chumuchu, my wonderful teacher, with whom we are still on excellent friendly terms, and it is a great, great success for me, a great creative happiness, that it was with him that i ended up and that it was with him that we really went through life like this together, because i will say in advance that having already left minsk, i constantly returned to him in conversations, in constant activities, i cannot help but say, of course, about my wonderful minsk people of that time, olga glebovna, irina germanovna.

evgeniya, well, such a good start that they call it encouraging, well, this later became the reason for inviting me to the corpses of the odessa theater, in general, this is where my professional development began, because if we talk about the years of study, then, of course, you are in the classroom with a teacher a lot, a lot, you go through a lot, but you only become a true professional when you step onto the theater stage, and here, of course, we move on to this decade... of working as a soloist at the odessa opera house, and there, of course, i was formed as a soloist, probably because there was a repertoire there not as extensive as, say, in minsk, four or five times a month i went on stage, in general, this was the key to this, that is , regular, regular singing, what the teachers invested in me gradually crystallized, and now it became mine, i was already... starting to gain confidence

on stage, having arrived here in general for the first year, i actually came straight to the school choir, i really liked it, i’m right there in the gobilene hall, i’ve already heard everything, i’ve already come running, that’s all sat down there and let’s sing too, the teacher is not mine and says, well, what are we we’re doing solo vocals, we need to drive the choir out of ourselves, we need to get the timbre, you ’re leveling it out to fit the part, you need to look for some kind of solo, and here i’m fighting a lesson with you, and then you run again, this is not good, you scolded me. speaking for this matter, but i still loved it very much, i mostly went to choral concerts, that is , i imagined more there, well, this happened, that is, when from class to class i suddenly heard some notes in my voice, i liked something, some works, then i finally ended up in this theater, because for the first year i actually didn’t go here, i really went to choral concerts , i spent time at the philharmonic here and there, that’s what i listened to, but opera was for me, well, it’s somehow yes, yes it’s somewhere it's far away. when i came here i remember, it

was the royal bride, i remember this absolutely precisely, because i was really taken by this, because i already had some kind of interest in my solo performance and interest in my voice, it suddenly vibrated i have from lesson to lesson some things started to work out, you know, when you take a piece, you get 10% of it, but 90% don’t work out, but you don’t really like it, you’re sweating all the time, coping, overcoming, something like that, well, no, when suddenly... you look here, it’s already good and here it’s even beautiful, a note vibrated somewhere, well, these were some childhood experiences, but nevertheless , interest in something like this appeared singing already for a solo, for some kind of tendr, i suddenly became interested in listening to him in the recording, how it sounds, how it changes, because we don’t recognize ourselves on the recording, we’re all, well , this is a well-known effect now, that it seems to us that our voice is ours, our voice is unfamiliar to us, but in the recording, it's the same with vocalists. that is, how when i sing, i don’t

imagine myself a little differently, when i listen, i can only control it from the outside, probably then and then naturally after college, when i graduated already... well, i already felt, that i am interested in a solo career, solo singing, then, when i was already studying at the conservatory, that is, my voice also developed, that is, as did my physiology, and then i realized that he was quite a great material, that is, suitable for opera singing, because opera, after all , not every person can sing this in an opera either, a priori some material is given, it can be developed, embellished, brought to some standard, but increasing it... the size is very difficult, that is, well, you can add a little something new to it , but it doesn’t matter what it is, it will be like that, that’s it there is such a concept as chamber voice, chamber singing, that is, well, not for large spaces, so to speak, performances, entering the theater, about searches, then

competitions, this played a big role, i have been preparing for competitions since the third year, we had an emphasis on this, i think this is very correct, because when a student prepares for a competition, he mobilizes, of course, this is... in my life, from the third year i was already preparing for one competition, for the second, for the third won them low, that is, well, these were these steps, steps, steps, that’s actually why opera singing, because that’s how i somehow rowed there all the way deliberately, you know, when the news that the order was signed, that i became the people’s artist of belarus, it’s interesting, that is, she’s from ...

well, i’ll think about it, wow, what to do next, everything now, everything, now they’ll start asking, well, come on, well, that’s it, now i have to, i don’t know, what’s there, what who else is above singing everything or something, that is, well, some kind of feeling is a little not very clever, but it was very pleasant, of course it was from number of congratulations - from colleagues , first of all, because i also say that this is very important, when you feel well balanced with the team, your friends, with creative colleagues, and i would be very pleased to hear warm words and not, well, sincerely, you know, that is , well, not just some people on duty, but somehow with warmth from the orchestra, the guys from the choir artists, well, all the services, so i went for 3-4 days,

just exactly it turned out so very interesting, that is, at different moments, it was just when we were preparing for the concert on july 3, the whole theater was buzzing, there were a lot of people. and a lot of calls from tv channels of invitations, it was very pleasant, very, well, of course, it’s nice when you want your work, i, in general, well, by and large, have been working in minsk not so long ago, that is, 16 seasons, well , that’s a lot, but 30 people work 40 people in one theater, and in our theater there are such singers, so i was very pleased, of course, that such a fairly short period of time, i was like that, and i also received medals for one title.

siberia right here in the western part of our country of the then huge soviet union, and then i really remember myself growing up and becoming a person...

so that your parents, so that the people you probably meet in life, so that they are persistent in these things , i don’t know, in

the sentence in the sentence of the required book in slipping this is that we went it was like a subscription to the theater once a month was like this, that is, we came to the theater together once a month, always watched some kind of performance, here first of course it’s still resistance from a 12-year-old to eleven-year-old child, but then i still remember this feeling when i already knew what i wanted. going to the theater, which i already like, i already got to know the artists, i already got to know them, so to speak, that is, this, of course , probably also played a huge role in my future, then this was the basis for me, so to speak, so dad is also a musician, naturally a performer of ballet dancers, conductor of a folk orchestra, i also remember, of course, how, well, probably, this is present in all children’s lives, when they attend their parents’ work, you know, that is, there is an orchestra of folk instruments playing, and somewhere in the corner i’m either drawing, or running there, or with...

they say, don’t crush the gene with your finger, as they say, yes, that is, for some things were completely natural for me,

they were revealed there, i don’t know, to hear music, some kind of harmonies, that is, well, this is what was inherited, what they call it, i easily learned, easily entered into some, i don’t know , there the games were given to me, i didn’t have to sit there for a long time, gouging it out, it all quickly fell on my ears, it was all quite fun and it happened easily for me, that is, i did not have to overcome it. i felt good about someone in this matter, my wife, she’s a loner, also my, i don’t know, friend, comrade, colleague, well, we met on one of the first days, the entrance exams to the odessa conservatory, from then on since then, in general, we began to study together with the student, then together all the excerpts in the opera studio, in... well, from morning to night, so to speak, well, probably, this is probably how you should check, probably,

the person with whom you are going to live your life, then it takes a long, long, long time to do something, we really were together so much at the conservatory that when we suddenly one fine day in the third year announced that we had signed our names, that we, well, the student body was very poor then, no weddings of course they didn’t arrange it, well, we signed for the course , they said, guys, tomorrow we’ll get together, we’ll sit there, because they say ugh, before trifonov signed there with rmanenko, it wasn’t even... interesting, we were waiting for some, well, something like that, well, here it is everything is smooth so well where and where is this, i don’t know some kind of passion there or that face there is nothing everything was fine we really, well, i... felt that this was my person, that i would be comfortable, so how logical it is completely from that , what was happening, he proposed, we decided to get married, all this happened, and then here are the children, my children, and they are also part of this theater, because my eldest was jumping, lord, it seems like it was just yesterday, just like that, here she is i've been running

for 19 years now, i'm a big girl, so well, also a papagen.

well, well, emotional like any probably artist , it happens that sometimes he himself is like this, something is there at home, well, children, children, there are children , you shout at someone, you shout something, and then you go and suffer for 2 days that somehow it wasn’t worth it, probably, well, i i i i want to be strict. disciplining dad, but it doesn’t work out, because in general i’m probably not that kind of person by nature, so for a long time, like the cult of leopold, remember, i can’t be angry for a long time, kind, i’m terrible, that’s roughly how it all happens, well, success like this, well you know, like success, it seems to me, this is the state when, because if

we talk about the local, that is, in the moment of just applause after the performance, this is of course a very pleasant moment, but it is for... so short, because that as a rule, this is also if everything has not yet cooled down , everything is still flying, everything is flying, and you go out, only then, you know, there is still such a moment, this is also allegorical, but also this is the price of success, these are the flowers , here are colleagues, applause, a full hall, everything is shining, and you go into the dressing room, take off your costume, take off your makeup, come out, and now, like this, like this, like this, it ’s sorted out in literally two or three seconds. this stage, it’s empty again, the hall is empty, it’s already dark, and you ’re literally still prince igor, and you’re leaving already, and you’re stanislav trifonov, everything’s an ordinary person, that’s it, and this state hasn’t left you yet performance, everything is already empty, everything is already empty, and then the next one is being edited , something else is happening and this moment is

pleasant, but it’s so fleeting, very fleeting, so i don't know. i think for any artist, because you know, we always take the first exam not in public, among our own people, we have a lot, we have an orchestra, let’s say 60-70 people, they are all musicians from 5 years old, 6 years old everyone plays the pipes there, everyone is deeply immersed, so to speak, in the topic, they know the opera very well, they have heard many of them, here is the choir,

the choir artists, colleagues on stage, you can always feel how they relate to the one who works on stage. and well, when the relationship is respectful, when the relationship is with interest relate to your work, this, it seems to me, is success. do you know who these bookworms are? their rights are being distributed by uladzimir karatkevich. geta are smugglers, but not

extraordinary ones. the lads and the balots were given just the same books that the royal race had fallen to the baron. what kind of literature is this? no, it’s not just the most popular advertisements. menavita in the boats of booksellers in our land of traps and... non-volatile collection of poetry dudka belaruskaya. at the literary salons they didn’t care what was wrong, they sold it it was published not in bookstores, but in the countryside. meat bagema is not such a bad thing. and the books were made by maciej buraczok. and i write not polish, russian, but french, which was spoken by the swordsmen, in the language that everyone in our region knew. but many of them are fermented. i myself think that our language is a man’s language, and only that, except as i was taught to read, write, from that couple i was the same,

the language of what i read, and i say that our language is the same skaya i panskaya, as well as french, and even german. bravely move on clock skverdzhane. these people were wondering: who is he, maciej burachok? at the top. let me know, i am the most extraordinary peasant. malisya, granny, for god's sake, if i were not a panam, i would not covet any stranger, my own dzela, as a slave, yes, as i would reveal troubles, this cunning attack, in order to forget the traces. extraordinary, the makhlyars of the prastalyudzina pass themselves off as a certain nobleman, let’s say, a caral, or a marquise de carabas, here it’s all wrong, let’s say, a peasant mask. hava's ancestor to the bagushevich family. grandfather francis would be at the maternity center cavaliers, father, give kulyana to the gentlemen. yes, i used to be poor. at the list of students

of the vilensk gymnasium of the young franak, it is stated that they are unhappy with paying a fee for the training. kali and vilni are the first museum of ancient history, and all of bamont. requested by 16-year-old. how did the lad deserve such pashan? yon adshukaў and transmits at the museum chestnut rivers, in your face there is a certain historical truth. diligent youngsters have a list of young graduates from the gymnasium. the routes near st. petersburg university are closed. franak is up, and before the end of the semester i am writing an application asking for your approval. why are you so upset? bagushevich tlumachy. the winds of the russian capital of the capital float on healthy conditions, the smoke here is completely different. in

petsyaburg there was student praise, squabbles with fingers, then the aryshty began to fall, and the grown-up lads did not chuck, pack and yago dabyaruzza. franziszak lives in radzima and is a teacher in a rural school in lidchyna. idylya, clear wind, steamy. small and good mission - bring light. ale and on belarus is becoming restless. easter of 1863, bagushevich's snow fell on radzim. the forest was brought to the town of nizhyn, charniga province. in a foreign country, he begins to live a new life, and falls in the hands of legal entities. yago chakala pasada sudovaga sledchaga, service to the celebrants of the great empire. travel from city to city. my native land has only known about the past 20 years. vartaўya ўzho not adzіn, s zhonka i dzetsmі. vilna is improving her advocacy

practice. i would give it up, the profession is well-earned, but bagushevich’s main clients are the peasants. what is their connection? zhmenya medzyakov, sciply grub from ulasna gaspadarki. all and all ganarar. no, not at all. yes, people's love. i padzyaka. let’s say, villager volski from kraska volastsia, in the name of the elder of the akrugova court, write: “the jumping paverans bagushevich, at the mercy of their spagadlivastsyu, listen to the folk belarusian gavortsy of those who are dying on the yagon i'll help." the results of the lawyer himself were claimed and the results of volskaga were taken for nothing. advakatskaya dabrachynnastsya did not bring her belongings to the house. and there was a need for this from time to time. to earn an extra penny, franciszak stands for journalism. iago materyyaly - feeling zahaplyalnyya, vostra na

pyaro karespandent. we have uncovered the sick officials, be healthy, even saved for our place more, for all sanitary purposes, washed away the smear-dusting dirt, hours before we attacked any sanitary detectives, like lawyer bagushevich in eating a lot of shortcomings, you can avoid their destruction, and you may suffer from it. some exciting bestsellers, and bagushevich abra in other ways, he is behind... and creating heights for his people in yagomov. here i am writing about this songs of all these: i play little skripadtsy, well, well, let’s go and may the monk will end with the instruments: the belarusian pipe, that’s what it’s called. there were more than 80% of the population in belarus back then. this salt was treated in the most unshameful way: wickedness, inadukavanastsya, hatsya

menavita... there was such a lot of people in such a way that they strazily topped my pile, just like that man before the scan, who borrowed money, and then immediately froze. don’t give up on our belarusian language, if they don’t die. the paetychny collection of the belarusian pipe was published in 1891 in krakow. there is a burden on the radzima autara forwarded. maciej buraczok, and then such a riot fell into the pit of ukhovanka. in 1894 , a book by symon reuki from barysava was published. toy pіsha: i'm so sick of maciej buraczk that i'm starting to fall apart myself. i'm all closed to you. the leaders of the past came from the people,

roared in the small-town kirmashes, the salayan fears began to fall, they were rewritten, memorized. bavushevich often travels from the city to his native meats, to the forests and villages. any gutarians with simple shepherdesses, tell them a certain story, give it for a nickel on tsukerki. needless to say, the daughter loved the dachshund, with the success of the writer. possible svayak from warsaw packing franzіška

vyalіkaya spadchyna. he speaks fluently, goes to work, encourages his father’s marriage in kushlyany and takes up his love on the right. bagushevich is a slounichak native language, which is closely related to the belarusian grammar and writing. yon mary pra tsely arkestra knіg in native language. tretsi yago collection - belarusian violinist, and now his misfortune brought his hand to the provincial drukarna, and the top, who knows, maybe the yanks will appear in the archival elections, nyashmat hour bagushevich was admirana free creativity, healthy porashalas, patheat the family cola its shasciyatsіgoddze and unfavorable life in eternity, which means at the end of the day, which is a sluggish work іў, how could you wash? how

the shchodra goes away and the forgotten grains thrown into it. the life and glory of bagushevich will not come to pass. the navat close didn’t realize that i had grabbed the salayan gavorka. he looks like a white sheep. oh, give me a close, if only i could hear the voices here. the geats seem to be prophetic. at bagushevich's watch adzinki wrote to the belarusian people. ale praisy bastards shepherding the death of books in their native language are starting to come out one after another. yanka kupala, jakub kolas, tsotka, maksim bagdanovich, zmitrok biadulia, the tops of maciej buraczk grew up with talented young men and women. samotny sang pipes and lively archestras.