and all this wealth of planning forms is clearly realized, and when we walk through this temple, we create more and more new elements, on the one hand there is a new one, and on the other side there is a new one: on the main façade there is a rouge. an element of gatych architecture, darechs, here is a folded, jumping face, and i ў...

the same theme. the butter, tough and inert kale, becomes increasingly lighter and looser, moving to the top. the ruins of the deep, deep partals with special arches and triangular arches pour out, which makes them gasp. u on the other tier, the molasses fall, extinguishing the centers and creating an intense dynamic in the tanks and round arms. the façade of the cathedral is not only vertical. rukhas, who know the folded and dynamic associates with the naval asyarod, partals add to the hell of the scene and step on the spaced front of the square, so that the citizens become tied to themselves. the other tiers are facing the winds, the scenes are advancing, the steps in the windows are timid and unimportant, they are counting and falling on many steps. u 20 stagodzi. the doyleds who worked with the gatik

style, dasagnuli, kanshen, maximum height. yana, at the abrasive hell of their colleagues there are 19 centuries, which worked only in a stylized butt, then the side was engaged, in a rough-seeming, retraspective-gatyk style, here they have already extracted absolutely all unnecessary elements, and so on. the program, as soon as the bell rang, gave the tsalkas to the temple slat architecture, which the daskanal learned, which they knew, for example, the famous french. history of architecture viyaley lidzyuk perakana us, that i am not only jumpy, but also very well thought out, very technical, good arganizavana. from this moment on, there was no need to adapt, there was no need to tlumachyts, only the slaves of the carved out temples were found. the forest of the sabora is full of sums, it would be the ground of pashkodzhany - the first world war. at this point, great achievements have emerged. the kaiser's

troops, in 1926 , were added to the magnets of the myastsov school of medicine, the zeynich church and the sarak wars house, the memory of the memory of the lena warehouse, then the gymnasium of the myastsov university school, and the end of the 80s the pilgrims have returned sabor back pad pile apeka.

as navumenka sleeps and dances, it was one of the brightest stars of the belarusian stage of the 1990s, the beginning of the 2000s, i give it to everyone like a waltz that would be played, and for some we are not for me. we were very pleased, of course, to remember that such a great artist, a true musician and a master of his craft, worked with us. yasha always held concerts with love for the audience, he addressed them as if they were his friends. another day,

he once told me, little one, i’m so lucky in life, i do what i love, and they also pay me money for this. the chalavek is holy, unimportant aptymist and valiant pratsaunik, like the pragna of any life, and the skin problems are imminent. we knew yasha navumenka in the early 80s, we studied with him in parallel courses at the minsk music school, i was in the theater class, and he was in the hard

hole, well, of course, he was obviously old eishy for us, we can say, charming scales, dzetsi, and yon... at that hour there would already be shepherding the armies serving in sevastopal in the flotse, the dachshunds advuchy two reptiles in sevastopal i'm trying to figure out what's going on in the first place, and then i'm going to leave, because it's clear that the engineering room is on the right, it's not my way. at that time , sevastopal had fathers, there lived an eldest sister, these towns know great good, they travel there often, and of course, no one... i know navumenka naradzia in 1959 in orsha, father, veteran wars, issued game on

the button accordion , the mother slept well, with all her children she was the youngest, heel, two brothers and two sisters. the oldest is significant. in childhood, being an artist, i practiced music, gained my own guitar, and then passed away from music school in the class of acardeon. in 1981, we, the music educators of the village administration, i know, it was great, if i don’t remember, lankava is in the magilian region, and in our vacancies, of course, there was great class there, we

worked, and we slept there, and all the time it was in full swing on these potatoes, raman pamіzh yashay i student vakalnaga adzalennaya dzina shaiko, they were a great jumping couple, and all the raman just a few bad things ended for the lovers, although the love relations were not happy for them either, yana unfortunately, the son of yasha, who is a great-great love, has passed away . at the final exam, music teachers,

vydomeyshi kharavy dryzhors alyaksei gras pastaviv yakav five in specialties and said. young chalavek, you have a sluggish future. students of the music teacher, yaka navumenka , have taken a strong interest in belarusian folk songs, and in the first months of the first month, a folk music ensemble, the belarusian philharmonic, has become a holy ensemble. it’s already time to start working on the stage. kropkai in the future, my solo career has become...

new names, and the singers have been singing pop and folk songs. and all of them have completed their performances among the people. and the whole menavita competition new names highlight both sides of the creative zeynastics,

folk songs and pop songs, menavita in these competitions and in the process of developing my development as a vocalist, i to the spyavak, as a pop artist, before this, i will save my life at the academy of musical names at maskwe, dze yago on...

the first year i met wonderful musicians, this is leonid konstantinovich zakhleevny, this is svetlana susedchik, this is

natalya romanskaya, valentina korelikova, on my way i also met yakov naumenko, they made their first recordings in the nineties, this trio had two great songs, oh siza pavushka flew for a week with an injury arranged by alexander bolotnik, how they sang beautifully, the atmosphere was so chic, yakov naumenko worked with the vocal group. in my opinion, he worked very hard, he was so looking for voice visions at the rehearsal, it was all sung, we couldn’t get enough of it, it was so sung, it was so in character, we were all young then, it was a real holiday, seleshka, sparanemezhka, leleshka, zalatseshenka, and the

leleshka network, i just watched him worked on the piano with them, but he was a leader, that is , it was necessary for someone to make a vocal score, it was necessary for someone... to listen to the part, correct it, maybe he was doing this, and naturally, i sang myself, sang brilliantly, throughout our work, well creativity reigned simply. sphere, we had trips abroad, we were at a festival in zakopane, polish republic, people simply couldn’t fit into the hall, they sat there on the floor , danced and applauded, we also came to sweden for the festival, sang without soundtracks, it was purely a live performance, everything was coordinated, played, right down the mountain, and down

the drain. we can remember a lot of wars and everywhere this ideology, it already seems that in western european countries in the aglosan world it is transmitted with mother’s milk, that model social life that has developed in the west, it cannot continue without the resources of russia, the beautiful life to which they are accustomed was ensured by the plunder of the world, the bitterness has simply reached such

a heated situation that any attempt at the right moment, when a threat arises... the soviet army was in afghanistan, there was, but what was the soviet union doing there ?

in each episode, the presenter undergoes a test to get a taste of rural life, i would like it to take on a little bit of the look of this more or less new one, that is, paint it at your discretion with what color, what is most important after the bath, sleep borscht, and lard? so, in general, now i will have a task, to eat everything, to eat after the bath, all the simplest, yes, watch the project, i’m from a village on the belarus 24 tv channel

. for yakav navumenka, such a hit in the early 90s was the dawn of may, geta fact, but then, then iago budze has such a song, a song the visitor, as they knew, and whose name was already familiar to belarus, and this meant that he, as a singer of the saprauda slave , sang the song of a long-standing listener , he respected ў like a scoundrel, like an artist. and in that hour there was a forest-primary sustracha, which changed my

asabist life, foraging for nowhere, foraging for the fact that the lover no longer knows the firsts, napeina, the geta could be called service ramanam, where i am afraid we became a music editor at that time.

praca ў national concert archestra belarus in the wake of mikhail finberg's government became a fascinating step in the professional career of yakav navumenka, and there was a new old man. the gardens have boiled over with flowers, the month is shining, the sky is shining, the leader of eternity, i met yasha when i came to work at finberg’s orchestra.

wanderings and anecdotes on the bus sprinkling of light sprinkles, ah, please, my dear brother, you are lost, parason and white, white, more than anything, we worked hard, raktam for you, rain, rain, dziina doshch, para- couple, sontsynts, hour, it's time, i'm sleepy, and i want to thank you. i remember how we went to italy with a concert, and we often walked with him, went out specifically to see how people live, how they communicate with each other,

because on tv and films this is one thing, we were interested, then there is, and yasha often stopped, they would start talking to the men, then to the women there, and he said, we are from belarus, he asks me some questions there, to find out something there, and so on, they say, well... and russia , he says to me, no, we are belarus, well, belarusians, he says, they look at me, but i’m still in the sun so he turned black, and he is so light red, i am black, he says, you are like belarusians there, he says, yes, we are belarusians, they laughed there, we laughed, so, but he, naturally, started singing folk songs to them there, they applauded, that is, i said, yasha, maybe let’s throw our hats there, we’ll make money there. we,

the slavic ways of the centuries, we, here are sick in spirit, live in the winter turgans, live our free spirit, our free spirit, in 2007, godze yak. in commemoration of the ancestral supra-counity with the national academic folk orchestras of belarus name joseph zhynovich, congratulations to mikhail kazints. sustrech with arkestra chalk for spevak vyalik captivity. godfather, may, godfather, you won’t live, you won’t stop me in the state, and you won’t bother my mind. senior yasha joined

our orchestra in the spring of 2007, i asked for my project, our favorite songs, and began to dig out a song from the repertoire of songs that were not clear to me, and i woke up, well, i guessed it, but i lost it. i’ll tell you what i want if our arrangement and hole alexander kramko worked. yasha rehearsed for the first time, and there’s a bunch of thick sola there, so drunk, and the gaba player was working for us that hour, my name was lyuda murashka, yasha began to hear this sola, then she fell asleep,

went to sleep, and so good to this one. for the sake of this concert, yasha decided to work with our archestra, he himself made this choice, and of course mikhail antonavitch kazyanets, this is all good news. oh, godfather, oh, godfather, godmother of may, oh, godfather, oh, godmother, dearest.

he chose this place of work for himself, taking into account the fact that he has a very rich repertoire and he understood that he could do it with us cooperate fruitfully. mikhail antonovich kozenets happily received yakov pavlovich, he came to us already, well, one might say, in the status of a star, a nationally famous person, a person who gave many concerts, toured, and was a favorite of the public. and i

become a bastard dzyabev varazhits, how to live in this world, not too, all labor issues or our industrial relations, we built on trust, we understood that despite his stardom, yakov would never take advantage of his privileged position.

i stayed for a while, well, we raised hares in the rural area, and the meetings were already so noisy, they squashed, they opened this door, everyone: good day, why are you being a bastard here, everything is so noisy, and this motherfucker, yana i fucked , the voice began to roll, and so she said: “what is the sign, and the back scurried around and turned off the holy one, where it turned out that the back turned off the switch, turned off the holy one...”

you know, i remember how sometimes he was late at work, he came then, well , he told me with delight that now he had such an interesting conversation with mikhail antonovich kozenets, he treated him with great respect and could talk not only about music, but about many, many other things, he had such a childish delight, how he likes it, how it is is it great that he found something of his own? listen to the hanulka, and what people seem to be, our plow, i will not untie us in any way, i will not force us to evil, for we

will live a cruel life, no matter what we know, i will not kill us, for we will live a life. for 5 years of work in our wonderful orchestra, yakov naumenko held about 10 solo concerts, he initiated all these concerts himself, because he really loved when the public listened to the huge repertoire that he had accumulated, and thanks to the arrangements of alexander kremko, he has now become the repertoire of our group, we performed with him solo .

apartment for apartment, it was just as if i was alone with my parents, i knew that i would have to take my parents with me, and he put up with it all very patiently, of course, i took him around the city, then we moved to

zhodina, and we there was a dacha near zhodina, then once we visited friends, they had their own house, i liked it so much, and i once said, let’s... try to build a house, that is, i remember the expression on his face, the expression in his eyes, to this day, he has there was such amazement, that is, but he was already accustomed to some kind of my searches, so, but not to the same extent, he didn’t answer anything, went to his office, worked, then comes and says, what do you think with us? it will work out, and i say, why not, i began to plan how it would all be, and he agreed, okay, go ahead. and we have everything happened. and after a year and 4 months we moved into our house. that's where he was truly happy. why? because he had his own studio, there was a forest around him, he

did a huge cleanup in the forest. he really liked it in the house, very much, that is, he was truly happy for the last 3 years. he had everything, he had a job he loved, he had it. his own studio, he had his own songs, he once told me, little one, i ’m so lucky in life, i do what i love, and they also pay me money for it, our perapelak was grazed for a long time, and in the field pad to the high mounds, sing a song without which i cannot sing, i will not forget the noisy rivers of the river, this sound of ruins has fallen, to the sirs i am bound to you forever, my native land, darragaya aishyn. he couldn’t live without it, that is

, it wasn’t just work, it wasn’t just some kind of creativity, it was his way of life, he had a lot of books about music, and it’s not like they stood beautifully, but he did everything studied this, but it’s difficult to say what was a priority and why, because he worked on folk songs and folk music, and he worked on the stage, he has a recording of... red romances, that is, let's say, his creative range was very wide, he once made a concert program of retro songs, someone asked him there , and that you’re not singing new songs, these are old songs, retro, and he answered very simply: i sing good songs, my land is a honeycomb, my leaf is a curse leaf.

that you and i, we are fellow countrymen, that you and i, we are belarusians, remembering the summer of '12, i remember how he suddenly told me, little one, you know, i really want to rub myself about the sand on the seashore, but i couldn’t go with him, because we had a dog, we had

geta the day before i was born in minsk. i often walk with my sons tsikhan and my nieces in the central square of sevastopal. tsudouny zen, issued in the courtyard, hundreds of people on the street. and all, as they said, yashcha is sleeping on the job of a street musician

to listen to my game. what happened further, no one knows, but they would have worked some kind of love, all these words did not come to anyone, who was a flock of friends. i yasha at the time, the unforeseen forces of the blow are terrible. the hell of the wife is troubling.

the mood was a bright day on the guarantee of nostalgia, my first day of the past, such

a tragic incident that happened, cut short not only yasha’s life, but also this one...

dawn, not hours, not counting, not days, my life, a golden carriage, is rushing into the sky with a troop of horses, we went out to a song that is still, i consider, one of my most successful songs, that is, it is included in my personal gold fund, amazing poetry.

i cry, i curse my enemies, my faithful horse nicknamed luck, takes me off the road, in the rays of a blue dawn, nothing, not counting days, my life is a golden carriage, mooing into

the sky behind three horses. life yakawa navumenki got lost on her finger, he is no longer able to realize the wealth from this, just mary, but still have a lot, snatching up his son, letting go of the house, pasadzi not a lot of trees, but yashche praising many outstanding songs , become special in the field, and pack grazing. belarus would have been added to it and that’s how we will remember it.

if you want spring with you, ask for yours tsivny ball, leaves of the fall of the enchanted ringing, you and the pain and captivity, unwind sweet dream, you are only our sweet dream,

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