reads inside each of us, it is everywhere in the sun, in timid movements, at our fingertips, music inspires, makes us think and opens thousands of roads for us, music can change. the world because it has the power to change us. music is inside each of us.

ensemble syabra naradziўsya pad shchaslivay zorkay, sannya praz dzesyatsіgodzi pra gata can gavaryts za upeўenastju. syabry, the most important people from all the popular belarusian pop music, and from famous brands. we dig a flock of pads i'm sorry, i'm going back, i'm going, far beyond the borders of belarus, when there's a huge ensemble of sybras, then people are crying out: oh, siabry, these belarusians, where the road has gone!

the ensemble was created in the early 70s at the gomel philharmonic, of course, at that time the ensemble did not have its own name. although no, there was a name. anatoly yarmolenko had a group called song over sozh. they were simply an accompanying group, with folk instruments, and russian folk instruments, balalaika there, domry, there bayan, well, they tried to sing esrada, anatoly, in general , did not have his own repertoire yet, he was also at the beginning of glorious things, he used the songs of valery obadinsky, which he generally succeeded in, well, even more so obadinsky.

like the sibras took, the house of sobbing guitars, hey, the strings like they played, they enchanted us, hey, hey, this was our first original song, with which we covered our program. they changed domras into guitars. then

keyboard instruments were gradually introduced, and when i arrived in 1974 this year collective, we rented some kind of room , we started rehearsing, in general, already from... our own repertoire, then we worked in the homer philharmonic, we imitated the singer, we followed them, we covered all their songs, and sometimes even earlier , what they launched, i remember we met with him in frunze, they were working and we were somewhere there at the same time, i came to the rehearsal with a tape recorder, such a big comet was carrying, i recorded the head teachers, they were just rehearsing, and we immediately recorded and literally the next day we such boys, the provincials know, absorbed everything into themselves, the next day we were already singing this new one...

in september 1974, the beauty won the first republican competition of

pop artists, who were accepted in minsk, for the songs they sang zorka venera in arrangements ty mikalai satsura , syabry ensemble. what happened to the kastrychnika of 1977 in muskva. geta would be used for the competition of the savetsk song, the ensemble is already ready for the geta competition.

at the height of the delight of competitive spabornitstva , the ensemble won.

those works that we have already prepared for this time, we were slowly recording a melody in the studio there, it was very interesting creative work, of course, there are no questions here, we had absolute parity, absolute parity, no one was trying to do anything, i was the musical director, i was the arranger, anatoly ivanovich in those days there was such a position as a foreman, he dealt with administrative and organizational issues, i was purely involved in music, so we didn’t have how...

we felt very uncomfortable, so disagreements arose, in general way and separated, well, i would continue to lead the team, as it was before. only the snow has become a home, yes , only the stars are the sun, and only the horses, the horses increase their trots, giving a month to gallop, the sorceress lives in the belarusian palace. syabry became the national team of the ussr of the soviet union, and this

is the quality of the ensemble in the popular telegram of the central television station of shire kruk. menavit in this program, the senior member of the “syabry” ensemble, was chanted by the song of the russian campus player aleg ivanov "dzyauchyna from palessya".

alesya's song brought the union's vyadomastsya to everyone. after the premiere of these songs on shira kruk’s program, the songs became famous. yes, in the early 1980s, the september 1980s were well known to the nobles of the ussr. the yans occupied the highest positions. the hit parade of the most popular songs, we were already winners of two national competitions, recorded three awards and two searches for giants in the music industry. uladzimir arlou, the director of their film “you are hell with anyone”, also a musical film, was featured in the ensemble “syabry”. z the songs "alesya" became the winners of the most prestigious tv festival "song of the year". 81, and just two bastards in 83m gave out their

chargovy hit, and i will lie down and jump, vysumіtse byarouzy, and these hits know that they have swelled the populace of the ussr, you are noisy, noisy , there are horns above me, kalyshytse, lyulyaytse, your own on.. ... centuries, and i will lie down and jump, the edge of the old man will jump. panok invited us, he was popular, a very venerable composer at that time, he mainly wrote a lot for viros, and here somewhere we crossed paths, he brought this song, played it, we recorded it for the program of the premiere of the song, went on tour, the tour was long for several months, we didn’t even take it into the repertoire, for some reason, we treated

it like that, well, song song, just now hanok yagilevich classics, and then they returned and...

you are shumіtse, shumіtse, over me byarozy, asypaytse, dear, tsikhai caress the earth, people perceived it differently, some as a table, some as such a gulevan, even jokes walked, galava on the flask, in

different countries the yana buzzed, so to speak, sa pile. here, but in fact this is a very deep song about love for nature, for one’s land, a man who is walking along a living road, goes to visit, tiredly lies down on the grass, there is a birch tree above him, it gives him strength, there is a very deep meaning, running forward, 40 years have passed there, today it’s the same for me, i think these are masterpieces of musical art, this is the bahemian work of kiin and ailyagu-jumper , you rustle birches, honok.

over the pilots in the group of soviet troops in germany, in the fall of eighty-eight , the komsomol organized such a brigade, i emphasize, the komsomol brigade of belarus, a concert brigade, to perform in parts of the gsvg pilots, which included the then gomel ensemble "syabry" and from the union of composers, composer oleg eliseenky, i had just appeared before this in jurmala 87, so they brought me into this brigade. we met on the plane, that is, pilots from germany sent a military transport plane, it flew to gomel, loaded with equipment, suits and everyone, this plane flew to minsk, where they picked me up, and we went to the gdr to this base together, there i am at i met all the sermolenkos on the plane , i remember the first concert, and he

said, what should i do with you, i said, well, i don’t know, well, they assigned me to you, yes. let ’s do this, he says, here we have a concert, then i’ll find a place in the middle, if there’s a fano, you’ll marry a fano, if not, here’s a synthesizer if satsura, you’ll come out and sing one or two of your songs solo, what - say to yourself, there about jurmala, where they sang you there, that’s all, and then we agreed, i say, well, it ’s gorgeous, i hand it, i pick it up, and the roads are far away, let's swim through the waters, without losing the way, our week-long tour began and i want to say that for this week, probably, i became a member of the creative team of the syabry ensemble, we moved together, we had dinner together,

breakfasted, spent the night, but most importantly, we were together on concerts, i saw from the inside the work and life of this outstanding group, i remember how serious it was, then the word phonogram did not appear at all, even minus, i remember how nikolai... satsura, it was kolya, as the musical director, who sang the whole team is there in half an hour. iermal says: that’s it, the chant , everyone gathers, drops everything, and i also join them, and kolya, satsura starts singing for us all, and yarbolenko is hardly standing with everyone, drinking, then, naturally, some kind of ritual before the concert, the concert went on, the concerts went with a bang, today at the theater, we have a bulletin, but...

i stood singing all the songs on stage, nothing . many people think that ermolenko is always the only one like that, according to my observations, in 1988 he let absolutely many participants sing collective, he himself... performed, well no more than 50%, probably, of the songs, that is , i saw that he welcomed the appearance of new young blood in his ensemble, for the first time i felt your laughter at the tsikhai tapalinay skezhtsy, and the fluff is white like snow, like snow, and the whole world... your smile and the whole world your smile. the second point is, of course

, yarmolenko’s wife raisa ivanovna. she worked as a dresser and she absolutely did not behave like the wife of an executive. it was the costume designer of the syabry ensemble. i ask you to be with me always, in spring and summer and winter. i will dispel your trouble and with you i'll go. here is such a panyazza bagema, anatol yarmolenka is not covered, but yon syameyn. she went out here and there, jumping instrumental music was humming, the mother of the agon, nadzeya anikieina, she was sleeping, she was playing the guitar. i am the oldest brother svyataslav , who played the saxophone, and plowed the pit, because there was such a great little wife, my dear wife raisa, i

was the one who grabbed the extravagant kings, the bastards , the wicked spring, i will not be forgotten, the invisible one. sweet, dear, unsustainable, mara may! and when we hear the songs of the lord, respectful listeners adore geta, eight geta spakoy, geta high paesia, yana family, yana tseplaya, yana give nadzeyu, bring harmony to the soul, spay. kokanaya, kokanaya, distant, distant, white fogs behind the blue

clouds, my love, bewildered, naive, i am brave, my half-hearted, my, foolish. in the 90th year, the ensemble of the new singer has appeared for everyone, the ringing voice of the jumper is angry with the strong male vocal band, and yana herself has become the leading performer of the ensemble, aka anatol yarmolenka i don’t like to tell my fans that alesya is my dacha.

it will do good, i say , you know, she’s singing, let her sing on her own, because they’ll start saying that she’s dragging there, he says, they’ll talk like that too, so introduce her into this song, such a small touch suggested by the master, she sang a few lines there on the backing vocals, on the backing , now, as they say, the song sounded differently, began to play with some colors, that’s what the master’s word means, olesya, olesya, olesya! and so the birds scream, so the birds scream, that's how the birds scream in the sky. olesya, alesya, alesya, stay with me, alesya, like a fairy tale, like a miracle, like a song. aermolenko, after

the chernobyl disaster, moved from gomel to minsk, got an apartment in serebryanka, at that moment i wrote several songs based on the poems of the then young poet oles badak, and one of the songs was called pritsyagnenne sertsa, i don’t care for the forest anymore.

i liked it, moreover, i said, can i also make a ranking of this song, he says, please, especially since he is from gomel yakub kolos, i played this song for him, he he moved not only his family, but he had a separate room in his apartment on serebryanka, there was a recording studio at that moment, this is generally rare in the soviet union.

everyone who was there just yesterday, everyone who insisted that autumn was a homewrecker for you and me , autumn drove away from the yard everyone who was there just yesterday, everyone who insisted that autumn was a homewrecker for you and me, along with the tv channel.

let's remember folk traditions. you are just a peep, such a jumper for me. i am very glad that the zaslavs have opened a museum of the belarusian baby. and so yana we are all aware that it was a non-magnetic phenomenon, as long as the right little one was being washed away, and we did not know these lions. sergey davydovich is known as a writer and a living person.

named watch of the ensemble of syabry and anatoly yarmolenka. only the most famous, iconic artists of the savetsky stage received such fees, such as, for example, hanna german, valery lyavontseev, ala bayanava, roza rymbaeva.

only because it was -37 outside, during the laying of two cameras the lenses burst from the frost, you can imagine, the concert itself lasted about 3 hours, after this frost we entered a warm hall, a warm welcome, applause , hangings, in general... a sacred melody, a sacred distance, the light of a crystal dawn, a light rising above the world, i understand your age-old

sadness, belovezhskaya pushcha, belovezhskaya pushcha, i understand. for your age-old sadness, belaveshskaya pushcha, belaveshskaya pushcha! we periodically met with fermolenko and recorded natural songs, but the big project, let’s say, which appeared in 134 was the project where kalina bloomed, i always had an attitude towards iermolinko when i met the poet, in his poems began to sink in, i still heard him,

showed him this song, he said: invite ivan zakarovich to a conversation with me. i remember walking with great excitement, he said: “i listened to your song, let’s work together.” what else did you write, read it to me. i say, here i have it, oh my village. oh, my village, how many years have passed, how many faithful sons have not returned, when i saw you, i pinched you.

this program is obviously based on materials from a book that olga brelon wrote. that we cannot attribute to ourselves to retro, because we continue to work , we continue to tour, we continue to write with our main composition, we did not change, did not break up, did not clone, which many, well, almost everyone, did not avoid

, we work, and kolya sotsura works, kolya he did a lot, and his role, of course, is the highest in our ensemble, and i would say in the songs. 50 and we didn’t have time to quarrel or fight, that is, we cooperate normally, normally, in general we communicate very well. do you remember, we used to write to each other, in the mailbox, they threw envelopes, waited for weeks, the answer was handwritten, they sent paper letters again,

you remember, we used to call each other by telegraph.

i'm moving forward. belarus yashche abavyazkova is dying and praising their old and new songs. skinny and pure race, the light will be consumed by you. there will only be so many times when i will be with you, kind, kind people, only so many times when i will be with you, good, kind people, good people,

here and far away. good people, it’s so easy with you, it’s so bright with you, it’s a holy day, dance for geta, good people, kind people , here and far away, good people, it’s so easy with you, with you it’s so... bright saints of budze, dance for geta, good people, dance for geta, kind,

nay! know us, follow us, good people, yes!