did not last long and was destroyed at the beginning of the last century. all these years, believers visited the parishes of nearby villages. the mironchik family initiated the revival of the shrine. local residents have supported them for 10 years now, construction has been here. they are helped by four adult daughters, almost all of whom have professional architectural education. there is a spring there, it’s real, it’s not dug up, it’s with nature itself , as if it was handled like this, so it came out of the ground, and it’s already probably 100, maybe more than 150 years old, when people come here, so with on all sides, from this side of the village, from the other side of the village, our first prayer services always went down and started, when there was no church yet, when we were just collecting documents and signatures for the construction of the church, prayer services began there on the water, one and a half kilometers from here, on baptism, so epiphany, baptism , this is the temple, it all happened then and so, the mironchik family, who have nothing to do, why did they decide on their own initiative to build a temple, which is not always possible even for a large city... parish, look in the new

release of the project of the television news agency the power of faith today at 15:50 on belarus 3. synthesis of theater and cinema architecture, dmitry mokhov, a famous artist, set designer, architect, immerses himself in the world of art at his anniversary exhibition in the art lounge in a high place. restoration projects, theatrical scenography, live and computer cinematography. dmitry mokhov is fluent in all these professions. geography of his work in the theater. but almost the entire former ussr, more than 200 performances in belarus, russia, azerbaijan, kazakhstan and uzbekistan. in addition, he developed a number of projects for the restoration of monuments, including the vitebsk town hall, the slush gate in nesvezhi, and the interior of the national library of belarus. i have always been lucky in my life for my environment, for my teachers. and in principle, here i am now, it’s me who runs the course for film artists, but in no case. i don’t teach them

to draw, i teach them what my architects taught me, this is a city of craftsmen, an alpine ballad, sixty-four, francis skarina, from the cartoons timka and dimka cartoon, i’ve already been there production designer, and of course, the films the legend of rustam, a three-part film, the next author's meeting with the famous. sector will take place on february 24. next is sports news, we are on the air at 13:00. see you. yegor sharangovich's tolgarikh lost at home to san jose 3-6 during the nhl regular season. the belarusian flames forward spent just over 17 minutes on the ice, made four shots and finished the match with a utility score of minus one. after this game, calgary settles down. on the twelfth line western

the canadians have 55 points in the conference, five points before the zone playoffs. the fleis will play their next match on february 18 against detroit. azerbaijani karabakh unexpectedly defeats portuguese braga on the road in the 1/16 finals of the europa league. in the first match of this stage of the eurocup, the guests are stronger 4:2, the return match will take place on february 22. among other results, we note milan's confident victory over rennes 3:0. roma drew with feydord 1:1, sporting dealt with youngboys 3:1.

minsk in the fifties and sixties. he was changing rapidly. in those years it was also called. the fastest growing city in the soviet union. entire districts with residential buildings and new streets grew around the center. almost wiped off the face of the earth during the war, minsk began to live the full life of the capital, with its problems, concerns, and disputes. and they seemed in many ways to be...

at the beginning of january 1958, nikita sergeevich khrushchev, the first secretary of the cpsu central committee, was expected in veskuli in belovezhskaya pushcha. the belarusian leadership had to report on the implementation of its instructions.

joseph brostito began to ask him about the beloye cannon, it was once famous for the king. khrushchov returned, apparently gathered people and said, this whole thing needs to be resumed. and immediately in 507 they began construction of this one.

but unexpectedly for everyone

, a serious scandal broke out. khrushchev, when he saw the two-story building, attacked the management and the builders with reproaches. i have such palaces in moscow, i need wooden ones, a hunting one, but no matter how much i like the building, it is truly unique in its own way. today remains a special pride of the residence the use of our natural materials, here

is oak, ash, pine, that is, an immediately beautiful design, simple original, but our pushcan materials, for me, are very interesting from the point of view of the connection between the forest, the landscape and - this architecture, still pompous, too marvelous. this approach is to create an atmosphere of solemnity and not in the center, not in cities, not in squares, not on the streets, but in the forest, in general, in the natural landscape. the viskuli residence became a place for receiving distinguished guests for many years. a unique object.

there were mistakes, the beginning of the sunset of the time of creating unique express.

in wastefulness, in excess in the decoration of buildings, khrushchev openly called them a

stumbling block on the path of industrialization of construction, the course of which was removed in the ussr. in... at the beginning of 1955, at the belgosproekt institute, there was a discussion of the resolution of the party central committee on the elimination of excesses in design and construction. it was difficult to call it stormy. the basis is the report of mordvinov, president of the ussr academy of architecture. many were confused and bewildered. just recently, at a meeting in kremlin. he tried to oppose khrushchev, who publicly reprimanded him. everyone saw that

the country's chief architect did not agree with the construction of faceless buildings, but now mardvinov repented, admitted the mistakes of the architects, and he himself accused them of excess and wastefulness. those present voted unanimously to approve the provisions of the resolution. they left the meeting in... in belarus, they did not risk getting carried away with excesses, but they also did not risk switching to the construction of faceless buildings, abandoning the style set by the main avenue of the capital neoclassicism was in no hurry. so iconic is ya'aquba kolis square. we still see the architecture of both residential buildings and

the factory building, which is located like this. slightly indented from the central central avenue, they retain the architecture of the fifties, it has lost a little of its pomp, but still it still retains the classics, and a whole palette of unique architectural solutions, newly erected buildings, where in the style. considered to be seemingly incompatible. the philharmonic building appears, modernist development of architecture, portico, 6 columns, modern, brutal flutes on the surface of rectangular columns, on the other side we see the building of the institute

of physical education, which was built before the war, a little different. a sufficient number of buildings appear, the so-called transitional period, which are no less interesting, original, and have preserved for us the features of the architectural trends of the 50s and 70s. more such transitional works are, of course, abram dukhan’s telegraph, a telegraph that is located on

oktyabrskaya square, please do not confuse it with the main post office. the telegraph already contains a lot of what determined the further appearance of modernism, a fairly flat design of the facade, although with such very elegantly designed planes, the absence of pronounced orter plasticity, and finally there is a remarkable ability to use modernist means to build a large volume or a new building on the main avenue of the capital?

khrushchev houses are not only a soviet invention, if you look at houses for workers, brunettes around berlin and others examples of left-wing architecture from the twenties and thirties

, we will see this type of very economic housing. the fight against excesses was abandoned. not only from architectural delights, but also from the previous sizes of apartments. now, the living area of ​​a two-room apartment is on average 22 m2, the bedroom is 6 or 8 m2, the living room is 14 m2 . the film especially advertised kitchens, or rather their advantages, which were seen as only 4.5 square meters in size. previously, in order to cook borscht, he said... the housewife had to run up to 50 meters across the kitchen, but now you can reach everything with your hand without leaving the spot, the construction of such standard apartments into...

complex tasks, maintaining a balance between styles and not turning the city into a faceless one. belarusian architects were faced with very monotonous buildings. a unique phenomenon was the emergence of fundamentally new approaches to organizing the urban environment.

but the main difference between modernism is its unusual modern forms. this style remained popular in the ussr until the end of the soviet era. it is interesting that many buildings

from the modernist period of the sixties are historical and cultural values. the pioneer cinema, how it has survived to this day, not rebuilt, was made in... in the sixties by the architect zaborsky and levin, it is interesting because it has monumental art, stained glass, mosaic panels, in general, every element there has a meaning, one one of the interesting solutions was the sports palace of architects filimonov and malyshev, built in the sixties, the main thing in this sports palace... was the creation of a huge transforming internal space, this was done precisely thanks to new technology, these are cable-stayed structures that made

it possible to block this huge span, the use of very powerful elements and a concrete structure, like a support, well, this is an excellent engineering calculation, that is, such a huge building with a huge span for that time, for the seventies this is... a big breakthrough. decades later, the sports palace building remains original today. without it, it is difficult to imagine a modern prospect of winners. but the desire for novelty did not always have a positive effect on the historical appearance of cities and the capital. fashion for large-scale multifunctional facilities sometimes ran out. sad for a historical building.

in may 1962, at a meeting with the first secretary of the cpb central committee mazurov , the discussion of the project for a cinema and concert sports hall was ending. according to the documents, the sports palace was named under this name, in general i liked it, it was original, large-scale, the decision to begin its construction was agreed upon, it was a great success for the young architect sergei filimonov, he was only 25 and had such trust, unexpectedly he asked to speak, addressing mazarov. can you tell me? everyone expected gratitude to the belarusian leadership for the trust shown, but filimonov spoke very emotionally

about something completely different. a few words about red. churches, the church, of course, is not an architectural monument, but since it survived the battles, it will definitely become one, it is beautiful in itself, and the bricks for its construction were brought from poland itself, there is no need to demolish it, you can find another place for the cinema . unfortunately, the course towards modernist environmental regeneration had its consequences. an example of such modernist regeneration of the environment was, for example, nemiga. nemiga turned out to be a victim of the idea of ​​​​creating such a comfortable modernist city. and we can say that this is not the first time this has been done in the history of world architecture,

unfortunately. we must remember how...

the appearance of the belarusian capital of the sixties is a time of expressive objects of that time. we see it today and it is the result of a mixture of styles. minsk at this time became an arena for the activities of outstanding architects. and in this sense, 6-7 years brought a completely new

coloring in the image of minsk. the coloring of such a bright expressive modernism, not just individual objects, but new ensembles. this long period, the thirties, forties, fifties, sixties, seventies, formed an exceptional diversity of architecture, which in general allows us today to think about, well, let's say, further steps. minsk is such a library of architectural styles. if you are interested and critical at the same time, you can come to minsk and study the history of the development of society and architecture.

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