popular based on the results of last year , it has proven itself well, probably on the eve of the same summer period, current developments in our oil and fat industry, in particular, i think it will be interesting for the consumer to try rapeseed oil with the aroma of dill, rapeseed oil with the aroma of butter, it sounds a little so unusual, but we think the consumer will be interested in this and at least want to try something like this, limited editions will also be released...

but at the same time this is ours, let’s say so, an advantage, that is, thanks to these standards, thanks to these criteria, we are able to produce products of the highest possible quality, which means the competitiveness of our products increases, to what extent do belarusian standards correspond to international requirements, are there any problems with supplies abroad? we don’t have any problems with supplies abroad, in principle, all issues are resolved in a working order, that is... for certain

markets, for example the middle east, it is necessary to obtain certificates accordingly kosher, halal certificates, this never becomes an obstacle, that is, it is much more difficult to find, let’s say, a consumer, a buyer of our products, but if this is done, then obtaining these certificates is already a certain formality, now active work is underway in the country on diversifying sales markets, finding new partners, how does the concern work? in this direction, in recent years a lot has really been done in this direction; in the second half of last year we began to actively reach the same the african market, in principle, the agreements that we had already in the fall, they continue to be implemented this year, this is, first of all, the supply of our brewed malt to equatorial guinea, this year we added the republic of guinea, supplies to the sugar industry are actively developing, that is, they also continue. ..

deliveries to morocco, to hanna, that is, this is the african continent, in addition, for the first time this year we supplied our sugar to afghanistan, to mongolia, respectively, that is, these markets were once for us were considered quite distant, it was much easier to work in closer markets, nevertheless, we set ourselves such a task with success, i think we are fulfilling it, but we certainly cannot stop there... last year we made deliveries to mexico, for example, therefore , all the markets are interesting, this year we have already delivered to new zealand, and accordingly, as you can see, almost the entire globe is familiar with our products, so we will continue, let’s say, to carry out such diversification, the only thing i want is still add that while diversifying, it is important not to lose our traditional markets, that is, we are developing new markets not by leaving old ones, that is, because...

the world cup ended in thailand. in the final of the president's cup there is the most unexpected pair: zhlobin metallurg and brest. the history of the championship has been rewritten again; never before have the sixth and seventh squads of a smooth season reached the golden series. we review the most interesting event. british runner raskuk, known on the internet as the most a strong eccentric, a year ago he set his sights on a record; he wanted to run across all of africa from south to north. two-time world champion.

steeplechase anouk guernier set a new world record for the kanata climb. a thirty-four-year-old french woman used her hands to climb to the second floor of the eiffel tower. we listen to opinions.

yama, apparently ole, everything is fine, calm down, your exit will soon, i’ll banish you, don’t be afraid, my god, we have a nice moment, like, like, khimka was lying in the ass, ratuyce, yes help, from excitement stefania has a name instead of a name ganka escaped khimka. this is a complete failure. and such forgetfulness of the aspiring actress caused sincere laughter from the audience in the hall. but this is the failure of a young actress, not even an actress,

but an extra who worked part-time as a dancer in the theater. they didn’t force stefania staniuta to give up her dream of devoting her life to the theater. now everything is the same, only louder so that they can hear in the last row and a little larger with their hands, then in the early twenties it was truly a temple of art, the actors were considered celestials, and every premiere become, once again, stefa, stepha, stepha, your exit, then in the twenties of the theater. art and belarusian drama were firmly integrated into the cultural life of the republic. in the mid-1920s, another significant event took place in minsk. in september, the opening of the first belarusian state theater, later the belarusian academic

theater named after yanka kupala, took place. the repertoire is based on works of already famous belarusian writers and playwrights. in the corpse, along with famous actors, is the very young stefania staniuta, chorus girl, dancer, extra, she she took on any job, despite her first not entirely successful steps on the theater stage, the talented girl was noticed, she was unusually flexible and obsessed with dancing. parks teas dissolve toro. in a photo studio on sovetskaya street in minsk, elya was hastily arranging props. a contingent of people, young actors, including young actresses, were waiting. elya

even paused for a moment in anticipation of a pleasant meeting. memories flooded in. madists, actresses, this was his element. yes, there were times. slim, posture, plasticity, what a virtue,

in an instant, the cherished photograph was taken; in order to train belarusian actors for national theaters , the belarusian drama studio was founded in moscow in september 1921 in a primhat that thundered throughout the country. among the first students is sixteen-year-old stefania staniuta. there are only 14 of them, names unknown to anyone yet. when the voices died down in the hotel, elya, secluded in the darkroom, looked at the faces of the young people with interest. taking out a portrait of one of the girls from the developer, he carefully peered at her

image: attractiveness, magnetism, definitely a future great actress. as time will tell, the experienced photographer’s intuition did not disappoint. in moscow. the best teachers and directors of mkhat worked with the students. the studio had the status of a university. and the students’ graduation performances were discussed with great interest in theater circles in the capital. students of geatsintova and smyshlyaev herself. the studio students perfected their talents already in vitebsk, where on the basis of this graduation the second belarusian state theater was created in 1926. names to the ear: pavel molchanov, konstantin sannikov, alexander ilyinsky, stefania

stanyuta. then the best traditions of the belarusian theater began to take shape. after the next performance in the first belarusian drama theater, in the empty hall, one could see an actress who seemed... did not decide to take a step forward in order to go on stage and start living there in a completely different world, in a world of problems, human passions, at the same time her consciousness rattled off only one thing: i wonder how my life will turn out here in minsk in the theater that i dreamed about so much? in 1936, another premiere was expected in minsk, wolves

and sheep according to ostrovsky. director leonid rakhlenko entrusted the role of glafir to the young actress stefania staniuta. emotionally, has excellent command of words, gestures, facial expressions, and is flexible at the same time. the beautiful, cunning, insidious glafira performed by stanyuta captivated the audience. there was tense silence in the office of theater director fanny allaire. she herself literally froze by the phone, afraid to move. nearby , in a motionless pose, is kondrat nettle. yesa, who laughs last, which he brought to the theater. it was written that it is called from the wheels, also not even printed. but the production had to be coordinated with panomarenko himself, since it really did not fit into the realities of the time.

from odessa, where the theater was touring, when the war began, the difficult journey of evacuation to tomsk and working hard, performing in front of the wounded in hospitals, in front of soldiers as part of concert brigades, was received with special warmth by the soldiers, the wounded, emanating from her. energy is what will later be called the soul of the people. in september 1944 , she returned to liberated minsk from the theater's corpse. the city lay in ruins, buildings were almost destroyed everything, in place of just one wall. carefully

entering the dilapidated room, stanyuta found herself in the hall where the photographer elya had once so helpfully bustled about. bricks, broken glass and photographs scattered everywhere are reminders of that past. peaceful life, pulling one out from under the rubble, she put it in her purse, like something very close and dear. in september 1944

, kupalovtsy began its post-war theater season. stanyuta already has the status of honored artist. roles in films, but the most striking and memorable, perhaps, was fashion in in the play haraltemot, a eccentric eighty-year-old madam with whom a young man is in love, she is frivolous, a woman who does not feel her age. and this is about her, stefan staniut, who at 95 loved to repeat: “i have never felt my age.” how many times have i appeared on

this stage? probably countless. 200 roles played. images, characters, roles, major and episodes. what have all these years been like? i wonder which period of them is especially dear to me, probably each in its own way. having lived a long life, where eras and events successively replaced each other, stanyuta became their personification, creating. in every time there are images of heroines that are so close to our contemporaries today. portrait of the daughter of the artist mikhail staniuta in the national art museum. she is only 15 years old, she lives with dreams of the theater. a girl

with one in front of her looks at us from the portrait. life! analysis of the opponent, work on mistakes, choice.