kuktar technical institute. in 1990 , the cathedral of st. michael archanel in evyantsy was returned to the catholics. we confidently step into a new day and do it to the music of our own, the music that sounds inside each of us, it is everywhere in the sun, in timid movements, at the tips of our fingers, music. inspires, makes

you think and opens up thousands of gifts to us. music can change the world because it can change us. music is inside each of us. the belarusian pop scene has seen many great singers, including eduard mitsul adzina svaim rodze, nepaўtorny. non-paraunas, the first

of a lot of flat-footed people, an idol of the public, a canadian of vocal fashion, a leader of a rare race with a jumping voice, like the rest of the musical visage of the belarusian stage of the 60s, as good as many affectionate names. but only one of them is disturbed by the sleep that takes away the peace, when you are in love, the most exhausted singer, how many years have passed, and nothing like this has appeared at the belarusian philharmonic, love accidentally on the ground, when it is not waiting for it at all, how did you manage to keep the audience in suspense, this it was necessary... he

was born on may 9, i was born on may 8, my father leonardovich and he leonardovich, to all this he turned out to be an amazing person, heart, how good that you are, he never discussed anyone, he always carried everything within himself, never indulged in gossip. it was very cool with him that you know how to love so much.

at the beginning of the 60s, when eduard mitsul settled on the belarusian estradze, his name was big, thick, and tight. the meetings filled different halls, and my recordings continued to circulate on the airwaves. at the philharmonic hall, legends are right that are fantastic, the success of eduard mitsul public, asabliva ў ya zhanochai palov. kali seniors are incessantly obliged to apisvatsya yakasti yago voice, the withdrawal of the meetings of the robіtstsa adzin . tsiaper on estradze. there aren’t many of them,

it turns out the song, look how beautiful the stars are in the sky, there’s a line like that, and the film, and this song was sung by the entire soviet union back then, it turns out that this is... it was a huge hit, as mitsulya knew the most pink corners of savetskag sayuz. i went to

the belarusian philharmonic. eduard leanardavich was already retired, and i had studied what kind of guards are there, who are friendly and right-wing , who belong to the philharmonic, who are so smart, distinguished, intelligent, funny, sometimes chalavek, and only then did they tell me that i knew who so on the very right mitsul, then the geta is not just a couple of scriptures. ahtser, that this star is of the first greatness and not only on the belarusian, but also on the savetskaya stage. the name eduard leonardavich mitsul is famous for the belarusian

stage. already, the young boys are sleeping in the king’s choirs, and in the local school. i plowed the pit. with the regents, he learned his old skills, having completed his musical studies at gomel, and studied at the canservatory. being students of the canservatory, he would already be a member of the chapel of belarus rygor shirma. on the belarusian stage, he is a father, after all , in 58 years. i graduated from the 59th, well, the elders are behind me, and then i already feel that it’s mitsul, oh, mitsul.

dutsul was forced to perform on a long concert tour of the belarusian philharmonic hall called 150 estrada concerts. special programs for getai were requested by garry goldi. geta would be the most aware of that hour,

when the ussr treated foreigners. our emigrants. he first arrived at the savetsky union in 1900. from china, when he was 27 years old, just for some hours he grazed in ryza, and even more... his emigrants from canada in 1972 ze. garry goldie, his real name was hema goldfeld, a former crook of krooner for bing crosby, frank sentra, fred astaire. in the ussr , this style of singing on stage was completely new, unfamiliar to the savetsk listener.

such a hot ad link for the script carcinas and postures of garra goldzi, these former great-great nobles were popular in the 60s, an artist who lived with the pybaltytsy, with ryza, and once again coincided with the belarusian philharmonic society, singing songs and the people of the world in different worlds, and of course, i have asked, that’s how it would be, red-haired at the poster. this program was launched at the beginning of mitsul. mitsul

and then accompaniment musicians, dancers, artists of artistic genres. and this entire tour has arrived to my lanky vandrouk. mitsul would understand the pracileglas of goldzi. toy leaving the scene, the ladies would be all dressed up, imposing, and then walk with them. such streamans, scrips, and not less than talenavits, not less than adorans, and our actors behind mitsulya yago’s back so, well, kindly, of course, they parried, yana gavaryl, that there is no need for the pit to be so modest, because he does not step on the gold, but le mitsul was such a nature, he was at meetings adyhodziu at prices, not looking at his great talent, so his entire tour began in listapadze 64 of the year, here... in ukraine, died in may 1965, january ab'e hali

in ukraine, in the savetskaya union, and only the beginning of the new year in 1965, and here in minsk. van, get over it. i'm vasily, i'm your dad. where did he even come from, maybe he’s not a father at all? you think i ’ll just give the boy to a man on the street, go about your career, dance, and just forget about it, i wanted to adopt him, oh that’s it, and i mean i messed up all the cards, but it’s good that your father was found , mom, and mom, can we reschedule his move to us until he i’m used to homemade food, i won’t send him anywhere, or do you accept it? the way it is, do you find an approach to him, or are we breaking up? in this case, i will ask you to come with us to

the department. wait, what does it mean to pass? you understand that we have a final tomorrow, what it is, you know, and the fact that a six-year-old boy has disappeared, do you understand that? and you wouldn’t be jealous if your son called someone else’s uncle, dad, i would ignore you, i would take a closer look at this uncle. watch the series, i choose you on the belarus 24 tv channel. let's go on a journey in which let's visit. the most cultural treasures of our country are the first discovery that was made here, this is the key, and all the archaeologies seem to be this key - this is the truth that lida’s hellish secrets are before the people. gets from the old school of kruger know about minsk and love our watches. darechy, chaim sutsin was a graduate of this institution. let's learn more about the historical past of belarusians. papytaytsya sennya garajan.

watch the cultural journey project on the belarus 24 tv channel. better get up, smile, look outside the window, it was december 31st, after the concert, when they

had a philharmonic society, all the musicians ran to their families to celebrate.

in the early 1960s, there were many vocal duets, their recordings could often be heard on the airwaves, and the most popular song they released was the song ab minsk, which in 1967 became their most popular musical hit . 00-godzia minsk. babajanyan writes his own songs and such popular melodies. my sister and i felt offended that there was no such perky melody about minsk, so we sat down we wrote this song, and zhenya wrote this very good arrangement, zhenya grishman, he made a very good twist, and we even went to moscow with this song, alleys,

my city is blooming. he had two daughters, they sounded in their own way, they were not vocalists, their singing was always very neat, they somehow looked very graceful, edik took part in this, of course. for some time he performed with a vocal accompaniment, he managed to bring them to the girls who accompanied him, aka the accompaniment of their song, as they say, to perfection, he did it masterfully, one remark, everything has already somehow

changed, in 1966 maskve had hell... there is a competition for a sculpted savetsk song and sculpted savetsk songs. goros abnimae. and the stars are lit in the workshop. viktar vuyachych contributed to this competition with songs by igara luchanka, words by mikhail yasinya in memory.

and here it goes without saying, only 40 year olds are allowed into the competition, and mitsul was already 41, adpada, i think, he’s a winner, no, he doesn’t like these competitions, he loving people, simple people, they go to any wilderness, so as to speak before them, and there were janitors, i knew. at the skin of the belarusian hat, then i was happy not to be overjoyed, but to watch the tv, and so the other singer began to joke, overcame all his tempers and fell asleep on...

the dazzling talent of eduard mitsul, pop-song skills belarus and picked up powerful notes and began to hum on

ancestors of the ussr. in 1969 , the 50th year of the creation of the bssr was planned, and from this year the dzyarzhkanzert organized tours for belarusian artists in london. at the warehouse.

or to the orchestra, but it was immediately clear whether he communicated with the orchestra or with the accompanist, if he performed to the accompaniment, how eduard lenard managed to keep the audience in suspense, you had to ask him, we traveled to siberia twice, we had two trips it was in siberia to kamchat. holektar of the philharmonic by magracho, all the artists knew iago, he told me, saying: “listen, barada, well, i was already young, but i was with barada.

listen, barada, take your cast with you, mitsulya and only and my advertising, i'm in trouble here please do your best to advertise. come on, i’ll give you 300 orders per month, since i can’t, i say: “i’m telling you.” yes and this sapraudy so yon then torture you know that kabzon? i’m guessing, well , i feel it, yes, there are already such scumbags, now i have a bagagashchaetsta, like the people, there’s a floating base near the sea, well, that’s a nice ship, they’re selling fish cans, there and barto’s mooring kozhnaga side pa pyat seinerў, these are very fractional, they gave us 10 seiners, 10 kanserts were written down for us.

this book has a lot of information, and this is an archival record from 1998, one of the first, and unfortunately, very few, like the life of eduard mitsul. then i was already well over 70. today we look at this archival footage with complete nostalgia. tym is big, that is more than a spevak, campasitar-legend, igar luchanok. eduard mitsul would be the first to sing many

songs. for some reason the review was called the lvonikha revue, this team was formed, it received a lot of attention from ministries, culture, and the philharmonic, so here are the best artists in different genres were in this group, here we were there, and there i met eduard mitsseli, in the lvonikh team we had the chance to start volodya mulyavin’s ensemble together with eduard, another piece of luck, such a noticeable milestone there in the life of a musician, that suddenly here so now there’s a musician next to you that you’ve known since childhood.

that you are friends with edik, he will teach you to sing. he is a professional, wonderful musician, you can talk a lot about him, but the main thing is that edik taught us to sing, put in some breathing, well, maybe to a lesser extent a brass player for me, but in fact here he put his hand to the most important part. these are vocals that we basically didn’t own. like the light, she jumped up. lastow cats, si closed. lvonika and i were in moscow and agreed to record a small record at the melodia record company. we're going

to go to the tune. somewhere at the beginning of the song to leave, the whole team wanted him to finish the concert, he insisted on working first, then legally, to continue the beautiful life of an artist. in our show , cheat sheets will not help participants. is it true that demarcation is the process of marking the state border on the ground.

yaroslav, what do you think? i took. the main thing is that in the word demarcation there is, well, the root of the word marking, can lead to the fact that well, this is really a process of marking the state border, and what kind of process is delimitation, you can only rely on your own strength, 10 to the 15th power + 8 - it will be 1,000, it doesn’t matter how many zeros there are, but at the end there will be eight and we have 1 + 8 = 9 and how far has it gone?

exploring belarus is easy, enough lay out a non-trivial route. the treasury building was built in 1807, and during the battle with napoleon , a french hospital was located here. and that's it, guys, we can also see the alyakseyevskaya tsarka, which is known from the cornerstones of the white carpet castle. the most important thing is

scissors, it’s so brilliant, oh, yes, that means i can do it, well, that’s what i can do, that’s it, look at the project, build a route. on the tv channel belarus 24. song, veras, tops issued by the belarusian songwriter iosif skurko. many people told me that eduard mitzel sang it no worse vyyachi, here it is. in 1971, when mitsul had added more songs, he had recruited new collections, he knew five new singers, which

were further developed and more instrumental campaigning composition, and as you think, they became known as tsa gety kalektyў? correct, faith. they sat down loudly and destroyed everything, and he had his mouth closed somewhere in a corner, like this, always before every concert, but the most interesting thing is that

when my future husband came to the team, he was hired as a stagehand, this was his first time , when we probably left for crimea, in yaalta somewhere or somewhere there, in short, they planted another light on it, it illuminated.

treated us, invited us, treated us, he felt sorry for us, he loved us, he was just like our dad, he was so sweet, very gentle, he just treated us, the girls, he protected everyone very, very much, it was very cool with him, but one day i remember there was one such case, but not very good , maybe for me, for us, for good girls, in altai, when after the concert they gave us a reception, well, we were well received, then we went home, well...

several times he told us, it was useless, well, he had to get up and so, in one fell swoop to all three, they fell silent, i was so offended, i got up, that’s it, i’m quitting tomorrow, i’m going home, well, tomorrow we talked to him, or rather he talked to us, well , of course, it was all funny, uh, well this never happened again, of course, it could be like this... my girlfriend walks along the shady alleys, of course, it is not unknown that he was a very

good fisherman, he loved nature very much, he knew the voices of birds, he brought a large amount of literature, this always concerned... animals, i was always surprised, he never discussed anyone, he always carried everything within himself, never i didn’t engage in gossip, at least...

there were grapes and melons in boxes from kazakhstan, well , it was probably such a post-war sign, when everyone shared, although everyone lived very modestly. eduard leonardovich. the great wound of the scene, he could have slept and slept, but the hole would have been for us to dig in, catch fish, hunt for mushrooms, it’s not for nothing that they called the hole in the fresh wind, that’s all, he hasn't been here for a long time sleepy, pakul magileve didn’t think of a festival of hits, and all then... it was in 1995 that eduard

leanardavich graduated, tending the next stage, and i was at this office and i remember well what kind of enthusiasm he had for his public performance. he sings the song of aleg charkun, sen maladoe. i was asleep by all, all the artists of the philharmonic. i am already sleeping. yana has become such a popular person, after all, i have earned my job. geta was healthy, simply healthy. on monday, with a wound, young hay, father mowed, i mowed, and the two of us mowed, at vatorak rameytsa, young hay, father dried, i dried, and the two of us dried, he kept it until his last days, always, with him, no one knows how, but his voice sounded amazing,

old robbers, who had to fight with their former colleagues on the stage, nelliy baguslauskaya, izmail kaplanav , viktar sinaisky and aleg zhukav. i’ll give a damn about the shit of the bastard artists. i know that i’m making a lot of money and a new splash of stress from the side of the glitch, then i’ll be sick, i’ll get sick somewhere, well, but all the time i’ve already gotten involved, so how long have i not been working, and i’m always going somewhere, i forget my suitcase somewhere, i forget my suit somewhere, i’m on tour all the time, my heart, you don’t want peace,

such guchanne, i’m fine, navat lepsh chym at the young bastards. i’m so grateful that i recently wrote down eduard leanardavich mitsul’s record at the belarusian council. and it was like this: 1996, i worked then in the music editorial office of the belarusian radio, and i was a member of the belarusian radio and television ensemble, all members of the belarusian radio broadcasting company were sasha arabey, and tell me: we have a studio, we have arrangements, we have a ramansa program, i

tell you, i’ll give you the phone right away, name mitsul eduard leanardavich, i’m 72 years old, he’s already retired, he’s so happy with ramans, and you’re making this entry for everyone what do you remember, right? and i’m tired, we’re talking about sasha and we’re having fun, and we’re going through this episode. getu at night. on the other side, dear friend, gentle friend, do you remember about...

eduard leanardavich is not the same as the enemy, the navat of simple ignorant people, i was mischievous, respected, loved by everyone, he is great it is good and great for the whole process, and so it is for the whole year of life on the 2nd of the fall of 2002, the philharmonic just started undergoing major renovations, and with this there was a certain amount of money, no need to pay for there were some important nobles, but the poor little old lady was hopeless history, i never thought that i would be a professional, that i would have to

travel so much and abroad, i will not disgrace my land. eduard mitsul, amal no longer remembers anyone, an hour of unforgettable scenes in memory of the present day, a bright image of the getag of a unique singer, a kind of father of the belarusian song stage. in an unfavorable escape, abstavina, he is on the verge of a day and a year with bulatam akudzhavay, may 9, 1924. geta is only simple supadzenne. yana were not known asabists, but if akudzhava stav sіmvalam svygo kalenenya, then eduard mitsul in his chargu ўvasobіў ўіў ўіў ўўўѕ the most stupid, which was ўlastsіva ўіm ўім ўсідзізястінікім, and first for all ў their are insignificant ramifications that help them

live and create. radki akudzhava, absolutely, nobility and dignity. thank you very much for remembering me , old man, this happens so rarely, don’t cry, don’t be angry, we’ve known for a long time that we won’t...

we can leave each other, it’s better to get up, smile, look outside the window where the flyer got caught. the fields are spinning and spinning, you remember how in our youth among the olive trees we swore to the road.