primordial panad for hours and chalaveks. how long has it been since you held a book in your hands, flipping through page after page?

greedily tasting every word, of all the manifestations of human creativity, the most amazing and worthy of attention are books , the thoughts of past times live in books, the voices of people are heard clearly and clearly, everything that humanity has accomplished has been preserved, as if by magic, on the pages of books, by reading people survives centuries, reading brings generations together, we value the past for our present, belarus 24.

not a skin artist will ever get paid become a legend. not a skin artist can praise a million-year-old worshiper in the rose-colored coats of the earthen.

on the golden porch sat the tsar tsarevich, the tsar tsarevich, mulyavin, mesevich, tyshko, bartkevich, valera mulyavin, yashkin, valera, dzimeshka, sasha, our youth. i'm feeding this.

the father's couple fell ill with the light snouts of marama. this is the very first recording of the pesnyary ensemble, made in 1970 in the fashionable minsk restaurant kamennaya kvetka. it’s true, she’s in her early teens. yashche

is called lyavonami and is often called vyalikaga variety review belarusian philharmonic hall call lyavonikha. for a long time the review was called lyavonikha. toy acampanuy kalektyў, so it would be movіts, аўtamatychna atrymаў “lyavony”. of course, in this revue of lyavonikh, the akpanuyu kalektyў would not have been completely different, but quite the contrary, he would have won such a different role of the akpanіyatar, and all the main artists of the revue were very different people, especially for that's it, of course barton-primeer eduard mitsul. uladzimir georgivich mulyavin has always known this... for centuries in the kindest, most sincere words, and he says that change the mood of their sleep, change the song and give the songs a place on the professional , lazy stage: you are my share, a puzzling one, and i don’t

regret it, i’m not small. and the most prominent and most artistic rejuvenator was lidzia karmalskaya mulyavina, the first wife of uladzimir mulyavina. on vyalika, it’s a pity that only adzina audio records are not very good, but we can feel there, as lidzia karmalskaya was born, as they sang, accompanied by her young songs, then yashche lyavon.

on the 1st of june 1969, the lyavons showed their first solo program to master savet. the vocal-instrumental ensemble lyavona, as self-sufficient creative artists of the belarusian philharmonic society, was given this advice on this year and the beginning of 1969 .

collectives, because i remember all these guys by name, it starts with mulyavin, misevich, tyshko, demeshka, sasha, yashkin, valera malyanin’s brother, valery, they all sounded together like no one else did at that time.

yakub kolas.

kali went to the competition, they were forced to perform for the nation. vakal, where such names are, as vakal are instrumental ensemble, in this all-union competition there was no such thing, and perhaps such a salamonava rushed there, the first prize was not awarded to anyone, and the other prize was awarded to the singers themselves and lev leshchanka. the competition's performances were broadcast on the central television station. mala tago, grazing tago. as they were performed in the competition, they were requested from maskwu, to perform at the concerts of the great

shameful, what taxes were broadcast on the live broadcasts, and all, the kali yans performed 4 leaves of the fall of the 70th year in the chancellery of the year this day the savetsk police, and they showed, and all one might say that while shepherding the getaga, the next day the yans became familiar. not long ago, as you know, the fourth all-union competition of pop artists ended. the winners of this competition, the second prize winners, the laureates of the fourth all-union variety competition, and the vocal-instrumental ensemble "pesnyary" will perform before you. have saturday yanka, ehhaulya raki, fall larboy, hello.

thanks to the success in the competition, uladzimir mulyavin is still looking for a new salist. yama was told that in the amatarian vea-golden apples there are great-great spooks. paslya the completion of the architectural-future technical school, it works for architects at one of the minsk constructors. bureau, the name was leanid bartkevich. uladzimir georgievich requested

the ensemble pesnyary in the snow 1970. and amal adrazu just a few days ago wrote a song for him, which became, as it seems, a cult, cult hit song for many bastards, alexandrina’s friends.

there was a cat named lusik, dad put the guitar on the bed, and lyusik, such a little hooligan, began to play something like otki on the strings, that’s how great people do it, i don’t know what is happening, but dad heard something in this cat tune, he took the guitar and left, he was gone for several hours, he comes and says, lida, listen, he sang to mom alexandrina, that’s how this famous song appeared, and lenechka bartkevich sang it through a couple of days on the big stage. alexandria.

you are a serf of songs, alexandrira. i was you. in 1971, the film the deadly guy in this kartsine kantsy was released.

the belarusian folk song in our belarusian language was fallen and slept by the whole country, and by the great populace, kasyu yas kamyushyn, this song has gone down the drain...

maybe you can open the door? landing in 10 minutes. i flew all night and didn’t sleep. well, be patient a little, and then sleep well. i'm talking about vacation. yes. yes, on vacation. drop by to see your mother for a week. yesterday was my graduation, so i got my shoulder straps. direction. bus passengers are seated according to the purchased ticket. yes , understand, you understand, i have it. it’s not good , it’s shaking strongly, get out, strange guy, don’t say a word to anyone the whole way, good evening, control audit service, documents, please, a ticket, good evening, please, is klimovich on vacation or

ill, yes ill, but will get better soon, what’s the matter, quietly, calmly, without panic, crib sheets will not help the participants in our show, this is the first time i’ve heard of such a person, but he intuitively answered: no, it seems to me that he is mexican, mexican, how interesting, it seems to me that he is italian, you can only rely on your own strength here, this is boris. the church is located in the grodno region, who would doubt it, victor simply tears everyone apart, a game that will not leave anyone indifferent, what is the name of one-thousandth of a meter, prokhar, 1 km is a thousand m, that is, it does not fit the definition of a thousandth, exhaustive answer prokhar, thank you

very much and the smile at the end is like an exclamation point, and dmitrievich, what do you think, well.. .. but no, it looks like a brown-red stone, but what type of minerals? i can’t give an answer, i understand, it seems to me that prohar can give an answer to absolutely any question, is it a mineral, does it burn? no, watch an intellectually entertaining project, i know, on the belarus 24 tv channel. the pesnyary stood out primarily as a national group.

the 70s became the hours of the brightest flourishing of creative songwriting, which was tested by tv presenters, and it became clear that the status

of the singer of the vocal-instrumental ensemble in the savetsky union was strengthened, and they platsinki output in a million circulation, following the debut of the song of the year 72, the songs repeatedly... became laureates getaga of the most shameful step of the musical project of the central television channel, and in such moments illustrating our popularity pleasantly say: here is the summer area opposite the soviet army theater in moscow, it was then large, significant to the people, mounted police, the concert ends, and the crowd still makes its way to the back entrance, we go out, well , naturally, rushes... to volodya, to bartkevich, to ashiparov, well , for the most part, volodya begins to sign, a modest person by nature, he is pulled out of

the crowd, because leaving him, it lasted, i don’t know how long, and he looks down, says, guys, the laces are gone , they pulled him out , while he was writing there, someone leaned over i took off my laces, this is such a big deal, how cool. he bought himself a souvenir, vladimir mulyain’s laces, amazing, don’t offend , we love them with reproaches, be careful not to seem cruel to your loved one, they are very vulnerable, our very vulnerable. favorites, there were no tickets, chronically and categorically never, tickets were sold out in a few days, crowds stood, bought up, there

was speculation, for us it was familiar to everything that the workers came up with, we had such boxes, they were called our favorites, these are the heaviest boxes for microphone stands, these are solid iron, when they loaded it with stands, this big long box, larger than a person’s height, here they are... we received for the concert at that time, and then it turned out that they would do this manipulation at almost all venues, and we didn’t talk about it for many years knew, the guys were all fashionable, in life

they dressed fashionably on stage, those costumes that they had a lot, a lot of costumes, all these are just works of art, all the costumes of the songwriters were designed, original works, artists for each program, or even not one just the look of the suit. there could be several for one program, and a costume, and theatrical lighting, and the fact that the songwriters on stage always had some kind of, well, additional stage elements, this always decorated the work, in general, both visual and auditory perception , how many times have i asked...

the creators of the pesnyary ensemble take off from the great happy period of the associous life of uladzimir georgivich mulyavin. they were then happily married to lidziya karmalskaya, they were once a family couple. і darechy, eight the song of the zavoshnitsy, which he wrote in 73. and on many photographs of this time, lidzia karmalskaya can be seen in all these jumping such extraordinary patched zavoshnitsy, and then the song is already known. he became unprotected,

enjoying the peace that the house gave him. open, he trusted so much the people who lived with him, his mother, grandmothers, he loved his mother’s mother very much, and he relaxed, he

was at a concert in chernigov, and he then worked there as the musical director of the ensemble, during the performance of this song, his friend , the musician, sitting nearby, lost consciousness and fell into darkness. upstairs we are not together, so we will talk at least once, winged will be retribution, the pledge of naked ancestors, for uladzimir mulyavin himself. the bird's wing was a black mark, the ancestor of troubles, the ancestor of dramatic, navat tragic pains in the most asabistic lives. the death of brother valery,

june 14, 1973, while the singer was on tour at yaltse. of course, it was a slaughter that was not revealed.

1975, uladzimir mulyavin creates his most significant, most galloin works in life, opera, i’m trying, the song of the right share, after yanka kupala’s poem, the eternal song, this former paunavartasny performance with scenes and dekaratsyami, the experimental work that became...

the stage would be the same pavement in the shape of a roof, and everyone would be on this pavement і, і on this well, i remember the man, i admit the choir , this was a lethal little battle, and all these

religious texts, of course, could not control this high-ranking celebrant, and he is screaming there, he is swearing, he is barking. and i will say that this is how it looks... .writes the final scene, at the end of the stage yanki kupala man in the spring of the hero's galloun, who is beautiful and sleeps the tops, and the skin of those who test me, which only hurts the lids of me.

it is necessary to say that i created a sensation in minsk, and let’s say that i would like to practice. this stage of the performance, vasilyago and ў maskva, і ў leningrad, і ў kiev, and the meetings of the public sympathized with the heroes of this stage of the play , nyagledzyachy on the fact that the actors sang on the belarusian language, nyagledzyachy on that , that perhaps in some subtleties some details of our language were not understood , i say, but the music was so bright, so imaginative, so effective, so yana dapamagala, yana padkazvala. and everything was and so i understood. mulyavin znou peramog.

uladzimir mulyavin’s creative achievements were great. that's it, why did my hand get tired and sing musically? this is how it was with the forgotten, unmagisterial songs of the 50s of volagda, which are the songs. the work was so successful and extraordinary that she became popular with her favorite hits, and her teacher anatol kashapara worked for the idols of her millions of fans. i'm sending, i'm sending her for a package, a package, just, no, no words for me answer. i myself will come for the answer

, no matter what happens, i will come to my dear, bok dolk-doo-doo, i myself will come for the answer, because - the songwriters worked, at that time i did not see at all, even filming reports for newspapers, magazines , i didn’t see people working in the workshop, since they worked on stage, rehearsals, well , not to mention the concert, it was always clean, beautiful, and yes, by the way, rehearsals, i was surprised that there was some one phrase or musical or poetry, they were practiced many, many, many times, for me it was it would seem amazing, such a team , professionals, well, they sang , and sang, and played, and so beautifully, and so beautifully, no, i always insisted that...

multi-stylists, that is, they played in different styles, this is both rock and jazz, everything seemed

to be intertwined, and folk, of course, which paid a lot of attention to folkrock, mulyavin in his work... managed to establish the genre, the vocal-instrumental genre, because it was considered, well, boys play guitars there's a party going on there, but he managed to show that this is art, that this is worthy art respect, attention, encouragement. mulyamin said a phrase that i remembered for the rest of my life in one of his first interviews, when they told him that there, well, there are guys strumming guitars there, saying, you know, strumming?

what is belarus ?

for another 20-year-old man of the century , uladzimir mulyavin, has created songs for belarusians and their native people, which songs have been returned from the past and have inspired us all over our land. these are unforgettable songs we

first we love and sleep. it happens, it happens that those who follow us, the streets are called by our names.