in this silence, i turn around, stand up in the audience, suddenly there is laughter, and i understand that all my curls, which have been all day long, all the invisible ones are sticking out, more invisible ones are falling off me, they look like this, probably to the audience, that it turns out, the king is naked, that is, i am curly and invisible, and my wig is there, then applause is heard, and i realized that they were happy that i, they also apparently thought that they had pricked me naturally, they clapped, and... i i’m crawling, wounded, crawling, crawling to this, that means, wig, i take it i crawl into the wings, the actors are sour, the audience is laughing and clapping, this is the story when the audience gets up from their seats, gets up and they applaud, and you bow once, let's go backstage, they clap and clap, this is... you

understand, that it’s not in vain, it’s not in vain that you give up your health, i’m not afraid of this word, because every person lives their life, their emotions, their tragedies, their dramas, well, that’s how a person works, and we load our nerves, our heart, our about organs, repeatedly, repeatedly, we wear out our entire, entire, entire emotional, nervous system, everything, we wear out a lot, a lot, because we force ourselves to enter every time. in this, in this, in this, for it to happen, as i say, this is chemistry, then, when they applaud these looks, these smiles, then you think, it’s not in vain, it’s worth a year for such performances, for such connections , and two, and 40 years of work, as i have been working for more than 40 years, for this miracle to happen, but then... everything will be arranged by my mother, posted and glory

to the good doctors. we recognize you from architectural memories belarus from different eras and styles. the temple at mosary, the geta dastatkova lakanichny, navat prasyaky spirits of the italian renaissance, pas dobe, pa kanfiguratsyi. let's embrace their history. the bastards

knew the river paspalitae, and with this we say, there was also a sign, the end of the story is floating in the style of baroka, and all the histary krynts here are taking us away from the paeina such a dead end, moreover, the document and the architects would be myastsov admyslovets architect chakhovich. who is he?

right here in the yard, how far is she, well, just like that, in meters, so that yes, she in front of the house, today we will walk through a real swamp, so through a swamp, which is near the house, which is again twenty meters away, the uninitiated, seeing this building, will say that i don’t know, a castle, a manor, an estate, but in fact it is a mill, this is a mill, the leader from the capital will have to experience all the delights of rural life, guys, 40 minutes have already passed, let alone birds, it seems to me that not even a fly has flown here, look, i don’t know who it is, what kind of bird it is, but it turned out, well, okay, it’s a brown-headed nut, blue, we don’t see it this mill has no external blades, yes, the uninitiated may have a question, how does this mill work in general, and what does it grind, usually, usually the mill mechanisms froze in the winter and did not work, but this mill was built taking into account the fact that business should work all year round. the project i’m

from the village, watch it on the belarus 24 tv channel . this is a glove puppet, of course, it ’s old, and the show has been going on for a long time, they are already outdated, it’s not modern, others are already making them, different ones, and those without a nose without eyes, and stylized, different, different dolls, but we can’t write off this performance, well. our children love this performance, they come to it several times, as soon as the three little pigs appear on the playbill, that’s it, the audience laughs, and laughs, and laughs, and laughs, and we have him so cheerful, first of all, he’s in poems, the poems are well remembered, a lot of songs, a lot of dancing, here are the three little pigs - this is one team, the second team we have is

a wolf and a crow, so this glove puppet, you see, i use it like a glove, she very simple, each doll has its own base, like a human spine. the most important thing is not to break the spine, because with it is the head, arms, legs, the spine is the main thing, this is the stick, this is its main basis, that is, everything, the head is on it, so i’m working, you see, it’s simple, i’m working, here are my hands, you see, she repeats all the movements of my fingers, so fine motor skills, i can do whatever i want, i can sit down, hello, she’s silent, oh, okay, don’t be afraid, so i’m working with her, children really like it, for example, oh, oh, wolf,

haven’t seen, oh, ah, i’m not afraid, i’m not afraid, i’m afraid, i’m not afraid, eh, now i’ll take a doll, i ’ll take a doll called a cable doll, it came to us, well, from italy, from all over the island, why it’s called a cane, firstly, it’s on top, the artist works with it like this, at arm’s length, behind a screen, screen, you can’t see me, you see, i have to watch the nose all the time, because we people don’t pay attention. we think that we are looking, we want to go there, we want to go there, completely different from where the nose wants to go, there we look, that's where our nose is looking, that's where we look, our nose is here, and we're here, our nose is there, and we 're there, so in the doll, the doll is looking with its nose,

and we always tell our young artists, watch your nose, where is your nose, so i have to look at her, and where will i go there or what, i have to feel coordination, forward, on no one... step on nothing, so this doll is the top cane, because her hands are on the canes, that’s where the name comes from rope, this doll is still of medium weight, but there are very heavy ones, there are light ones, there are sprouts here nothing yet, you see, i already have to work with my hands, so i bow, say, hello, right now, hello, oh, oh, and what about the hairstyle? now we will try to communicate with cinderella and we invite ksenia here,

please, please, stand, so don’t be shy, you will be cinderella, not even as if, but cinderella, that means, like... in the fairy tale, remember to your mother-in-law? not very, not very, she is afraid of her, right, right, that means you are entrusted with one phrase: okay, mother, let’s rehearse, okay, mother, well done, smart, okay, mother, now i’ll be with you talk, when i give you a task, you will answer, okay, mother, okay, mother, let's try to communicate, which means, of course, i will let her go lower, so that we are approximately on the same level as ksenia. so let's try it. hmm, cinderella. yes, mother. you're a bad girl. i care about

you much more than about my own daughters. i don’t make a single comment to them for months. then how about you, my baby. i educate from morning to evening, why do you, my sunshine, pay me for this with black ingratitude, you? want to run away palace park? so, if you do all the work, i will allow you to stand in front of the royal windows, understand? yes, mother, that means the walls were knocked out, okay, mother, uh-huh, the beds fell out, okay, mother, plant seven rose bushes, okay, mother, right? oh, know yourself. it’s complicated, mother, and

i don’t know what it is. so, yes. oh, we planned coffee for 7 weeks. yes, mother. well, go ahead, run. okay, mother. thank you. well, of course, thanks kseniy. like this, approximately, when the cinderella doll, we let's communicate. i am count mihalsham, gaspadar mayon, prabachtse, who is not your teacher, packing the hell of gala pains. artist of the grodno regional

puppet theater, an honored group of the republic of belarus, leading stage master, because even when i was just born, and i was born in 1956, the city of donetsk, and i didn’t stay there for long, then my mother is from belarus, here is the brest region, my , as they say, relatives. this is the brest region, she survived the war from here, she is a participant in the war, my grandmother, her mother, she was a messenger partisans, she was betrayed by a neighbor who went to the police, my mother began to do her work in her place, she was still young, of course young, so she was also, uh, that means, a participant in the war, at the age of 7 we returned here to belarus, when i was already 7 years old, well, it happened, but i ended up in an orphanage, that is, my childhood grew up in the gomel region, at school, when i was growing

up, i always participated in public life, in all events, and of course, here there was active amateur performances, i always took part, either as the snow maiden or as someone else, then someone else, well, it was interesting to me, i studied well, i studied well, probably this was the participation all the time, uh, i played the harmonica there and danced and that’s it, that’s it, in the seventh grade at the age of 14. i suddenly decided, i will be an artist, i will become an artist, although i wanted to be both an artist and a writer, i was very interested in astronomy, the universe, i wanted to be that too, i was also interested in history, i went and decided to enter the theater institute, well, i learned a poem there, i went to enroll, i remember that the first round passed on the lists, the second round passed on the lists, the third round i... no, in the third round, well, they took someone more interesting, more talented, probably someone

showed up more clearly, what a tragedy it was for me, what a tragedy it was, oh my god my, how i cried, i was so many years old, 4 years old, i dreamed of becoming an artist, then i didn’t get in, the tragedy of my life, when we returned those who didn’t get into anywhere, then in soviet times in the orphanage we got jobs, me and another girl. to gomel, since it was the gomel region, to the gomselsh plant, when i was already 18 years old, i could already decide my life, my destiny, on my own, and i decided that i would do theater again, but i was very afraid to go to minsk, and i began to look for where else i could, and i found mogilev , as they say, the college of arts, then it was a cultural and educational school, why i chose it was the phrase: republican significance, i liked it, it seemed like something, wow, i’ll go there, i

went there, i entered, as they say, very easily and quickly when we finished in a puppet theater was opening in mogilev, and the director came to the graduation performance, to see who he could offer for the competition, to come to another competition, i played tom sawyer then, and he suggested that i come to the competition, and there we went through it like at the institute, all three tour and they took me and so... in the seventy-seventh year, on january 11, i was accepted as an artist of the puppet theater of the mogilev regional puppet theater. i had never been to a puppet theater before. i haven’t even been to the drama theater at all, no, to grasp it, yes, yes, yes, i’ll go, i say, i still have to understand, i want to work, does the puppet theater really need me and do i need it? when i worked for another year, i had already played 12 roles, suddenly i realized, this is the revival of the inanimate , and for me it came as if...