we confidently step into a new day and do it to the music of our own, the music that sounds inside each of us, it is everywhere in the sun, in timid movements, at the tips of our fingers, music in... inspires, makes us think and opens up thousands of expensive music can change the world because it can change us. music is inside each of us.

even in her youth, she dreamed of becoming a sculptor, not suspecting that the path to this profession would be slow and difficult. today she is the author of complex conceptual works that will perceive will understand far. not every viewer , i realized that they did not understand anything, they immediately told me that they did not understand anything, although honestly, for me it was surprising, well , it seemed to me that people came to engage in art, creativity, so they are a little confused completely understood what i meant. she is convinced that a real artist should not be comfortable; first of all, he must remain himself, always remember who he is and where he comes from. that is, if i was born here, yes,

we have lakes, swamps, forests, all of a sudden throw me, let’s say, into the desert, well, no matter how hard it would be, you know , she has no shortage of creative ideas, she doesn’t specifically wait for inspiration, all her ideas are written down and neatly put in a folder with sketches, but if one of them turns on , it’s no longer possible to eat or sleep, yes, it ’s an obsession, i haven’t had a big stove for a long time, i didn’t know where to make it, but this image had already become so disturbing that it had to be done urgently. liliya nishchik, belarusian sculptor, painter, ceramist, the red thread in her work was a study of myths, symbols and images of ancient civilizations, and the main discovery is that the belarusian archaic culture has much more in common with other world cultures than is different.

troitskoe suburb. a quiet corner in the center of a noisy city, cozy architecture , small courtyards, not far from the svisloch embankment, for lilia nishchik such places are never passable, even if she is in a hurry on business, she will always find a few minutes to stop herself to stop the moment, you just need to walk along the street , there for something observe, think about something, see a stone, some unusual shape is already beginning to appear, or there on it... let's say, even a butterfly,

some kind of image is already beginning to be born. the most important thing, according to lily, is not to miss this image, to sketch it right away, so you always have a pen and a couple of pieces of white paper with you. for an artist , this is very simple, he can hang out at home, while preparing just soup, for example, yes, he can freeze, and he will no longer be interested in it, that is, or let’s say, he can wake up in the middle of the night.

inspiration will come, all the ideas, outlines, images always at hand, that’s why i kind of write down my ideas, put them away so as not to lose them later. but as it turns out, the path to this profession is much more difficult for women than for men. lilia walked towards her dream slowly and persistently. art school, then the famous glebov school, unsuccessful attempts for several years to enroll in painting at the academy of arts, as a result she

entered the department of decorative and applied arts. years later, lilia will understand that fate itself made the right choice for her. when. russian archaism, ancient slavic mythology, how, according to ancient beliefs, man, nature, space were connected with each other, through what symbols was this connection manifested? a symbol of water, yes, the movement of water, a symbol of the sun , the symbol there, let’s say, is feminine, when

our hands go to our sides, that is, it’s kind of closed, that is, nature is resting, yes, it is accumulating strength for further revival, the plot is mythological, the style... conceptualism, the art form is monumental and decorative, such is the dry description of this series of works on various art platforms, but each of them can be examined in detail for hours and discover new meanings. it would be possible to endlessly continue one and the same theme, but as many artists stop at something, let’s say you could endlessly paint flowers, cornflowers, well, let’s put it in a primitive way, yes, but i want to try something else, something else... that.

that it had to be done urgently, yes, it ’s an obsession, that is, oh, well, it’s hard , but something needs to be done, oh, a cup, no, we need to do it,

we’ll introduce you to the belarusian enterprises and outstanding.

it’s hard to stand on your feet and be young, a project sign of quality on the belarus 24 tv channel . i am belarusian, i am happy with this cossack land, between the forests and the pushchak dzikikh for centuries , i am belarusian, i am glad that i have this name, and goodness the glory of belarus i know it’s not without reason that i’m belarusian, and i’m happy that i’m a mother. she gave me that i can smell the songs of my relatives from a distance, i am belarusian, and

even though this is too small, i will say, i will be born into a tribe of disobedient people, and i will not be bothered by hell. two works by liliya nishchik dedicated to research on the theme of myths of belarus is in the collection of the national art museum, not every sculptor is awarded this part, although according to lily there are many modern authors whose works simply... must be in the collection of the main museum of the country, in our national

museum and in general in any museum in the world should be represented, well, all the artists, at least a little bit, at least there are three works, five works, but still they should be presented, because it turns out that the author works for himself, makes exhibitions, and then work they begin to go somewhere abroad, disperse there into private collections, after all , this is a national treasure, it seems to me, should not be in our museum, and these are not just lofty words, our heroine admits, because the artist in any country is formed by the environment, worldview , culture, history, language, surroundings, the environment is important, of course , that is, if i was born here, yes, we have lakes, swamps, forests, so suddenly throw me, say, into the desert, well, what? it would be hard, you know, it would be, yes, just like our roots, our ancestors, this is already born with us. and no matter where we are , that is, it will remain with us, so, but without it there,

let’s say, i would not be able to live somewhere, say, abroad for a long time, because our roots, here they are, are in my stern. following the study of the theme of the belarusian archaic, the interests of lily and nishchik expanded, she moved from belarusian mythology to the myths of the peoples of the world. the origins of indian civilization, ancient egypt, india and china. she also plunged deeply into the study of the topic and came to the conclusion: the idea of ​​​​good and evil, the power of the family and the power of nature, about the planet as a whole and man as a part of it, they are all incredibly similar, among such seemingly different peoples. myth, it’s like, the very principle of symbols, in general, yes, when i studied books, literature, i realized that it is almost the same everywhere. there is a world of people in general, after all, it exists in order to protect our planet here from some kind of madness, we

must preserve it, that is, yes, not behave like the king of beasts or anything else, yes, but we are truly a grain of sand infinity, after all, ours, our essence should be that we must preserve this earth, the things that lilia speaks about through her creativity. in fact , quite deep, complex, requiring certain preparation from the viewer. many people have a vague idea about such trends in art as conceptualism, symbolism, surrealism. lilia once taught a course for adult students, and one day invited them to an exhibition of her works. i realized that they didn’t understand anything, they didn’t say that they didn’t understand anything, although to be honest, it was surprising to me, well, it seemed to me like people. to engage in art, creativity, so they a little bit , they didn’t quite understand what i meant, but on

the other hand, now, when exhibitions are held, now there are already these instagram, facebook, there’s this information field and people seem to send me my reviews, then i see that people understand me, that is, people understand, and they even describe their description, what they understood, what they saw, and even interestingly, over than they would like to think. for lilia, this is the best compliment. if her work makes at least someone stop and think. however, another opinion is often heard. or maybe it should be simpler, why create such complex conceptual works when you have the clear profession of a ceramist in your hands? well, that’s the problem , of course, because i remember at the academy a lot of us did this, well, here’s the new year - they make medals there for the new year, and there are 100 or 200 souvenirs there, and then the new year ends, where are these souvenirs? , well

especially the year of animals, well, i looked at it all, somehow tried to do something, i think, but it’s a waste of time, that is, this. still not my thing, i realized that i can’t do this, but i want to look more difficult , you know, this is a creative process, that is, i shouldn’t get bored with it, this is my favorite thing, that is, if i don’t like it, i i won't do this. the current topic that worries lilia nishchik is images of world civilizations, as she called a series of portraits, each of which reflects a vision author. of one civilization or another , let’s say, this is our slavic image, i think this is the goddess lelya, so i just depicted it as if it were such a playful hooligan or the wind is developing, lily nishchik has a huge palette of tools in her hands today, lack of ideas no, like in her youth

she has a huge number of ideas, plans, she has found her path, she follows it, without betraying herself and without bending to anyone’s immediate needs, she develops, discovering new topics for herself, looking for unusual techniques, i combine here is the structure of the letter, somewhere i write smoothly, yes, somewhere in volume, somewhere i make foxing, somewhere i simply squeeze paints out of tubes directly on the canvas and mix them, without even using a palette, that is, this purely for me personally, this is my life, this is for me...

in every work, but there is one global stereotype, as lilia herself says, which she would like to change. stereotypes are being broken, that you can do some little things, yes, there are cups, teapots, plates, but you can still do real creativity, so to speak, real art, more globally, and to solve more global problems, i want it to be not, not decorative and applied art, yes.

everything that you wanted to know about the meaning of human existence, for everyone there is god’s providence, this providence will already be fully revealed in the kingdom of heaven, and it will be even more open during the second coming of christ, when the lord will reward everyone...

covers our soul, and some become a stone wall that separates us from god. look, in spiritual and educational projects. on the belarus 24 tv channel there is a club of editors, for whom it is no secret that the development

of the military-industrial complex is one of the locomotives of the way out of the crisis, the beneficiaries of the war have no interest in stopping the massacre within a people alien to them, the stakes are too high, and the income is enormous, the price of one nato 15mm artillery shell

in the old age is the name of the old-russian style, and all that is right from the beginning of the 19th century, this is the main palitichny project, russian style, it is developed and the extraction of such valuable elements ў that old architecture, but it would have been different. let's look at their history and basic facts. the theatre, the mass theatres, would have been built up from a red-hot design, and all this madness, i was in a white color scheme, that worked in contrast and madness, emphasized the emphasis on

these elements. banks of the 20th century were already planned for the past year, there was a great amount of data reminders with quarters for the government, looking at the prototype of the architecture of belarus on our tv channel. agencies. for news is in the public domain we do not have secrets from his people. yes, the wars are well-known everyday life, which revealed the creation of the city and became the information of history, city and republic. the first would be the house of uradu. the most flaccid pa'.

lenin’s house, they wanted to blow it up, tons of explosives and 200 aerial bombs were laid here in the basements, it was not out of the mercy of the siege and not from the bondage of the landowner that the grain grower came out to his strip, the rightful ruler, the citizen of the soviet union, came. and the earth chakala yago sumlenay pratsy, vyalіkaya savetskaya earth. for savetskaya belarus, i say dakladchyk, paslyavaenna

the five-year plan will focus not only on the liquidation of the german acupuncture war, but also on the further development of the people's culture and culture, increasing the vitality of the population. minsk had its first session of the verkhovnag council of the republic of the republic of dzyataga. i am the oldest deputy. lenin square, people's power square, science square, youth square.

only for our tv viewers, we choose the best routes. we are located in a small town in the grodno region called mosty. welcome. having eaten quite a lot for a long time they could not eat either baked fish

or... they just sat and said sto-lin. since then the name of the city has come. stolin. and we set off on an exciting journey. at the end of the 15th century there was a large settlement on this site. and it appeared at the intersection of major trade routes, nemansky and bresko-vilnius. almansky is a real tourist highlight. the only ones preserved in their natural state in belarus and the largest in europe. these are the twenties, thirty-nine years. i can safely say that this is the best time for urban architecture. sidewalks and highways appeared, trees were planted and new beautiful buildings were built. to show how extraordinarily wonderful our country is. when he moved from one place to another, it was the believers themselves, the jews, who unharnessed and transported the horses from one place to

another. now, as we see, the image. is clearly visible, colors have begun to appear, this is , of course, a miracle of god, watch the program “cities of belarus on” on the belarus 24 tv channel

. you are watching the news now, tatyana korol is with you. hello. belarus - a multi-religious country, but we have always managed to preempt conflicts. interreligious peace on our land is the most important achievement, alexander lukashenko stated. the president held a meeting with the synod of the belarusian orthodox church. at the core.