they risk their lives and continue to fish , they have to go out every day, they need to catch someone in an ice trap in less than 10 minutes before their heavy winter clothes get wet, and everyone should know a number of rules on how to behave in an emergency situation. at the moment , it is categorically impossible to go out for flights, if someone still does not value his life and is still trying, as they say, to close the fishing season, to go out on the ice. having a vest with me, having magic wands with me, and this happened, that you have failed, well, yes, with the help of these means, try and get out, you need to return to the shore exactly the way in which you came, without getting up, but roll over or get out to the shore on land. this year alone, in the reservoirs of the minsk region, divers rescued seven fishermen from the icy water; four could not be saved. osvot reminds us that even the best catch is not worth it. human life, because of

safety together, how to quickly and effectively cope with emergency situations in the everyday life of minsk residents schoolchildren are taught by lifeguards. children from military-patriotic clubs in the capital were also invited to the preventive action. the large-scale venue featured an exhibition of equipment, a smoke tent, interactive games and a master class on first aid. dog handlers also presented their loyal friends and assistants. in matters of safety, safety coverage, training them, we pay special attention, and we understand perfectly well, like those interested who are taking part with us today, that we are making plans for the future, raising children, is impossible without the main component, this is safety, so our task is to teach citizens, especially those on whom our future depends, these are children, so that everything in life works out well, of high quality, and of course safely, i am in the military -patriotic club at the lyceum class.

soldier's porridge and tea. appreciate every moment of life and be responsible for your thoughts, actions, words. what is the mystery of longevity and is it possible to justify euthanasia of the seriously ill, a priest’s view on the death penalty, on confession criminal and on our traditions of honoring the dead. in the program about the eternal, the project is the power of faith. today at 15:25 saturday at 8 am. on

tv channel belarus 3. next we have sports news, projects of the telenews agency, also available on social networks in the mobile application qr code on the screen. new information at one o'clock in the afternoon, see you later. minsky iska comfortably beats zenit away in the first match of the 1/4 finals of the seja league in the east division. by the break, the army team. led 15:13, and in the second half managed to increase the advantage to five goals (32:27). the most artyom silvesyuk and pavel nimkov were the effective scorers in the match, both had six accurate shots. the return match will take place on march 6 at the uruchie sports palace. last season, let me remind you, ska became the silver medalist of the tournament. the current winner of the gagarin cup, cska begins the fly-offs with a crushing victory over lokomotiv in yaroslavl - 4:0. the army team scored two goals in the first.

the end of september 1982 became a landmark for the belarusian capital; for the first time it hosted

a forum, which was held with the assistance of unesco, the united nations issues of education, science and culture. in minsk on...

the text of world civilization.

in august 1957, the first meeting of the established national commission of the bssr for unesco was held in minsk. the issue was discussed there.

and the folder that caused controversy, intangible cultural heritage , can hardly qualify for inclusion in the world list. belarus will prove that intangible heritage has the right to be on the list of world cultural heritage in the 21st century. then, in 1982, a conference in minsk summed up that

the great work that was carried out by the republic within the framework of participation in unesco programs. this opened up wide opportunities for presenting belarusian culture, unique and multinational in the world. what was there to imagine? new frontiers. this is how one can characterize the culture of the bssr in the fifties and early seventies. luchinok appeared, these are two important components

, we owe this takeoff to them, because luchinka was not so much for his songs, but primarily for the fact that he was already on, as they say , on a horse, remember, voyachich sang not to get drunk a veteran, he was registered in moscow, he was already respected, because at that time vocal instrumental ensembles were looked at with a little scythe.

years ago in japan to teach lessons, speak russian, i looked for someone in japan who came, they told me that buyachich came, he was in my program in japan, they also sang.

the songs of alexandra pakhmutova and nikolai dobronravov are heard on the all-union stage. when these, without exaggeration, great construction projects began, they called it bam, the baikalamur mainline, just as it was agreed upon, you understand, by everyone, even cultural figures ours, they... igor luchenok became level with them, thanks to luchenok the takeoff took place. created not just an ensemble, he created a whole wave, on this whole wave the veros swept, and

the silver, light, dewy one, there was more than one chen. the belarusian pop art was finding its own face, the emergence of vocal-instrumental music became a phenomenon...

thanks to them, a new direction in belarusian pop art was born, it would seem that the basis of the repertoire of each ensemble was a belarusian song, but for each it sounded in its own way, especially, and this there was no rivalry. in the national culture they complemented each other. this is culture, this is... a theme, this is belovezhskaya pushcha alone, how talented they are, how they found each other, united and what level of voice and performance. the republic became recognizable not only on the all-union stage, but abroad. the songs of the ensembles, whose popularity

was rapidly growing, were sung everywhere. oh, carols, pancakes, palms. they were performed at prestigious international competitions. in 1970 , the singers became a laureate of the all-union variety artists competition. a few years later laureate of the tenth world student youth festival in berlin. first prize at the all-union competition of soviet song performers. but it wasn't all that simple.

coincidentally, i come to moscow, go to the company melodiya, and he says to me: yesterday some kind of ensemble of yours, but it wasn’t shining yet, recorded some of your songs, it turned out that it was malinovka. it was a time when outstanding young

and already famous actors shone on the theater stage. nikolay eremenko, rostislav. dmitry orlov, already known by name and the young and talented boris lutsenko, the yanka kupala theater and the russian drama theater become leading in the republic. very well they say there: censorship, censorship, no, censorship may be such an iron, metallic word, it is not euphonious,

but it was the right selection, literate. fine arts, folk art, fifties, sixties, the time of birth of great literature. belarusian literature of the 60s is another belarusian renaissance in our literature, and in addition to aesthetics, and in addition to art.

the boredom of master of words ivan pyatrovich shamyakin has revealed the most outstanding apovests, the raman cycle. in other outstanding words to masters, writers, and a dandy, of course, vasil bykau is. this prose is over -the-top realistic and prudent apologetics, which have been heard by all citizens of the savetskaya union, not only belarusians, the whole slavic and european world, our creative people, and to the glory of both the land and our literature. petrus brovka, melish, lynkov, maxim tank, ales adamovich - a whole constellation of outstanding belarusian writers. the attitude of the belarusian

leadership towards the creative intelligentsia was special and reverent. history has preserved a fact that is unique in itself. the first secretary of the central committee of the communist party of belarus, kirill mazurov, corresponded with poets in verse. his correspondence with petrus brovka has been preserved, and it means that brovka wrote him some congratulations in verse, and not even just congratulations on the occasion of holidays, but just some funny letters, and his father also answered him in verse, it was unusual, in poetry in belarusian, recognition of the successes of belarusian literature was the awarding of a group of belarusian letters...

new directions in literature were also born, it became multi-genre, korotkevich, adamovich, bryl. but the military-patriotic theme remained the main one in all types of art. it sounded powerful through the rethinking of the terrible events of the war in national cinema. belarusian cinema has a fundamentally new level. the connection between literature and other arts was at the highest level, the best works of our authors were screened, some

outstanding practical creations and dramatic creations were working. films made in belarus based on the works of belarusian authors were released on wide screens in the soviet union in foreign countries. and they came up with topics that were close and understandable to millions, the main one of which was the military. the man does not give up, the alpine ballad, the third rocket, the ruins are shooting. partisan-film, this name was firmly attached to the film studio at that time. works filled with love for the motherland became an example of courage and patriotism for a decade. this theme was embodied in music,

painting. embodied in monuments and memorials, one of the landmarks for the republic was khatyn, it was september sixty -two, my father and tikhan yakolevich kiselyov went somewhere in the vicinity of minsk, about 50 km along the vitebsk highway, turned onto a country road, went out to forest and decided to take a walk through the forest, which means suddenly they came out into a large clearing. the name of the burned village is khatyn, its terrible story was told by joseph kaminsky, who was not far from that place of paskarov, and then the idea was born to erect a monument to the burned village, in in particular, this particular khatyn, pyotr mironovich mashirov was assigned to oversee this

project. since he was involved in ideology, this means that this was given to him. but what should the memorial be like? opinions are different and they are divided. we are in the creative workshop, where khatyn was created in the sixties. in monumental art. belarus, there were many innovative solutions, and khatyn is the first very striking example. innovative thinking in architecture. endless creative search. this is exactly what one could call the next sketch the decision they were preparing to present

to the chairman. building the bssr to vladimir adamovich the king, the young architects gradov, zankovich and levin, remembering their last conversation that the landmark, monuments and memorials that are being erected throughout the country, still decided to make their own version, slab, star, fire, they wanted to move away from generally accepted, i wanted my own, close, the creative team tried to find those elements that were the most.

then the young architects were left alone with their decision: four cornflowers, one broken, bells, birches, a burnt stove. creative architects realized that perhaps it really wasn't worth proposing with this theme. and they did the traditional solution, but they wouldn't. such young and creative people, if they had not yet made their proposal, as they understand the eternal flame, the situation was saved by pyotr mironovich masherov, who often looked into the workshop to see how the work was going, and most importantly, what solution for the memorial was found. and then they got this one option with three birch trees and an eternal flame

on...