there are only 15 trees, they can be found on the banks of the grodnichanka river in the zheliber city park, here on may 5 last year a sakura alley was laid out in honor of the year of peace and creation, the tree does not bloom for long, only 7-10 days depending on the weather, by the way, grodno is not the only one a city where you can admire an exotic tree, sakara grows in the central botanical garden, peoples' friendship park and other places in minsk. the sports news will continue to be released and my colleagues will sum up the results of the day in a panorama. all the best and see you soon. belarus women's national football team, made up of players under 19 years of age, completed their performance in the group stage of qualifying for the european championship. in the final qualifying match, the girls lost to the slovak team 1:2. the only goal of the belarusians was scored by alina kharashchak. probably today. played the best game of the tournament,

a pretty high-quality match, created a lot of scoring chances, but unfortunately we didn’t score, this rule worked, when you don’t forget, you are punished for it, unfortunately, we probably also paid for it today, the execution is good big unfortunately, let me remind you that earlier our football players suffered two major defeats from their peers from belgium and the hosts of the competition , the serbian national team, so in their quartet the belarusians finished in last place and are leaving the elite league a, the girls will begin the next cycle in league b.

help the doctor and he ! help you all, we are in the grodno regional puppet theater, in the honored collective of the republic of belarus, on its stage. we love it like

our home, because this is our stage, this is our home, through which we express your emotions. your life, your dreams, your hopes and, of course, your love for our audience. this theater, or rather the theater building, is very mature, it is 250 years old. the only thing was that there were , as it were, permanent corpses that worked for a long time, and if there was no permanent corpse, then various other theaters rented it. so i know that the warsaw puppet theater worked here at one time, our russian one. the most important thing is that there have always been performances here, where life, energy, feelings have always been created, and for 250 years different different spectators have come here, then in such fluffy dresses, men in top hats, they came in carriages, and now 250 years have passed,

completely different people, others are modern, but they don’t feel the same way, look the same way and want to go to the theater, despite our information age. but when we came here, we couldn’t be kicked out of here, but we’re not leaving here, now it’s our puppet theater, and as for the stage, it’s also very, very interesting, firstly, here below us, where i’m sitting , there is an orchestra pit, that is, initially, when

it was built 250 years ago, it was built as musical theater, that is, they danced and sang here, basically it was like a modern opera and ballet theater, so... an orchestra sat here, music was played live, and they sang and danced there, so the puppet theater has such a wide palette, all theaters can be shown in our theater, we treat it, of course, very much, as i can tell you, with trepidation, with trepidation, because here we open our souls, our sincerity, whether it’s a children’s performance, you must always be sincere , whether it is a performance for adults, you must... with faith into all this, therefore, when you step here during the performance, before the performance, you feel such a special excitement, despite how many years you have worked, how complex this performance itself is, or how complex the material is, what dramaturgy is in it,

or it simple, in any case, you are always worried, because when you enter before the performance, there will be this action, then the action is called. it can be more, sometimes it can be less, but if it ’s not there, it’s bad, it’s a bad bell, sometimes it happens, it doesn’t turn on, but it should turn on, must turn on, something

clicked, something happened in you, and you went, you went, you are no longer you, you do not belong to yourself, you already belong to this material, and first of all you belong to the viewer. because you have to reach him, yes, be it a comedy, be it a tragedy, be it a drama, it doesn’t matter, whatever, it should be your heartbeat, knock-knock-knock, your feeling, and then you invest. .. it can also be working, as we say in the working version, when we are rehearsing, then some kind of such magic, when the performance is already going on, when all this life is already leaving, and it is like a home, so you come during the day and you love it, you are not afraid, as in the room, there are all these scenes, and already when the performance, you understand, that when the curtain opens, this wall goes away, then look... who is looking attentively, and you understand that this is a completely different room, this is a different stage, this is already magic,

this performance is being created. so i’m a little bit that character with whom very often a lot, a lot happens, with us there was a new year's play, so i played the chieftain, oh, a dramatic role, one might say, as we call it, a living shot, a black office - this is... but you can’t be seen and the living shot of you can be seen, so the director entrusted me with such a role, this image was atomistic, like in the bremen town musicians, i had three robbers whom i commanded, naturally i had a suit, well, the skirt with peaks is black, with these blue cards everything, and the most important thing is, of course, a wig, i see it’s light , and there was a black wig and they put a wig on me, it was a black bob, that’s it, i didn’t recognize myself. me even more so, who is this, what kind of artist is this, well, in that wig, like in the cartoon in the bremen town

musicians, a ponytail, it played a role, that’s why i say it, a ponytail, well, that means there are rubber bands and it’s standing, naturally, i i play this role with pleasure, i command these guys, we have a scene going on, no longer with them, they hid, got scared, baron munchausen, and we fight with him, my last scene, who won, who won, we had natural swords , iron, they built everything. drawing with swords, ringing, iron, iron, knock, here we are fighting, fighting, in the end he has to prick me, the blow misses, the blow misses, the blow misses, and he hits, but somehow i turn around in the dance, he gives me the last injection, i turn towards the viewer , and i need to fall beautifully, die, suddenly i feel that i have, and he touched me on the ponytail, hit the ponytail with a sword, i still don’t understand, but suddenly the wig rises, flies in the other direction, i fall, beautifully, as it were killed, not yet understanding the other way, and together we fall so beautifully on this stage,

we fall, i look at and there must be a ztm, that is, a blackout, and i usually ran away in the dark with my sword, the light turned on, baron mikha won, but there was no tamansha, then there is no one, i look at him, and his face is scared, confused, he thought that he hit me naturally, and i wink at him that everything is fine, everything is fine, but i myself think, where? i turn back, stand up in the audience, suddenly there is laughter, and i understand that all my curls

, which are intact for the day, all the invisible ones are sticking out, more invisible ones are falling off me, they probably look like this to the audience that it turns out that the king is naked, that is, i am curly and invisible, and my wig is there, then applause is heard, and i realized that they were happy that i, they also apparently thought that i had been injected naturally, they clapped, and i crawled wounded ... i crawl, i crawl towards this wig, i take it, i crawl into the wings, the actors sour, the audience laughs and claps, this is the story when the audience gets up from their seats, gets up themselves and they applaud, and you bow once, let's go behind the scenes, they clap and clap, that's what you understand, but not in vain, it’s not in vain that you give away your health, i’m not afraid of this word, because every person

lives his life, his emotions, his tragedies, his dramas, well, that’s how a person works, and we load our nerves, our heart, our organs many times, many times , we wear out our entire, entire, entire emotional, nervous system, everything, we wear out a lot, a lot, because every time we force ourselves to go into this, into this, into this. for it to happen, as i say, this is chemistry, then, that’s when they applaud these views, these smiles, then you think, it’s not in vain, for the sake of such performances, for the sake of such...

this is a glove puppet, of course, it ’s old, and our performance has been going on for a long time, they are already outdated, it’s not modern. already now others are making different ones, and these without noses without eyes and stylized, different, different dolls, but we cannot write off this performance, well, our children love this performance, they come to it several times, as soon as three appear on the poster little pig, the whole room laughs and laughs and laughs and laughs, and we have him so funny, first of all, he is in poetry, the poems

are well remembered, a lot of songs, a lot of dancing, here are the three little pigs - this is one team, the second team - we have a wolf and a crow, so this glove doll, you see, i put it on like a glove on hand, it is very simple, each doll has its own base, like a person’s spine, the most important thing is not to break the spine, because with it the head, arms, legs, the spine is the main thing, this is the wand, this is its main thing the foundation, that is, everything, the head is on it, here i am working, you see, it’s simple, i’m working, here are my hands, you see, it repeats all the movements. my fingers, so fine motor skills, i can do whatever i want, i can sit down, hello, he’s silent, oh, okay, don’t be afraid, so i work with it, the children really like it, for example,

oh, oh, wolf, no saw, oh, oh, ah, i’m not afraid, i’m not afraid, i’m not afraid, i’m not afraid, eh, now i’ll take a doll, i’ll take a doll called a cable doll, it came to us, well, from italy, from all over the island , why is it called reed, firstly, it is the top one, the artist works with it. like this, at arm's length behind the screen, the screen, you can't see me, you see, i have to keep an eye on the nose all the time, because we people don't pay attention, we think that it's us who are looking, we want to go there, we want to go there, absolutely not where the nose wants, that's where we look, that's where our nose is looking, that's where we look, the nose is here, and we're here, the nose is there, and we're

there, so in the doll the doll is looking with its nose, and we are always our young artists.. we say, watch your nose, where the nose goes, so i have to look at her, and where i’ll go there or something, i have to feel coordination, go ahead, don’t step on anyone or anything, so this doll is the top cane one, because her hands are on the canes, that’s where the name rope came from, this doll is still of medium weight, that’s it sometimes they are very heavy, sometimes they are light, and then the sprouts are still nothing, you see, i already have to work. and with my hands, so i bow, let’s say , hello, right now, hello, oh, oh, ah, the hairstyle is good, i’m good, she’s like a person to me, which means i can already walk like her do, so where is my cinderella, now we

will try to communicate with cinderella, and we invite ksenia here, please. here you go, become like this, don’t be shy, you will be cinderella, not even as if, but cinderella, that means, cinderella, as in the fairy tale, we remember, to the stepmother, not really, not really, she’s afraid of her, that’s right, that’s right, that means , you are entrusted with one phrase, okay, mother, let's rehearse, okay, mother, well done, smart, okay,

cinderella, yes, mother, you're a bad girl, i care about you much more than about my family to my daughters, i don’t make a single comment to them for months at a time, but to you, my little one. “i educate from morning to evening, why do you, my sunshine, pay me for this with black ingratitude, you want to run away to the palace park, so if you do all the work, i will allow you to stand in front of the royal windows, i understand, yes mother, so, the walls have been knocked out, okay, mother, uh-huh. the beds have fallen out, okay, mother, plant seven rose bushes, okay, mother, so, oh,

know yourself, it’s difficult, mother, here you go i don’t know what this is, so it means, oh, we set coffee for 7 weeks, yes, mother, well , go, run! okay, thank you, of course, thank you to ksenia, this is approximately how, when cinderella’s doll, we communicate, i am count michal shem, my lord. prabachtse, shto not sustreў you uchora, pakutvaў hell galovnyh pain, artist of the grodno

regional puppet theater, honored collective of the republic of belarus, leading stage master, because even when i was just born, and i was born in 1956. she was also a participant in the war we returned here to belarus for 7 years, when i was already 7 years old, well, it happened, but i ended up in an orphanage, that is, my childhood grew up in

the gomel region, at school, when i was growing up i studied, i always participated in public life, in all events, and of course we had active amateur performances, i always took part as a snow maiden, then i was someone else, then someone else, well, it was interesting to me, i studied well, so... everything went to work i remember that the first round was on the lists, the second round was on the lists, the third round i’m no longer on

third round, well, they took someone more interesting, more talented, probably, someone showed themselves more clearly, what a tragedy it was for me, what a tragedy it was, my god, how i cried, i’ve been dreaming of becoming an artist for so many years, 4 years, here i didn’t get in, the tragedy of my whole life. when we returned, those who had not entered anywhere, then in soviet times in an orphanage, we were given a job, and me and another girl were given a job in gomel, since it was the gomel region, at the gomselmash plant, when i was already 18 years old , i could already independently decide my life, my destiny, and i decided that i would go to theater school again, but i was very afraid to go to minsk, and i began to look for where else i could. i found mogilev, uh, as they say , the college of arts, then it was a cultural and educational school, and uh, why i chose it, there was a phrase of

“republican significance.” to me. i liked something, it seemed, wow, i’ll go there, i went there, i entered, as they say, very easily and quickly, when we graduated , a puppet theater opened in mogilev, and i came director for the graduation performance, see who he can propose for the competition, come to the competition, i played tom sawyer then, and he suggested that i come to the competition, and there we went through it like at the institute, all three rounds and i was accepted, so in seventy-seventh year... on january 11, i was accepted as an artist of the puppet theater of the mogilev regional puppet theater. i had never been to a puppet theater before. i haven’t even been to the drama theater at all. no, to grab hold of, yes, yes, yes, i’ll go. i say, i still have to understand, i want to work, do the puppet theater really need me and do i need it? and when i worked for another year, i had already played 12 roles, suddenly i realized

this. the revival of the inanimate, and for me a kind of insight came, a discovery that a dramatic artist is an artist, and then i take a spoon or a fork, attach a bow to it, i start it not just, as they say, chatting and moving and moving it to the music, i start with how she looks, and what she thinks, and how she evaluates, how she reacts, this is the subject and it seemed to me that there was some kind of there is magic, some kind of magic, that’s it, i decided that from now on i will still be an artist of the puppet theater, of course, although i have been working for so many years, or as we say, i serve the theater, although i like it better, i serve the audience, of course , i serve the theater, i serve in the theater, but i serve the audience, the dolls have weight, one, before in soviet times they were generally heavy, 2-3 kg each, because everything was made of natural wood, so the wood

inside, if ... and many left because it’s hard, because we are in the puppet theater, we are equal to ballet dancers, we can work for 25 years and retire professionally, it’s certainly small, and you don’t have the right to work as an artist, there’s a subscription, but we’re not leaving, i’m sure.

well, like many people, i also have a hobby, that is, a desire to do something, i am especially attracted to doing something with my hands, for example, in my youth i really loved. on a typewriter, i sewed different things, i could sew anything for myself, trousers, sweaters, dresses, even coats, and if, of course , the cut was very, very complex, then they cut it for me, and i i sewed all this, and i liked it so much, then of course i love knitting, it’s so calming, it’s somehow reflective on it, well, i think that many women do this, so i won’t surprise anyone with this, and i also of course i like to draw, i love to draw.

since childhood, i dreamed of being an artist, so i even like the smell of paints, when i came to the artist at the puppet theater, when he drew sketches or painted dolls or in workshops, we even and i’m not alone, only we are young artists, we they came running, helped me do it, glue it, draw there, i always asked, can i paint something, can i tint something, i liked the smell of the paints, the process itself, here i am at home by myself... quietly on my own, sometimes i draw , sometimes, when , of course, there is time, the theater takes up a lot of time, but nevertheless, when it happens , well, you’re just not in magata anymore, then you take a pencil and draw something, i really like, of course, to draw nature, my soul is pulling me, and i also want, i hope i have enough time for this, to try pottery, so when i look, i like it so much, how they are all different products, to create,

to create, like me... to create something, to create something with my own hands, it’s so cool, but in general, in general, i it seems that when there are many desires, this is good, this is good. because when we are young, it seems to us, oh, we can still manage to do everything, that’s all, and i thought so, both the youth, and these are the maximalists, this is all right, and it seems, oh, we still have so much life left, people, when you’re 17, there’s 15, 20, it seems, 50 years old, that’s already, oh, so old, and then, when i myself unnoticed and quickly fly by these years 20, 30, 40, 50, you think, god, do i really have that much, yes, that much, and over time, i think that’s it, that’s it... man, me too, as they say, nothing human is alien to me, i also think about this, that life flies by quickly, it really is such a different information-rich field, and we do n’t communicate so often, thank god, thanks to my

profession being so interesting, i have to communicate with people, with actors, with each other, so that's good, but what i'm talking about is that every moment of life you understand that it is interesting. he is valuable, he is gone, and he is not there, he only remains in memory, then some emotional event or something happened, good or bad, it seems to us that oh-oh-oh, and we think about it, and we are tormenting ourselves, here’s how to somehow learn to not worry and think about it too much, because it’s gone, it ’s gone, you can’t touch it, you can’t feel it, it’s not material, it’s only in the cells, somewhere deep -deep in our consciousness, subconscious in... memory, so, of course, every minute that comes, every day that comes, he himself is interesting, today he is like this, today it’s cloudy, how many ducks are swimming, what a beauty, and he too, he is also beautiful, he is good in his own way, he is interesting in his own way,

because what happened today, this , this, this, in general, i try to take a notepad in the morning when i get up, while i drink coffee, i write to myself, today i have to do this, the feeling of life is such that i still have to do it, i should live, i should live well, i want to live, i just want to live, i want breathe in the air, watch ducks, look at leaves, communicate with people, smile.

different, but they are all good, they are all talented, they are also all interesting personalities, the contribution that you make during your life to your work is noticed sooner or later, and i always told both my students and actors, if a person... does, does and does, sooner or later it brings results, for the future, of course, i worked, i’ve already worked for many years, i ’ve worked for everything, but i really want to work more, play more, live and work, for me the only dream is that we are all

healthy, that there is peace, that of course our theater is at a good high level, that our arts are friendly with each other, and of course, to live and work and do something else for people. let the little radairam,