly qualify for inclusion in the world heritage list.

at the same time, in 1982, a conference in minsk summed up the great work that had been carried out by the republic within the framework of participation in unesco programs. this opened up wide opportunities for presenting belarusian culture, unique and multinational in the world. what was there to imagine? new frontiers. this is how one can characterize the culture of the bssr in the fifties and early seventies.

a baby bow appeared, these are two important components, we owe this takeoff to them, because luchinka is not so much noted as... first of all for the fact that he was already on , as they say, on horseback, remember, he was a veteran who was not a drunken veteran, he was registered in moscow, he was already respected, because to the vocal instrumental ensemble at that time for a while , the braids looked at them a little bit, only the veteran could sleep, at the same time the belarusian stage literally burst onto the all-union stage. at the same time, viktor vuyachich made a serious

bid for the belarusian stage on the all-union stage, not only with a cult song that only a veteran can’t sleep with, but also with a whole cycle of songs on the poems of belarusian poets and their arrangements sounded new and were instantly loved by the audience.

the songs of alexandra pakhmutova and nikolai dobronravov are heard on the all-union stage. it is in the songs and poems of these wonderful classics

of ours, igor luchenok became on a par with them, thanks to luchenok there was a takeoff, he created not just an ensemble, he created a whole wave, and the viros, silver, light, dewy, rode on this whole wave.

i believe that in our art of both the soviet union and russia, no matter what the country is called, pesnyary, sebra, this is generally pride, glory , this is just our flag.

thanks to them, a new direction in belarusian pop art was born, it would seem that the repertoire of each ensemble is based on a belarusian song. but for each it sounded unique, especially, and it was not rivalry, in the national culture they complemented each other, this is the culture, this is the theme, this is belovezhskaya pushcha alone, how talented they are, how they found each other,

united and at what level voices, performances.

it was a time when on the theater stage outstanding young and already famous actors shone. nikolai eremenko, rostislav yankovsky, stefania stanyuta, makarova, molchanov. it was a time when people lined up at the box office to get into the performance, and every premiere of a famous director became an event. dmitry orlov, already well-known and the young and talented boris lutsenko, the yanka kupala theater and the russian drama theater become leading in the republic, recognizable in the ussr. cultural figures, how they helped, and

the performances were appropriate, songs sounded and concerts. and it’s very good, they say there: censorship, censorship, no, censorship, maybe the word is such an iron, metallic one, it’s not euphonious, but it was the right choice, literate. fine arts, folk art, fifties, sixties, the time of birth of great literature. belarusian literature from the 60s is another

belarusian renaissance in our literature, and more aesthetics, and more artistic aesthetics. in order to gain wealth from the geta , the development of national prose began at a rapid pace, national poetry, dramaturgy, publicity, our philology, literary studies. a whole galaxy of outstanding works, many of them front-line soldiers, whose works are still a source of pride today, have stood the test of time. galina's prose has lost the vigilance of our outstanding poet, brilliance.

to the creative intelligentsia was special, reverent, history has preserved a fact that is unique in itself. the first secretary of the central committee of the communist party of belarus , kirill mazurov, corresponded with poets in verse. his correspondence with petrus brovka has been preserved, which means that brovka wrote to him in in the verses there are some congratulations, and even not only congratulations, there...

outstanding prosaic creations were working , dramatic creations. films shot in belarus based on the works of belarusian authors were released on wide screens in the soviet union in foreign countries. and they came up with topics that were close and understandable to millions, the main one being the military. the man doesn't give up. alpine ballad, third rocket, ruins are shooting. partisan-film, this name was firmly attached to the film studio at that time. vivid,

memorable works filled with love for the homeland, became an example of courage and patriotism for a decade. this theme was embodied in music and painting. embodied in monuments and memorials, one of the landmarks for the republic was khatyn, it was september sixty-two, my father and tikhon yakovich kiselyov went somewhere in the vicinity of minsk, about 50 km along the vitebsk highway, turned onto a country road, went out to forest and decided to take a walk through the forest, so suddenly they came out into a large clearing and... they saw there in this clearing, which means, a burned-out village. name of the burnt village, khatyn, its terrible story

was told by joseph kaminsky, who was herding cows not far from that place. and then the idea was born to erect a monument to the burnt village, in particular this particular khatyn. pyotr mironovich mashirov was assigned to oversee this project. since he was involved in ideology, it means that this was given to him, but what should the memorial be like? opinions are different and they are divided. we are in a creative workshop in which khatyn was created in the sixties, in the monumental art of belarus, there were many innovative solutions, and khatyn is the first very striking example, but...

endless creative search. this is exactly what one could call the next draft solution, which young architects gradov, zankovich and levin were preparing to present to the chairman of the state construction of the bssr vladimir adamovich korol. remembering their last conversation about landmarks, monuments and memorials. which is being built all over the country, they still decided to make their own version: a stove, a star, a fire, they wanted to move away from the generally accepted, they wanted their own, close one. the creative team tried to find those elements that could most emotionally convey the drama of people being burned alive. the king looked at the sketch design on the tablets, not hiding his irritation. of course, i understand

, you can create whatever you want, where are the holy things that require a classical solution, but what is this, then the young architects were left alone with their decision: four cornflowers, one broken, bells, birches, burnt, creative stoves the architects understood that perhaps it really wasn’t worth proposing with this theme, they made a traditional solution, but they would not have been such young and creative people if they had not yet made their proposal, as they understand the eternal flame, the situation was saved by mironovich,

who... often looked into the workshop to see how the work was going, and most importantly, what were you able to find a solution for the memorial? then they took out this version with three birch trees and an eternal flame in place of the fourth birch tree, and pyotr mironovich said that yes, this is what is needed, and this will become a symbol, i am sure, this will become a symbol of belarus. the project really turned out to be unique in its kind. decades later, the story of the tragedy of khatyn in the language of architectural design leaves no one indifferent. and the image of kaminsky, in his arms with the body of his deceased son, embodied by the sculptor selikhanov, conveys all the pain and tragedy of the belarusian people during the war years.

opening of the memorial. took place on july 5 , 1969, with a gathering of thousands and thousands of people who walked and walked to this holy place in an endless stream. the folk trail to this holy place is not overgrown even today.

and the ministry of labor and social protection is one of the forms of rehabilitation in such a special form of rehabilitation as a social institution. these are mainly children with cerebral palsy, 80% are children with musculoskeletal disorders , and this is the cerebral palsy group. recently , we have begun to take on children with concomitant pathologies for rehabilitation, that is, children with autism, these are children with systemic diseases, this...