now it’s the spring of forty-five, and not the autumn of forty-one, reiks furor, and if someone proves to the leaders in kiev that now is spring 24, and not the victorious autumn of 22, it’s time to start a dialogue about peace, and not with the west, with moscow , but this is really a rhetorical question; unfortunately, there are no good options left for ukraine. thank you, this was the saz program authorized to declare. the russian offensive that had begun was withdrawn.

they were born in different parts of the world, hello everyone, my name is xing kaijen, i am from china, i am currently studying for a master's degree at the faculty journalism and i live in belarus.

hello, the program “tell me not to be silent” is on air. victoria popova and tatyana shcherbina in the studio. and today, on the eve of march 8, our guest is the people's artist of the rsfsr, performer of more than 100 film roles that you know and love, a gift to our belarusian viewers, valentina talyzina. valya, uh-huh, i know, well, thank god, now at least someone will have a light, lyudmila ivanovna, eh, lyudmila ivanovna, yes, i’m already 40 years old, lyudmila ivanovna, so what, but you don’t give students,

it’s not necessary, but the truth is more expensive , what is the truth, yes look at yourself in the mirror, you’re 40 years old, but you’re... actually, it’s wrong that a pension is given in old age, it really should be given from 18 to 35 years old, the best age is to work during these years - it’s a sin, you only have to deal with your personal life, and then you can go to work, there’s no point in life anyway, he’ll go to the tikhoretskaya train, the trailer will move, he’ll stay.

wanted to interview me, really, honestly, frankly, i’m proud, because i really respect belarus, its, well , somehow its principles, i admire it, in general thank you to many that you have, then, now i must say that i really like it, alexander grigorievich. thank god that he was in belarus and something that, god forbid, would have happened in ukraine, did not happen. he held his country, he held it, he was very rooting for his country, he always fulfilled the interests

of his state, his homeland. this is what i really, really like. well, well... kolya carry the machine gun - this is a song. you then followed the events that took place in belarus. i always followed everything, i always, not like i was interested in politics, i don’t understand much about politics, but what i do understand is, starting from these congresses of ours, from the speeches of deputies and in general throughout the nineties, i... looked very, very carefully and see what has just happened. valentina ilorionovna, we are now in moscow, but in belarus, because we are received by the business cultural center

of the embassy in moscow. did you feel the belarusian atmosphere here? in general, i see clarity, purity, so to speak, responsibility, yes, there is an atmosphere. russia is generally distinguished by the cleanliness of its streets, some there is clarity, there is some kind of rigor, i really like this, comrades, and the goods are crazy, one general and his wife gave me an amazing scarf, i say, god, from what country, he says, like from belarus, i say , but it can’t be, i ’m telling the truth, i never lie, i’m saying, can i also have a scarf, i... made myself a jacket out of it, your principled civic position, which you very often express today, perhaps as- did that influence your relationships in the creative environment, is that true? you know, actors still respect their profession,

what do you think about politics, but this is your personal business, by the way, i respect our president very much, i was asked to speak in front of the wounded, poets, it’s also called easter, it’s pure, it’s just that there was an amazing sound engineer from russia alone, he i did everything , well, like in the church, like all the easter motifs in the church, and i read poetry, i read the poems of pasternak, mandelstam, mireshkovsky, yesenin, well, protarey one, maykov, well... in general, everyone, and i’m proud that now it will probably show, it will be like

there’s a service in the church, in the ward of the wounded, i’m just proud, the sredninsky monastery does this, i can ask you to read it, oh , my god, you should always play seriously, even if life throws you in captivity. scatter any roles, even half a page, even without words, even in pantami, play to the heart, to the basics, play in the name, without a curtain and without backstage, without a prompter, so that only tears spill on the partner’s chest, so that only fox, pores, losses, pores, sadness, red-haired as a stall, applause. always play, play everywhere, play extras, but for

ourselves, without manipulation, that you don’t clap, we froze! you have very interesting memories associated with belarus, first of all, you ended up in baranovichi in 1941, then you had to flee this city, unfortunately, when the war began. this was a dramatic episode in your life, which you talk about very often, and in general tatyana and i got the impression that you know your family tree very well.

grigory, i don’t know what his middle name was, he leads the tatar line when ivan the terrible conquered kazan, there was mirzak, kuchuk, tolgat, dizin, the guy was smart, he quickly figured everything out, and converted to orthodoxy and became yakov talyzin, that’s where he came from.

it’s a mistake that we didn’t stop this earlier, but our president kept waiting, kept doubting everything, and i really like that alexander grigorievich takes a very correct policy, and you are orthodox, and go to church, read poetry, why there is no peace on earth , i don’t know, don’t answer, there are some satanic desires. satanic ambitions and satanic actions

some states, and what is happening with churches now in ukraine, is this also that same satanism? yes, absolutely right, this , this is a remnant, this is the result of these satanic desires, horror, we won’t talk about it, girls, because i don’t watch television, rarely very much, i love pushkov,

we take our hats off to your literary taste, thank you, dear , thank you, and the siberian character and natural vitality often helped you out in life, because when you came from gites to the mossovet theater, they talked about you, well, let’s say, not quite complimentary, no, cute,

an ugly girl came. low -bred, an ordinary social heroine, though with a beautiful voice, very professional, here you are, ivan stepanovich, you think i’m ugly , but that’s not true, i just don’t have enough money, if only i could buy myself high-heeled shoes, fishnet stockings , jersey suit, white fashionable coat. yes, anyone would take me as a wife and i wouldn’t go with such an asshole like you. one day zavadsky asked viktor mikhailovich segalov, who was from odessa, adored the theater, adored actors, amazing, he loved ethel kovinskaya very much , he says: “this, this, this, this, he

was all this, that’s when, zavadsky, then i found out, viktor mikhailovich asked.”

the book publisher came up with all this, and i only heard two witticisms from her, for all the time, and i played with her in two performances, and was there any fear of them, she stiffened, when i know, i began to rehearse with her, so to speak, by the way, she was talking about me, she’s so

ugly, but how did you overcome that, then you communicated well. then when at me they pulled me into a corset, dressed me up, it was a performance by dyadyuzhkin, they pulled me in, well, i was so skinny , then they pulled me in, put on a fantastic white and pink dress, there was a marvelous elena, he said: “now, now, now, we ’ll stick on a tutu, now, now, so , we’ll make the eyes, now we’ll tighten up the nose, and i, i went on stage suddenly, whom i think i was afraid of, suddenly, as i began, prince, prince, forgive

me, faina georgievna, actress, despite her genius, she says, irina , this is a melodrome, and irina sergeevna says, yes, yes, yes, yes, but it was already coming out of me: “prince, forgive me forgive me." well, and then, in paris, they wrote, this swan figure or swan neck, in general, they wrote everything. elsa triolet came and, giving her pen , her little sister lily prik said: “i came to look at russian beauty ". i thought if you had seen me without makeup, but i thought. rarely in theatrical practice, you gave the role of vasa zheleznova, another actress

nailipshonnaya in the play vasa, which was a crazy success at the mossovet theater. tanya, the audience doesn’t like sick actors, that’s why i refused because of my health. the performance took place on the big stage. with a full hall, now it has been transferred to a small stage, well, why do that, if a small number of people come, then what a big stage, now i am playing two plays: ostrovsky’s wolves and sheep, i am playing the main role of mirop davidovna, we recently released peak yes... how do you feel about theatrical intrigue? no way, please, let there be

intrigue, do you share the stage with the actresses right now? no, there is no envy, there is only, but it’s true, there’s one actress here, she’s always she made herself into a heroine and sang somehow. well, i play with her, well, i imitate her, i stopped singing, talking, the vocal-instrumental ensemble is performing, the ensemble is opening the concert. hello, hello, what are you doing with

suitcases for how long, for a long time, for a long time, oh well, i’m off to work. afterwards we’ll talk, and now we’ll take a break for a while, i remind you that we have a telegram channel, say don’t be silent, subscribe, ask questions and suggest guests, we are connected, this is the program again: say, don’t be silent, and today we have a people’s artist as our guest rsfsr, valentina talyzina. once we came across a wonderful recording of the performance evening light based on the play by alexei arbuzov, your

duet with georgy zhonov, i know that the director of that performance is roman viktyuk, is this a special episode of your biography? this is not an episode, this is my whole life. and when roman grigorievich was asked: “what is tolyzin for you, he...” said: this is his whole life. we met in 1090 54, he was 18, i was 19. he was in his second year, i was in my first. oh, he ran in to us when we settled on tryfenovka, it’s famous. gitis hostel, he ran to our room, he said , and the new guy, he had such little black

eyes, he was thin, so fast, well , small in stature, and the new guy, why are you sitting there, let’s go for a walk, and he came with us, we’re all like got up, well, i won’t say who, and we went with him, that is, we all went for a walk, then somehow over the course of time we broke away from him, and i stuck with him for the rest of my life, he was like me...

well why did it happen that i always looked at him, suddenly i remembered one episode, i, of course, do not draw any analogy with this animal , which i’ll tell you about now, but it’s really something similar, i always listened to him, well, with my mouth open, i don’t know, he was like the bird sirin, tirin, tirin, and he had this episode , he told it himself, i knew when he comes up with ideas, when he tells the truth, here he is very good, i knew him well, because now in the theater they say, we hear the intonations of a novel when you speak, so once he told me case, he came when gitis had finished, he didn’t get settled, he was, in my opinion, in

karpenka kara, there... he left for kiev and staged his first performance in lvov in tyuz, romeo and juliet, and it was tyuz, some kind of semi-basement, if not a basement, i don’t know for sure, well, romeo juliet, there he had a violinist standing, music was playing, a violin , roma loved music very much, juliet was standing on the... romeo was standing below, and roma was screaming for juliet, for romeo, screaming, music was playing, behind, at the very last wall of this semi-basement room , well, probably there was a performance, everyone was from sweets, well, for children tyus, there were these pieces of paper, and there

were rats playing there at the back wall. to this music with these pieces of paper, well, they played, they played, in the auditorium , not somewhere in the back, roma screamed, roma yelled, sang together, there was music, and he was standing, it was all leading romeo to juliet, an assistant was sitting next to him, well his assistant, the director, and says: gentlemen novels,

she always looked at him like this, but paths, he is very, i, all the roles that i played, i said that i am playing here, that you are playing here, she loves this big guy, he she has her first man, and no matter what he says, she laughs, i say, okay, yegor balychev is in our theater, markov plays bulychev, i sit and laugh so that he doesn’t say, markov was stunned that... i’m already a spectator, and he was so stunned that, well, it’s not like me took herself to the audience, no , god forbid, i played love, he is her first man and she never has anyone else for a merchant’s daughter, we are cheating on her, so what, and i laughed, looked, suddenly ma says ha -ha-ha-ha-ha, imitated, imitated, but you quarreled with vektyuk in the end? no,

he and i had a fight once when i was playing the main role in the play butterfly butterflies, and we produced the play, so... roma, he, he toured all over the world, all over germany, america, england, everywhere, but he toured, he already had one, russia gave him a theater, the theater named after roman vikutyuk, which now exists there, well, we played and produced a play. butterflies butterflies, where there are three people, one woman and two young men, alda nikolai’s play, which means we played for a year or two, and then he closed

the play, he generally treated his performances, so to speak, they played and closed, installed new ones, third, goodbye. “see, i remembered everything, goodbye, i remembered everything, and demand an answer from yourself, womanism, that’s it , run, run, you’ll be late, run, you’ll be late, that’s it, that’s it, it’s over, run, goodbye, but for me it was, i played the main

role, i played, i tried in general, then the play taxied, in fact, once i played in lvov, and he said, she’s crazy, she plays like... the last time, but he closed it anyway, i stopped talking to him and i didn’t talk for several years, and then a friend in the cheikovsky hall, he came up to me, he says, and said something like that, i say, yes , this is the fifth ten, everything is as if none of this happened, daughter ksenia, granddaughter anastasia are actresses, they consult when they get a role, no, no, does this offend you? no, why are they offended? they have their own life, they will go their own way. but did you take their choice of profession calmly? i didn’t want either one or the other, granddaughter, nastya, when she was 5-7 years old,

and we went to a holiday home, an actor in yalta, this holiday home was organized a long time ago, i don’t know, well, you’re not filming, she is ksenia khairova. a tv series are you watching today? the following story happened to me, well, you know, i’m still 65 years old on stage, right? i’ve acted in 120

films, and even more, and i’m acting a lot, so far, thank god, on television, your television, for example, here. in general , somehow, well, well, i understand the kitchen very well, when i watch tv series, i can already see that the speech is bad, that he speaks with clenched teeth, and this one plays, and this one also rolls his eyes, and i’m not interested anymore , it’s very rare when you see talent and it captures you and... holds you, who is the talent among the young, who do you like? please, there is such an actor ustyug , alexander, talent, not so long ago nikita sergeevich mikhalkov said that ryazanov’s comedies are not cinema, do you agree with him,

yes, only the irony of fate or with light steam has been leading for 47 years, but he is weak in directing, but the zigzag of luck has been going on for 58 years, and the audience. now he’s watching , he loves, the thirty-first, the president’s speech , olivier salad and the irony of fate, the next couples, i really like your relationship, well , the relationship is quite complicated, wait, guys, you need a towel, otherwise you’ll shoot, please, comedian eldar rezanov unsurpassed, he treated me very somehow critically, critically, i came to him, because in a zigzag of luck, and friendrich was supposed to act, but... i was waiting for varya, thank

god, everything happened, she refused, i urgently needed to look for an actress . comedy, it seemed like i didn’t have it, then he said, okay, i started playing, and he it was a sinful thing to shout at me, i still remember the voice of nina skubina, she was a brilliant woman, a genius, i adored her, she treated me very well, i remember her voice: elik, why are you yelling at her like that? and if you yell at her, don’t yell , she won’t do anything at all, i think

you’re wrong, he was wrong, yes, when he mounted the zigzag of luck, he suddenly somehow understood something. and pay attention to the dress made of white lace, shapeless at the top, narrowed at the bottom. it suits you very well, alya! at sergei bodrov's

senior in the film “unprofessionals”, you played the role of zhenya, and there the young heroes , faced with the spiritual callousness of the world, tried to somehow adapt to it. this is her cow. she'll pawn us all.

i won't tell, i won't tell anyone, i won't tell anyone, no one! sergei bodrov, by the way, he was a screenwriter in many films, and then this was his first directorial work, great, i came to him for an audition in some kind of robe.

from st. petersburg offered to act in the role of a hundred-year-old old woman, i said, please there will be a hundred-year-old woman, but she is a cannibal. don’t think belzho, you yourself star in this old woman eater, interesting, yes, interesting , you refuse, i refuse, of course, in the film the last resort you starred with the famous belarusian actor, viktor tarasov, what were your impressions, working with him

was great, what’s wrong with you , stop, calm down, no, this is not life. the children have become adults, at least we can live in peace for the last time, we’ll live, mother, we’ll live, but i remember that we worked in general when the actors, well, how can i say, well, how to put it mildly, for example, with kuznetsov, with kuznetsov, we - how to say , well, we didn’t talk right away, we went into the frame just like in the same boat, this happens like this, with myakhkov we stood and voiced the irony of fate, he is with me didn’t say a word, he didn’t say hello to me or say goodbye

, why do i know, why did the king stand like this, then someone is voicing someone, the dubbing ended, the picture came out, suddenly we met on television, he he rushed up to me as if we had known each other for 100 years and started telling me what he was doing now painting, and how wonderful it is when something appears on a white canvas that he saw there in the window or on the terrace, i was amazed, i looked at him, i thought, my god, he started talking, is there a voice-over in this work? what's the hardest thing? yes, it was difficult, because now they read the text for a friend, but before they voiced the closing of the lips, this is terrible physical education, this is necessary, they give it to you, it means

that you had to say the exact word that she said, well, i’m being ironic fate, i never have anyone... nina skubina approaches him, she was not then still his wife, but she was a close person, 10 years, and lena sudakova says, lena sadakova, my friend, is amazing,

try valya, oh, what do you care about me, what does valya have to do with it, she makes her teacher not bad, sixth, seventh , eighth , twelfth, everything is past, nina is approaching the sky, elik, well, try it, val, why are you pestering me with your currency, i already told you, she is making her teacher, so that she can talk to herself, that means, 12, 13, 14, 15, they again, finally, on the eighteenth i came to a dead end, i say, try, he... comes up to me irritated and angry, i honestly say, and he says, but i didn’t know any of this, where from, something we recently voiced something, so i don’t mind you voicing it, well , if your voice suits the voice of ala pugacheva,

then please voice it , valya, valya, valya, nina, lena, valya, valya, come on, okay. i made a ring, it was called when it does the same thing many times, and you keep closing your lips, then finally close it exactly and remove this piece of the film, i did it, the voice came up, i have to tell you one thing, once i saw an honest word , honestly, i never lie. like alla borisovna in the frame on television, that i don’t remember what, someone asked her, well, you sang the twist of fate, he says, yes, yes, she sang. well, it is necessary that it should be, well, it is necessary that my voice should suit tolyzinsky, i think,

dear mother, old age is not joy, so i began to voice it, in the anxiety of a motley fruitless , great light and courtyard, i kept my gaze, cold, simple heart, mind. free, and a noble flame of truth, and like a child she was kind. this is alexander sergeevich. now we let’s take a short break, after a short pause , we’ll return to our interesting conversation, for now subscribe to our telegram channel, say don’t be silent, look for all our episodes on the belarus 1 youtube channel on the bel tv and radio company website.

yes, laura is with me, leave me alone, get out of it for not taking your hands away, what if someone is waiting for you there , i have no one but you, this prince would be better off, let him build a new stable now, it’s him, yes, i’m going back there , bad idea, it ’s yours, you can appeal for it, look what these millionaires are doing, a wedding or something today, why are you all here? watch the series love without memory on the belarus 24 tv channel.

100 brave guys gathered in our studio. hello everyone, in exactly a minute a hero will come to us who will answer all your questions. are you ready to meet our guests? and each of them has a question for an adult. the questions are honest and they really ask what interests them. what do you expect from the children you meet now? i expect interesting questions and interesting thoughts. the heroes of the program will open up to the audience. the main task is to honestly answer all original and sometimes awkward questions. you always pay attention to clothes and hairstyle. i look at hair, clothes, so i continue to develop my brain, with whom celebrities

and you are personally acquainted, vladimir semyonovich vysotsky, the name means something to you, singer, artist, so i was familiar with him, see the project 100 questions for an adult on the belarus 24 tv channel . on the air again, say don’t be silent, and today we are visiting people’s artist of the rsf valentina talyzina. for many generations , you are the mother of uncle fyodor from the cartoon prostakvashina. what does this role mean to you? something smells like cat spirit here, it’s probably because

uncle fyodor brought the cat. so what, one cat won't hurt us. well, it won’t hurt you, but it will bother me. but just think about it, what is the use of this cat? well, why is it necessarily useful? what, for example, is the benefit of this picturesqueness? this picturesqueness is not very useful. the hole on both is blocked, so what, the cat will be useful, he can catch mice, but we don’t have mice, but we will have one, but if this code is so important to you, please choose, either him or me! so, i’m in simferopol, they brought me from the shooting to yaltam, well, simferopol, the airport, and the group, when the man, the actor , took off, so quickly. out of the way they quickly me - it means the ticket was registered in the storage unit, i sat down in the storage unit,

dear mother, i... sit in this storage unit for 3 hours, no newspaper, nothing, no, no coffee, nothing like that, i go out, turn to to the boy who, well, customs, i say, you know, this is it, i’ll leave the bag here, i can take it with me, i should at least buy a newspaper, well, why am i three... in 3 hours, no , no, no, it’s not supposed to, no, well, wait, i’m a people’s artist, so i was filming and that’s it , well, here it’s 3 o’clock for me, well, give me a newspaper, well, do you want a bag next to you , what, you don’t need any bag, what do i have, what ’s in it is unknown, that’s how i like it, well, i’m very kind to you, no, no , no, it’s not supposed to, and

he’s young, i say: did you watch the holidays in yogurt? he says, he watched, i say, i played the mother there, voiced it, come on, it was true, as you understand femininity, on the eve of such a holiday as march 8, we cannot help but ask this question, i knew that you would ask this, but how? i knew that you would ask this, well, firstly, “you want to ask what i have, i’m many years old, i look good, so you, i’ll tell you that i haven’t had any operations, none, and in general beauty women are not in operations, the beauty of a woman comes from within, this is how she lives, this is how everything looks out for her,

he calls me and says: i ask you to voice shuranova, the artist. i say, with what the hell? here i voiced polka, ashuranova is a russian artist, why should i voice her? i will curse you if you refuse ; i think about how i will perform in front of the guys, i... i know,

when, when you speak in front of an audience , they immediately understand, yes or no, i once spoke in front of a prison for juvenile delinquents, no, i didn’t take them, they didn’t believe me, it was the only time in my life, and once i spoke in prison, and i said, i’m afraid, sit down, let there be a table and there was the head of the prison and some military man was sitting behind me, so i started talking , standing, and there i realized that i had gone, everything was going well, i said , that’s it, you can leave, but you can raise it, you raised your daughter, well, as best you could

, so you raised your granddaughter, as well... as you could , you raised it as well as you could , this is how i raised acting children - this, unfortunately, is not always a good result, i was very it’s nice when - the last time i was abroad, well, back when there was nothing like this, we had open borders, we bought tickets, nastya, me, my daughter and nastya, we went to... venice is my favorite city, i have two beloved cities, the great ustyuk, a brilliant city, and venice, suddenly nastya says: oh, we are this house, i rented this house, and i rented this house and uh, well, there was fine art, she rented it, it was right up my alley, i think,

oh, valya, well done, she brought it. what professional advice could you give? give to our spectators to preserve in themselves such freshness, femininity and , most importantly, wisdom that you showed us today. that other verses: i will look into your eyes, i will conjure you forever , you will not be able to forget me, and get rid of longing for me, i am with the fog through the window, into your house, in the fog and a flock of gray-haired people, you will walk through familiar places and hear ... my voice is there in the dark, deaf alleys, you will hear these poems, you will see, i am waiting on the corner, and i will dissipate into

the evening darkness, i will conjure you forever, i am in yours, you are in my captivity, well, what do you say, girls, we believe, thank you very much for today’s meeting, for your light , for your flowers, for your mood, for your beautiful soul, long life to you, and may your viewers make you happy, and we are tatyana shcherbina and victoria popova, with we say goodbye to you for today, goodbye, goodbye, valentina talyzina is speaking now, dear women, i congratulate you on the holiday of march 8, i wish you health. joy, patience, you have a wonderful country, and god grant that it will always be like this, good read, thank you, thank you,

happy, happy, loved.