what do you think, how do you do this? that ’s absolutely right, meditation is a kind of meditation, well , it just helps me to take my mind off everything, that is, i embroider and just relax, but maybe i’ll try, well, at least a couple of crosses, i’m incredibly interested in understanding the principles of this work, you can, the main thing now is nothing don’t spoil it, well, you can fix it later, if you fix something, of course, but my work, i think everything will work out, look for three threads from this edge down, three. yeah, yes, and what next, straight, straight, calm, just looking for calm, let's aim, right here, right close, yes, that 's right, yes, to the next row, well, it's clear why you did it for a year, sorry, it's not a matter of practice, but the fact that you need to be so attentive and careful, yes, manual embroidery - of course it’s not easy, but it’s very interesting,

especially when in the end you see the wonderful result of your work. shouldn't i try another type of native craft? alexander, tell me, what kind of beauty do you have here? i weave linen. four-nit quality is loaded here. this is some kind of separate type of patrimony, special for your region? well, most of our grandmothers wove four-nut. what is its peculiarity? probably here it is. it’s not like when you press the knives, a pattern opens, these are our shuttles, but uh-huh, this is our patterned thread, and then this comes after, as if securing our drawing, well, for me this is higher mathematics, i’ll tell you, all these threads, there seems to be nothing complicated here, you all say so, yeah, when you sit down at this device, difficulties begin, but

difficulties don’t scare us, however, we’re trying, now we’re pushing the extreme, it’s here leg and here, oh, yeah, listen, well, every time is like the first time, it’s not a bicycle, so you learn, and now we nail it, once, again, twice, now we tuck it here with a colored thread, boat, so... we make sure to watch the thread so that it doesn’t get tangled and carefully straighten it, and once again we nail it twice, once twice, and why do we do it twice, so that we’re sure it’s tighter, when children nail it thinner, it becomes looser, drawing , rearrange the legs and nail the thread again, then skip the shuttle is a different color, i’ll tell you this, in this case the main thing is to remember the sequence of actions, then it’s a matter of consistency. and from

the precise technique, every position, as if, when we change, we insert a thread, here we nail it again, one two, one two, i just sincerely admire people who treat this type of art with such trepidation and respect, because this is total work, total diligence, you need to apply patience, calmness, inner harmony, you can... this list can be continued endlessly, as they say, patience is the mother teaching, i’m sure it will certainly be better next time. the physical culture and health complex is a new modern site where there is everything for active recreation and leisure. well, go ahead, get healthy and have fun. swimming pool, slides, fitness. what to choose?

do you want something new and definitely active? table tennis is a great idea to pass the time without getting bored. alexander nikolaevich, tell us, how much interest does this sport attract among children and teenagers? because this is a very exciting game, it is quite accessible, very interesting, children develop physically during this game, as well as mentally and psychologically. how many of you do you need? by the way, the guys have had very solid successes; we are multiple winners of regional competitions, as well as republican ones, in the past.

do you need to develop yourself to play well? at three, i will modestly note these are the qualities , first of all, a child should be able to hear, especially a small child should be able to hear a coach, character is very important child, the desire to win, the desire to fight to the end, the thirst for victory, that is, the thirst for victory, that’s right, since i’m here, teach me a few successors. said , done, let's start with the basics, here's the racket, first of all you need to be able to hold it correctly, the grip of the racket, we take it in this way so that our index finger is on this side, on this side three fingers clasp the thumb

the racket is close to the base, let’s try it with you, come on, it doesn’t look difficult, i naively thought, but we’ll learn... we’ll keep learning, this means that our movement is from below, forward, up, below, forward, up, it’s very interesting, but nothing is clear, well, let’s try, let’s do it again, it seems good to me, and the first goal missed doesn’t count, but let’s call the coach for help and urgently, let’s do it like this together with you, let’s put the ball, i’ll release it and we’ll do it. it seems that something started to work out, not for long,

however, by the way, i like running after the ball more than hitting it, oh, well, almost, it seems to me that you are somehow serious about this process. spin, don’t spin, what are you, spinning something else, have pity on me, no matter how i didn’t beg, i didn’t ask, but the opponent still didn’t pity, that’s the true champion’s trait: to fight for every ball and to the end, no matter on pressure. overall, it is possible to master the skill; it will just take a little more time than i expected. well, nothing, no defeats, no victories, as they say, i’ll practice. another couple of years and i’ll definitely take revenge, and we ’ll move on.

an organization was founded in germany source of life, its task was to stimulate an increase in the birth rate of true aryans, as well as to increase the german population by naming children from the slavic peoples; children were removed from families in the occupied territories and subjected to germanization. now there are ukrainian neo-nazis.

ksenia lebedeva’s author’s view on the policy of double standards in the project is different. watch on tv channel belarus 24. the osipovichi land is rich in talents, when

these talents gather in one place, you can’t miss this, let’s get acquainted, irina petrovna, hello, tell us a little about the history of your group, this is the folk ensemble of the folk song vyazevsky rural house of culture of the osipovichi district vyazye - a land rich in talents, it is simply nourished by nature and therefore. an ensemble, like everything else on this earth, could not originate, it had to be something special. 9 years ago, by some coincidence , a duda appeared in our ensemble, so in addition to singing, we mastered folklore, we also mastered mastery of hand embroidery on linen. this is what talented people mean, talented in everything. well, share your successes. well, since we raise from the depths everything folk, everything real, our creativity was appreciated

, just recently our ensemble received the title of honored amateur ensemble, which we are very proud of, we will try very hard to live up to, well, i want to ask you to perform something, but simply we sent our little one. happy if ours were happy, happy if ours were hot, if ours were green, if ours young, if our young, he took the girl, and the girl, budze zhonka yon myane. the soul is asking to dance, but it is not without reason that it is deserved. it turns out that another local team

was recently awarded this high title. let's go get acquainted. our team is called divaki. we have already existed for more than 30 years, many of us, the majority, are already professional musicians and performers. basically, the repertoire consists of arrangements of belarusian folk songs, arrangements of our belarusian composers. of course, we perform works. akhannachka was a young girl, from the luxurious breath of the forest,

a ganachka was gone, a young girl was gone, a beautiful mountain breathed, my mother had a life like cherry blossoms in a green garden. time, because with each new meeting this city opens up anew, and my name is vika

poplevchenkova to the fast routes of the breed and beautiful belarus. tv channel belarus 24 broadcasts for you around the clock, don’t switch. our daily task is to talk about belarus in the country. abroad. more than 100 million viewers around the world have access to watch projects from our tv channel. so what is it like, belarus? business and developing, hospitable, bright

and festival. generous, picturesque and monumental, sports and team. we tell you not only about significant events, we introduce you to active, energetic and inspiring people who live in belarus and do everything for its

development. belarus can be different, to understand and feel it... you need to see it with your own eyes. hello, dear tv viewers, the belarus24 tv channel is on air. watch us every day, because we are making belarus closer.

hello, good afternoon, welcome,

bolshoi theater of belarus, place. the last preparation before going on stage, such, you know, as they say, prayed for, but not prayed for, like sacred in terms of wasted nerve cells, when the last 10-15 minutes before going on stage , sparks are thrown here, people's, honored, kings, princes, beggars, heroes of operas, the day begins in the opera house, we begin to warm up our voices, we begin from... it is there, it will answer, it will not answer, well , gradually, gradually, about 40 minutes, probably an hour you need to spend in this state, then the work begins , here as you can hear now, the bell is calling us, three rings, this means they are already waiting for us at the rehearsal site, and we will have to go there. you see, the rehearsal hall

we have here is very good, it’s convenient , you know, it was built for us, otherwise not every theater, i must say, has such a rehearsal stage, which well, repeats the stage, our big stage, the main stage, and even the slope, which is present on our stage is also repeated here, that is, we have a full-fledged platform for rehearsing, very cool, of course, well the orchestra pit sits here when orchestral rehearsals take place. now we are preparing for the rehearsal of the yalanta, which we are preparing, literally preparing, now, here is a big theater, but what does it mean, well, like a big theater, it seems to me that these are a combination of these two words. it already, in general, defines it, because indeed, well, this is the central cultural institution of our country, naturally, you see, rehearsal rooms, we talked about what they are, well, from a

technical point of view, this is simple, but speaking in general about the significance, well, this is a cultural center, but what is this place where people strive to get to as a spectator, as a performer, this is very important, it is very important to have such a serious point and support, you know, a big theater, these are things like that, well ...

ending with how many, what number of people visit from the districts, the periphery, it’s so very beautiful, very cool, it’s located, say, our country, it’s a theater, a large number of buses, excursions, come, just to see how it works, how it works, this is a serious big production, so let’s say, it’s a performance, it’s fun, it’s good, but... for it to be fun, it’s good, it’s either sad, it’s a little sad, but a huge number of people work, sewing shops, i don’t know, there are set decorations, prop makers, well, about artists, that is, they are visible on the stage, but how many people are still not visible, how many more people take part in the activities of this huge institution, this is serious. great, hi, hi, listen, you did a great job, you did a great job,

you know, like a doll, like this, listen, definitely, nothing, i’ll comb it, the artist is interesting with his uncertainty, his constant search. that is, as they say, just like lazy people, it’s the best to work the best so that they don’t redo it, as they say, so here an artist, well, an artist is a person i don’t know, well, he can’t be satisfied, then he will be it’s interesting to watch, because even the desire to constantly, constantly win the attention of the public is the desire to do better and better, since no one has done it, well, that’s it, probably, that is, actually based on ambition.

to say my decision, probably the most important thing is the emotional mobility, emotional excitability of the actor, if this is not there, then it is very difficult to work with this material, well, that is, you can train it somehow, but it will be very difficult to make a person a personality that does not attract attention . , with such partners, here i am, well, here we have guys, nina sharubina, seryozha frankovsky, well , i can’t name everyone and i don’t want to offend those i didn’t name, but who we worked with the most is very, very good..

this phrase is directly related to after all, they win not by force, but by mind. not only muscles, but also

the brain need constant training. this asian city has hosted both the summer and winter olympic games in the world. vladislav. beijing, beijing, that's right. according to the rules of the game , participants must go through four periods, answering difficult questions. third level. paris, london, new york. name the last city, provided that we are talking about tennis. sydney. you were very close. let's do it again. which league winner gets the cup? to larry o'brien. nba. nba. this the sports equipment is installed at a height of 2 m 43 cm for men and 2 m 24 cm for women. what sport are we talking about? let it be volleyball. watch the intellectual and sports show "head game" on our tv channel.

i became a student, a student, yes, that’s correct, yes, a student at the glinka minsk music college, that’s it, that is, after the tenth grade, for a year i... experienced life, worked at a factory there, i don’t know, something else like that , that is, having not entered, in the eighty- ninth year i then, in my opinion, no, in in the nineties, it was the year, i came to minsk, entered, well, beforehand i, that is , i actually sang the audition, first, i came to adam asmanovich murich, my wonderful teacher, with whom we are still on excellent friendly terms, and this is a big , it is a great success for me, a great creative happiness, that it was with him that i ended up and that it was with him that we

really went through life like this together. because i will say in advance that having already left minsk, i constantly returned to him in conversations, in studies, constant, i can’t to say, of course, about my wonderful concert performances in minsk at that time, olga glebovna, irina germanovna, my good, dear ones, these are comrades in arms, the first people who praise, but who like this, well , a teacher, he is strict a priori, that is, he demands, and the concertmaster, he’s like a mommy , to protect something somewhere. well , nothing, nothing, something like that, i’m really very grateful to fate that i ended up here, especially in this first, so to speak, still youthful stage of training, in these warm, soft and strict at the same time the hands of adam osmanovich, muzhdeche, who brought up both a love of music and some firsts in life, well, i still left my family, you know, that is -

17-18 years old, a completely young person and it’s important that there was a good example, a good older man nearby, who is still just a resident, so to speak, will somehow advise, give advice, having drunk in these corridors, doing competitions, having passed certain ones, that is, well, i made the right decision by choosing odessa, because already in general -in my third year i won a competition in charles varakh received an offer already as a student, in my opinion, on the fourth. course to come to prague and perform the part of onegin, that’s basically where my debut took place, i was still a student, but i was no longer a soloist of the odessa theater, but i was already invited to perform the title role of the opera, evgenia, so what? a good start, what they call encouraging, well, this later became the reason for inviting me to the corpses of the odessa theater, in general, this is where

my professional development began. because if we talk about years of study, then of course you in a class with a teacher you go through a lot, a lot, a lot, but you only become a truly professional when you step onto the theater stage, and here, of course, we move on to this decade of my work as a soloist of the odessa opera house, and there , of course, i was formed as a soloist, probably because the repertoire there was not so extensive when everyone was in minsk. four or five times a month i went on stage, in general this was the key to this, that is , regular, regular singing, what was in me gradually crystallized the teachers invested, now it was becoming mine, and i was already beginning to gain confidence on the stage, when i came here, in general, for the first year, i actually came straight to the school choir, i really liked it, there was a tapestry

hall there, i had already heard everything. i came running and sat down with the bass there and let’s sing too, my teacher tells me, well, what are we doing solo vocals, we need to drive the choir out of ourselves, we need to get the timbre, then you level it out for the part, you need to look for some kind of solo, and i here... i’m fighting a lesson with you, and then you do it again running, this is not good, he scolded me, in short, for this matter, but i still loved it very much, i went to mostly choir concerts, that is, i imagined more there, well, this happened, that is, when from class to class suddenly i heard some notes in my voice, i liked something, some works, then i finally ended up in this theater, because the first year i actually didn’t go here, i really was missing out on choral concerts and the philharmonic back and forth, this is what i was listening to, and opera for... i had it, well, somehow, yes, yes, well, this, well, somewhere far away, so when i came here, i remember, it was the royal bride, i remember this absolutely precisely, because that this really got to me, because i already had some kind of interest

in my solo performance, an interest in my voice, it suddenly vibrated with me from lesson to lesson , some things began to work out, you know, when you take a piece, you get 10% of it, but 90% don’t work out, well, you don’t really like it, you always... him in the recording, how he sounds, how he changes, because we don’t recognize ourselves on the recording, we’re all, well, this is a well-known effect now that it seems to us that our voice is ours ... our voice not familiar to us, but in the recording, it’s the same with vocalists, that is , when i sing, i imagine it a little differently, and when i listen, i can only control it from the outside, then probably then it’s natural after college when i finished, well, i already

felt that i was interested in solo career, solo singing, then when i was already studying at the conservatory, that is , the voice also developed, that is, like physiology... it also grew, then i realized that he was quite a material, that is, suitable for opera singing , because opera, after all, not every person can sing in opera, a priori some material is given, it can be developed, embellished, brought to some standard, but increasing its size is very difficult, that is, it’s a little wear and tear you can add it, but it doesn’t matter what it is, it will be like this there is such a thing as chamber voice, chamber singing, that is, well, not for large spaces. let's say, performances, now going to the theater, already searching, then competitions, this played a big role, i was preparing for competitions from the third year, we had an emphasis on this, i think this is very correct, because when a student prepares for the competition, he is certainly mobilized, this

is very so in my student life, so to speak, from the third year i was already preparing for one competition, for the second, for the third i won them low, that is, well, these were these steps, steps, steps and... they already began to write, well, when they published this on the website, that the title was awarded, the order was signed, you know, of course, it’s very nice , firstly, it’s nice, because such a reaction was warm, i don’t even know about

myself, well, well, i’ll think about it, wow, what to do next, everyone now, everyone will start asking now, well, come on, well, now you have to sing everything, i don’t know what else, or what? that is, well some kind of feeling is a little not very clever, but it was very pleasant, of course, from the number of congratulations from colleagues , first of all, because i also say that this is very important, that’s when you feel well in balance with the team , with my friends, with colleagues, creative people, and i would be very pleased to hear warm words and not well, sincerely, you know, that is, not just some kind of duty, but somehow with warmth. from the orchestra, guys, from the choir artists, and all the services, so i went for 3-4 days, and it just happened to be so very interesting, that is, at different moments, it was just when we were preparing for the concert on july 3, here the whole theater was buzzing,