when i made my first husky and after the master appreciated it, he said that it was excellent for the first time, i realized that i needed to somehow raise my level, and i began to search, go to other masters, and try. different shapes, each time i remade the shape there, changed the shape of the body, changed the number of rivets , and this lasted for about 9-10 years, until i again came up with that first drawing that i took for this moscow aster, now it takes me a month to, let’s say, make one bollaki prima , well, about a month, just like we tried...

and this way and that it’s impossible to speed it up, it doesn’t work , especially thin finishing, you need to give time for good drying, there are a lot of thin layers, and so on, a thick layer cannot immediately crack, so high-quality finishing takes a lot of time, there’s practically no way to speed it up , since the designs, let’s say of the same lulaika, are somewhat different, there are... there are six rivets, there are nine, there are some with veins without veins, that is, well , i’ll say approximately that on my instruments - this is approximately a hundred parts to get a high-quality instrument, i use either canadian red cedar or high-quality resonant spruce; lately i have been able to buy caucasian spruce as a spruce, according to some reports...

this is considered one of the best that can be. the body can be made from different materials, we also tried it, different timbre, different sound, the easiest and most technologically advanced way to work is with maple, that is, where the body is glued, it is well processed , a very technologically advanced material, quite beautiful, quite, quite sonorous, exotic breeds, polysander, poduk, zebra. they can give a brighter, stronger sound, but working with them is much more difficult, well, for a number of technological reasons, any artist or creator should be free, free, he should not be put under pressure by these circumstances, that is, he should, well, it needs some kind of space, flight, when you move on and think, what can you do so that it has such a sound, so that there are a lot of highs, a lot of lows, there is husky - it’s very difficult for a small instrument

to achieve such a balance of sound so that the low frequencies sound strong and the high frequencies sound strong, this is very very difficult to do, in a guitar it is somewhat simpler, the body is larger, very often a lot was done by eye, there was nothing else, sometimes on instruments of that time, let's say, until 2000 , there were acoustic failures, that is, when... you start pressing the string on each fret, it sounds quite long on all of them, on one fret it sounds short, that is, the sound quickly goes out, this was, as it were, unacceptable, by and large , it was a marriage, that is, with some during the finalization it was possible to correct it somewhat, but when they began to use higher-quality wood, to more accurately measure these...

the thickness of the entire tool, they actually went away, from good wood it may not turn out , it may turn out not just outstanding or excellent there, beautiful, it may turn out a good instrument, but in extreme cases normal, i looked somewhere on the internet, but there is an allaika museum in russia, well, i’ll check it out. why can’t we do this, we have everything, we can make all these museum exhibits, there the first pumpkin tools, put there what we have, what is being repaired , what is new, that is, in principle it’s all there, show all this technology, how it is done, what kind of wood, that is, in principle this is turning out to be quite interesting, someday, well, when perhaps we will have such an area, we will try to make it so that this museum is combined with a workshop, so that not only people come to the museum, but also come and look. how this is done, and even

better, so that if someone especially wants, i tried it myself, well, let it be something, something simple. we are in a workshop for the manufacture and repair of russian mining tools, as the nameplate says - near the door on the other side is ruslan makarevich's workshop, although my workshop, of course, i have assistants. and my associates who help me, everything necessary for our equipment processes is collected here, this is a band saw, a grinding machine, lathes, several milling machines, air purifiers, and

much more, that is, everything that is needed for process of manufacturing high-quality traditional instruments, my colleague by education... a radio engineer, he was initially known as a master of electric guitars, that is , he devoted most of his life, about 40-45 years, to electric guitars, i once studied at the institute, graduated from it then in graduate school we were taught that in any research work we must first do a literary search, find a review of analogues, prototypes, that is, the initial stage is to find what is available in the world on this matter. it's all about classifying choose then move on, further, when you choose a certain model, you want to make it, you chose a certain tool, what to make it from, materials, wood, components, this is all in

the process of this search, it should be, everything should be in a good instrument, everything must be carefully completed, the sound depends on many factors, sometimes they ask me: listen, these are bolo instruments, and what about the wood, what about the sea, what about brazil, india, god knows what else? vasily vasilyevich andreev is the person who introduced the bylaika into culture from a folk instrument, that is, gave it some shapes, sizes, he naturally looked at what these folk instruments were made of among the people, well, among the people they were made from what... they had at hand, he began to analyze what other musical instruments known by that time were made of, for example, violins, for example, guitars, by this time there was already a rich school on these instruments, and very logically he suggested that if we take, well, wood for violins and

wood for guitars, then perhaps we will get a more interesting sound, so he tried to make such, take such materials, it gave... well, the opportunity to get exceptional instruments, well, if you take such folk instruments as the balalaika and domra, well, if we talk about the cloud , then there are approximately about 100 pieces that need to be made depending on the models, sometimes more, so the process of directly assembling, fitting, inlaying and finishing to the desired level takes approximately... but to prepare the wood for this production much more time is needed, that is , between the time the tree is cut down, let it be as it should be, now it is cut down, this minimum takes about 3-4 years, then

you can work with it further, a dry tree is understandable, but it must be cut and aged, well, probably like cognac. the best wood is considered to be about 10 years or more, how long the overall process takes, well, you can calculate it yourself, that is, if we talk about a high-quality instrument, take seasoned wood, then it’s about 8-10 years, according to in fact, my hobby before i appeared in this workshop was precisely the manufacture of musical instruments, well, like everyone else, i went to work, worked as an engineer, worked in college at...

we were once taught that the word democracy is the most wonderful word in the world regarding politics, here are words like dictatorship or authoritarianism...

igor tur propaganda. watch on belarus24 tv channel.

refuse to answer the question, i hope you will not use it, and be attentive to the questions, at the end of the program you will have to

choose the best one, well, now you have one minute to briefly tell about yourself: time has passed, well, in short, i was born in a small town, the city of derzhinsk, or rather even in the suburbs of derzhinsk, there is a village called koski, derzhinsky district, that’s where i come from, i was born in 1976, so it’s easy to calculate how old i am, in a completely ordinary family, with absolutely ordinary parents, i went to school with great pleasure, not like my peers at 7 years old, at 6 years old, because i really wanted to study, and i was in love with a boy, a neighbor, who was going to school, so i really wanted to go with him, it so happened that i graduated from school before everyone else, and then gladly went to the faculty of journalism, because i was active at school, and it always seemed to me that this is my future, i’ve never been mistaken, to be honest, because all the time i’ve been working in journalism, i’ve been doing it with great pleasure, i really love... what i do, well, like this, in short, you got it done in one minute, so, in our studio

100 children, each has their own question, let's see how much time you have to answer, children, who is ready to ask a question first, hello, my name is olesya, do you think it is more difficult for a woman to be a leader than for a man, but it seems to me that it is always difficult to be a leader, if you are a real leader, and not just come to sit in a chair, yes, because it doesn’t matter who you are, a man or... a woman, the main thing is how your team works, how you lead it, so i wouldn’t share here if honestly, for men and women, any job is difficult to do if you do it responsibly. what did you want to become as a child? who had the greatest influence on you when choosing a profession? in childhood, whoever i dreamed of becoming, to be honest, but at that time we all dreamed of becoming both cosmonauts and teachers, because teachers for us were, well, just such divine people who came down to us in order to give buildings , and it seems to me that all the girls wanted to be either a teacher...