participant in the partisan movement during the great patriotic war. in the fall of 1942, having learned about the death of her husband, she firmly decided to go to the front. in november 1942, she was sent to a partisan detachment as a special correspondent. karostoyanova wrote articles about the everyday life of the partisans in combat, essays about demolitionists and called on the population to fight the fascist invaders, while remaining a combat partisan and more than once participated in operations and partisan raids. on the night of march 15, 1943 , the newspaper's editorial office received a radiogram from partisan unit about the death of korostoyanova in a fierce battle. on the eve of her last battle, she prepared a publication for komsomol pravda, an appeal to belarusians. she was only 25 years old. for

courage and heroism, liliya karostoyanova was awarded the order of the patriotic war, second degree, posthumously. streets in gomel and minsk are named after the correspondent.

in this bustle of days, we are always running somewhere, sometimes not paying attention to the beauty that surrounds us. the breath of the spring wind, the bright and warm rays of the sun, the chirping of birds or the fiery colors of autumn, but among us there are those who were able to see the beauty and grandeur of belarusian nature. we are at the art belarus gallery, where the exhibition project “look at the faraway look” is presented. who are they, the famous representatives of the belarusian school of landscape, and what else do we not know about this seemingly well-known genre of art? let's stop for a moment and enjoy the beauty together. alina neboyna is with you and this is a fashion for culture. landscape is a genre of fine art that is at the same time simply laconic for perception, at the same time carries within itself the power of the secrets of the universe. if you think about it...

nature has always been an observer of the process of human development, historical eras have changed, and the landscape acted as their theatrical backdrop, while being the main character of this endless great performance. even poets and writers sang the beauty of their native land in their works. it is true that the nature of the native land is close to the human consciousness and his subconscious. it is this closeness that explains why. that the landscape is so easy for the audience to perceive, so the exhibition has a wide range of views and features a collection of works by artists of different generations, whose work spans almost a century and a half of belarusian art. the exhibition presents authors who throughout their lives wrote only motifs of their native land and who, by the will of fate, worked outside the country. its curator alexander zenkevich will tell you more about the exhibition project.

there is an idea lying on the surface, to make an exhibition of landscapes according to the seasons, a great idea spied on by the same kimkeduk, spring, summer, autumn, winter, spring again, in this simplicity the basis that is taken for the exhibition, plus the landscape is always divided into a kind

of pastoral landscape, this is an exclusively nature-oriented and industrial landscape, this is what was created even within the framework of such works, and this is a landscape of hands. koina is one story, if we see zhukovsky - this is another story, if we look at a work of tsvirka, there is a third story, an interested viewer is a viewer who comprehends art more and more deeply, building a path in

a way that is interesting to him, and with my point of view, with our own position, we say that let there be a continuation, the theme of the landscape is far from... something will choose its own, this is the algorithm for a specific viewer, that is, he is generally acquainted with art usually happens. a wide range of art connoisseurs know such names as outstanding belarusian landscape painters. vitolta kayatanovich, belonitsky, berulya, valeriyshkaruba, for example,

but tell us what other names might be worth knowing for the belarusian viewer, right here with the notebook.

alone with nature, you can feel its heart, do you think, is it possible to feel the heart of nature through the prism of a landscape, i believe that this is so, because in general an artist, and in general any person, probably needs a little silence in order to, well , feel the meanings, when you come out of the influence of certain noise factors, informational, psychological, everyday, you begin to feel that space there, you understand there, there is a good landscape, yes, but there is a bad landscape, yes, this is necessary, clearly to distinguish, there is good realism , there is bad realism, there is good abstraction , there is bad abstraction, each type, species, genre has its own

conditions that, well, let’s say, are visible to a more careful eye, and if we talk about this later a little - it’s hard to explain to the viewer, he will immediately understand where it is, of course, to talk about issues of the heart or some emotional or some kind of semantic, it is impossible to convey the heart, but without feeling, without loving all of this. in the small, absolutely small, they find such beauty, convey it, fill it

own energy, the perception that it becomes incredibly expressive very, very, so we just see, but here is an absolutely, absolutely trivial autumn view, again nathan voronov, yes he is absolutely banal from the point of view of the chosen plot, but when the artist who very... the language of sincerity, emotions coincide, then this gives birth, gives birth to a truly emotional, interesting work of art. what trends are visible in contemporary art?

and the development of trends, the development of belarusian art, it continues to be broad, and this is very important, because

there are national schools that have only recorded something like this, this is not fixed by some doctrine, it ’s just educational practice, it’s just like this, belarusian art is going, it seems to me, absolutely in a correctly balanced way, when there are no taboo stylistics, there is simply a high attitude towards mastery or professional expression in one form or another of art. i think you will agree that contemporary art does not always remain understood by the audience. still, you, as the organizer of more than one exhibition, a curator, you are in constant proximity to these works of art, you observe, someone gives preference to classical works, someone to modern art, after all, in your... opinion what do connoisseurs of contemporary and classical art have in common? well, here we can only

summarize that there are not some things that are simply good, this is bad. in general, when encountering art or encountering any types of art, we must say that - a person who is trying to experiment and start something new. he is a very brave person, because in the art of saying something new, saying some new concept, idea, it is extremely, extremely difficult, because a lot has already been said before you. over time, pastoral motifs gave way to city streets and industrial panoramas, chamber landscapes. and, of course, the landscape entered into fruitful interaction

with other genres, significantly expanding its capabilities. over many decades it was created a huge layer of belarusian art, which is important and needs to be studied. in every moment of the phenomenon of nature, for me everything was filled with deep interest and meaning, and every significant element of nature for me had its own face. the singer of the belarusian land yakubko spoke so reverently about his native nature, his strictly defined individuality, his definite life, conscious, animated. fill your life with meaning, enjoy beauty more often , follow fashion trends in the cultural life of our country. alina nevoina was with you remember, beauty is in the eye of the beholder. see you in a week, until new cultural meetings.

everything you wanted to know about the meaning of human existence is god’s providence for everyone, and... this providence will already be revealed in the kingdom of heaven, and it will be even more open during the second coming of christ, when the lord will reward everyone according to their deeds. on the religious education of children. as a priest, i very often try to be at school and invite children to our events from school, including excursions and various

spiritual and moral events, which, exhibitions and others that take place on the territory of our temple. thus , the temple... kali chalavek with weak gonars and any adnositsa and everything that their temple has, then such images are taken, not looking at the fact that from the point of tracking the traditional steps of the past they were also drilled. hear the spiritual instructions.

scientists have proven that smart athletes are more likely to achieve success compared to those who rely only on physical strength, let us also upgrade our sports knowledge, a show where the main weapon is intelligence, which of them had a higher transfer price at the time of transfer to a new club, according to the authoritative resource transfermarkt, messi, messi, but activity will also play a role, who these guys are pumping up is karla ancelot. this is the wrong answer, this is zinedine zedan, 2020, real madrid became champions for the thirty-fourth time. which complex will host the olympic tennis tournament in paris in 2024? in paris at the orlango ros venues. absolutely correct, rlango ros. watch an intellectual sports show, head game

on our tv channel. they say one head is good, but two are better, then 12 is just perfect. a dozen erudite eighth-graders must answer any question in an intellectual show: i know whether my expectations will be met,

the game will show, my name is vasya chekhov, hello, so far the participants will hopefully be there. and become their knowledge on the playground, the mentors will root for them, and i, yulia pertsova, will show you everything that will be happening at this moment in the teachers' room, let's get acquainted with today's players, before the start of the game we asked each of the guys briefly describe yourself. so, meet: elizaveta busko, secondary school number 2 of the city of lyakhoviche, a purposeful person who is always ready for... geography teacher sergei nikolaevich krivenko. sabina ustinova secondary school number 1 in the urban village of sharkovshchina.