how much is a two, to which club did the belarusian striker yegor sharongovich move from new jersey in the summer of twenty-three, he was lured away by, let’s say, options, let it be los angeles, this is the wrong answer, the correct answer, maxim, two points, name the owner.

well, let's stay with our two points. name the russian specialist who led the russian national football team during the 2018 world cup at home. valery gozaev. stanislav cherchesov. unfortunately, we remain where we are, it was a great opportunity to escape forward. but now this is an opportunity. yes,

how much, alexander? let's continue, two points. let's continue. i confess to you, as in spirit, this is the whole sports life, just for a moment you are at the top, and you quickly fall down. what sport are these lines from vladimir vysotsky's song dedicated to? no, the answer. we're talking about high jumps. the athlete jumped all the time with his left foot. the coach told him to jump with his right, but he jumped with his left. still gained altitude. alexey, two points. what is a special invitation to an athlete or team called? take part in competitions bypassing the standard requirements for participation in this tournament. the map, there's something to do with the map. and maxim, as i understand it, infected you, yes, with this forgetfulness. stands nearby.

as specific and unambiguous as possible, i want a specific answer to go into the water , hear the answer from you there, well then size, this is the wrong answer, the correct answer is that a kayak oar has two blades, but a canoe oar has only one blade , and the blade is only on one side, there's a paddle here, alexander, well, this time let's try one point. unexpectedly, frankly speaking, unexpectedly, but let's go, what geometric figure is a classic chessboard? simple question, square, of course, a simple question for one point, so there can’t be any trick here , square, everything is correct, step forward, alexey, three points, we also decided to take a risk, as i understand it, they just knew about the kayak, that’s why. ..felt strong, yes,

probably, probably, well, let’s try to see which club has the longest winning streak in the entire history of the nba. the longest winning streak, well, this is obviously some kind of golden state, a great club, a great club, but not golden state, this is the los angeles lakers, it’s clear here, the los angeles lakers won 33 games in a row in the 71-72 season. maxim, two points, which country is the birthplace of biathlon? we will proceed from the method. an exception, probably, if norway has the best biathletes, probably then norway, norway, absolutely right, two steps forward, i don’t quite understand, and i can see exceptions, but the main thing is that the answer was correct, i also thought france, and alexander,

one point, alexander had some kind of secret tactic, an insidious plan, let's go, representatives. jamaica, of course , is absolutely correct, this is the correct answer, and a step forward, alexey, three points, three points, we stand our ground, the matches between which teams in germany were called the ruhr derby.

this is the wrong answer, the correct answer is schalke 0.4. these two teams represent the ruhr region. but it was a difficult question, it was a difficult question worth three points. maxim, two points. only six barcelona representatives won the spanish title as a coach and player. samitier, kroev, reshak, guardiola, enrique. name the last one. xavi, absolutely right, this is xavi, two steps forward. alexander, one. no, let's give two points this time. the butterfly style opens up complex individual swimming. and what style

will be the last in this case? bras. freestyle . unfortunately, this is the wrong answer for you. for you this is not a brass, you see, even in poetry, especially in your honor, alexey, three points, three points, let's go, which women's team won the european basketball championship for the first time in 2023, serbia, the correct answer, the belgian national team, maxim, two points, we risk trying to finish this game, attention. question: which nhl club does the famous russian goalie sergei bobrovsky play for? sergei bobrovsky - this team played just in the final against the vegas golden

nights. and this is the florida panthers. floridars, absolutely right, well, my memory didn’t fail me here. let's take two steps forward. that way exactly. maxim becomes the winner fourth period, let's sum up the whole game. in a difficult, extremely difficult fight, maxim teletskin wins today. maxim, congratulations on your victory. thank you! listen, well, not everything was smooth today, especially in the last period, some kind of forgetfulness attacked you, what happened? well, i got a little excited and forgot the last names, although i knew them. the score, and today the score is in your favor, for which we congratulate you, thank you, well, we’ll end here, my name is gennady vaitovich, you watched the intellectual sports show, the game

head, pump up not only your body, but also your brain.

all my life i live in the moment that i don’t believe in what’s happening, i still don’t believe that let’s say, i’m probably from birth, that i was born, that i ended up in minsk, that i studied here, that there were no prerequisites . in general , there were no prerequisites for me to go in this direction, that i would end up in st. petersburg, there were no prerequisites for me to be here now, just the other day there was a premiere, which i also don’t really believe in, but i'm one of those people who are ready to be surprised to surprise themselves first of all, for me this is a very important point, otherwise i don’t see any point in existence at all, the key is to surprise yourself, if diaghilev had to surprise me, then i have... surprise yourself , because without interest, without fantasizing, without living any

illusions in my life, it, well, why then, what is ballet, i learned quite by accident, unconsciously, most likely, because as a child i had a dream that i i’m standing on stage in white tights, although there couldn’t be any harbingers of something that moment, after just a couple of months there, my girlfriend brought me to the choreographic school in pinsk, where i was born, so i didn’t stay there for long, because there was always a shortage of guys in ballet, literally within a week my life changed for one simple reason , that my dad brought me in a kamaz to opposite the theater, then the school was on laiza pashkevich’s face corner, now every day i look from my office at the very building where it all began, and thus exactly... in a week my life has changed, in that at one time

yuri antonovich troyan was the artistic director of the school, and thus, somehow it was he, it seems to me, who gave the direction of my path. my life was not connected with ballet for a long time, even at that moment when i was already a student, because i really wanted to go home, i am a home child, and literally every weekend my parents came to me, trying to somehow set me up, because, in principle, they themselves didn't understand what it was. i have parents of ordinary professions, my father is a driver, my mother was a canteen manager all her life, therefore, how i ended up here at that moment, i can’t explain to myself, probably someone somewhere saw something and led me further; there was probably no support as such in a professional sense, but of course there was family support, because every holidays, when i left minsk for my place in pinsk, i understood that i wanted to stay at home, and... my parents could help me and support me only in the format of large bags of food, that is, i always left pensk with huge

bags , they pushed me onto the train with difficulty and jam cookies, a cake was always baked, but professionally this did not happen with the exception of those teachers who taught me at school for 6 years, as a child i did not make any decisions professionally, but i already made some decisions in of my life, first. my competition was in st. petersburg, it had a huge influence on me, later i realized that i would not like to go to competitions, because it was not because i was not a competitive child, but because the theatrical atmosphere that surrounded me at that time, and these wonderful dancers, like igor zelensky, farukh ruzimatov, created a certain kind of creative atmosphere and competition, that is , in an amicable way, i actually ended up in the theater after the competition. on the first day of the winter holidays , a call came from the theater, it was yuri antonovich troyan, who offered me

an internship. without hesitation, i agreed, the very next morning in january i came to the theater, where i was shown my place with the leading stage masters. at that time it was both rimashevsky and furman, and alexey ovechkin, i was fourth in this group for six months, and i had an internship and it so happened that i even... danced quite a lot, as it seems to me, for a student of both benvole and mirkutsevo in the performances of valentin nikolaevich lizaev , and the finale of my journey in the theater was this performance. as the sleeping beauty in the main role of dzere. at the stage of my graduation from college, i realized that the circumstances had already developed, that my father had passed away, and somehow i wanted to change something in my life in the interest of further path, well, it so happened that in ninety-six i ended up at

the marininsky theater, that is, this was not the goal of the marinsky theater, i understood perfectly well that if there was no marinsky theater, then it would be... a small year at that time, now mikhailovsky theater, i had a desire to move from city to city, so gradually, gradually, through traumas, happiness and misfortunes, ups and downs, i served at the marininsky theater for about 26 years, until two offers came from two large theaters that made me think about it today i understand that everything is not accidental, probably my being here, now as the main choreographer too... some kind of continuation and development of what was once laid in pinsk, then in minsk, life has given me so much opportunities for self-realization, that the opportunity to allow the thought into my head that i will never quit the business that i am interested in doing.

so far, such a ring composition really happened, in which i am a boy from pinsk, who never forgot that i am a boy from pinsk, throughout this whole ring, and st. petersburg, and novgorod , now minsk again, i always remembered, appreciated and knew where i came from, this was the main point, in feeling pride on my way. i didn’t have such a feeling for myself, but i always had a surprise for myself, at this stage i again live, i live this moment when i look at myself with interest, i’m surprised , uh, that they see so much in me, uh much more than myself, i never guess my next step, i don't define it purely

even fantasy, i never had aspirations, i want this, this... behavior, rather, rules for reflection, including with myself, since during the staging process i very often analyzed situations, in whom i forced to be an actor, for me a ballet dancer is, first of all, an actor, i believe that there should be as many dramatically

structured plots as possible so that the artists with you live certain moments here in the reading room, in order to... it is possible at the time of coming to the bolshoi theater of belarus, the first idea was to make a small fragment, well, that is, some kind of one- act performance, then i approached this topic from the other side, when expanding their relationship into several couples, but when the question arose in principle of the need for me to finally become a choreographer, i realized that then

there must be some kind of high limits in order for me to reach it myself. to the frame that i set for myself, bars, frames, and thus i realized that there must be something created from scratch, gradually the form of the libretto was being built, i asked for help, we were in constant communication with alexander vasilyevich efremov, our wonderful director, ilena blabanovich also helped me in this, who corrected some of my interjections, the libretto arose from my feelings, from relationships, the work moved forward without. .. i’ll say the increase is difficult, but not without interest on the part of the artists, which gave me the opportunity to move, including doing my work much more confidently, when i already saw a slight breakdown in... in the bodies, in consciousness and realized that i was on the right path, but now i went inspired by people, i can’t help but be inspired by people, that is, to

a greater extent , everything that was conceived in my head was born thanks to the artists, this is female psychologism, this is the relationship between a man and a woman, this is some kind of experience that you already have throughout my life, this is my observations, the opportunity to analyze situations that... were before my eyes, and with me, this is partly where- then maybe something uh from my life, so we we are talking about illusions, so the state of falling in love, it must be present in everyone’s life, i am very often fascinated by people, i am surprised by people, not only in a bad way, at one time i rode minibuses in st. petersburg, until i sat behind the wheel and it really made me ... captivated, because you hear about something, maybe in a low voice, but you can’t, i’ve never walked with headphones, you can’t turn off your hearing, and you watch

how a person behaves, who’s tired, who’s visible a couple against the backdrop of a crowd there, which can be seen they are in love, that is, these are some kind of mesanoscene sketches, which have become partly what is today the illusion of love, it’s like love, it’s like an illusion, it’s like... a meeting, like parting, it’s like from beginning to end, but at the same time, life will never end, because the next generations will fall in love just like us. illusions in our lives are necessary, since we see everything differently than everyone else, even now we are trying to talk about this topic, so as not to happened, i am only for an illusory perception of what is happening, since any problem, it... there is always hope, as an opportunity for the further continuation of life,

the fact is that all my life i have treated the thunderous workshop in which we are now with special trepidation , since it is here that the image of this or that hero begins to be born before going on stage, uh, in my life it so happened that the first half of my theatrical life was... came to me, it was actually a second life during the second half of my life in the theater, and when you are being put on makeup, i always

felt a certain trepidation, because you are moving from the existence of igor kolub, who gradually becomes like a cobbler here, and this part of you partly begins to transform for the creation and for the reliable presentation of the part to the viewer. i didn’t think about illusions at the premiere performance, i didn’t plan to go on stage , for me it was such an impromptu to a greater extent, although my whole life was impromptu on stage, including, uh, i felt what seemed to me like the excitement of the main character, victoria trenkina, as well as nikolai sergeevich, who for a long time resisted being around on this path in this capacity, and so i thought that perhaps i could somehow support them and... at the same time create a natural emotion when entering the hall, since this is not the environment in which artists find themselves every day, you need to come to this, prepare, that is, having a certain experience, but since in general

the illusions use voice, scream and texts, it seemed to me that perhaps i could help in this way, and well it really happened that nikolai sergeevich was terribly surprised, as was victoria, well, basically the audience that evening... who were in the auditorium. there was no preparation, it was impromptu. i believe that in life there is always a place for some kind of going beyond the boundaries, why not use it if you are an actor. the fact is that i attach great importance to mise-en-sen in performances, both as an artist and now

as a director, and once i read that... igor kolp, sitting with his back to the auditorium , was so interesting that it is extremely rare it happens, looking from the back of a sitting artist, and it shocked me so much to the core that i didn’t think at that moment, that is , whether it was with my back or not, and another review that struck me was the attitude towards the crossbow the prince performed by the flask, created there, well, a certain certain number of directions there. then i realized that every detail in the performance is necessary and important, so in the illusions , everyday scenes with everyday genre scenes played out were very important to me, to say that i saw everything right away, no, this will not be untrue, because for me, in general, it was important to create a multi-layered, multi-complex scene, and if the audience’s gaze turns in the other direction, a person cannot just sit there, who will be uninteresting to look at,

there will be a lot in the performance there is already, thanks in part to the ideas of the artists themselves, one of the scenes of the young fan and the main character, it was not staged in the play, by the way, today i’m talking about this for the first time, it was not staged in the play, it is pure improvisation of two people on stage, at first it seemed to me a dubious pleasure, but after some time, when i changed places with the guys, the composition... i saw a transformation of thoughts, a transformation of bodies, thanks to such an experiment. in any team relationship , someone must always take on a negative function and a positive function, somewhere a function that motivates movement, if you already know the people around you, the artists, or the teams for the production process, you... where- then

you even begin to put pressure, because the deadlines they press, but somewhere you start, somewhere you remain silent, and somewhere you build a process in this way so that you understand what is necessary here, now, there is no other day, there is no other time, but here now we must to do to you, this is also a very strange reaction for everyone, someone immediately panics and refuses, someone hears and goes, someone does it in such situations. jerk and takes the lead, this is an absolutely amazing creation process, when you can’t calculate it in any way, you can make a sketch, but the coloring is already unpredictable thus, as a rule, before completing any stage, either a part in a performance of one kind or another, or in another capacity, using myself as an organizer, as an artistic director of various projects, within 10 days

or 2 weeks i begin to yearn for the how will this all happen, since my interest begins to sharply move away from what i am doing, and thus i need to immediately have several key points in order for - consciousness to already go into different directions of interests, i don’t know how to be in performance, when it has already happened, and i need to clearly understand that even if i am resting, my brain is gradually drilling into something... what i would like to do next, uh, this is not necessarily a creative component, this is not necessarily some kind of... that’s the thing, it’s more of an interest in the mind to go somewhere, do something, i’m one of those people who, if you move, then you must move, if you’re sitting, then sit, first of all, i don’t think about what i want to be remembered for something, although most likely i will be remembered for the endless amount of coffee for day and the backpack with which i walk all my life,

i would like something that would open up so that artists have opportunities, so that artists stand in line at the theater, now there has been such a breakthrough, it seems to me, because to quite a lot of artists from russia began to come to us, just recently couples from brazil were accepted into the ballet troupe, so gradually this process is going on, interest in the theater is increasing, which expands the scope and interests of us, so... today i want that when they are offered tours were offered names, not only in the form of a swan lake.

surprisingly, at the time of my departure for the 3 years allotted to me. according to the contract , most of my colleagues and friends were sure that this would happen, i would manage remotely in st. petersburg and do something in minsk, but everything happened differently, and i did not count on it or imagine it, i walked purposefully, knowing that i have 3 years and what i want to do, so at the moment the attitude towards me is changing, because 99%, i am here trying to format my schedule in...

it’s so exciting that, in principle , i’m gradually moving away from artistic interests and interests , and thus i’m leaving rather to disconnect than because there is a need, my interest is now concentrated here, as for the family, my decision was made to move ambiguously to minsk for 3 years, literally this morning i saw my wife back to st. petersburg, today is her day off, but...

although sometimes it’s hard to find more criticism than my wife, with whom i have the hottest debates about my works, both theatrical as an artist and productions, primarily with my wife, so we are trying to find time for each other, well, now everything is there so that not even in a live format, but also in all others connections, and we are aware of everything that is happening in our surroundings, close and close, i don’t believe that... the truth is born, but when they love you, they will never hurt you, although, as a rule, people close to each other sometimes do things that are difficult to forgive, but the line that found here, i believe that this is an ideal

option, any person has the right to make a mistake, this is the form in which it is necessary to exist, otherwise you can be extremely strict with yourself. and thereby somehow belittle one’s surroundings, this is the realization that everyone, the artist, has the right to make mistakes, since we are not at the factory, and artists don’t always do the right thing, but i also understand, i even understand in advance that they are making a mistake, but i am doing everything to ensure that this does not happen to them, everyone has the right to make mistakes, i have not yet encountered a creative crisis in any... i already see some points that i would like to correct and rather improve than correct, there is always not enough time

to do it the way you would like to see in the final. i think that i would have walked my path exactly the same way that i started it in pinsk, in minsk, in st. petersburg, today... i don’t look at myself with interest from the outside and again in minsk. at the stage when i began to engage in the profession, i did not realize what pain was at all. that there is a certain interest, there are certain opportunities, travel, financial components and some, for the insane pleasure of being on stage you are also paid money, that is, it was in this format. at some point in time, this interfered with my personal life, my family, because you spend a lot of time in the theater...

now there is a huge information flow, which often has a directly, let’s say , destructive character in relation to our country, in relation to our values, our the task, starting from school to high school, learn to think critically, to understand that often behind all these beautiful stories there is a completely different reality.

you are watching the news now, tatyana korol is with you, hello. alexander lukashenko had a telephone conversation with the general director of roscosmos, yuri borisov informed the president about the reasons for the emergency situation that occurred the day before the launch.