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tv   [untitled]  BELARUSTV  March 30, 2024 6:25am-6:41am MSK

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look, anna rusanova is visiting the named son in the orphanage, today is the date, what is happening, she is mocking us, i remember that i promised you, but now he really needs me, watch the series, i choose you on the belarus 24 tv channel. this is a new day and we are working on this music, the music that is so thick inside our skin. yana pausyul, at the sun, at the faint hands, at the tips of our fingers, the music is softer.
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our deepest thoughts and thousands of gifts are open to us. music can change the light, little pieces can change us. music the insides of our skin. kali bachysh, what kind of outstanding people were born in the day, you might think that they were more reasonable for us. architecture, entire countries speak to us in this way, and we can understand that. alphabet of giants on tv channel belarus3.
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sabor of the most holy bagarodzitsy. in vidzakh, the madness is washed out, which is the immense lightness of the great leaders, the enchanted ship, which sails the people of the weak tongue, which secrets lurk at the price of their mighty vaults tar nyabesnay architecture, architecture of belarus. the collection would have been given to a pack of 20 hectares for
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the pennies of the meat paraphernalia. at that time, i had more than 13 thousand dollars. vidzy meli patrabs in the temple of the safe quarters. the most active ones were washed away by a certain countess from vilna. it’s important to note that the main assets of these ladies were in the immediate vicinity of a hell of a meat. yašče stsvärdzhayuts, chto menavіta. unfazed by the fact that the death toll was published, only 100 years have passed since then i know, it’s a terrible problem with the spray, let’s say so, of the project to the new author. on the contrary, today we are often compromising the information of the right of the belarusian-lithuanian architect mikhnevich, as we are packing on our own sluggish decline in sacred and secular architecture. belarus,
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lithuania, in vilnius have a wide range of influences, and in other countries and quite often we share information that is an alternative project of the slave cult of the belarusian architect doylit, lyavon vitan dubeyka ўski, like darechs ў in their hour , shepherding petsyarburg atrymaў ўі ўdaskanalіў yours vedas - paryzhy, at the academy of architecture, and here we want to re-emphasize that the vedas are the classic gothic that was cultivated by the french, lyavon vitandubek.
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nesansu, dekaraty vezhy, atyk and faceted absida. kali we say pra gotyku, for example, at 13-14 stagodzi, geta asnoўny panoyuchistki, and all at the end of the 19th, pachatak. for centuries, past the past, past the powerful reactions of emergency situations, the communications and the floating of facts have been forgotten and all the time architecture, so it would be possible to quickly learn about the right thing. geta first for everything is connected with the polish problem, so to speak, if the catalan cathedral works to undermine this entire identity. besumoina, belarusians and catholics, i sympathized with the same ideals, and all these kastsel in vidzakh , as they will be the future of the most important first world war,
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so that the most such decorative patterns are not burdensome. belarus during that period. assembling the building of the building, the alcoves and the domed part of the building. budynka, into motsna stand for the flatness of the stages. jans passed the hell of the european castles in the 16th century, intended for stralkov abarons. if you look at the façade of the gallery, you will see it well, because there was a little meat in front of it, there is a river area, so all the verticals are getting bigger. garyzantali exist, ale yan karotsenkiya, yan parezana getymi vertikalyami na small. the skin and the skin vertex are finished and flattened, with a different flatness in white color, the cascel itself is red, and all these white flats are reminiscent of that ancient
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abaron architet. ectura, which is directly connected, and the whole thing becomes like this to such moments, very important, as the most intense skin gazers. amal and all the gatych churches are illuminated by matsi bozhai. dzeva marya knows christ - the symbol of the earthly soul of the neaplatonist and the ancient alchemists, the symbol of the pure soul of the chalavek, the one who gives spiritual light. i am the intercessor of the seafarers and vandrons, and not only those who are dying out their path. at the cathedral there are sheep, whose path is dying out with the hands of the serts. the temple symbolizes the ship that floats the blind eye and the earth in the dream, a soft book for those who know how to read.
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curiosity and genuine interest. hello everyone, in exactly a minute a hero will come to us who will answer everything. absolute honesty and sincere emotions of the characters. when i enter the stage, i know roughly what awaits me; here i am completely in the dark. i am very worried and worried. is it like being nervous before going on stage? yes, a talk show in which famous people answer tricky questions. the younger generation, can you break a glass with your voice? no, no, it’s probably possible to make a glass like the one from mine the voices will break, but so far i haven’t seen anything like this, let’s put it this way. irina, are you lucky in love? did you manage to meet your prince?
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oh, of course, i’m lucky, of course, i’m lucky, i just wasn’t lucky for a long time, for some reason, look at the project. art is not just high-quality fabric, it is living fabric, because it consists of 50% or 100% wool. our work is an art, creating high-quality fabrics containing wool. ready to share. knowledge, the basis of life safety, in my opinion, is the most the main knowledge in a person’s life, to show one day from my life, i love, honestly, i love my job, i really love it, in
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production, receiving ribbon, yarn, this ribbon comes into contact with the hands of our creators, these are our women workers, very nice . the cathedral is a three-nave, two-vested basilica with a transept, two vaulted ryznits and a faceted apse. two tiered stepped vezhas. completed with sharp octagonal tents, the frame has a triangular pediment with a scalloped finish,
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the cathedral is divided into red pillars and a mosaic your architecture matyva ramanskaga i gatičnaga dojlitstva, non-agatychnaya architecture, yana gushed factual belarus u kantsa 19 stagodzia i gāta stavş stil yakraz katalitskaga kascela. for a long time, the city was barred, in pursuit of the liberal changes of the revolutionaries of 905-7, the catalan empire abolished the rights to build the temples of the chapel and the yana ruined the race in all of belarus due to the deep-rooted peasantry, and so since the choice of non-agate architecture, there was a connection with that incoming catalan civilization. some sensei geta had legends, because the belarusian gothic, as we know, has never chalked such a number of elements connected, i don’t know, with the classic flame-bearing gotyk.
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re-roofed, so that the small hall is pashyran and the rowdy street. yago ab'emnasts dasyagaetstsa yashche i vyalіkay vyshyny pabudovy. the windows with a frame of such a height are placed on two sides. the tables are stained. the piercing scullery for scorching the constructions is carved out of wood. the basic principle for this is the blood and blood system. and yes, i am an element, and the bottom of the belt of this system is covered with circles, which i see. start with the scum, and
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the sklyapene is the lightest, the most velvety, it is not folded, it is not chacane, it is like a stone stone, such a pabudova ўvahodzish, and there is a sklyapene, it is ўsprayable, well, as well as patrabna, as well as the pavina life in the ant-house, and the sweat you already know that it’s very fragmented z doshak. the halo abrasive gatychnaya cathedral is a stable frame system, whose structural role is played by goose-costal slabs, arches of special shapes, which form is indicated by the internal and external structures. nka. the structure of the warehouse consists of spaced coal cells, surrounded by walls the arches and four arches, which together with the arches and ribs create the frame of the gooseberry. sklyapennya. bakavy spread the roof of the nave galley with apertures,
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flying buttresses on the wings, buttresses. caused by the hell of the load of the scene in the context of the memory of the stupid windows, they are created by special windows. on the front façade you can see the perspective of the part of vympergam. above it is veliza. to the central naves, the arches are covered with battlements. the altar area is completed with a faceted apse, with very low, faceted sacrets. on the walls of the central nave there is a small vault-signature with a stage, stepped buttresses, vaults, pinnacles, velizar window openings with a vault. beasts, battlements, sharp tents, all the geta gives lightness to the budynka, heightened strength, and
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the vertical frame of the chair. ab'yomna-prastorovaya structure of the kastsel, well , like an extraordinary three-nave temple, galoin nave, lower, sacredly high central nave idze. in syaredzinu, there is transet, papyarechny nenev, there is. and then we go to the altar. and all this, the wealth of forms of planning valves is clearly implemented. ab'yome. as we walk through this temple, we add new and new elements, on the other side there is new, and on the other side there is a spring: on the galley façade there is a spring. an element of gatych architecture, darechs, here is a folded, jumping gun, and i am ўkampanavana ў aknu, which is the backdrop of this gun. geta is
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fragmented, often polluted by any wakonnaga. the first one was made from the tree, here it was divided into parts, the main part was sized , everything was done, and the whole theme of the gun, organized at the acnu, on the rear facades, all the main naves were covered.

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